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The Word Is Alive
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You've selected:
The Word Is Alive
Sheetmusic to print
71 sheet music found
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51
With A Shout (1 Thessalonians 4.16-18 WEB)
With A Shout (1 Thessalonians 4.16-18 WEB)
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Sacred music
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Chris Monteiro
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With A Shout
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Christopher M. Monteiro
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SheetMusicPlus
Small Ensemble Choir,High Voice,Trumpet - Level 2 - Digital Download SKU: A0.950768 Composed by Chris Monteiro. Christian,Praise & Worship,Sacred. Score ...
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Small Ensemble Choir,High Voice,Trumpet - Level 2 - Digital Download SKU: A0.950768 Composed by Chris Monteiro. Christian,Praise & Worship,Sacred. Score and parts. 2 pages. Christopher M. Monteiro #3384719. Published by Christopher M. Monteiro (A0.950768). For the Lord himself will descend from heaven with a shout, with the voice of the archangel and with God’s trumpet. The dead in Christ will rise first, then we who are alive, who are left, will be caught up together with them in the clouds, to meet the Lord in the air. So we will be with the Lord forever. Therefore comfort one another with these words. This unaccompanied bugle call in C Major for B♠Trumpet or Voice has been fashioned to help you internalize God’s Word.The melody uses only the notes of the tonic triad, ranging from G above Middle C to the 2nd G above middle C. The text of this song is from The World English Bible (WEB), a Public Domain (no copyright) Modern English translation of the Holy Bible based on the American Standard Version of the Holy Bible first published in 1901, the Biblia Hebraica Stutgartensa Old Testament, and the Greek Majority Text New Testament.
$2.99 ≈
£2.26
When the Saints Go Marching In (Mixed Level, 2 Pianos, 4 Hands Duet)
When the Saints Go Marching In (Mixed Level, 2 Pianos, 4 Hands Duet)
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2 Pianos, 4 hands
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EASY
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Gospel/Spiritual
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Sacred music
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Sharon Wilson
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Sharon Wilson Music
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When the Saints Go Marching In
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.565178 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson Music....
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2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.565178 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson Music. Children,Folk,Jazz,Sacred,Spiritual. Score. 12 pages. Sharon Wilson #3519273. Published by Sharon Wilson (A0.565178). This arrangement of the traditional spiritual When the Saints Go Marching In is presented here as a mixed level duet for two pianos, four hands. The PIANO 1 is the easier part (early-intermediate) and the PIANO 2 is slightly more challenging, though still only at the intermediate level. Both PIANO parts carry the melody at times beginning with PIANO 1 for the verse. Quick-paced and bright, this dual piano duet is an ideal selection for a church setting.The purchase price includes a 5-page score with combined PIANO 1 and PIANO 2 parts on each page (the grand staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (3 pages each). Duration is just under 1-1/2 minutes. This arrangement is one of the 5 spirituals in the collection Five Joyful Tunes for Two Pianos.This song has numerous verses and varying lyrics, most of which reference the joy of marching into heaven at Jesus' second coming. Bible verses from which the lyrics were gleaned include the following:Â . . .Yahweh's ransomed ones will return, and come with singing to Zion; and everlasting joy will be on their heads. They will obtain gladness and joy, and sorrow and sighing will flee away. Isaiah 35:10 WEBFor the Lord himself will descend from heaven with a shout, with the voice of the archangel, and with God's trumpet. The dead in Christ will rise first, then we who are alive, who are left, will be caught up together with them in the clouds, to meet the Lord in the air. So we will be with the Lord forever. Therefore comfort one another with these words. 1 Thessalonians 4:16-18 WEBBlessed are those who do his commandments, that they may have the right to the tree of life, and may enter in by the gates into the city. Revelation 22:14 WEBLyrics for my favorite 3 verses:O when the saints go marching in,O when the saints go marching in,O Lord I want to be in that number,When the saints go marching in.O when the trumpet sounds its call,O when the trumpet sounds its call,O Lord I want to be in that number,When the trumpet sounds its call.O when they crown him Lord of all,O when they crown him Lord of all,O Lord I want to be in that numberWhen they crown him Lord of all.
