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The Second Line: String Bass
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The Second Line: String Bass
Sheetmusic to print
144 sheet music found
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126
Don't Start Now (Bass Transcription with TAB)
Don't Start Now (Bass Transcription with TAB)
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Bass guitar
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Rock
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Dua Lipa
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Zulhilmy Zulkifli
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Don't Start Now
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ZZ Music Solutions
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SheetMusicPlus
Bass Guitar, Bass Tab - Intermediate - Digital Download By Dua Lipa. Arranged by Zulhilmy Zulkifli. Individual Part, Tablature. 10 pages. Published b...
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Bass Guitar, Bass Tab - Intermediate - Digital Download By Dua Lipa. Arranged by Zulhilmy Zulkifli. Individual Part, Tablature. 10 pages. Published by ZZ Music Solutions
Don’t Start Now is a song by English singer, Dua Lipa from her second studio album, Future Nostalgia (2020). Dua Lipa wrote the track with Caroline Ailin, Emily Warren, and its producer Ian Kirkpatrick featuring funky basslines throughout the song. The song was recorded by Kirkpatrick using Scarbee MM-Bass plug-in (Kontakt samples). During live performances, it is played using a 4-string Pbass and bass synthesiser by Matthew Carroll.
This transcription is based on the album version and arranged to be played on a 5-string bass with standard tuning. If you preferred to use a 4-string bass, I have provided an option as indicated by smaller notations in the score (I have also included a small note during the section). You can also play as Matthew Carroll did during his performance with Dua Lipa. He uses 4-string Pbass for the whole song but played the bass synthesiser during the “Pre-Chorus” sections.
This song is in the key of B minor and is about 3’03” long. The tempo is at 124bpm and quite challenging, where it features a lot of upbeat rhythms. Still, it is perfect for an intermediate player who is looking for a challenge. Aside from playing with plucking technique, you are also required to perform “pop” technique during the “Chorus” parts.
This transcription includes 3 parts: 1)both notation and TAB (3 pages); 2)notation-only (2 pages); 3)TAB-only (2 pages). I made these options available for any bassist with different preferences. I know we are unique, as I am a bassist as well.
Have fun and good luck. Do visit me at www.zulhilmyzulkifli.com for any inquiries. Thank you for your purchase, and I hope you enjoy the music.
$4.99 ≈
$6.80
Toccata for Double Bass and Piano (2012, rev. 2020) Newly revised version for double bass tuned in
Toccata for Double Bass and Piano (2012, rev. 2020) Newly revised version for double bass tuned in
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Double Bass
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ADVANCED
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Thomas Oboe Lee
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I told him That is great
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Toccata for Double Bass and Pi
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Thomas Oboe Lee
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SheetMusicPlus
Double Bass,String Bass Solo - Level 5 - Digital Download SKU: A0.869156 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romanti...
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Double Bass,String Bass Solo - Level 5 - Digital Download SKU: A0.869156 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Individual part. 44 pages. Thomas Oboe Lee #31067. Published by Thomas Oboe Lee (A0.869156). I received an email from Joel Quarrington in 2011 with a request to buy a score and a set of parts to Hylidae … The Tree Frogs (1991) for violin, double bass and piano. He said he would like to perform the work at the next International Society of Bassists convention in Rochester, New York. I told him That is great. But it’s such an old work. Why don’t I write something new for you? He said, How much would a commission cost? I said, Let me write the piece first and if you like it, we can talk about a fee then. I began work on Toccata for Double Bass and Piano in late August and completed it on October 15. I sent Joel the music as a PDF and MIDI file via email. He wrote back, The piece looks really terrific and I have enjoyed listening to it as well, thanks for the midi file. I couldn’t be happier! Toccata is in three movements, fast-slow-fast, with internal ABA ternary forms in the first and last movements - also fast-slow-fast. Moderato … Trio … A tempo. Adagio. Allegro … Trio … Reprise! The first movement begins with a driving dotted-note motif in the double bass accompanied by an insistent sixteenth-note bass-line in the piano left hand and a soaring quarter-note melody in the piano right hand. A Trio follows which features a lyric melody in the double bass … molto cantabile! The double bass returns this time stealing the sixteenth-note bass-line motif from the piano left hand. The double bass pushes the music forward relentlessly and ferociously … holding no prisoners! To add counterpoint to this madness, the piano comes back with the quarter-note melody but in octaves this time. The left hand joins the melee occasionally to push the music forward until it reaches its climax at the conclusion. The second movement, Adagio, is a slow waltz. The mournful tune is delivered by the double bass at first, then it’s passed on to the piano, and it goes back and forth between the two. The third movement is a 6/8 romp, very syncopated and jazzy. The music goes back and forth between the double bass and piano, not unlike when the musicians in a jazz combo trade four’s among each other. An adagio Trio follows. The tune is in the double bass: long descending lines over a languid piano accompaniment. To complete the ABA format, the music from the beginning of this movement returns as a reprise. ENJOY!!! Commissioned by Joel Quarrington for a premiere performance at the 2013 International Society of Bassists Convention at Eastman School of Music in Rochester, New York.
