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The Ship That Ne
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You've selected:
The Ship That Ne
Sheetmusic to print
14 sheet music found
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1
The Water is Wide for Viola & Piano
The Water is Wide for Viola & Piano
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Viola, Piano
#
EASY
#
Contemporary
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Traditional Scottish
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James M
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The Water is Wide for Viola &
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jmsgu3
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SheetMusicPlus
Composed by Traditional Scottish. Arranged by James M. Guthrie. Christian, Repertoire, Technique Training, Easter, Lent. Score, Set of Parts. 17 pag...
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Composed by Traditional Scottish. Arranged by James M. Guthrie. Christian, Repertoire, Technique Training, Easter, Lent. Score, Set of Parts. 17 pages. Published by jmsgu3
The Water Is Wide (O Waly Waly)
Duration: 5:24
Score: 10 pg. 121 ms., MM quarter = 94, final verse MM quarter = 80, common time
Solo part: 3 pg.
Piano part: 4 pg.
A thought-provoking arrangement of a Traditional Scottish Folksong. Probably most widely known as "The Water Is Wide,"
it is also well known by it's more ancient title: "O Waly Waly." The tune is also known as " When I Survey the Wondrous Cross," and "The Gift of Love."
This is an original arrangement from the ground up.
Programming:
If you are looking for something with new contrapuntal and harmonic adventures for a Lenten prelude or a meditation during Holy Week, this will fit the bill.
It could also work well in a recital setting because it fits well on the instrument, and provides a chance to show off long, sensitive musical phrases.
Some of the figures in the descant verse are a wee-bit more advanced so, this is for intermediate players rather than beginners.
Keep in mind these performance ideas:
1. It's a simple tune that needs to unfold in the due course of time, so don't rush it. A slight ritardando at the end of each verse may help if you want to further delineate the verses.
2. There is a lot of interesting counterpoint here, so be prepared to give-and-take on the dynamics more than what I have indicated.
3. The final verse is much slower and more mysterious, and the dynamics are crucial - the quieter the better. Piano - the last chord: take your time on the roll, make it nice and slow.
Synopsis of the arrangement:
verse 1: Simple quiet duet with the melody in the solo instrument.
verse 2: Melody in the solo instrument accompanied by a 2-part canon in the piano.
verse 3: Melody in the piano in 4-part harmony.
verse 4: 3-part canon on the melody (with a free accompaniment voice).
verse 5: 2-part canon with a free accompaniment in the solo part
verse 6: Melody in octaves with free bass in octaves; descant in the solo part - loudest verse.
verse 7: Very quiet ending verse - Modulates down a fourth, melody in the solo part accompanied by simple quartal/quintal
piano clusters over bass chords that suggest submerged church bells.
For better insight into the performance of this music: express the emotion indicated by the lyrics:
The Water Is Wide:
The water is wide, I cannot get over
Neither have I wings to fly
Give me a boat that can carry two
And both shall row, my love and I
A ship there is and she sails the sea
She's loaded deep as deep can be
But not so deep as the love I'm in
I know not if I sink or swim
I leaned my back against an oak
Thinking it was a trusty tree
But first it bent and then it broke
So did my love prove false to me
I reached my finger into some soft bush
Thinking the fairest flower to find
I pricked my finger to the bone
And left the fairest flower behind
Oh love be handsome and love be kind
Gay as a jewel when first it is new
But love grows old and waxes cold
And fades away like the morning dew
Must I go bound while you go free
Must I love a man who doesn't love me
Must I be born with so little art
As to love a man who'll break my heart
When cockle shells turn silver bells
Then will my love come back to me
When roses bloom in winter's gloom
Then will my love return to me
The lyrics for "Waly, Waly, Gin Love Be Bonny" from Ramsay's Tea Table Miscellany (1724).
O Waly, waly (a lament – "woe is me") up the bank,
And waly, waly doun the brae (hill),
And waly, waly, yon burn-side (riverside),
Where I and my love wont to gae.