$5.99 ≈
£4.53
THE ICON OF THE INVISIBLE GOD (SATB) – Colossians 1:15-20
THE ICON OF THE INVISIBLE GOD (SATB) – Colossians 1:15-20
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Choral SATB
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INTERMEDIATE
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Sacred music
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Michael A
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THE ICON OF THE INVISIBLE GOD
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M.A. Morizio
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926661 Composed by Michael A. Morizio. Christian,Sacred. Octavo. 15 pages. M.A. Morizio #3588399...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926661 Composed by Michael A. Morizio. Christian,Sacred. Octavo. 15 pages. M.A. Morizio #3588399. Published by M.A. Morizio (A0.926661). In the first chapter of Paul’s letter to the Colossians, we discover the next known Hymn to Christ right after his introductory passages, beginning at the 15th verse. Paul opens this letter with a blessing, then immediately flows to one of the 1st century hymns, which I have called, The Icon of the Invisible God. The lyrics of this hymn are declarative, bold and illuminating as to whom the Christ figure is-the icon, the very image of the invisible God, the firstborn of all creation. The text makes it abundantly clear that Jesus is the authority; that He was there before all things, that He created all things, and that through Him all things hold together. This anthem is composed for SATB choir with Pipe Organ accompaniment. The meter is set to 6/8 time, with a rhythm tempo of Totally Alive; which is one actual definition of the word Holy. The anthem starts at a good clip (♪=100). The key is G Major, with an incidental and occasional flatted 5th (Dâ™) as a surprise-landing befitting to the text presented, as if to say, This is so amazing, how can it be? The flatted 5th gives the piece it's own identity and causes the listener to stand up and take notice whenever it occurs. When the hymn's lyrics glide into the all-important resolution, having made peace through the blood of the cross, the song retards and lands on a surprising musical cadence, the sixth chord (E Major). In this piece, the pipe organ is boldly featured as it supports and under girds the musical line, occasionally trumpeting its own victorious motifs and adding some contrapuntal elements, such as this duplet motif, in the pedal line. The final lyrics about Christ having reconciled everything to Himself, whether things on the earth or in the heavens, finish the piece with a great, ‘High-Church’ choral ending.
$1.99 ≈
£1.51
Larry Williams Compositions- The Guitar Book
Larry Williams Compositions- The Guitar Book
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Guitar
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INTERMEDIATE/ADVANCED
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Larry Williams
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Larry Williams Compositions- T
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Larry Andrew Williams
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.1167528 Composed by Larry Williams. Contemporary,Folk,Jazz. Individual part. 80 pages. Larry Andrew Will...
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Solo Guitar - Level 4 - Digital Download SKU: A0.1167528 Composed by Larry Williams. Contemporary,Folk,Jazz. Individual part. 80 pages. Larry Andrew Williams #767908. Published by Larry Andrew Williams (A0.1167528). A WORD FROM THE COMPOSER Is anyone interested in new reading material anymore? I know that when I was a kid in nineteen hundred and something, the quest for new musical pieces was always one of the funnest aspects of the whole musical journey. Of course I did learn that it would take a long time to  nd those few that would resonate with me for a lifetime, but it was always fun trying them all out. It still is, in fact. Well, times change and people change, but I’d still like to believe that same factor carries on. You know, the one about trying out all that music to get to the few you keep. And what about the few we do keep? For guitar players, was it always a classic from the usual suspects, like Albeniz, Sor, Tarrega,, Granados, Rodrigo, Brouwer, Barrios, Villa-Lobos, or anything by Bach?Was it something our band director or private instructor, one of our friends, or our parents wrote? Or – Heaven forbid- something that maybe we ourselves wrote? Or some “unknown guy.â€Â Consider this.Just how often did some unknown composer's piece greatly affect us as we waded through a daunting pile of the familiar from the known masters? And since some, if not most of these classics are required reading, how often did we even get around to giving this unknown guy's piece a try?And furthermore, was this unknown guy - shudder...alive? Let’s face it. In the composer arena, we the living, stand no chance against the deceased (God rest their souls) But by saying “they don’t write ‘em like that anymore,†are we denying ourselves new ground to be broken, doors to be opened, frontiers to be discovered? And isn’t that pioneering spirit just plain ol’ curiosity when it comes right down to it? Well I believe the key lies within the carrying out of these notions that curiosity places in us. It’s climbing the mountain simply because it is there. So, for right now, I’m that unknown guy and I would only urge you to break new ground every day. Lots of trends, ideas, and interests will come and go in your life, but always hang on to that curiosity. It’s what makes the world a smaller neighborhood. Larry Williams.