$9.99 ≈
$13.62
Beethoven: Adagio from Sonata Pathetique for Bass Clarinet & Piano
Beethoven: Adagio from Sonata Pathetique for Bass Clarinet & Piano
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Bass Clarinet, Piano
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INTERMEDIATE
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Classical
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549648 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructio...
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549648 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516889. Published by jmsgu3 (A0.549648). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95 ≈
$34.02
Beauty And The Beast
Beauty And The Beast
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String Orchestra
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INTERMEDIATE
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Celine Dion & Peabo Bryson
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Sherry Lewis
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Beauty And The Beast
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Sherry Lewis Publishing
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SheetMusicPlus
String Orchestra - Level 3 - Digital Download SKU: A0.521827 By Celine Dion & Peabo Bryson. By Alan Menken. Arranged by Sherry Lewis. Children,Film/TV,We...
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String Orchestra - Level 3 - Digital Download SKU: A0.521827 By Celine Dion & Peabo Bryson. By Alan Menken. Arranged by Sherry Lewis. Children,Film/TV,Wedding. Score and Parts. 12 pages. Sherry Lewis Publishing #6498395. Published by Sherry Lewis Publishing (A0.521827). BEAUTY AND THE BEAST (main theme) - also called A TALE AS OLD AS TIME String Orchestra, Intermediate Level for 2 violins, viola, cello and string bass chords such as C, Em, etc. Score: YES Parts: 5 pages Time: 2'40 ABOUT THE DEMO: For the audio only I edited out 2 bars to get to the verse MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles. Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer. If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing. VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument. PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music. LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work. EXCELLENT for corporate events, weddings, social gatherings and recitals. APPROPRIATE for students and schools. CHURCH REPERTOIRE I’m always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$12.99 ≈
$17.71
TELEMANN: QUARTET IN G MAJOR TEV 43: G2 for flute, oboe, clarinet & bassoon
TELEMANN: QUARTET IN G MAJOR TEV 43: G2 for flute, oboe, clarinet & bassoon
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Flute, Oboe, Clarinet, Bassoon
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INTERMEDIATE/ADVANCED
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Georg Philipp Telemann
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Pat Spence
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TELEMANN: QUARTET IN G MAJOR T
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Piper Publications
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 4 - Digital Download SKU: A0.811818 Composed by Georg Philipp Telemann (1681 - 176...