I lean'd my back into an aik (oak),
I thocht it was a trusty tree;
But first it bow'd, and syne (soon) it brak (broke),
Sae my true love did lightly me.
O waly, waly, but love be bonnie (beautiful),
A little time while it is new,
But when 'tis auld (old), it waxeth cauld (cold),
And fades away like the morning dew.
O wherefore should I busk my heid (adorn my head)?
Or wherefore should I kame (comb) my hair?
For my true love has me forsook,
And says he'll never love me mair (more).
Now Arthur Seat shall be my bed,
The sheets shall ne'er be fyl'd by me,
Saint Anton's well shall be my drink,
Since my true love has forsaken me.
Martinmas wind, when wilt thou blaw (blow),
And shake the green leaves off the tree?
O gentle death, when wilt thou come?
For of my life I am weary.
'Tis not the frost, that freezes fell,
Nor blawing snaws (snow) inclemency,
'Tis not sic cauld (such cold) that makes me cry,
But my love's heart grown cauld to me.
When we cam in by Glasgow town,
We were a comely sight to see;
My love was clad in the black velvet,
And I my sell in cramasie (crimson).
But had I wist (known), before I kiss'd,
That love had been sae ill to win,
I'd lock my heart in a case of gold,
And pin'd it with a silver pin.
Oh, oh! if my young babe were born,
And set upon the nurse's knee,
And I my sell were dead and gane,
For a maid again I'll never be.[4]
(Lyrics courtesy of Wikipedia)
For more information, please feel free to contact me at: jmsgu3 "at" gmail.com
James M. Guthrie, ASCAP
jmsgu3 publications
$32.95 ≈
30.15€
The Ship That Ne'er Returned
The Ship That Ne'er Returned
#
Piano, Voice
#
EASY
#
Timothy Lee Miller
#
The Ship That Ne'er Returned
#
TLM Music Publishing
#
SheetMusicPlus
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1018284 Composed by Timothy Lee Miller. Contemporary,Folk. Score. 6 pages. TLM Music Publishing #6...
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1018284 Composed by Timothy Lee Miller. Contemporary,Folk. Score. 6 pages. TLM Music Publishing #623885. Published by TLM Music Publishing (A0.1018284). A folk legend told by Henry Clay Work (1832-1884) in a poem set to music by Timothy L. Miller.
$4.99 ≈
4.57€
Drink From the River - an original hymn for SATB voices
Drink From the River - an original hymn for SATB voices
#
Choral SATB
#
INTERMEDIATE/ADVANCED
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Sacred music
#
Kevin G
#
Drink From the River - an orig
#
Kevin G. Pace
#
SheetMusicPlus
SATB - Advanced Intermediate - Digital Download Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Christian, Contemporary Christian, Praise &a...
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SATB - Advanced Intermediate - Digital Download Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Christian, Contemporary Christian, Praise & Worship, General Worship, Graduation. 3 pages. Published by Kevin G. Pace
An original hymn with text by Mark Fotheringham below. Performed at the 2016 Alice Lloyd College convocation for Dr. D. Gene Pace.
YouTube video: https://youtu.be/lvo3XVJrVrw
We come to the river for to drink from the stream.
We climb up the mountainside to reach for a dream.
We come to the forest for to blaze new trails
Reaching oceans, we unfurl sails.
And for our food and our raiment we will lightly care,
For learning and knowledge is our fare.
And every page which we study, every word we write
Leads closer to the truth and the right.
May each question be answered. May our vision be clear.
May we serve with conviction that our God's ever near.
May He ever sustain us as we follow His beam
Let us drink from the river and dream.
We'll mine every theory with the zeal of our youth,
Expose every error and reveal every truth.
The joy of discovery will feed our souls
As we master our heartfelt goals.
So many friends and companions met along our way
Will reach out in friendship, ne'er to stray.
And then ascending together, every day we'll find
A soul refreshed in heart and in mind.
May each question be answered. May our vision be clear.
May we serve with conviction that our God's ever near.