$20.00 ≈
£15.14
Variations on a Theme in D Flat
Variations on a Theme in D Flat
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Concert band
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EASY
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Contemporary
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Kendra Brown
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Variations on a Theme in D Fla
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Kendra Brown
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SheetMusicPlus
Concert Band - Level 2 - Digital Download SKU: A0.1335323 Composed by Kendra Brown. 21st Century. 26 pages. Kendra Brown #921147. Published by Kendra Bro...
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Concert Band - Level 2 - Digital Download SKU: A0.1335323 Composed by Kendra Brown. 21st Century. 26 pages. Kendra Brown #921147. Published by Kendra Brown (A0.1335323). The main theme is inspired by the introduction of the piece. Delicate and child-like. The ostinato in the beginning of the piece that double reeds have displays the feeling of a “child-like†waltz. The pattern is in 3 but it should be played as if it is in 6/8, with emphasis on beats 1 and 3. There should be weight to the sound but it should not be heavy. Sometimes in life, (as both teens and adults) we tend to get caught up in stress or worries and we forget to take a break, relax and destress a little. This piece reminds us to go back to our childlike roots. As the theme in Section A expands, it takes a turn in Section B where the tempo picks up. (Players are encouraged to have as much fun as they can with this part.) At and after the exposed bassoon part at m.50, in the words of my old high school band director, “Let it rip potato chip!†(Meaning give it all you’ve got and have fun). Brass are encouraged to play the dynamics as written in this section but listen to each other. Section C is a bridge to the 7/8 in Section D. Section D, reintroduces the theme in the form of a trumpet solo while brass and some of the woodwinds have the ostinato. Be careful euphonium & tuba because you’re missing a beat on purpose! Section E is the “Medley†of all the parts that were previously played with only tuba playing in the relative minor so it sticks out at the bottom of the ensemble. This is symbolic of the piece itself, showing that the pressures of life can be overcome by keeping a good attitude and persevering through those tough times that you encounter. Section F is another “bridge†beginning with the flute solo reiterating the theme one last time before the “descent and climb†(starting at m.137) to the final destination: Section G. Section G should be played like an overture. Full and with joy and a “coming alive-ness†to it therefore bringing life to the once dead emotions that once were. The ending with the oboe/bassoon duet should be played as quietly as possible & as in tune as possible.
$10.00 ≈
£7.57
The Heart and the Fountain (SATB)
The Heart and the Fountain (SATB)
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Choral SATB
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Contemporary
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Ofer Ben-Amots, composer and l
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The Heart and the Fountain
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The Composer's Own Press
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SheetMusicPlus
Choral Choir (SATB) - Digital Download SKU: A0.944041 Composed by Ofer Ben-Amots, composer and librettist. Contemporary. Octavo. 28 pages. The Composer's...
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Choral Choir (SATB) - Digital Download SKU: A0.944041 Composed by Ofer Ben-Amots, composer and librettist. Contemporary. Octavo. 28 pages. The Composer's Own Press #4799263. Published by The Composer's Own Press (A0.944041). Composer’s Notes: The Hebrew text stems from a mystical Kabalistic source attributed to the great Hassidic Rabbi Nachman of Breslav. The words tell us, in a poetic and metaphysical manner, about the mechanism that moves the world and keeps the universe alive: there is a singing fountain at the end of the world and a pounding heart at the other end. The fountain and the heart are attracted to each other and wish to get closer, but as soon as they move from their place they lose sight of each other. Once they cannot see each other anymore the heart would stop beating and the fountain would stop singing. Thus, they both stay in their places and sing to each other. Their song spreads over the entire world and sparks of light emanate from it. When the sparks are woven together they produce enough Time for a new day to be created. The music mirrors the soft pounding of the heart and the spreading of this magical melody.Duration: 9' 40 For demo recording, any questions, or additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$9.90 ≈
£7.49
The Heart and the Fountain (SSAA)
The Heart and the Fountain (SSAA)
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Choral 2-part
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Contemporary
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Ofer Ben-Amots, composer and l
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The Heart and the Fountain
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The Composer's Own Press
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SheetMusicPlus
Choral Choir (SA) - Digital Download SKU: A0.944042 Composed by Ofer Ben-Amots, composer and librettist. Contemporary. Octavo. 28 pages. The Composer's O...