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 4 - Digital Download SKU: A0.811818 Composed by Georg Philipp Telemann (1681 - 1767). Arranged by Pat Spence. Baroque,Concert,Holiday,Wedding. 40 pages. Piper Publications #6533127. Published by Piper Publications (A0.811818). This quartet is the second piece in the first of three sets of ‘Tafelmusik’ published in Hamburg by Telemann in 1763. The numbers of players required ranged from a single treble instrument with continuo (cello & harpsichord) to pairs of trumpets, horns and violins with string orchestra with continuo which provided the entertainment for the guests at the most important feasts.The quartet was originally written for flute, oboe, violin and continuo and has been arranged for flute, oboe, clarinet & bassoon. Some additional phrasings and dynamics have been added in parentheses ( ) or dashed lines and passages of music have been redistributed among the parts with some octave transposition to accommodate the range of the wind instruments.There are three movements: Largo - Allegro - Largo, Vivace - Moderato - Vivace & Grave - Vivace. The quartet is suitable for advanced intermediate players and above.The short Grave introduction to the final Vivace would have afforded the three treble instrument players a bar/measure each to perform a short improvised cadenza before the infectious romp of the final Vivace. (Rather like the present day introductions of the athletes before important competitions - the difference being that the 18th century musicians had already demonstrated their prowess.Telemann clearly had very talented musicians available and provided them with music which was enjoyable to play for an appreciative audience of patrons to enjoy.
$20.00 ≈
$27.27
The Second Line: String Bass
The Second Line: String Bass
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Doublebass (band part)
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Instructional
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Duke Ellington
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The Second Line: String Bass
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - Digital Download SKU: AX.00-PC-0016246_SB String Bass. Composed by Duke Ellington. Instructional. Part. 8 pages. Alfred Music - Di...
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Jazz Ensemble - Digital Download SKU: AX.00-PC-0016246_SB String Bass. Composed by Duke Ellington. Instructional. Part. 8 pages. Alfred Music - Digital Sheet Music #00-PC-0016246_SB. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016246_SB). UPC: 038081454054.Take a stroll through the French Quarter with this hard swinging clarinet feature. Dueling trombones and a brief trumpet solo round out one of Duke's most engaging pieces!
$3.00 ≈
$4.09
TRIO No. 2 in C MAJOR for flute, clarinet & bassoon or cello
TRIO No. 2 in C MAJOR for flute, clarinet & bassoon or cello
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Flute, Clarinet and Bassoon.
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INTERMEDIATE/ADVANCED
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François Devienne
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Pat Spence
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TRIO No. 2 in C MAJOR for flut
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Piper Publications
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Bassoon,Clarinet,Flute - Level 4 - Digital Download SKU: A0.1073299 Composed by François Devienne (1759 - 1803). Arran...
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Woodwind Ensemble,Woodwind Trio Bassoon,Clarinet,Flute - Level 4 - Digital Download SKU: A0.1073299 Composed by François Devienne (1759 - 1803). Arranged by Pat Spence. Classical,Contest,Festival,Instructional,Wedding. 42 pages. Piper Publications #677569. Published by Piper Publications (A0.1073299). Allegro assai Presto The set of six Trio Concertans for flute, viola and cello were first published in 1784 in Paris by Le Duc. The second trio has been edited and arranged for flute, clarinet & bassoon or cello. Edits are shown using dashed lines or parentheses ( ). Adaptations have been made to the clarinet part to compensate for string specific string techniques. All six trios have two movements and the musical interest is shared fairly evenly between the players. Additional (dashed) slurs and dynamics (in parentheses) to a purely urtext edition reflect the change of scoring and expand the rather arbitrary provision of dynamics in the original ms. More experienced players should feel free to use or change these.
