All site ▾
All site▾
Free sheet music
Sheet music books
Digital sheet music
Musical equipment
My account
(log-in)
$
$
EUR €
USD $
GBP £
CAD $
CNY ¥
Français
Free Sheet Music ▾
▽ INSTRUMENTS
ACCORDION
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET M…
BOOKS
BOUZOUKI
CELLO - VIOLO…
CHARANGO
CHOIR - VOCAL
CLARINET
CORNET
DOBRO - GUIT.…
DOUBLE BASS
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEORB
MANDOLIN
MARCHING BAND
MARIMBA
OBOE
ORCHESTRA - B…
ORGAN - ORGAO
OTHER INSTRUM…
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLA DA GAMB…
VIOLIN - FIDD…
XYLOPHONE
ZITHER
NEW ADDITIONS
|
GENRES
|
20th century
Afro-americans
Ballad
Baroque
Bluegrass
Blues
Brazilian/Choro
Celtic
Celebrations
Classical
Classical modern
Contemporary
National Anthems
Jazz
New age
Opera
Ragtime
Renaissance
Romantic
Sonata
Tango
Traditional
Waltz
Occitan song
Song
Chinese traditional
Ethnic
Klezmer
Flamenco
Folk
Japanese traditional
March
Medieval
Musette
Orientale
Pasodoble
French popular
Popular Dance
Reggae
Swing
Latin/World
INSTRUCTIONAL
:
Blank sheet music
Children
Dictionaries
Instructional methods
Music theory
Musicology
Rhythmic Solfege
Solfeges
Studies
SACRED
:
African Hymns
Chassidic
Christian
Christmas
Gospel
Gregorian
Israeli
Sacred Hymns
Wedding
DIFFICULTY
|
Beginner
Easy
Intermediate
Intermediate/advanced
Advanced
TOP DOWNLOADS
|
TOP DOWNLOADS
TOP 100 SOCIAL RANKING
COMPOSERS
|
Member composers
Historical composers
All composers
INSTRUMENTATIONS
|
SOLO
DUET
TRIO
QUARTET
QUINTET
ENSEMBLE
ALL
ADVANCED SEARCH
|
Digital Sheet Music
HOME
|
NEW ADDITIONS
|
PIANO
|
Piano sheet music
Piano solo
Piano, Voice, Guitar
Piano duet
Easy Piano
Piano Method
Methods
Studies
Organ sheet music
Organ solo
Organ duet
INSTRUMENTAL
|
Strings
Violin
Viola
Cello
Doublebass
Harp
Woodwinds
Flute
Clarinet
Oboe
Saxophone
Bassoon
Brass
Trumpet
Horn
Trombone
Tuba
Guitar
Guitar Tabs
Piano, Voice, Guitar
Bass
Folk
Accordion
Banjo
Dulcimer
Ukulele
Mandolin
Chamber music
String quartet
Wind quintet
Brass quintet
Handbells
ORCHESTRA
|
Concert Band
Jazz Ensemble
Jazz combo
Brass band
Marching band
Methods
Orchestra
String orchestra
CHOIR / VOICE
|
Choir
SATB
TTBB
SSAA
3-parts
2-parts
Voice
Piano, Voice, Guitar
Piano, Voice
Voice solo
Voice duet
GENRES
|
20th century
Asian
Bluegrass
Blues
Broadway / Musicals
Celtic
Christmas
Classical
Children
Country
Fingerpicking
Flamenco
Folk Rock
French songs
Funk
Gospel
Halloween
Instructional
Instructional - Studies
Jazz
Klezmer
Latin / World
Latin Pop
Medieval / Renaissance
Metal / Hard
Movie / TV
Movie Walt Disney
New Age
Patriotic
Pop
Reggae
Rock
Rock Alt.