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Choral Choir (SA) - Digital Download SKU: A0.944042 Composed by Ofer Ben-Amots, composer and librettist. Contemporary. Octavo. 28 pages. The Composer's Own Press #4799915. Published by The Composer's Own Press (A0.944042). Composer’s Notes:The Hebrew text stems from a mystical Kabalistic source attributed to the great Hassidic Rabbi Nachman of Breslav. The words tell us, in a poetic and metaphysical manner, about the mechanism that moves the world and keeps the universe alive: there is a singing fountain at the end of the world and a pounding heart at the other end. The fountain and the heart are attracted to each other and wish to get closer, but as soon as they move from their place they lose sight of each other. Once they cannot see each other anymore the heart would stop beating and the fountain would stop singing. Thus, they both stay in their places and sing to each other. Their song spreads over the entire world and sparks of light emanate from it. When the sparks are woven together they produce enough Time for a new day to be created. The music mirrors the soft pounding of the heart and the spreading of this magical melody.Duration: 9' 40 For demo recording, any questions, or additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com.
$9.90 ≈
£7.49
Gregory Sullivan Isaacs: The Death of Pyramus for bass buffo or baritone voice and piano
Gregory Sullivan Isaacs: The Death of Pyramus for bass buffo or baritone voice and piano
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Gregory Sullivan Isaacs
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Gregory Sullivan Isaacs: The D
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble - Level 4 - Digital Download SKU: A0.534549 Composed by Gregory Sullivan Isaacs. Concert,Contemporary,Standards. Score and parts. 10 pages...
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Small Ensemble - Level 4 - Digital Download SKU: A0.534549 Composed by Gregory Sullivan Isaacs. Concert,Contemporary,Standards. Score and parts. 10 pages. Musik Fabrik Music Publishing #3627069. Published by Musik Fabrik Music Publishing (A0.534549). Text by William Shakespeare (A Midsummer Night's Dream Act V, Scene I)The ultimate overblown death scene for an actor of limited abilitiesIn the play, Nick Bottom thinks that he is the greatest actor alive. However, he is appallingly dreadful - he shamelessly overplays every line, mugs incessantly and makes word errors. He thinks that he is fabulous when, in fact, he is ridiculous. His suicide scene is one of the great moments for comic actors and it can take as long as the actor wishes - even up to 5 minutes. This aria is set in the same manner and many buffo singers immediately come to mind as models for such satire. This selection cannot be overplayed. It can be sung by any male voiceTEXT: Sweet Moon, I thank thee for thy sunny beams.I thank thee, Moon, for shining now so bright.For by thy gracious, golden, glittering gleams,I trust to take of truest Thisbe sight.—But stay, O spite!But mark, poor knight,What dreadful dole is here!Eyes, do you see?How can it be?O dainty duck! O dear!Thy mantle good,What, stained with blood?Approach, ye Furies fell!O Fates, come, come,Cut thread and thrum.Quail, crush, conclude, and quell!O wherefore, Nature, didst thou lions frame?Since lion vile hath here deflowered my dear,Which is—no, no—which was the fairest dameThat lived, that loved, that liked, that looked with cheer.Come, tears, confound!Out, sword, and wound!The pap of Pyramus— Ay, that left papWhere heart doth hop. (stabs himself)Thus die I, thus, thus, thus.Now am I dead.Now am I fled.My soul is in the sky.Tongue, lose thy light.Moon, take thy flight.Now die, die, die, die, die.(dies)
$11.95 ≈
£9.05
Children Of The Grave
Children Of The Grave
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Bass guitar
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INTERMEDIATE
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Rock
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Black Sabbath
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Tracy Dean McCallum
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Children Of The Grave
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Tracy Dean McCallum
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SheetMusicPlus
Bass Guitar - Level 3 - Digital Download SKU: A0.1262768 By Black Sabbath. By Frank Iommi, John Osbourne, Terence Butler, and William Ward. Arranged by T...