May He ever sustain us as we follow His beam
Let us drink from the river and dream.
$1.99 ≈
1.82€
Élégie
Élégie
#
Guitar
#
INTERMEDIATE
#
Contemporary
#
Francis Bebey
#
Ingrid Riollot
#
Élégie
#
Les Editions Doberman-Yppan
#
SheetMusicPlus
Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Ypp...
(+)
Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
$3.95 ≈
3.61€
Christ the Exemplar - an original hymn
Christ the Exemplar - an original hymn
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Choral SATB
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INTERMEDIATE/ADVANCED
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Sacred music
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Kevin G
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Christ the Exemplar - an origi
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Kevin G. Pace
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.701768 Composed by Kevin G. Pace, Mark R. Fotheringham. Christian,Praise & Worship,Sacred. Octav...
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.701768 Composed by Kevin G. Pace, Mark R. Fotheringham. Christian,Praise & Worship,Sacred. Octavo. 2 pages. Kevin G. Pace #3418991. Published by Kevin G. Pace (A0.701768). An original hymn with text by Mark R. Fotheringham below. YouTube video:https://youtu.be/OQx7yk7h8Wo1 Seek for all wisdom, seek to do right. Shun ev'ry darkness and seek for the light. Look to the Lord, He shows you the way; Follow His footsteps each day. CHORUS Christ the exemplar will lead you along, Following Jesus will ne'er lead you wrong. Seeing the beauty of ev'ry soul, Kindness and love is your goal. 2 Serve ev'ry fellow crossing your road. Lift ev'ry burden and lighten each load. Serving with joy, your heart ever true, God will bless all that you do. 3 Thanking the Father, praying each day, Blessing all people you meet on your way, Listen, the Spirit whispers His call, Serve as the Lord. Give your all.
$1.99 ≈
1.82€
Il Est Ne', Le Divin Enfant, "He Is Born, the Divine Christ Child
Il Est Ne', Le Divin Enfant, "He Is Born, the Divine Christ Child
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Brass ensemble
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INTERMEDIATE/ADVANCED
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Traditional
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Keith Loftis
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Il Est Ne', Le Divin Enfant, "
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Keith Loftis
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SheetMusicPlus
Brass Ensemble - Level 4 - Digital Download SKU: A0.490380 Composed by Traditional. Arranged by Keith Loftis. Christmas,Contemporary,Holiday,Praise & Wor...
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Brass Ensemble - Level 4 - Digital Download SKU: A0.490380 Composed by Traditional. Arranged by Keith Loftis. Christmas,Contemporary,Holiday,Praise & Worship,Traditional. Score and parts. 14 pages. Keith Loftis #106313. Published by Keith Loftis (A0.490380). This lively arrangement of the familiar French Christmas carol alternates between a sprightly traditional feel and a flowing catch-your-breath element with contemporary harmonization. The melody gets passed around to most of the instruments and even includes a Trumpet and Horn duet that is supported by bag-pipes. This advanced-intermediate piece would be a great addition to any Christmas or holiday program as it is a familiar but not over-used holiday song.
$1.99 ≈
1.82€
Justice and Mercy, a sacred hymn
Justice and Mercy, a sacred hymn
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Choral SATB
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INTERMEDIATE/ADVANCED
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Sacred music
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Kevin G
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Justice and Mercy, a sacred hy
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Kevin G. Pace
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1136507 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Christian,Praise & Worship,Reli...
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1136507 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Christian,Praise & Worship,Religious,Sacred,Spiritual. Octavo. 2 pages. Kevin G. Pace #736506. Published by Kevin G. Pace (A0.1136507). A warm, lyrical sacred hymn with music by Kevin G. Pace and text by Mark R. Fotheringham. Text: Justice and Mercy daily collide. Each ever seeks to be satisfied. Each is a law which God has decreed, And through Christ ev'ry man is blessed in his need. Â Justice demands that each debt be paid, Each sin be punished, each law obeyed. Imperfect man may never be freed Without Jesus, our Saviour, his cause to plead. Â Mercy applied will ne'er justice rob, E'en as it calms the soul with a sob. Through the atonement, justice is paid, With the gift of repentance before us laid. Â Pray for forgiveness using these laws, That we may overcome earthly flaws. Forsaking evil, seeking the right, We through justice and mercy find heaven's light.
