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You've selected:
Them Balakirev
Sheetmusic to print
13 sheet music found
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1
Overture on Three Russian Themes
Overture on Three Russian Themes
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String Orchestra
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INTERMEDIATE/ADVANCED
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Balakirev, Mily
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Nick Lacanski
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Overture on Three Russian Them
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theupperstaff
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SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.648917 Composed by Balakirev, Mily. Arranged by Nick Lacanski. Concert,Instructional,Romantic Perio...
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String Orchestra - Level 4 - Digital Download SKU: A0.648917 Composed by Balakirev, Mily. Arranged by Nick Lacanski. Concert,Instructional,Romantic Period,Standards. Score and parts. 30 pages. Theupperstaff #5009083. Published by theupperstaff (A0.648917).
$15.99 ≈
14.33€
[Childs] Mosaic on a Theme by Balakirev
[Childs] Mosaic on a Theme by Balakirev
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Alto Saxophone
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Contemporary
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Barney Childs
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[Childs] Mosaic on a Theme by
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American Composers Alliance Inc.
#
SheetMusicPlus
Alto Saxophone Solo - Digital Download SKU: A0.952243 Composed by Barney Childs. 20th Century. Individual part. 6 pages. American Composers Alliance Inc....
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Alto Saxophone Solo - Digital Download SKU: A0.952243 Composed by Barney Childs. 20th Century. Individual part. 6 pages. American Composers Alliance Inc. #4574487. Published by American Composers Alliance Inc. (A0.952243). Scored for solo alto saxophone - PDF download includes score.
$4.95 ≈
4.44€
The Lark - from "Farewell to St. Petersburg"
The Lark - from "Farewell to St. Petersburg"
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Piano solo
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Mikhail Glinka/Mily Balakirev
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Thomas Ling of Sibu
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The Lark - from "Farewell to S
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Thomas Swee Chin
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SheetMusicPlus
Piano Solo - Digital Download SKU: A0.818531 Composed by Mikhail Glinka/Mily Balakirev. Arranged by Thomas Ling of Sibu. Concert,Romantic Period,Standard...
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Piano Solo - Digital Download SKU: A0.818531 Composed by Mikhail Glinka/Mily Balakirev. Arranged by Thomas Ling of Sibu. Concert,Romantic Period,Standards. Score. 2 pages. Thomas Swee Chin #6702245. Published by Thomas Swee Chin (A0.818531). Hauntingly beautiful melody. Simplified for the general public to enjoy this beautiful work. Check out the original version attached. The Lark was originally No. 10 of a group of twelve songs that Glinka wrote in 1840 and entitled Farewell to St. Petersburg. Mily Balakirev, born 1836, got to know Glinka in 1855 and admired him deeply. Glinka stimulated Balakirev to start composing. He has paraphrased several of Glinka's works, The Lark being the most famous of them. This work owes to Glinka the exceptionally beautiful and sad melody, and to Balakirev the wonderful flowing figuration.
$6.99 ≈
6.26€
25 Piano Preludes, Volume 2 (Preludes 13–25)
25 Piano Preludes, Volume 2 (Preludes 13–25)
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Piano solo
#
INTERMEDIATE
#
Classical
#
Cesar Antonovich Cui
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Jeffrey Biegel
#
25 Piano Preludes, Volume 2
#
Artaria Editions
#
SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1487260 Composed by Cesar Antonovich Cui. Arranged by Jeffrey Biegel. Classical. Score. 48 pages. Artaria...