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Bass Guitar - Level 3 - Digital Download SKU: A0.1262768 By Black Sabbath. By Frank Iommi, John Osbourne, Terence Butler, and William Ward. Arranged by Tracy Dean McCallum. Rock. Score. 7 pages. Tracy Dean McCallum #855777. Published by Tracy Dean McCallum (A0.1262768). https://tracymccallum.com/Revolution in their minds, the children start to marchAgainst the world in which they have to liveAnd all the hate that's in their heartsThey're tired of being pushed aroundAnd told just what to doThey'll fight the world until they've wonAnd love comes flowing through, yeahChildren of tomorrow live in the tears that fall todayWill the sun rise up tomorrow bring in peace in any way?Must the world live in the shadow of atomic fear?Can they win the fight for peace or will they disappear? YeahSo, you children of the worldListen to what I sayIf you want a better place to live inSpread the word todayShow the world that love is still alive, you must be braveOr you children of today are children of the grave, yeah
$6.99 ≈
£5.29
A Whitman Triptych: II. What Is the Grass? (Downloadable)
A Whitman Triptych: II. What Is the Grass? (Downloadable)
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David Conte
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A Whitman Triptych: II. What I
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Tenor voice solo, SATB choir unaccompanied - Moderately Difficult - Digital Download SKU: MQ.8322-E Composed by David Conte. Advanced/Collegiate. Secular...
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Tenor voice solo, SATB choir unaccompanied - Moderately Difficult - Digital Download SKU: MQ.8322-E Composed by David Conte. Advanced/Collegiate. Secular, 21st Century, Americana, Children, Creation/Nature, Hope/Assurance. Instrument part. 15 pages. Duration 5 minutes, 42 seconds. E. C. Schirmer Music Company - Digital #8322-E. Published by E. C. Schirmer Music Company - Digital (MQ.8322-E). UPC: 600313483226. English. The three a cappella choral pieces that comprise “A Whitman Triptych†were composed between 2012 and 2014. O Setting Sun was commissioned by the Madison Chamber Choir, Madison, Wisconsin, Anthony Cao, conductor, and was premiered on April 20th, 2012. “What is the Grass†was composed for Cappella SF, Ragnar Bohlin, conductor, and is being premiered on tonight’s concert. Facing West was commissioned in celebration of the 75th anniversary of the Golden Gate Bridge by the International Orange Chorale, Zane Fiala, conductor, and was premiered on May 27th, 2012. I first set Whitman to music in 1986,when I adapted part of “When Lilacs Last in the Dooryard Bloomed†as the basis for my composition “Invocation and Dance.†I went on to set “Good-Bye, My Fancy†for Male Chorus and Soprano Saxophone in 1992, and “Song of the Open Road†for Mixed Chorus and Piano in 2004. Like so many composers, I have found the visionary quality of Whitman’s verse inspiring; the vigor and intensity of the poetry seem naturally to draw out music. “What is the Grass?†is also an adaptation of a much longer poem, one of Whitman’s deepest, and most mysterious. The poem begins as a child-like meditation on grass; as hope, as an embodiment of new life and new growth in the plant world. Then suddenly there is a somber turn with the line “And now it seems to me the beautiful uncut hair of graves.†Here Whitman enters an extended mediation on how grass connects life and death, informed by his experiences in the Civil War. Hope returns with the line: “They are alive and well somewhere,†leading to the mysterious final line: “And to die is different from what anyone supposed, and luckier…†Here Whitman affirms that death can be an initiation into a broader participation of existence. In the words of poet Ivan M. Granger, Whitman offers a “Zen-like riddle that doesn’t offer an answer so much as a pathway of questioning.†My musical setting follows Whitman’s exploration, first taking a child’s point of view, expressed with lilting melodies set in a lively compound meter. The entry of the tenor soloist indicates a change of mood to the serious. The first mood returns, leading to a climax on the words “And led forward life…â€, set in 9-part harmony. The mood turns reverent, as the tenor soloist intones: “All goes onward and outward; nothing collapses.†The piece ends with a tone of gentle, slightly ironic questioning. -David ConteDuration: 5:42
$2.85 ≈
£2.16
It Is Not Death to Die - Orchestration
It Is Not Death to Die - Orchestration
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Robert Myers
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It Is Not Death to Die - Orche
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WheatMyer Music
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SheetMusicPlus
Small Ensemble - Digital Download SKU: A0.976717 Composed by Robert Myers. Contemporary,Easter,Sacred. Score and parts. 67 pages. WheatMyer Music #479463...
