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There's No Place as Grand
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You've selected:
There's No Place as Grand
Sheetmusic to print
7 sheet music found
<
1
There's No Place as Grand (as Bandana Land)
There's No Place as Grand (as Bandana Land)
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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EASY
#
Broadway
#
Noble Sissle, Eubie Blake
#
Bill Wilson
#
There's No Place as Grand
#
Alexander Wilson
#
SheetMusicPlus
Brass Quintet - Level 2 - Digital Download SKU: A0.775302 Composed by Noble Sissle, Eubie Blake. Arranged by Bill Wilson. Broadway,Jazz,Musical/Show. 17 ...
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Brass Quintet - Level 2 - Digital Download SKU: A0.775302 Composed by Noble Sissle, Eubie Blake. Arranged by Bill Wilson. Broadway,Jazz,Musical/Show. 17 pages. Alexander Wilson #5729833. Published by Alexander Wilson (A0.775302). There's No Place as Grand (as Bandana Land) is a rollicking song written by noted African-American songwriting duo Noble Sissle and Eubie Blake for their 1924 show The Chocolate Dandies. Our arrangement of this tune shares lead responsibilities across the two trumpets and French horn, reserving the trombone for Dixieland-style countermelody responsibilities, complete with glissandos. Arranged for brass quintet (two Bb trumpets, French horn, trombone, and tuba). Performance time is approximately 1:57. Visit our website, www.tootsuitebrasspublishing.com, for a catalog of our arrangements available through sheetmusicplus.com.
$4.00 ≈
$5.47
Baby, It's Cold Outside
Baby, It's Cold Outside
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Piano, Voice
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INTERMEDIATE
#
Pop music
#
Glee Cast
#
Mario Stallbaumer
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Baby, It's Cold Outside
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Mario Stallbaumer
#
SheetMusicPlus
Piano Solo, Piano/Vocal/Chords, Voice Duet - Intermediate - Digital Download By Glee Cast. Arranged by Mario Stallbaumer. 7 pages. Published by Mario...
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Piano Solo, Piano/Vocal/Chords, Voice Duet - Intermediate - Digital Download By Glee Cast. Arranged by Mario Stallbaumer. 7 pages. Published by Mario Stallbaumer
With this piano sheet music, you can play “Baby, It’s Cold Outside” on piano!
The famous duet "Baby, It's Cold Outside" was written in 1944 by Frank Loesser, who regularly performed the song at celebrity parties with his wife, Lynn Garland.
In 1949, the song appeared in the film "Neptune's Daughter", and won an Academy Award for Best Original Song!
The song is clearly winter-themed (talking about the blizzard outside!), but it doesn’t mention anything holiday-related. Anyway, the song is generally considered a Christmas song.
Of course, the song has been covered by countless artists since the 40s.
Some of the most memorable recordings include such fantastic duos as Louis Armstrong and Velma Middleton, Ray Charles and Betty Carter, Rod Stewart and Dolly Parton, Idina Menzel and Michael Bublé, Cee Lo Green and Christina Aguilera, Lady Gaga and Joseph Gordon-Levitt, Seth MacFarlane and Sara Bareilles!
“Baby, It’s Cold Outside” also appeared in an episode of Glee (“A Very Glee Christmas”, Season 2, Episode 10), where it is performed by members of the Glee Cast (Blaine Anderson/Darren Criss and Kurt Hummel/Chris Colfer).
Time for you to play it!
These piano sheets come with seperate systems for the two singers, so you’ll always have an easy oversight who’s singing when. Of course, the full lyrics and chords are included as well.
You can use these piano sheets to play the song for yourself on piano, accompany singers, or sing along yourself!
Listen to the full arrangement here: https://youtu.be/Y5gtxqT_Ewo
Here are the full lyrics to “Baby, It’s Cold Outside”:
[VERSE 1]
I really can't stay (but baby, it's cold outside)
I've got to go away (but baby, it's cold outside)
This evening has been (been hoping that you'd drop in)
So very nice (i'll hold your hands, they're just like ice)
My mother will start to worry (beautiful what's your hurry?)