Sacred / Church
Soul / Rap
Tango
Traditional
Video Game
Wedding / Love
CHRISTMAS
|
All Christmas
Christmas Piano
Christmas Guitar
Christmas Voice/Choir
Halloween
DIFFICULTY
|
Beginner
Easy
Intermediate
Intermediate/advanced
Advanced
Music Sheet Library ▾
HOME
|
NEW ADDITIONS
|
PIANO
|
Piano (all)
Beginner Piano
Easy Piano
Piano Solo
PVG
Best Sellers
New additions
GUITAR
|
Guitar (all)
Beginner Guitar
Easy Guitar
Guitar TAB
Guitar (without TAB)
Best Sellers
New additions
VOICE/CHORAL
|
Choral & Voice (all)
Solo voice
Choral 2-Part
Choral 3-Part
Choral SATB
Choral TTBB
Choral SSAA
Choral UNISON
Best Sellers
New additions
INSTRUMENTATIONS
|
BEST SELLERS
|
CHRISTMAS
|
GENRES
|
20th century
African
Asian
Bluegrass
Blues
Broadway / Musical
Celtic
Christmas
Classical
Country
Children
Eastern Europe
Exams
Fingerpicking
Flamenco
Folk Rock
French songs
Funk
Gypsy jazz
Gospel
Halloween
Instructional
Instructional - Studies
Instructional - Chords/Scales
Jazz
Klezmer
Latin / World
Latin Pop
Medieval / Renaissance
Metal
Movie / TV
Movie Walt Disney
New Age
Patriotic
Pop
Reggae
Rock
Rock Alternative
Sacred / Church
Soul / Rap
Tango
Traditional
Video Games
Wedding / Love
SECTIONS
|
ARTISTS
PUBLISHERS
CLASSROOM
GIFT IDEAS
BOOKS ABOUT MUSIC
PLAY-ALONG
ADV.SEARCH
Musical Equipment ▾
GUITAR
|
KEYBOARD
|
PERCU.
|
STUDIO
|
SOFT
|
PA
|
LIGHT
|
DJ
|
MIC
|
EFFECTS
|
WINDS
|
TRAD.
|
FLIGHT
|
CABLES
|
ACC.
|
GIFT
|
BRANDS
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
The Return Voice, Easy piano
Not classified
3
Piano & keyboards
Easy Piano
21
Piano, Voice
11
Piano, Vocal and Guitar
3
Guitars
Voice
Choral SATB
4
Choral 3-part
2
Choral 2-part
2
Low voice, Piano
2
Medium voice, Piano
1
High voice
1
+ 1 instrumentations
-
Retract
Woodwind
Woodbrass
Strings
Percussion & orchestra
Piano and Orchestra
1
Others
Home
Best Sellers
New releases
Methods
Studies
Sellers
Sellers
Americans
At Musicnotes
At Sheetmusicplus
At Virtualsheetmusic
Europeans
At Tomplay
At Prof-Editions
At Note4piano
At Noviscore
At Quickpartitions
International artists list
French artists list
Top artists
Top artists
POP
Adele
Daft Punk
Avicii
Pharrel Williams
Bruno Mars
Lily Allen
Birdy
John Legend
Passenger
Emeli Sand�
Beatles
NEW AGE / CLASSICAL
Yiruma
Ludovico Einaudi
John Williams
Piazzolla
John Rutter
Dmitri Shostakovich
Benjamin Britten
Ennio Morricone
Paul Mealor
John Rutter
Eric Whitacre
John Tavener
Christmas
Halloween
Easter
Wedding
Sacred
International Artists :
• Piano Guys, The
FREE SHEET MUSIC
188,000+ free sheet music
SHEET MUSIC LIBRARY
1,500,000+ buy and delivery
DIGITAL SHEET MUSIC
2,000,000+ buy and print
MUSICAL INSTRUMENTS
200,000+ buy and delivery
Sheet Music Membership ($37.75/year)
Digital sheet music, access after purchasing
Post mailing
Digital sheet music
Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
INSTRUCTIONAL : CHOR…
INSTRUCTIONAL : METH…
INSTRUCTIONAL : STUD…
JAZZ
JAZZ GYPSY - SWING
JEWISH - KLEZMER
LATIN - BOSSA - WORL…
LATIN POP ROCK
MEDIEVAL - RENAISSAN…
METAL - HARD
MOVIE (WALT DISNEY)
MOVIE - TV
MUSICALS - BROADWAYS…
OLD TIME - EARLY ROC…
OPERA
PATRIOTIC MUSIC
POLKA
POP ROCK - CLASSIC R…
POP ROCK - MODERN - …
POP ROCK - POP MUSIC
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
VIDEO GAMES
WEDDING - LOVE - BAL…
WORSHIP - PRAISE
Relevance
Best sellers
Prices - to +
Prices + to -
New releases
A-Z
skill (all)
beginner
easy
intermediate
avanced
expert
Sellers (all)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
with audio
with video
with play-along
You've selected:
The Return Voice, Easy piano
Sheetmusic to print
51 sheet music found
<
1
26
51
Concerto
Concerto
#
Piano and Orchestra
#
ADVANCED
#
Contemporary
#
Gyorgy Ligeti
#
Concerto
#
Schott Music - Digital
#
SheetMusicPlus
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. D...