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Piano Solo - Level 3 - Digital Download SKU: A0.1487260 Composed by Cesar Antonovich Cui. Arranged by Jeffrey Biegel. Classical. Score. 48 pages. Artaria Editions #1064234. Published by Artaria Editions (A0.1487260). The Preludes by Cesar Cui are a fascinating set of pieces, with a distinctive character for each tonality. The pianistic challenges are equal to any other set composed before, during and after its time, and the musical attributes bring out the tender, passionate and soulful emotions of the human spirit. Beginning and ending in C Major, the structure of the set goes from minor to Major for each tonality, for example, after C major, e minor, then G Major, followed by b minor then D Major, etc. After reaching the most accidentals ('sharp's), the composer uses their enharmonic key signatures with most 'flat' minor and Major key signatures until he is back to one 'flat' and, then 'a minor' and finally, 'C Major' to conclude the set. The Preludes were brought to my attention in the 1980s from Charles Ervin, who frequented international piano competitions, and asked if I had ever encountered the opus.. From microfilm, I printed the Jurgenson edition, edited them, and recorded the first integral set of the 25 Preludes for the Marco Polo label, which was further re-printed for Naxos (8.555557). A military engineer, Cesar Cui was also a General, and composed under the tutelage of Mily Balakirev. Having French and Lithuanian parentage, he was not Russian, yet, because of his relationship with Balakirev, became known as one of the Russian Five (Balakirev, Borodin, Cui, Mussorgsky and Rimsky-Korsakov). His music is often attributed to Robert Schumann, and more French in style than Russian. It is my hope that this set of compositions will become as well known as those by Chopin, Rachmaninov, Scriabin and the like, and performed more frequently by pianists of today and the future.Jeffrey Biegel.
$46.00 ≈
41.23€
25 Piano Preludes, Volume 1 (Preludes 1–12)
25 Piano Preludes, Volume 1 (Preludes 1–12)
#
Piano solo
#
INTERMEDIATE
#
Classical
#
Cesar Antonovich Cui
#
Jeffrey Biegel
#
25 Piano Preludes, Volume 1
#
Artaria Editions
#
SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1487259 Composed by Cesar Antonovich Cui. Arranged by Jeffrey Biegel. Classical. Score. 43 pages. Artaria...
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Piano Solo - Level 3 - Digital Download SKU: A0.1487259 Composed by Cesar Antonovich Cui. Arranged by Jeffrey Biegel. Classical. Score. 43 pages. Artaria Editions #1064233. Published by Artaria Editions (A0.1487259). The Preludes by Cesar Cui are a fascinating set of pieces, with a distinctive character for each tonality. The pianistic challenges are equal to any other set composed before, during and after its time, and the musical attributes bring out the tender, passionate and soulful emotions of the human spirit. Beginning and ending in C Major, the structure of the set goes from minor to Major for each tonality, for example, after C major, e minor, then G Major, followed by b minor then D Major, etc. After reaching the most accidentals ('sharp's), the composer uses their enharmonic key signatures with most 'flat' minor and Major key signatures until he is back to one 'flat' and, then 'a minor' and finally, 'C Major' to conclude the set. The Preludes were brought to my attention in the 1980s from Charles Ervin, who frequented international piano competitions, and asked if I had ever encountered the opus.. From microfilm, I printed the Jurgenson edition, edited them, and recorded the first integral set of the 25 Preludes for the Marco Polo label, which was further re-printed for Naxos (8.555557). A military engineer, Cesar Cui was also a General, and composed under the tutelage of Mily Balakirev. Having French and Lithuanian parentage, he was not Russian, yet, because of his relationship with Balakirev, became known as one of the Russian Five (Balakirev, Borodin, Cui, Mussorgsky and Rimsky-Korsakov). His music is often attributed to Robert Schumann, and more French in style than Russian. It is my hope that this set of compositions will become as well known as those by Chopin, Rachmaninov, Scriabin and the like, and performed more frequently by pianists of today and the future.Jeffrey Biegel.
$46.00 ≈
41.23€
Send Forth Thy Light [SATB]
Send Forth Thy Light [SATB]
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Recorder Ensemble
#
EASY
#
Mily Alexeyevich Balakirev
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James W Featherstone, III
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Send Forth Thy Light [SATB]
#
Jim Featherstone
#
SheetMusicPlus
Recorder - Level 2 - Digital Download SKU: A0.573650 Composed by Mily Alexeyevich Balakirev. Arranged by James W Featherstone, III. Romantic Period,Sacre...
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Recorder - Level 2 - Digital Download SKU: A0.573650 Composed by Mily Alexeyevich Balakirev. Arranged by James W Featherstone, III. Romantic Period,Sacred. Recorder Ensemble. 7 pages. Jim Featherstone #183016. Published by Jim Featherstone (A0.573650). An anthem by Russian composer Mily Balakirev (1836-1910) that suits for performance by recorder consort. This arrangement is for SATB. The You Tube link below is to a choral performance of the anthem showing its melody and harmonies.