$1.99 ≈
1.82€
Ave Maria
Ave Maria
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Guitar notes and tablatures
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EASY
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Sacred music
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F
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Calum Wood
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Ave Maria
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Calum Wood
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SheetMusicPlus
Guitar - Level 2 - Digital Download SKU: A0.1050065 Composed by F. Shubert. Arranged by Calum Wood. Classical,Praise & Worship,Sacred,Wedding. Guitar Tab...
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Guitar - Level 2 - Digital Download SKU: A0.1050065 Composed by F. Shubert. Arranged by Calum Wood. Classical,Praise & Worship,Sacred,Wedding. Guitar Tab. 2 pages. Calum Wood #654468. Published by Calum Wood (A0.1050065). Are you a guitarist looking to accompany a singer or instrumentalist? Look no further than our new music score of the beloved classic, Ave Maria.Our score is meticulously crafted to perfectly complement any lead instrument or vocal performance, elevating your rendition to the next level. With its enchanting melody and soul-stirring harmonies, Ave Maria has been a cherished piece for centuries, and our music score captures the essence of this timeless classic.What sets our Ave Maria music score apart from the rest is the level of detail and precision we've put into its creation. Every note and dynamic is carefully notated to ensure that your performance captures the true essence of the song. Our music score will enable you to bring the emotional depth of Ave Maria to life, leaving your audience captivated and moved.Our Ave Maria music score is the perfect addition to your performance repertoire, whether you're a soloist, a choir, or a small ensemble. With its exquisite melodies and rich harmonies, it's sure to leave a lasting impression on your listeners.So don't wait any longer - order your copy of our Ave Maria music score today and take your performance to the next level!The History of the Song 'Ave Maria'The song Ave Maria is one of the most beloved and recognized pieces of classical music. It is a musical setting of the Latin prayer Hail Mary and is often performed at religious ceremonies such as weddings and funerals. The history of Ave Maria dates back several centuries and has been shaped by numerous composers and cultural influences.The origins of the prayer Hail Mary can be traced back to the Bible, where it is recorded in the Gospel of Luke. The prayer is a traditional Catholic devotional that honors the Virgin Mary, and has been an important part of Catholic liturgy and piety for centuries.The musical setting of Ave Maria that is most commonly known today was composed by the Austrian composer Franz Schubert in 1825. Schubert's version of Ave Maria was originally written as part of a song cycle titled Die schöne Müllerin (The Beautiful Miller's Wife) but it soon became popular as a standalone piece.Schubert's version of Ave Maria was written for voice and piano, and its soaring melody and gentle accompaniment captured the beauty and reverence of the prayer. Schubert's composition has been performed and recorded countless times by musicians around the world, and it remains one of his most beloved and enduring works.In addition to Schubert's version, Ave Maria has been set to music by many other composers over the years, including Johann Sebastian Bach, Charles Gounod, and Giulio Caccini. Each composer's interpretation of the prayer reflects their own unique cultural and musical influences, and has contributed to the diverse and rich history of this beloved piece of music.Today, Ave Maria remains a cherished part of religious and cultural celebrations around the world, and its timeless beauty and spiritual power continue to inspire and uplift listeners of all backgrounds and beliefs.
$1.99 ≈
1.82€
Entre le boeuf et l'âne gris
Entre le boeuf et l'âne gris
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Brass ensemble
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INTERMEDIATE
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Sacred music
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French Traditional
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Thomas Quigley
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Entre le boeuf et l'âne gris
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Thomas Quigley
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SheetMusicPlus
Brass Ensemble - Level 3 - Digital Download SKU: A0.732363 Composed by French Traditional. Arranged by Thomas Quigley. Christian,Christmas,Concert,Praise...