(+)
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. .
The markings of the movements are the following: .
1. Vivace molto ritmico e preciso .
2. Lento e deserto .
3. Vivace cantabile .
4. Allegro risoluto .
5. Presto luminoso.
The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. .
The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. .
In the Piano Concerto I realized new concepts of harmony and rhythm. .
The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. .
In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. .
The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. .
In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. .
Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). .
The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). .
Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. .
These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. .
The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). .
The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. .
Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. .
Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. .
This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. .
The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. .
I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. .
(Gyorgy Ligeti)
$23.99
Ha Tikvah התקווה (The National Anthem of Israel), easy piano arrangement by Leah Ginzburg
Ha Tikvah התקווה (The National Anthem of Israel), easy piano arrangement by Leah Ginzburg
#
Piano, Voice
#
BEGINNER
#
Patriotic
#
Samuel Cohen
#
Leah Ginzburg
#
Ha Tikvah התקו×
#
Leah Ginzburg
#
SheetMusicPlus
Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.850152 Composed by Samuel Cohen. Arranged by Leah Ginzburg. Instructional,Jewish,Patriotic,World. ...
(+)
Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.850152 Composed by Samuel Cohen. Arranged by Leah Ginzburg. Instructional,Jewish,Patriotic,World. Score. 3 pages. Leah Ginzburg #6269089. Published by Leah Ginzburg (A0.850152). Hatikvah (Hebrew: הַתִּקְוָה‎, lit. English: The Hope) is a 19th-century Jewish poem and the national anthem of Israel. The theme of the romantic composition reflects the Jews' 2,000-year-old hope of returning to the Land of Israel, restoring it, and reclaiming it as a free and sovereign nation. Its lyrics are adapted from a poem by Naftali Herz Imber, music composed by Samuel Cohen. Easy arrangement for beginners (piano solo with the letters) by Leah Ginzburg Tutorial https://musescore.com/user/16902351/scores/6604936/s/vMZpIT?share=copy_link
$4.99
Let the Spirit Live (New! ANZAC Day Anthem for young voices VOCAL 1 PART)
Let the Spirit Live (New! ANZAC Day Anthem for young voices VOCAL 1 PART)
#
Piano, Voice
#
EASY
#
Australian composer, Rebecca S
#
Let the Spirit Live
#
Rebecca Summers
#
SheetMusicPlus
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1150910 Composed by Australian composer, Rebecca Summers. Children,Contemporary,Contest,Festival,H...
(+)
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1150910 Composed by Australian composer, Rebecca Summers. Children,Contemporary,Contest,Festival,Holiday. Score. 1 pages. Rebecca Summers #749234. Published by Rebecca Summers (A0.1150910). Perfect for ANZAC Day this year, this 2-part choral work for Primary School children is a real show-stopper, with easy parts that build to a mighty refrain, a beginner trumpet addition in the close and relatable lyrics that tell the story of a young person's ANZAC Day experience and thanks our returned service people for their sacrifice. Piano backing track, Vocal Part 1 and Vocal Part 2, plus the Bb Trumpet parts available for download. This piece was originally written for a school on the Sunshine Coast, Queensland, Australia. I hope you can feel the ANZAC spirit when you perform it. We did.
$9.95
The Pied Piper Of Hamelin - A musical for children adapted from Robert Browning's version of the fam
The Pied Piper Of Hamelin - A musical for children adapted from Robert Browning's version of the fam
#
Piano, Voice
#
EASY
#
Judy Lane
#
The Pied Piper Of Hamelin - A
#
Judy Lane Music
#
SheetMusicPlus
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.915872 Composed by Judy Lane. Children. Score. 106 pages. Judy Lane Music #2069277. Published by J...
(+)
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.915872 Composed by Judy Lane. Children. Score. 106 pages. Judy Lane Music #2069277. Published by Judy Lane Music (A0.915872). This musical is written for children to enjoy the fun of singing and also for their audience to enjoy many magic moments during its 40 minute duration. Written for junior school choirs, it is easy learn and easy play. It can be a straight concert performance or if facilities exist, can include non singing children dressing up as Rats or Children and running round the auditorium at appropriate times. There is some 2 part writing and solo possibilities. If you have a Dad who could sing the Mayor's part, that would be just great. The ending deviates from the traditional as all the children return to Hamelin. Accompaniment is piano and flute. Approximate duration:- 40 minutes.