$15.00 ≈
$20.45
Dragonborn (skyrim Theme)
Dragonborn (skyrim Theme)
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE
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Contemporary
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Jeremy Soule
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Sophia Transistor
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Dragonborn
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Sophia Transistor
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.851138 Composed by Jeremy Soule. Arranged by Sophia Transistor. Con...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.851138 Composed by Jeremy Soule. Arranged by Sophia Transistor. Contemporary. Score and parts. 11 pages. Sophia Transistor #6618859. Published by Sophia Transistor (A0.851138). Arrangement of epic famous game music Dragonborn - Skyrim Theme arranged for string quartet (violin, viola, cello) with chords & lyrics in dragon and english.A symphonic suite arranged for strings.This piece by Jeremy Soule and arranged by Sophia Transistor is part of The Elder Scrolls Game Music Series.Therefore it is like an epic medley of many familiar symphonic Elder Scrolls tunes as we all love them.It has been adapted specifically for strings. Special spherical effects are notated as well.Total play time is approximately 3 minutes and 38 seconds.Total: 16 pagesSuited for ATTB or AATB.https://www.sheetmusicplus.com/title/...Score is available in Violin 1, Violin 2, Viola and Cello notation (2 times treble clef, one time viola clef and one time bass clef).There are 4 parts available. Chord symbols are placed on top of the notation system in the score and each part. Lyrics are written down in dragon language and in english.Major high notes that are the climax of a tension bow sometimes end on a high: ringing B'' = B²But of course everything can be transposed one octave higher or lower.Thanks!YouTube Playalong: https://youtu.be/TaMr08YXzzMGerman Description:Dragonborn Skyrim Theme für Streichquartett.Arrangement mit Akkorden & Text in Drachensprache und EnglischNoten / Partitur / Noten: https://www.sheetmusicplus.com/title/...Arrangement der epischen und berühmten Spielemusik Dragonborn - Skyrim Theme arrangiert für Gesang 4-stimmiges Streichquartett mit Akkorden und Liedtext in Drachensprache und Englisch.Eine symphonische Suite arrangiert für Streicher.Dieses Stück von Jeremy Soule und arrangiert von Sophia Transistor ist Teil der The Elder Scrolls Game Music Reihe.Daher ist es wie ein episches Medley aus vielen bekannten symphonischen Elder Scrolls-Melodien, wie wir sie alle lieben.Es wurde speziell für Streicher angepasst. Spezielle sphärische Effekte wurden ebenfalls notiert.Die Gesamtspielzeit beträgt ungefähr 3 Minuten und 38 Sekunden.Insgesamt 16 Seiten.https://www.sheetmusicplus.com/title/...Die Partitur ist in Violine 1 & 2, Bratsche und Cello (zweimal Violinschlüssel, einmal Bratschenschlüssel und einmal Bassschlüssel).Es sind 4 Teile vorhanden. Akkordsymbole wurden in der Partitur und in jeder Stimme über dem Notationssystem platziert. Die Texte sind in Drachensprache und in Englisch niedergeschrieben.Große hohe Töne, die den Höhepunkt eines Spannungsbogens darstellen, enden manchmal auf einem hohen klingenden H'' = H²Aber natürlich kann alles eine Oktave höher oder tiefer transponiert werden.Vielen Dank!#smppressmusic#skyrim#DragonbornArtists: Jeremy Soule © 2011 Zenimax Music Publishing All Rights Administered by PEN Music Group, Inc. All Rights Reserved Used by PermissionArranger: Sophia Johanna TransistorDanke fürs anschauen!Sheet Music / Score / Noten: https://www.sheetmusicplus.com/title/...
$14.99 ≈
$20.44
Lo! How a Rose E'er Blooming (String Quintet)
Lo! How a Rose E'er Blooming (String Quintet)
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String Quintet: 2 violins, viola, cello, bass
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INTERMEDIATE/ADVANCED
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Traditional
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Roger Wallace
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Lo! How a Rose E'er Blooming
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Roger Wallace
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SheetMusicPlus
String Quintet Cello,Double Bass,Viola,Violin - Level 4 - Digital Download SKU: A0.1227458 Composed by Traditional. Arranged by Roger Wallace. Baroque,Ch...
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String Quintet Cello,Double Bass,Viola,Violin - Level 4 - Digital Download SKU: A0.1227458 Composed by Traditional. Arranged by Roger Wallace. Baroque,Christmas,Sacred. 52 pages. Roger Wallace #823433. Published by Roger Wallace (A0.1227458). Christmas Quintet with Multiple Part Options. The melody of this hymn (in chorale style) is introduced in the first verse. The second verse includes a counter melody woven by the fourth voice. The third verse features antiphonal lines accompanying the melody played by the bottom voices.Designed mainly for family groups such as brass, woodwinds and strings. Mixing voice types can be done with care. See cover sheet on arrangement for instrumentation.The audio sample represents a String Quintet (2 Violins, Viola, Cello, Bass).This arrangement is also available for many other ensembles and soloists.Look for more arrangements by Roger Wallace.