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Small Ensemble - Digital Download SKU: A0.976717 Composed by Robert Myers. Contemporary,Easter,Sacred. Score and parts. 67 pages. WheatMyer Music #4794639. Published by WheatMyer Music (A0.976717). It Is Not Death to Die is a new setting of French poet Henri Abraham César Malan's Non, ce n'est pas mourir as translated by George Washington Bethune and adapted for this work. Why this text? It first came to my notice shortly after the passing of Billy Graham, who was known to paraphrase D. L. Moody, Someday you will read or hear that Billy Graham is dead. Don’t you believe a word of it. I shall be more alive than I am now. I will just have changed my address. I will have gone into the presence of God.Graham's bold proclamation and Malan's poetry motivated me to focus anew on the resurrection, re-remembering it as the pivotal element of the Christian faith. For if there is no resurrection, Paul says in 1 Cor 15, our faith is useless. But Christ has indeed been raised from the dead! Unfortunately, singing about heaven has, perhaps, been neglected of recent decades. We seem to have focused more on the already to the detriment of the not yet. But it is important to remember that this life is not all there is! Quoting Paul again, the sufferings of this present time are not worth comparing with the glory that is to be revealed to us (Rom 8:18). Yet, if Christ delays, the grim inevitability of our transition into eternity is a certain experience we all face. Malan's poetry so poignantly and eloquently captures this tension that it compelled me to compose a fresh musical setting that attempts to captures the mixture of dread and hope borne out in the acclamation that death is swallowed up in victory! I pray that this setting aids the Church to remember the great hope and promise Christ has granted us: O Death, where is your victory? O Death, where is your sting?_______________________________________________________________________________________________The music opens with a C# diminished chord in a very still and somber texture reflective of grief. The text is introduced with the first of two main motives, a rising 4-note outline of B minor in a triple repetition of It Is Not Death. As each stanza proceeds the music concludes on the second motive, a 5-note descending span of a minor 7th in Bb Lydian. The energy and mood of the music gradually shift over the five stanzas, as the focus moves from this life to the next; the texture thickens, the harmony expands, and the dynamic grows into the music’s pinnacle on reign with You on high! The music closes on a reprise of the opening section, simultaneously mindful of our mortality and our eternity.Available with orchestral (this version) or piano accompaniment, It Is Not Death to Die is a fitting close to the Easter season, or is suitable for Ascension Sunday, a funeral or memorial service, or any time in the church year to remind Christians of the central hope of our faith, eternal life in Christ.Robert MyersS.D.G.Orchestration 2 1 1 1 1 2 2 2 1 1 Timp Glock Perc Mark Tree, Sus Cym, Crash Cym, Snare, Bass Drum, Mid Tom, Triangle, Tam Tam Piano Strings
$75.00 ≈
£56.78
It Is Not Death to Die
It Is Not Death to Die
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Choral SATB
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INTERMEDIATE/ADVANCED
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Robert Myers
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It Is Not Death to Die
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WheatMyer Music
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.976710 Composed by Robert Myers. Christian,Concert,Contemporary,Easter,Sacred. Octavo. 10 pages....
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.976710 Composed by Robert Myers. Christian,Concert,Contemporary,Easter,Sacred. Octavo. 10 pages. WheatMyer Music #4767525. Published by WheatMyer Music (A0.976710). It Is Not Death to Die is a new setting of French poet Henri Abraham César Malan's Non, ce n'est pas mourir as translated by George Washington Bethune and adapted for this work. Why this text? It first came to my notice shortly after the passing of Billy Graham, who was known to paraphrase D. L. Moody, Someday you will read or hear that Billy Graham is dead. Don’t you believe a word of it. I shall be more alive than I am now. I will just have changed my address. I will have gone into the presence of God.Graham's bold proclamation and Malan's poetry motivated me to focus anew on the resurrection, re-remembering it as the pivotal element of the Christian faith. For if there is no resurrection, Paul says in 1 Cor 15, our faith is useless. But Christ has indeed been raised from the dead! Unfortunately, singing about heaven has, perhaps, been neglected of recent decades. We seem to have focused more on the already to the detriment of the not yet. But it is important to remember that this life is not all there is! Quoting Paul again, the sufferings of this present time are not worth comparing with the glory that is to be revealed to us (Rom 8:18). Yet, if Christ delays, the grim inevitability of our transition into eternity is a certain experience we all face. Malan's poetry so poignantly and eloquently captures this tension that it compelled me to compose a fresh musical setting that attempts to captures the mixture of dread and hope borne out in the acclamation that death is swallowed up in victory! I pray that this setting aids the Church to remember the great hope and promise Christ has granted us: O Death, where is your victory? O Death, where is your sting?_______________________________________________________________________________________________The music opens with a C# diminished chord in a very still and somber texture reflective of grief. The text is introduced with the first of two main motives, a rising 4-note outline of B minor in a triple repetition of It Is Not Death. As each stanza proceeds the music concludes on the second motive, a 5-note descending span of a minor 7th in Bb Lydian. The energy and mood of the music gradually shift over the five stanzas, as the focus moves from this life to the next; the texture thickens, the harmony expands, and the dynamic grows into the music’s pinnacle on reign with You on high! The music closes on a reprise of the opening section, simultaneously mindful of our mortality and our eternity.