$29.99
GOD SO LOVED ~ SOLO for Medium Voice (optional flute)
GOD SO LOVED ~ SOLO for Medium Voice (optional flute)
#
Medium voice, Piano
#
EASY
#
Richard Donn
#
GOD SO LOVED ~ SOLO for Medium
#
Cartecay River Music Publishing
#
SheetMusicPlus
Medium Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.891174 Composed by Richard Donn. Contemporary,Easter,Sacred,Traditional. 8 pages. Cartecay R...
(+)
Medium Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.891174 Composed by Richard Donn. Contemporary,Easter,Sacred,Traditional. 8 pages. Cartecay River Music Publishing #3255979. Published by Cartecay River Music Publishing (A0.891174). GOD SO LOVED is a new rendering of John 3:16 from composer Richard Donn. It features a lovely ascending melody with a descending bass line facilitating the harmonic structure. The solo is very accessible with homophonic and gentle contrapuntal interplay in the instrumental parts. An optional flute part adds just the right touch, making this a piece that you will return to time and again. It is rated medium-easy. Also available: SATB (soprano solo, opt. flute, piano), High voice solo (opt. flute), and Low voice solo (opt. flute).
$4.95
GOD SO LOVED ~ Solo for low voice, optional flute
GOD SO LOVED ~ Solo for low voice, optional flute
#
Low voice, Piano
#
EASY
#
Richard Donn
#
GOD SO LOVED ~ Solo for low vo
#
Cartecay River Music Publishing
#
SheetMusicPlus
Low Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.891177 Composed by Richard Donn. Contemporary,Easter,Sacred,Traditional. 8 pages. Cartecay Rive...
(+)
Low Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.891177 Composed by Richard Donn. Contemporary,Easter,Sacred,Traditional. 8 pages. Cartecay River Music Publishing #3260225. Published by Cartecay River Music Publishing (A0.891177). GOD SO LOVED is a new rendering of John 3:16 from composer Richard Donn. It features a lovely ascending melody with a descending bass line facilitating the harmonic structure. The solo is very accessible with homophonic and gentle contrapuntal interplay in the instrumental parts. An optional flute part adds just the right touch, making this a piece that you will return to time and again. It is rated medium-easy. Also available: SATB (soprano solo, opt. flute, piano), High voice solo (opt. flute), and Medium voice solo (opt. flute).
$4.95
GOD SO LOVED (Solo for High Voice, optional flute)
GOD SO LOVED (Solo for High Voice, optional flute)
#
High voice
#
EASY
#
Richard Donn
#
GOD SO LOVED
#
Cartecay River Music Publishing
#
SheetMusicPlus
High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.891175 Composed by Richard Donn. Contemporary,Easter,Sacred,Traditional. 8 pages. Cartecay Riv...
(+)
High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.891175 Composed by Richard Donn. Contemporary,Easter,Sacred,Traditional. 8 pages. Cartecay River Music Publishing #3260171. Published by Cartecay River Music Publishing (A0.891175). GOD SO LOVED is a new rendering of John 3:16 from composer Richard Donn. It features a lovely ascending melody with a descending bass line facilitating the harmonic structure. The solo is very accessible with homophonic and gentle contrapuntal interplay in the instrumental parts. An optional flute part adds just the right touch, making this a piece that you will return to time and again. It is rated medium-easy. Also available: SATB (soprano solo, opt. flute, piano), Medium voice solo (opt. flute), and Low voice solo (opt. flute).
$4.95
Take This Bread, Take This Cup – Maundy Thursday Communion Anthem
Take This Bread, Take This Cup – Maundy Thursday Communion Anthem
#
Choral 3-part
#
Sacred music
#
Edward David Zeliff
#
Take This Bread, Take This Cup
#
Edward David Zeliff
#
SheetMusicPlus
Choral Choir (SAB) - Digital Download SKU: A0.888276 Composed by Edward David Zeliff. Christian,Easter,Sacred. Octavo. 4 pages. Edward David Zeliff #4792...