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Brass Ensemble - Level 3 - Digital Download SKU: A0.732363 Composed by French Traditional. Arranged by Thomas Quigley. Christian,Christmas,Concert,Praise & Worship,Sacred. Score and parts. 16 pages. Thomas Quigley #6438159. Published by Thomas Quigley (A0.732363). A sublime arrangement! The simple but beautiful melody is tastefully harmonized with parts that are direct and accessible, making it very suitable for students or amateurs. Capable of displaying the expressive qualities of a brass quartet this is a very impressive and effective piece. Truly enjoyable to play it is highly recommended as a novel Christmas item!
$7.99 ≈
7.31€
Variations on hélas madame for flute quartet (mp3)
Variations on hélas madame for flute quartet (mp3)
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Flute Quartet: 4 flutes
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INTERMEDIATE/ADVANCED
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Contemporary
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Budapest Scoring
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David Warin Solomons
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Variations on hélas madame fo
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David Warin Solomons
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SheetMusicPlus
Level 4 - Digital Download SKU: A0.1136040 By Budapest Scoring. By King Henry VIII (attrib.). Arranged by David Warin Solomons. Classical,Contemporary. F...
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Level 4 - Digital Download SKU: A0.1136040 By Budapest Scoring. By King Henry VIII (attrib.). Arranged by David Warin Solomons. Classical,Contemporary. Full Performance. Duration 144. David Warin Solomons #736065. Published by David Warin Solomons (A0.1136040). Hélas madame is attributed to King Henry VIII. It is part of a secular collection, found on a manuscript that was used in Henry's court. The originality of the song has been questioned, with various parts of the song allegedly taken from similar pieces in Europe. The song itself is a courtship conversation in Middle French between a man and woman. Hélas madame, celle que j’ayme tant: Souffrez que soye vostre humble servant; Vostre humble servant je serays a toujours Et tant que je viv’ray aultr’ n’aymeray que vous. Hélas, beau sire, vous estez bel et bon, Sage et courtoys et de noble maison, Et aussi bon que l’on scairoit finer, Mais cil que j’ayme, ne scairoye oublier. Hellas, ma dame, pences en vostre cas: Entre nous deulx ne fault point d’avocatz. Certes non pas, et vous le scavez bien. Allez vous en, car vous ne faictez rien. Mon cueur souspire et se plaint tendrement, Quant il ne peult trouver allegement. Ne scay comment on me veult dechasser; S’il est ainsi, j’ayray ailleurs chasser. Hellas, ma dame, et n’en seray-je point? Certes beau sire, je ne le vous dis point. Servez a point: il vous sera mery. Hellas, ma dame, de bon cueur vous mercy. Alas my lady, whom I do so love: Suffer me to be your humble servant; Your humble servant I shall always be. And while I live, I'll love none else but you. Alas, fair sir, you are good and kind, Wise and courteous and from a noble house, And as good as one could find, But I can't forget the one I love. Alas my lady, think upon your case: Between us two, no need for advocate. Certainly not, and you know it well. Be gone, for you are doing nothing. My heart sighs and tenderly complains, When it cannot find relief. I know not how it wants me to woo; If it is so, I'll go wooing elsewhere. Alas my lady, and shall I not? Certainly, fair sir, I have not said so. Behave rightly and you will be rewarded. Alas my lady, from my whole heart, thank you. Performed by Anita Szabó Ildikó Szabady Iza Nagy Boglárka Dávid.
$4.50 ≈
4.12€
Knowledge From Heaven, a sacred hymn
Knowledge From Heaven, a sacred hymn
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Choral SATB
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INTERMEDIATE/ADVANCED
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Sacred music
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Kevin G
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Knowledge From Heaven, a sacre
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Kevin G. Pace
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1080344 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Praise & Worship,Sacred,Spiritu...