$2.25 ≈
£1.70
Breathe on Me, Breath of God
Breathe on Me, Breath of God
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Piano, Voice
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Rory M
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Breathe on Me, Breath of God
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New Horizons Music Studio, Inc.
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SheetMusicPlus
Piano,Vocal,Voice - Digital Download SKU: A0.934080 Composed by Rory M. Thompson. Christian. Score. 5 pages. New Horizons Music Studio, Inc. #3108527. Pu...
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Piano,Vocal,Voice - Digital Download SKU: A0.934080 Composed by Rory M. Thompson. Christian. Score. 5 pages. New Horizons Music Studio, Inc. #3108527. Published by New Horizons Music Studio, Inc. (A0.934080). Loving the words to the old hymn, and noticing that it is rarely sung today, I started from scratch with a setting for the 21st century that will hopefully keep the hymn alive. There is an SATB choral version of this, also.
$5.95 ≈
£4.50
Alleluia! He is Alive!
Alleluia! He is Alive!
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Choral 3-part
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EASY
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Sacred music
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David Lantz and Words by Herb
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Alleluia! He is Alive!
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Lantz Choral Publications
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SheetMusicPlus
Choral Choir,Choral (SAB) - Level 2 - Digital Download SKU: A0.1285671 Composed by David Lantz and Words by Herb Frombach. Easter,Praise & Worship,Sacred...
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Choral Choir,Choral (SAB) - Level 2 - Digital Download SKU: A0.1285671 Composed by David Lantz and Words by Herb Frombach. Easter,Praise & Worship,Sacred. 12 pages. Lantz Choral Publications #876761. Published by Lantz Choral Publications (A0.1285671). Intended use: EasterTheme: the ResurrectionThe perfect opening to any Easter service, this exciting anthem with its proclamatory text by Herb Frombach announces the resurrection of our Lord and Savior. Two optional B-flat trumpet and timpani parts, available separately, add to the spirit of the piece.Parts for Trumpets and Timpani: LCP0077.Also available for SATB voices.NOTE: The audio recording is that of the SATB version.
$2.55 ≈
£1.93
The Sound Of Music
The Sound Of Music
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Richard Rodgers
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Peggy J Peppers
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The Sound Of Music
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Peggy J Peppers
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SheetMusicPlus
Small Ensemble Choir,High Voice,Low Voice,Piano Accompaniment - Digital Download SKU: A0.960834 Composed by Richard Rodgers. Arranged by Peggy J Peppers....
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Small Ensemble Choir,High Voice,Low Voice,Piano Accompaniment - Digital Download SKU: A0.960834 Composed by Richard Rodgers. Arranged by Peggy J Peppers. Broadway,Film/TV. Score and parts. 8 pages. Peggy J Peppers #1987509. Published by Peggy J Peppers (A0.960834). The magnificent music in the song, THE SOUND OF MUSIC by Rodgers & Hammerstein, was irresistible to Peggy Peppers who wrote Christian words to it: My soul is alive with the love of Jesus... a thrilling theme to all who love Him. Scriptural precepts throughout this SSA arrangement.MP3 has no voices: follow words sheet as music plays.
$4.99 ≈
£3.78
Stayin' Alive (A Medley of Hit Songs Recorded by the Bee Gees)
Stayin' Alive (A Medley of Hit Songs Recorded by the Bee Gees)
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Choral SATB
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Barry Gibb, Maurice Gibb, and
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Teena Chinn
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Recorded Acc. Available.
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Stayin' Alive
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Chorus - Digital Download SKU: AX.00-PO-0002589 Stayin' Alive (A Medley of Hit Songs Recorded by the Bee Gees) - SATB. Composed by Barry Gibb, Mau...