$9.99 ≈
$13.62
The Carpet Crawlers
The Carpet Crawlers
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Bass guitar
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EASY
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Rock
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Genesis
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P Welsh
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The Carpet Crawlers
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Accubass
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SheetMusicPlus
Bass Guitar - Level 2 - Digital Download SKU: A0.1245630 By Genesis. By Mike Rutherford, Peter Gabriel, Phil Collins, Steven Hackett, and Tony Banks. Arr...
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Bass Guitar - Level 2 - Digital Download SKU: A0.1245630 By Genesis. By Mike Rutherford, Peter Gabriel, Phil Collins, Steven Hackett, and Tony Banks. Arranged by P Welsh. Rock. Score. 4 pages. Accubass #840515. Published by Accubass (A0.1245630). The complete bassline from the Seconds Out live version. TAB included for 4 string bass although Mike probably played it on his rare six string bass.
$4.99 ≈
$6.80
Joy to the World - Second Line Groove - String Quintet
Joy to the World - Second Line Groove - String Quintet
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String Quintet: 2 violins, viola, cello, bass
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INTERMEDIATE
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George Frideric Handel
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Thomas Graf
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Joy to the World - Second Line
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
String Ensemble,String Quintet Cello,Double Bass,Viola,Violin - Level 3 - Digital Download SKU: A0.1123943 By George Frideric Handel. By George Frideric ...
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String Ensemble,String Quintet Cello,Double Bass,Viola,Violin - Level 3 - Digital Download SKU: A0.1123943 By George Frideric Handel. By George Frideric Handel. Arranged by Thomas Graf. Baroque,Christmas,Classical,Jazz,Pop. Score and parts. 22 pages. Thomas Graf - the-hit-factory.com #724706. Published by Thomas Graf - the-hit-factory.com (A0.1123943). The great Christmas Hymn by G.F. Handel paired with second line groove, big fun to play and surely one of the biggest crowd pleasers in your band book. Enjoy - Merry Christmas! About this arrangement: Instrumentation: Full Score Violin 1 Violin 2 Viola Violoncello Contrabass Drum Set Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic.
$20.00 ≈
$27.27
Excerpt from the Last Part of Ariadne Auf Naxos
Excerpt from the Last Part of Ariadne Auf Naxos
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Guitar
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INTERMEDIATE
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Classical
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Richard Strauss
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Rod Whittle
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Excerpt from the Last Part of
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Mag...
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Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00 ≈
$9.54
String Quartet no. II
String Quartet no. II
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String Quartet: 2 violins, viola, cello
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Contemporary
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Martin Watt
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String Quartet no. II
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Martin Watt
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SheetMusicPlus
String Quartet String Quartet - Digital Download SKU: A0.1027526 Composed by Martin Watt. Contemporary. Score and parts. 37 pages. Martin Watt #1988647. ...
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String Quartet String Quartet - Digital Download SKU: A0.1027526 Composed by Martin Watt. Contemporary. Score and parts. 37 pages. Martin Watt #1988647. Published by Martin Watt (A0.1027526). The String Quartet no II comprises four movements: 1. Preludio, Passacaglia, Minuetto and Trio and Rondo. The first movement is fast and furious and cast in a modified sonata form - announcing two contrasting themes with a transitional section in between. The development section fulfills the role of various transformations and fragmental modifications of segmented thematic material, adding instabitily to the movement. The recapitulation is truncated, rather referential to the exposition and presented in reversed order. The second movement is a plaintive passacaglia, with a recurring eight-bar melody - in this case not traditional in nature as the bassline mostly carried the melody throughout, but nw distributed between all the string instuments. The theme is heard fourteen times. The use of textural contrast and canonic procedures add to the contrapuntal nature of the movement. The Minuetto and Tro movement is strikingly neo-tonal, and but sudden shifts of scalar centricities in the Minuetto add to suspension and elements of surprise. The Trio is more lyrical in character and fluttering fragments create dialogue between the members of the quartet. The last movement is cast in a modified Rondo form. The refrain parts are continuously presented in different textural and harmonic content. The alternating first episode draws material from the first movement and the second from the third movement, resulting in a cyclic structure of the work as a whole. The musical language is loosely based within extended tonality, with modal intersections and dissonant colours, making consonant sonoroties slightly ambiguous and unpredictable.2016 Chamber Music Contest Entry.