(+)
Choral Choir (SAB) - Digital Download SKU: A0.888276 Composed by Edward David Zeliff. Christian,Easter,Sacred. Octavo. 4 pages. Edward David Zeliff #4792021. Published by Edward David Zeliff (A0.888276). This short but poignant Communion anthem was written for and first performed in a Maundy Thursday service. The choir being not a large one, with no tenors, the voices designated are SAB and accompanied by piano. The piano writing integrates the accompaniment into the texture and the lyrical setting of the text. This piece is designed to be practical, easy to learn, and rewarding to sing, all of which is accomplished without sacrificing artistic integrity or writing down for the choral forces. Rather, the unison/octave writing at the beginning and the return of that sonority for the third section are coloristic devices to reinforce the text. The middle section makes full use of the capabilities and ranges of the three-part mixed choir format. The musical setting underscores the Hope of Redemption on the Eve of the Crucifixion at the Last Supper. The piece is equally suitable for any Communion Sunday throughout the Church year.
$2.00
Annie Lennox: Into The West (from The Lord Of The Rings: The Return Of The King) - piano, voice or other instruments
#
Piano, Voice
#
INTERMEDIATE
#
Film/TV
#
Annie Lennox
#
Virtualsheetmusic
Instantly printable sheet music by Annie Lennox for piano, voice or other instruments of EASY/MEDIUM skill level. / film/tv,movies
Instantly printable sheet music by Annie Lennox for piano, voice or other instruments of EASY/MEDIUM skill level. / film/tv,movies
$7.97
Howard Shore: The Return of the King - piano, voice or other instruments
#
Piano, Voice
#
INTERMEDIATE
#
Film/TV
#
Howard Shore
#
Virtualsheetmusic
Instantly printable sheet music by Howard Shore for piano, voice or other instruments of EASY/MEDIUM skill level. / film/tv,movies
Instantly printable sheet music by Howard Shore for piano, voice or other instruments of EASY/MEDIUM skill level. / film/tv,movies
$7.97
Gospel Songs: Come and Go with Me to That Land (Downloadable Piano/Choral Score)
Gospel Songs: Come and Go with Me to That Land (Downloadable Piano/Choral Score)
#
Choral SATB
#
EASY
#
Gwyneth W
#
Gospel Songs: Come and Go with
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
SATB choir, piano - Moderately Easy - Digital Download SKU: MQ.8154-E Composed by Gwyneth W. Walker. 16 pages. E. C. Schirmer Music Company - Digital #81...
(+)
SATB choir, piano - Moderately Easy - Digital Download SKU: MQ.8154-E Composed by Gwyneth W. Walker. 16 pages. E. C. Schirmer Music Company - Digital #8154-E. Published by E. C. Schirmer Music Company - Digital (MQ.8154-E). English.This new arrangement focuses on several, specific aspects of the lyrics, and of the journey. Envisioning that one is walking to that land, the piano introduction, in a swing rhythm, is marked At a strolling tempo. When the chorus enters, there is a bounce to their step, with the staccato dots coming each time on the word with- Come and go with me to that land...This is a jaunty expedition. One sees one's parents waiting in that land. Loving friends are there as well. A bit of scat singing and finger snapping adds to the energy.A slower middle section, in blues style, affirms that They'll be no slavery in that land. Shackles are thrown to the ground, and freedom breaks forth. This leads to a quick and energetic return to the gospel song, with a final refrain of They'll be singing in that land, voices ringing in that land!This is very American music, in a gospel, blues, and folk style.
$2.85
Gospel Songs: Come and Go with Me to That Land (Downloadable Piano/Choral Score)
Gospel Songs: Come and Go with Me to That Land (Downloadable Piano/Choral Score)
#
Choral 3-part
#
EASY
#
Gwyneth W
#
Gospel Songs: Come and Go with
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
SSA choir, Piano - Moderately Easy - Digital Download SKU: MQ.8224-E Composed by Gwyneth W. Walker. 15 pages. E. C. Schirmer Music Company - Digital #822...
(+)
SSA choir, Piano - Moderately Easy - Digital Download SKU: MQ.8224-E Composed by Gwyneth W. Walker. 15 pages. E. C. Schirmer Music Company - Digital #8224-E. Published by E. C. Schirmer Music Company - Digital (MQ.8224-E). English.This new arrangement focuses on several, specific aspects of the lyrics, and of the journey. Envisioning that one is walking to that land, the piano introduction, in a swing rhythm, is marked At a strolling tempo. When the chorus enters, there is a bounce to their step, with the staccato dots coming each time on the word with- Come and go with me to that land...This is a jaunty expedition. One sees one's parents waiting in that land. Loving friends are there as well. A bit of scat singing and finger snapping adds to the energy.A slower middle section, in blues style, affirms that They'll be no slavery in that land. Shackles are thrown to the ground, and freedom breaks forth. This leads to a quick and energetic return to the gospel song, with a final refrain of They'll be singing in that land, voices ringing in that land!This is very American music, in a gospel, blues, and folk style.