$5.00 ≈
4.48€
Korsakov: Flight of the Bumblebee for Alto Sax & Piano
Korsakov: Flight of the Bumblebee for Alto Sax & Piano
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Alto Saxophone and Piano
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ADVANCED
#
Classical
#
Contemporary
#
Nikolay Andreyevich Rimsky-Kor
#
James M
#
Korsakov: Flight of the Bumble
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jmsgu3
#
SheetMusicPlus
Alto Saxophone,Piano - Level 5 - Digital Download SKU: A0.549254 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. In...
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Alto Saxophone,Piano - Level 5 - Digital Download SKU: A0.549254 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 15 pages. Jmsgu3 #3473685. Published by jmsgu3 (A0.549254). Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Of course, Korsakov intended to portray a bumblebee's chaotic flying pattern musically. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears occasionally in popular culture. The piece appears notably in the opera at the close of Act III, Tableau 1. This is when the magic Swan-Bird changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive. Korsakov Background Nikolai Rimsky-Korsakov (1844 –1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions- Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite- are essential monuments of the standard music repertoire. Also comparatively very important are his suites and excerpts from his 15 operas. Korsakov used Russian folklore and fairy tales, such as Scheherazade, in his music. Nationalistic Style Like fellow outspoken composer Balakirev, Korsakov believed in creating a nationalistic, Russia-centric style of classical music. The new style was called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic, and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education. He mastered Western methods, incorporating them with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which heightened his orchestration capabilities. Legacy In due time, Korsakov contributed a significant number of Russian nationalist works. He also prepared, occasionally, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers as a music educator. Therefore, music historians consider Korsakov the foremost engineer of what the public considers the Russian composition style. He served as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi. Â
$32.95 ≈
29.53€
Korsakov: Flight of the Bumblebee for Soprano Sax & Piano
Korsakov: Flight of the Bumblebee for Soprano Sax & Piano
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Soprano Saxophone and Piano
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ADVANCED
#
Classical
#
Contemporary
#
Nikolay Andreyevich Rimsky-Kor
#
James M
#
Korsakov: Flight of the Bumble
#
jmsgu3
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 5 - Digital Download SKU: A0.549256 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP....
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Piano,Soprano Saxophone - Level 5 - Digital Download SKU: A0.549256 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 15 pages. Jmsgu3 #3473699. Published by jmsgu3 (A0.549256). Flight of the Bumblebee from Korsakov's Tale of Tsar Saltan Score: 9 pages, Solo part: 3 pages, Piano accompaniment part: 3 pages. Duration: ca. 1:15 Amaze your listeners with this short but stunning recital encore! Korsakov: Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Korsakov, of course, intended to musically portray the chaotic flying pattern of a bumblebee. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears from time to time in popular culture. In the opera, the piece appears notably at the close of Act III, Tableau 1. This is when the magic Swan-Bird, in fact, changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive.  Korsakov Background Nikolai Rimsky-Korsakov (1844 –1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions-Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite-are important monuments of the standard music repertoire.  Also, comparatively very important are his suites and excerpts from his 15 operas. Korsakov was moreover fond of using Russian folklore and fairy tales in his music, such as Scheherazade. Nationalistic Style Korsakov believed, similarly to fellow outspoken composer Balakirev, in creating a nationalistic, Russia-centric style of classical music. The new style was in fact called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education and mastered Western methods, incorporating them in conjunction with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed as a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which in turn heightened his capabilities in orchestration. Legacy Korsakov in due time contributed a significant number of Russian nationalist works. He also prepared, from time to time, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers during his time as a music educator. Therefore, music historians consider Korsakov as the foremost engineer of what the public considers to be the Russian style of composition. He served, all in all, as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he forthwith influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi. Â
$32.95 ≈
29.53€
Korsakov: Flight of the Bumblebee for Viola & Piano
Korsakov: Flight of the Bumblebee for Viola & Piano
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Viola, Piano
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ADVANCED
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Classical
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Contemporary
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Nikolay Andreyevich Rimsky-Kor
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James M
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Korsakov: Flight of the Bumble
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 5 - Digital Download SKU: A0.549240 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instruction...