$9.99 ≈
$13.62
Make You Mine
Make You Mine
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Bass guitar
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INTERMEDIATE
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Contemporary
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Public
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Zulhilmy Zulkifli
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2)notation-only (3 pages)
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Make You Mine
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ZZ Music Solutions
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SheetMusicPlus
Bass Guitar - Level 3 - Digital Download SKU: A0.917922 By Public. By Andrea Corr, Ben Lapps, Caroline Corr, Jim Corr, John Vaughn Handelsman, Matthew Ca...
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Bass Guitar - Level 3 - Digital Download SKU: A0.917922 By Public. By Andrea Corr, Ben Lapps, Caroline Corr, Jim Corr, John Vaughn Handelsman, Matthew Carter Alvarado, and Sharon Corr. Arranged by Zulhilmy Zulkifli. Contemporary. Score. 14 pages. ZZ Music Solutions #6141275. Published by ZZ Music Solutions (A0.917922). Make You Mine is a song by an American band, PUBLIC, which when viral on the app TikTok. It was first released in 2014 and later released as a three-song Make You Mine mini bundle on August May 9, 2019. This song is produced by Eric Tuffendsam and written and produced by Benjamin Andrew Lapps, John Vaughn Handelsman, and Matthew Carter Alvarado, the bassist. This transcription is based on the second track of the mini bundle and arranged to be played on a 4-string bass with standard tuning. Matthew’s main bass in the Fender Urge II Bass, an Artist Signature bass endorsed by Stu Hamm. This song is in the key of A major and about 3’52 long. The tempo is at 103 bpm, and the bass was recorded with a pick. The basslines are very prominent as they provide melodious roles rather than just sticking to the root note. It can be quite challenging to perform the bass part features a few techniques, such as ghost note, staccato, and slide. I would suggest this tune for an intermediate player as it also requires you to use alternate picking with a pick. This transcription includes 3 parts: 1)both notation and TAB (4 pages); 2)notation-only (3 pages); 3)TAB-only (3 pages). I made these options available for any bassist with different preferences. I know we are unique, as I am a bassist as well.
$5.99 ≈
$8.17
Elegie - for String Orchestra, Harp, and Piano
Elegie - for String Orchestra, Harp, and Piano
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String Orchestra
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ADVANCED
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Ronan Bodisch
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Elegie - for String Orchestra,
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Ronan Bodisch
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SheetMusicPlus
String Orchestra - Level 5 - Digital Download SKU: A0.1095833 Composed by Ronan Bodisch. Chamber,Classical,Contemporary,Romantic Period. Score and Parts....
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String Orchestra - Level 5 - Digital Download SKU: A0.1095833 Composed by Ronan Bodisch. Chamber,Classical,Contemporary,Romantic Period. Score and Parts. 5 pages. Ronan Bodisch #699803. Published by Ronan Bodisch (A0.1095833). This intense and emotional piece draws inspiration from classical/romantic composers, such as Edward Elgar, while also mixing in modern elements. Performance Notes: Dissonance is very common in this piece. It will not help the orchestra if the players cower away from it, rather than play it confidently. Don't second-guess whether or not the right notes are being played. Be sensitive to whoever has the moving line, as it is passed around the orchestra. At measure 22, the Violas and Cellos should soar above the violins. At measures 26-30, everyone in the orchestra should be playing as loud as humanly possible (go crazy, go bananas), while still remaining sensitive to the moving melodies; this is the composer's signature theme. Be mindful of the key change at measure 35 (F Maj/D Min to B-Flat Maj/G Min). In the end, Violins, Violas, and Cellos should decrescendo to literally nothing on the tremolos. The basses should emphasize pizzicato, but play it lightly, rather than thunderous. The chords in the Harp and Piano should also be brought out.