$2.80
John Ottman: Superman Returns (Suite) (from Superman Returns) - piano, voice or other instruments
#
Piano, Voice
#
INTERMEDIATE
#
Film/TV
#
John Ottman
#
Virtualsheetmusic
Instantly printable sheet music by John Ottman for piano, voice or other instruments of EASY/MEDIUM skill level. / film/tv,movies
Instantly printable sheet music by John Ottman for piano, voice or other instruments of EASY/MEDIUM skill level. / film/tv,movies
$7.97
Marijohn Wilkin: I Have Returned - piano, voice or other instruments
#
Piano, Voice
#
INTERMEDIATE
#
Gospel/Spiritual
#
Marijohn Wilkin
#
Virtualsheetmusic
Instantly printable sheet music by Marijohn Wilkin for piano, voice or other instruments of EASY/MEDIUM skill level. / gospel,sacred
Instantly printable sheet music by Marijohn Wilkin for piano, voice or other instruments of EASY/MEDIUM skill level. / gospel,sacred
$5.97
Paul O'Neill: An Angel Returned - piano, voice or other instruments
#
Piano, Voice
#
INTERMEDIATE
#
Rock
#
Paul O'Neill
#
Virtualsheetmusic
Instantly printable sheet music by Paul O'Neill for piano, voice or other instruments of EASY/MEDIUM skill level. / pop,rock
Instantly printable sheet music by Paul O'Neill for piano, voice or other instruments of EASY/MEDIUM skill level. / pop,rock
$7.97
Lyrical Songs
Lyrical Songs
#
Low voice, Piano
#
EASY
#
Edward MacDowell
#
Lyrical Songs
#
Schott Music - Digital
#
SheetMusicPlus
Low voice and piano - easy to intermediate - Digital Download SKU: S9.Q11710 Composed by Edward MacDowell. This edition: Sheet music. Downloadable. Durat...
(+)
Low voice and piano - easy to intermediate - Digital Download SKU: S9.Q11710 Composed by Edward MacDowell. This edition: Sheet music. Downloadable. Duration 8 minutes, 30 seconds. Schott Music - Digital #Q11710. Published by Schott Music - Digital (S9.Q11710). German • English.The American composer and pianist Edward MacDowell (1860 1908) is rather unknown in Europe although he had his artistic roots there for he was trained as a pianist in Paris, Stuttgart, Wiesbaden and Frankfurt. After returning to his home country, he worked as a teacher while also being the director of the Boston Symphony Orchestra for eight years. During his studies in Germany, the musician already began to compose songs (with German texts), still in the European tradition. From 1886 he used English lyricism as a basis and preferred a sparing, yet expressive accompaniment of the piano. In his last songs, he placed special emphasis on the declamatory aspect of the text and expanded the harmonic range of his tonal language. Of his 42 solo songs, the present volume contains six titles from three of his song collections: Composed or printed for the first time between 1890 and 1898, these songs are a representative selection from MacDowell's important middle creative period and, without doubt, a valuable addition to the song repertoire.
$11.99
Let the Spirit Live (New! ANZAC Day Anthem for young voices 2-part, piano and beginner Bb Trumpet)
Let the Spirit Live (New! ANZAC Day Anthem for young voices 2-part, piano and beginner Bb Trumpet)
#
Choral 2-part
#
EASY
#
Australian composer, Rebecca S
#
Let the Spirit Live
#
Rebecca Summers
#
SheetMusicPlus
Choral Choir (2-Part) - Level 2 - Digital Download SKU: A0.1149105 Composed by Australian composer, Rebecca Summers. Children,Contest,Festival,Holiday,Mu...