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1080344 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Praise & Worship,Sacred,Spiritual. Octavo. 3 pages. Kevin G. Pace #684569. Published by Kevin G. Pace (A0.1080344). A beautiful, sacred hymn with music by Kevin G. Pace and text by Mark R. Fotheringham. Text: Knowledge from heaven descends like rain, Thirsting, the desert's in bloom. Revelation is filling the righteous with love, A love that dispels drought and doom. Prophets of God have been called again, Waters of life to resume. Scriptures are opened to fill each heart, Cups overflow with each phrase. The commandments are clearer than ever before While reading His Word and His Ways. Words of the Lord are revealed again, Wade through the rivers of praise. Covenant people, return to God. Find in His fold there is peace. In abundance, the waters of life will there flow Through gardens that ever increase. Temples of God have been built again, Streams of the truth ne'er to cease.
$1.99 ≈
1.82€
True Doctrine - an original hymn for SATB voices
True Doctrine - an original hymn for SATB voices
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Choral SATB
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INTERMEDIATE/ADVANCED
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Sacred music
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Kevin G
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True Doctrine - an original hy
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Kevin G. Pace
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.701688 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Christian,Praise & Worship,Sacre...
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.701688 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Christian,Praise & Worship,Sacred. Octavo. 3 pages. Kevin G. Pace #3245851. Published by Kevin G. Pace (A0.701688). An original hymn with text by Mark Fotheringham below.YouTube video: https://youtu.be/hUjLejbDhXoOh, day by day we battle for souls As the search for true doctrine goes on, goes on Questions fill the mind and the heart will ponder Where we came from and the purpose of life. CHORUS The Spirit whispers unto each heart That God is Father to all, His Son, our Savior, came to help us be whole, And to show us the pathway to joy. The scriptures hold the answers we seek As the search for true doctrine goes on, goes on. We will know His Word when in truth we seek it With a prayer and with intent to obey. CHORUS A prophet’s voice is stable and sure As the search for true doctrine goes on, goes on. As a warning voice, he will ne’er mislead us. Through His servant, God will watch o’er the world. CHORUS The still, small voice, is felt in the heart As the search for true doctrine goes on, goes on. It will pierce the soul with a voice of mildness But with power it will fill us with light. CHORUS
$1.99 ≈
1.82€
Prayer Still Works
Prayer Still Works
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Choral SATB
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INTERMEDIATE
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Sacred music
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Nikki K
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Prayer Still Works
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Nikki K. Ervin
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1027954 Composed by Nikki K. Ervin. Christian,Gospel,Praise & Worship,Sacred. Octavo. 4 pages. N...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1027954 Composed by Nikki K. Ervin. Christian,Gospel,Praise & Worship,Sacred. Octavo. 4 pages. Nikki K. Ervin #3435421. Published by Nikki K. Ervin (A0.1027954). SATB choir with piano accompanimentFor SATB choir with piano accompaniment. Composed by Nikki K. Ervin. Lent, General. Published by Nikki Ervin Music BMI (NE.001-1975).Item Number: NE.001-1975 Nikki Ervin's distinctive blend of contemporary rhythms coupled with abstract chord progressions is a trademark of her signature style and one of the many qualities that has gained respect among her colleagues.
$3.00 ≈
2.74€
Christmas Duets for Clarinet and Bassoon or Clarinet & Cello - Complete Set - Music for Two
Christmas Duets for Clarinet and Bassoon or Clarinet & Cello - Complete Set - Music for Two
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Clarinet, Bassoon (duet)
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INTERMEDIATE/ADVANCED
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Christmas
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Various, Tschaikovsky, Hande
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Daniel Kelley
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Christmas Duets for Clarinet a
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SheetMusicPlus
Clarinet, Bassoon, Cello - Advanced Intermediate - Digital Download Composed by Various, Tschaikovsky, Handel, Corelli, Mozart. Arranged by Daniel Ke...