$35.00 ≈
$47.72
SYMPHONY NO. 5 OP. 67, BEETHOVEN - ALLEGRO CON BRIO, String Duo, Abridged, Intermediate Level for vi
SYMPHONY NO. 5 OP. 67, BEETHOVEN - ALLEGRO CON BRIO, String Duo, Abridged, Intermediate Level for vi
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Violin, Cello (duet)
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INTERMEDIATE
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Classical
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Ludwig van Beethoven
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Sherry Lewis
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SYMPHONY NO. 5 OP. 67, BEETHOV
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Sherry Lewis Publishing
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SheetMusicPlus
Cello,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.521484 Composed by Ludwig van Beethoven. Arranged by Sherry Lewis. Classical,Holiday,...
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Cello,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.521484 Composed by Ludwig van Beethoven. Arranged by Sherry Lewis. Classical,Holiday,Multicultural,Wedding,World. 15 pages. Sherry Lewis Publishing #6134343. Published by Sherry Lewis Publishing (A0.521484). Symphony No. 5, Mov. I, Allegro con brio (abridged), Beethoven String Duo of violin and cello Score: Score: 6 pages parts: 6 pages time: 5:30Hard to believe a whole symphony can be edited down to a violin and cello but once you listen to the demo I'll let you decide! The clients requesting it will certainly get the main melody and bass line. I gave it my best! MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles. Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer. If you can’t find a title then contact me through stringquartet@hotmail.com and I’ll give you the link back to Sheet Music Plus’s listing. VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument. PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music. LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work. EXCELLENT for corporate events, weddings, social gatherings and recitals. APPROPRIATE for students and schools. CHURCH REPERTOIRE I’m always adding more titles. Thank you for your purchase!
$6.50 ≈
$8.86
Largo from the New World Symphony for String Orchestra
Largo from the New World Symphony for String Orchestra
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String Orchestra
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INTERMEDIATE
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Keith Terrett
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Keith Terrett
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Largo from the New World Symph
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Keith Terrett
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SheetMusicPlus
String Orchestra - Level 3 - Digital Download SKU: A0.1431642 By Keith Terrett. By Antonin Dvorak. Arranged by Keith Terrett. Classical,Contest,Festival,...
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String Orchestra - Level 3 - Digital Download SKU: A0.1431642 By Keith Terrett. By Antonin Dvorak. Arranged by Keith Terrett. Classical,Contest,Festival,Historic,Instructional,Romantic Period. 9 pages. Keith Terrett #1012118. Published by Keith Terrett (A0.1431642). Transcribed for String Orchestra the second movement of the New World Symphony is introduced by a harmonic progression of chords in the wind instruments. Beckerman interprets these chords as a musical rendition of the narrative formula Once upon a time. Then a solo cor anglais (English horn) plays the famous main theme in D-flat major accompanied by muted strings. Dvořák was said to have changed the theme from clarinet to cor anglais as it reminded him of the voice of Harry Burleigh. The movement's middle section contains a passage in C♯ minor evoking a nostalgic and desolate mood which eventually leads into a funeral march above pizzicato steps in the basses. It is followed by a quasi-scherzo that incorporates this movement's theme as well as the first movement's main and closing themes. The Largo is concluded with the soft return of the main theme and introductory chords.For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: https://www.scoreexchange.com/profiles/keithterrett1 http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com If you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett.
$8.00 ≈
$10.91
Adagio - Albinoni (for String Bass and Piano/Organ)
Adagio - Albinoni (for String Bass and Piano/Organ)
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Double bass, Piano (duet)
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EASY
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Tomaso Giovanni Albinoni
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Harry Walker
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Adagio - Albinoni
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SCORE EDITIONS
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SheetMusicPlus
Double Bass,Piano,String Bass - Level 2 - Digital Download SKU: A0.1175757 Composed by Tomaso Giovanni Albinoni. Arranged by Harry Walker. Baroque,Religi...