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Chorus - Digital Download SKU: AX.00-PO-0002589 Stayin' Alive (A Medley of Hit Songs Recorded by the Bee Gees) - SATB. Composed by Barry Gibb, Maurice Gibb, and Robin Gibb. Arranged by Teena Chinn. Choral. 16 pages. Alfred Music - Digital Sheet Music #00-PO-0002589. Published by Alfred Music - Digital Sheet Music (AX.00-PO-0002589). UPC: 654979079354.The Gibb Brothers (Bee Gees) were one of the hottest groups of the late '60s and '70s. Their rich vocal harmonies provided a trademark sound that made them an award-winning group. Several of their hit songs became the foundation for the classic disco movie Saturday Night Fever. This medley includes: Night Fever, Stayin' Alive, How Deep Is Your Love, Too Much Heaven, Words, I Started a Joke, and I've Gotta Get a Message To You.Inst. Parts Available (choral); Recorded Acc. Available.
$3.50 ≈
£2.65
He's Alive and He Still Loves Us
He's Alive and He Still Loves Us
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Choral SATB
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INTERMEDIATE
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Sacred music
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Tanya L
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He's Alive and He Still Loves
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Tanya Vance
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.995880 By Tanya L. Vance. By Tanya Lee Vance. Easter,Sacred. Octavo. 6 pages. Tanya Vance #46419...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.995880 By Tanya L. Vance. By Tanya Lee Vance. Easter,Sacred. Octavo. 6 pages. Tanya Vance #4641983. Published by Tanya Vance (A0.995880). Appropriate for the Easter season or any time of the year to remind us that Jesus death was not the end. This beautiful choral arrangement will stir the heart and inspire many. Jesus is alive in His heavenly home and yes, He still loves us! For verse two, the rhythm varies with the words from verse 1. For example, taken should be on two 8th notes instead of one quarter note like in the first verse. I have included a recording I made at home using just my voice to give you an idea of what the song sounds like. Of course, with a full choir, it will sound so much better. I am a soprano and I was trying to sing tenor and bass, so please use your imagination!
$4.75 ≈
£3.60
Stayin' Alive: Score
Stayin' Alive: Score
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Barry Gibb, Maurice Gibb, and
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Teena Chinn
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Pop
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Stayin' Alive: Score
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Choir - Digital Download SKU: AX.00-PR-0005804 Score. Composed by Barry Gibb, Maurice Gibb, and Robin Gibb. Arranged by Teena Chinn. Movie; Pop; S...
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Choir - Digital Download SKU: AX.00-PR-0005804 Score. Composed by Barry Gibb, Maurice Gibb, and Robin Gibb. Arranged by Teena Chinn. Movie; Pop; Secular. Score. 8 pages. Alfred Music - Digital Sheet Music #00-PR-0005804. Published by Alfred Music - Digital Sheet Music (AX.00-PR-0005804). ISBN 9780757922688. UPC: 654979079378.The Gibb Brothers (Bee Gees) were one of the hottest groups of the late '60s and '70s. Their rich vocal harmonies provided a trademark sound that made them an award-winning group. Several of their hit songs became the foundation for the classic disco movie Saturday Night Fever. This medley includes: Night Fever, Stayin' Alive, How Deep Is Your Love, Too Much Heaven, Words, I Started a Joke, and I've Gotta Get a Message To You.Inst. Parts Available (choral); Recorded Acc. Available.
$8.00 ≈
£6.06
Stayin' Alive: 1st B-flat Trumpet
Stayin' Alive: 1st B-flat Trumpet
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Trumpet (band part)
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Barry Gibb, Maurice Gibb, and
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Teena Chinn
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Pop
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Stayin' Alive: 1st B-flat Trum
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Choir - Digital Download SKU: AX.00-PC-0017536_T1 1st B-flat Trumpet. Composed by Barry Gibb, Maurice Gibb, and Robin Gibb. Arranged by Teena Chin...
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Choir - Digital Download SKU: AX.00-PC-0017536_T1 1st B-flat Trumpet. Composed by Barry Gibb, Maurice Gibb, and Robin Gibb. Arranged by Teena Chinn. Movie; Pop; Secular. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017536_T1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017536_T1). ISBN 9780757922688. UPC: 654979079378.The Gibb Brothers (Bee Gees) were one of the hottest groups of the late '60s and '70s. Their rich vocal harmonies provided a trademark sound that made them an award-winning group. Several of their hit songs became the foundation for the classic disco movie Saturday Night Fever. This medley includes: Night Fever, Stayin' Alive, How Deep Is Your Love, Too Much Heaven, Words, I Started a Joke, and I've Gotta Get a Message To You.Inst. Parts Available (choral); Recorded Acc. Available.
$3.00 ≈
£2.27
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The Word Is Alive