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Piano,Viola - Level 5 - Digital Download SKU: A0.549240 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 17 pages. Jmsgu3 #3473581. Published by jmsgu3 (A0.549240). Flight of the Bumblebee from Korsakov's Tale of Tsar Saltan Score: 11 pages, Solo part: 3 pages, Piano accompaniment part: 3 pages. Duration: ca. 1:15 Amaze your listeners with this short but great recital encore! Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Korsakov, of course, intended to musically portray the chaotic flying pattern of a bumblebee. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears from time to time in popular culture. In the opera, the piece appears notably at the close of Act III, Tableau 1. This is when the magic Swan-Bird, in fact, changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive.  Korsakov Background Nikolai Rimsky-Korsakov (1844 –1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions-Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite-are important monuments of the standard music repertoire.  Also, comparatively very important are his suites and excerpts from his 15 operas. Korsakov was moreover fond of using Russian folklore and fairy tales in his music, such as Scheherazade. Nationalistic Style Korsakov believed, similarly to fellow outspoken composer Balakirev, in creating a nationalistic, Russia-centric style of classical music. The new style was in fact called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education and mastered Western methods, incorporating them in conjunction with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed as a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which in turn heightened his capabilities in orchestration. Legacy Korsakov in due time contributed a significant number of Russian nationalist works. He also prepared, from time to time, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers during his time as a music educator. Therefore, music historians consider Korsakov as the foremost engineer of what the public considers to be the Russian style of composition. He served, all in all, as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he forthwith influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi. Â
$32.95 ≈
29.53€
Prelude
Prelude
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Piano solo
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ADVANCED
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Nikolay Artcibouchev
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Yury Chugunov and Zellev
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7 March [O
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Prelude
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Zellev Music
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1239146 Composed by Nikolay Artcibouchev. Arranged by Yury Chugunov and Zellev. 20th Century,Classical,Co...
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Piano Solo - Level 5 - Digital Download SKU: A0.1239146 Composed by Nikolay Artcibouchev. Arranged by Yury Chugunov and Zellev. 20th Century,Classical,Contemporary,Grunge,Lent. Score. 3 pages. Zellev Music #834550. Published by Zellev Music (A0.1239146). Key Signature: C♯ minorTime Signature: 12/8Tempo: Moderato assai (very moderately (126))Difficulty: AdvancedNikolai Vasilievich Artsybushev (Russian: Ðиколай ВаÑильевич Ðрцыбушев; 7 March [O.S. 23 February] 1858 – 15 April 1937) was a Russian jurist, music publisher and promoter, and minor composer. His name is sometimes seen as Artsibushev, Artsybuchev, Artzibushev, Artzybushev, Artchibousheff, Arcybusev, etc.Artsybushev was born at Tsarskoye Selo in 1858. His legal studies were at the Imperial School of Jurisprudence in Saint Petersburg, after which he practised in St Petersburg as an attorney. He also dabbled in music composition, and Nikolai Rimsky-Korsakov gave him private lessons in music theory after Mily Balakirev said his works showed some promise.He also became acquainted with the music publisher Mitrofan Belyayev and participated in his regular weekly gatherings called Fridays (Vendredis). To mark these occasions, a group of 10 composers including Artsybushev collaborated on a 16-part suite for string quartet, called Les Vendredis. His contribution was a Serenade in A major. He also collaborated with others on Variations on a Russian Theme, in versions for both string quartet and orchestra.He was a member of the St Petersburg City Council. After Belyayev's death in 1903 he became chairman of the board of the Belyayev publishing house, in which capacity he had significant dealings with Alexander Scriabin. From 1908 to 1917 he was President of his city's branch of the Russian Musical Society, and later succeeded Rimsky-Korsakov as President of the Board of Trustees for the Society for the Encouragement of Russian Musicians.In 1920 he moved to Paris and became a director of the Belyayev publishing house there. He died in Paris in 1937, aged 79.His works other than those mentioned above are now little known, but include:-Polka caractéristique, Op. 4, orchestra-Valse-Fantaisie, Op. 9, orchestra-Scherzo in C, orchestra (this had its premiere at the same concert at which Rimsky-Korsakov's-Capriccio Espagnol was premiered)-Piano pieces-Orchestral and other arrangements of works by:--Borodin--Glazunov (Suite for string quartet, Op. 35)--Mussorgsky (Night on Bald Mountain, for piano 4-hands;world premiere recording) and--Rimsky-Korsakov (Sinfonietta on Russian Themes, Op. 31).[https://en.wikipedia.org/wiki/Nikolai_Artsybushev].
$5.00 ≈
4.48€
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