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Double Bass,Piano,String Bass - Level 2 - Digital Download SKU: A0.1175757 Composed by Tomaso Giovanni Albinoni. Arranged by Harry Walker. Baroque,Religious. Score and part. 6 pages. SCORE EDITIONS #775879. Published by SCORE EDITIONS (A0.1175757). The Albinoni Adagio is based on a manuscript that was discovered in the Dresden State Library after the Second World War by Remo Giazotto, a Milanese musicologist who was working on Albinoni’s biography at the time. Only the bass line and six measures of melody were there – they probably belonged to the slow movement of a Trio Sonata. Around 1945, Giazotti reconstructed the presently famous Adagio that has made Albinoni known to a wider public. In this version, the composition was arranged for String Bass and Piano/Organ by Harry Walker.
$5.99 ≈
$8.17
Divergence by The Khromatiks, for Electric Violin & Loop Station
Divergence by The Khromatiks, for Electric Violin & Loop Station
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The Khromatiks
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Divergence by The Khromatiks,
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ViolinVagabond Music
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SheetMusicPlus
Small Ensemble Cello,Electric Violin,Viola - Level 5 - Digital Download SKU: A0.845980 By The Khromatiks. By Kayleigh Moyer, Kyle Pudenz, and The Khromat...
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Small Ensemble Cello,Electric Violin,Viola - Level 5 - Digital Download SKU: A0.845980 By The Khromatiks. By Kayleigh Moyer, Kyle Pudenz, and The Khromatiks. Contemporary,Jazz,New Age,Rock. Score and parts. 25 pages. ViolinVagabond Music #5742365. Published by ViolinVagabond Music (A0.845980). This is a loop station composition for electric violin that I composed for my live-looping duo, The Khromatiks, in 2014. Doing my part to increase the available repertoire for extended range violins out here on the internet!I originally recorded this tune on a 7-string electric violin with a Boomerang III loop station. That being said, there are plenty of other gear configurations that will work. Any phrase looper/sampler that is capable of playing 2 separate tracks or sections with overdubs will be able to handle this structure, such as the Singular Sound Aeros, Boss RC-30, Ableton Live with a MIDI controller, etc. If you don't play 7-string, a 5-string can also play this chart as written if you transpose the bass stave up one octave and use an octave pedal for the pizzicato bass lines. A standard 4-string can also work, although most phrases will have to be transposed 8va.A little about this tune: there are 2 distinct sections. The first is a latin groove with a a highly syncopated chopping groove and a simple, soaring melodic head. This section can be opened up for a variety of solo ideas from jazz to Latin to funk, before it transitions using a common tone into the bridge, which is more of an epilogue. This section has much more of a heavy rock bent, with a thick stack of string overdubs that mimic an orchestra sitting over an overdriven rhythm groove, and a breakdown where aggressive drum fills are accompanied by rhythmic chugging in the violin. Finally, all of these ideas culminate as the A section melody is re-introduced over the rock groove, building to an ultimate climax.With The Khromatiks this piece was performed as a duo with violin & drums/percussion, but also works as a violin solo. I usually add additional percussive loops when I perform this solo.I have also included three auxiliary string parts, which can be used to perform this piece with a string section or an orchestra. The parts line up with the second section of the tune and replace some of the loops with live parts. You can see an example of this arrangement in the following video: https://youtu.be/IO30qF2WlR8?t=230The sky is the limit for electric violinists, so feel free to get creative with this chart and make it your own!Please, if you have questions or suggestions, feel free to contact me via my website, www.kylepudenz.com/, or on Instagram @theviolinvagabond
$7.99 ≈
$10.89
Beethoven: Adagio from Sonata Pathetique for Bass Flute & Piano
Beethoven: Adagio from Sonata Pathetique for Bass Flute & Piano
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Classical
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
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SheetMusicPlus
Bass Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.549644 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Con...
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Bass Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.549644 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and individual part. 16 pages. Jmsgu3 #3516861. Published by jmsgu3 (A0.549644). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes. Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. www.jamesguthrie.com.
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The Second Line: String Bass