(+)
Choral Choir (2-Part) - Level 2 - Digital Download SKU: A0.1149105 Composed by Australian composer, Rebecca Summers. Children,Contest,Festival,Holiday,Multicultural,World. Octavo. 8 pages. Rebecca Summers #749231. Published by Rebecca Summers (A0.1149105). Perfect for ANZAC Day this year, this 2-part choral work for Primary School children is a real show-stopper, with easy parts that build to a mighty refrain, a beginner trumpet addition in the close and relatable lyrics that tell the story of a young person's ANZAC Day experience and thanks our returned service people for their sacrifice. Piano backing track, Vocal Part 1 and Vocal Part 2, plus the Bb Trumpet parts available for download. This piece was originally written for a school on the Sunshine Coast, Queensland, Australia. I hope you can feel the ANZAC spirit when you perform it. We did.
$5.99
Let the Spirit Live (New! ANZAC Day Anthem for young voices 2-part, piano)
Let the Spirit Live (New! ANZAC Day Anthem for young voices 2-part, piano)
#
Choral 2-part
#
EASY
#
Australian composer, Rebecca S
#
Let the Spirit Live
#
Rebecca Summers
#
SheetMusicPlus
Choral Choir (2-Part) - Level 2 - Digital Download SKU: A0.1149106 Composed by Australian composer, Rebecca Summers. Children,Contemporary,Contest,Festiv...
(+)
Choral Choir (2-Part) - Level 2 - Digital Download SKU: A0.1149106 Composed by Australian composer, Rebecca Summers. Children,Contemporary,Contest,Festival,Multicultural,World. Octavo. 8 pages. Rebecca Summers #749233. Published by Rebecca Summers (A0.1149106). Perfect for ANZAC Day this year, this 2-part choral work for Primary School children is a real show-stopper, with easy parts that build to a mighty refrain, a beginner trumpet addition in the close and relatable lyrics that tell the story of a young person's ANZAC Day experience and thanks our returned service people for their sacrifice. Piano backing track, Vocal Part 1 and Vocal Part 2, plus the Bb Trumpet parts available for download. This piece was originally written for a school on the Sunshine Coast, Queensland, Australia. I hope you can feel the ANZAC spirit when you perform it. We did.
$4.99
Shall We Gather at the River (Downloadable)
Shall We Gather at the River (Downloadable)
#
Choral SATB
#
EASY
#
Anna Laura Page
#
Shall We Gather at the River
#
MorningStar Music Publishers - Digital Sheet Music
#
SheetMusicPlus
SATB choir and piano, with optional flute - Moderately Easy - Digital Download SKU: MQ.50-5251-E Composed by Anna Laura Page. 21st Century, Baptism. Inst...
(+)
SATB choir and piano, with optional flute - Moderately Easy - Digital Download SKU: MQ.50-5251-E Composed by Anna Laura Page. 21st Century, Baptism. Instrument parts. 16 pages. MorningStar Music Publishers - Digital Sheet Music #50-5251-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.50-5251-E). English.This four-verse setting of the familiar text and tune is intimate and sensitive. Unison men's voices are featured in a couple places, but the choral parts are not difficult. Piano and flute help the music flow forward. The third verse is set in triple meter to original music, a nice change before the final verse returns to the HANSON PLACE tune.Reproducible Flute part included.
$2.85
A Man Without Love (quando M'innamoro)
A Man Without Love (quando M'innamoro)
#
Piano, Vocal and Guitar
#
INTERMEDIATE/ADVANCED
#
Latin/World Music
#
Jazz
#
Engelbert Humperdinck
#
John Fries
#
A Man Without Love
#
John Fries
#
SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1202020 By Engelbert Humperdinck. By Barry Mason, D. Pace, M. Panzeri, and R. Livraghi. Arr...
(+)
Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1202020 By Engelbert Humperdinck. By Barry Mason, D. Pace, M. Panzeri, and R. Livraghi. Arranged by John Fries. 20th Century,Film/TV,Jazz,Latin,Standards. Score. 3 pages. John Fries #800638. Published by John Fries (A0.1202020). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Â You can also type John Fries in the searchbar to see all I have to offer. Thanks, John. When, When, When is an Italian pop song from 1962, in the bossa nova style. The song was used prominently in the 1962 Italian movie The Easy Life and was used in the movie The Blues Brothers (1980): when the main protagonists Jake and Elwood first encounter Murph and The Magictones, In the extended cut of the Ivan Reitman film Stripes (1981), Bill Murray begins singing this to avoid being killed by Colombian mercenaries. In the 2006 film Superman Returns, the theme is performed by The Drifters in the elevator scene when Clark Kent and Lois Lane are in the middle of several people reading about the Man of Steel's return in the Daily Planet.
$4.99
<
1
26
51
The Return Voice, Easy piano