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Clarinet, Bassoon, Cello - Advanced Intermediate - Digital Download Composed by Various, Tschaikovsky, Handel, Corelli, Mozart. Arranged by Daniel Kelley. Classical Period, Baroque Period, Sacred, Christmas, Hanukkah. Score. 130 pages. Published by Last Resort Music Publishing
This complete set of Music for Two Clarinets, Christmas features 61 selections, including favorites like Jingle Bells, music from the Nutcracker, and more! Includes Sets 1 through 6 all together Each duet book is published in score form (both parts on the same page) so that the players can play from the same part.
TABLE OF CONTENTS
A Caroling We Go (Johnny Marks)
A Holly Jolly Christmas (Johnny Marks)
A La Nanita Nana (Spanish Traditional)
Angels From The Realm Of Glory (J. Montgomery and H. Smart)
Angels We Have Heard on High (Traditional)
Away in a Manger (Traditional)
The Boar's Head Carol (English Traditional)
Break Forth, O Beauteous, Heavenly Light from the Christmas Oratorio (J.S. Bach)
Bring Your Torch, Jeanette Isabella (French Traditional)
Christ-Child is Born, The Der Heiland is Geboren (German Traditional)
Third Movement from Christmas Concerto (Corelli)
Fourth Movement from Christmas Concerto (Corelli)
Christmas Day in the Morning (Old English Carol)
Coventry Carol (Traditional)
Deck the Halls (Welsh Traditional)
Ding Dong Merrily on High (Traditional)
The First Noel (Traditional)
Fum, Fum, Fum (Catalan Carol)
Gesu Bambino (Pietro A. Yon)
God Rest Ye, Merry Gentlemen (Traditional)
Good Christian Men, Rejoice (Traditional)
Good King Wenceslas (Piae Cantiones)
Greensleeves (Traditional)
Hanukkah Medley Hanukkah, S'Vivon, My Dreidel, Rock of Ages (Traditional Jewish)
Hark! The Herald Angels Sing (Mendelssohn)
He Is Born, The Divine Christ Child Il est ne, Le Divin Enfant (French Traditional)
The Holly and the Ivy (Traditional)
I Heard the Bells on Christmas Day (John Calkin & Longfellow)
I Saw Three Ships (Traditional)
It Came Upon a Midnight Clear (Richard S. Willis)
Jingle Bells (J. Pierpont)
Jolly Old Saint Nicholas (Traditional)
Joy To The World (Handel)
Lo, How a Rose E'er Bloooming (Traditional)
The For Unto Us a Child Is Born from The Messiah (Handel)
The Hallejah Chorus from The Messiah (Handel)
He Shall Feed His Flock Like A Shepherd from The Messiah (Handel)
The Pastoral Symphony "Pifa" from The Messiah (Handel)
The Chinese Dance from The Nutcracker (Tschaikovsky)
The Dance of the Reed Flutes from The Nutcracker (Tschaikovsky)
The Dance of the Sugar-Plum Fairy from The Nutcracker(Tschaikovsky)
The Overture from The Nutcracker (Tschaikovsky)
The Trepak from The Nutcracker (Tschaikovsky)
O Christmas Tree (Traditional)
O Come, All Ye Faithful Adeste Fideles (Traditional)
O Come, O Come, Emmanuel (Traditional)
O Holy Night Cantique de Noel (Adolphe Adam)
O Little Town of Bethlehem (Lewis H. Redner)
Pat-a-Pan (Traditional)
Rockin' Around The Christmas Tree (Johnny Marks)
Rudolph The Red-Nosed Reindeer (Johnny Marks)
Silent Night (Franz Gruber and Rev. Joseph Mohr)
Sing We Now of Christmas Noel Nouvelet (French Traditional)
Sleigh Ride from German Dance, K. 605 # 3 (Mozart)
The Twelve Days of Christmas (Traditional)
Up On The Housetop (Traditional)
Wassail Song (Traditional)
We Three Kings of Orient Are (John Henry Hopkins)
We Wish You a Merry Christmas (Traditional)
Wexford Carol (Irish Traditional)
While Shepherds Watched Their Flocks By Night (Handel).
$54.00 ≈
49.41€
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The Ship That Ne