My father will be pacing the floor (listen to the fireplace roar)
So really I'd better scurry (beautiful please don't hurry)
But maybe just a half a drink more (put some records on while I pour)
The neighbors might think (baby, it's bad out there)
Say what's in this drink? (no cabs to be had out there)
I wish I knew how (your eyes are like starlight now)
To break this spell (i'll take your hat, your hair looks swell)
I ought to say, no, no, no sir (mind if I move in closer?)
At least I'm gonna say that I tried (what's the sense in hurtin' my pride?)
I really can't stay (oh baby don't hold out)
But baby, it's cold outside
[VERSE 2]
I simply must go (but baby, it's cold outside)
The answer is no (but baby, it's cold outside)
Your welcome has been(how lucky that you dropped in)
So nice and warm (look out the window at this dawn)
My sister will be suspicious (gosh your lips look delicious)
My brother will be there at the door (waves upon the tropical shore)
My maiden aunts mind is vicious (gosh your lips are delicious)
But maybe just a cigarette more (never such a blizzard before)
I've gotta get home(but baby, you'd freeze out there)
Say lend me a coat(it's up to your knees out there)
You've really been grand (i thrill when you touch my hand)
But don't you see? (how can you do this thing to me?)
There's bound to be talk tomorrow (think of my lifelong sorrow)
At least there will be plenty implied (if you got pnuemonia and died)
I really can't stay (get over that old out)
Baby, it's cold outside
$4.99 ≈
$6.82
Baby, It's Cold Outside - Piano Solo
Baby, It's Cold Outside - Piano Solo
#
Piano solo
#
INTERMEDIATE
#
Pop music
#
Various
#
Mario Stallbaumer
#
Baby, It's Cold Outside - Pian
#
Mario Stallbaumer
#
SheetMusicPlus
Piano Solo - Intermediate - Digital Download By Various. Arranged by Mario Stallbaumer. 3 pages. Published by Mario Stallbaumer ...
(+)
Piano Solo - Intermediate - Digital Download By Various. Arranged by Mario Stallbaumer. 3 pages. Published by Mario Stallbaumer
With this sheet music, you can play “Baby, It’s Cold Outside” on piano!
The full melody is included in the piano part, so it makes for a perfect instrumental (piano solo) cover.
The famous duet "Baby, It's Cold Outside" was written in 1944 by Frank Loesser, who regularly performed the song at celebrity parties with his wife, Lynn Garland.
In 1949, the song appeared in the film "Neptune's Daughter", and won an Academy Award for Best Original Song!
The song is clearly winter-themed (talking about the blizzard outside!), but it doesn’t mention anything holiday-related. Anyway, the song is generally considered a Christmas song.
Of course, the song has been covered by countless artists since the 40s.
Some of the most memorable recordings include such fantastic duos as Louis Armstrong and Velma Middleton, Ray Charles and Betty Carter, Rod Stewart and Dolly Parton, Idina Menzel and Michael Bublé, Cee Lo Green and Christina Aguilera, Lady Gaga and Joseph Gordon-Levitt, Seth MacFarlane and Sara Bareilles!
“Baby, It’s Cold Outside” also appeared in an episode of Glee (“A Very Glee Christmas”, Season 2, Episode 10), where it is performed by members of the Glee Cast (Blaine Anderson/Darren Criss and Kurt Hummel/Chris Colfer).
Time for you to play it!
Here are the full lyrics to “Baby, It’s Cold Outside”:
[VERSE 1]
I really can't stay (but baby, it's cold outside)
I've got to go away (but baby, it's cold outside)
This evening has been (been hoping that you'd drop in)
So very nice (i'll hold your hands, they're just like ice)
My mother will start to worry (beautiful what's your hurry?)
My father will be pacing the floor (listen to the fireplace roar)
So really I'd better scurry (beautiful please don't hurry)
But maybe just a half a drink more (put some records on while I pour)
The neighbors might think (baby, it's bad out there)
Say what's in this drink? (no cabs to be had out there)
I wish I knew how (your eyes are like starlight now)
To break this spell (i'll take your hat, your hair looks swell)
I ought to say, no, no, no sir (mind if I move in closer?)
At least I'm gonna say that I tried (what's the sense in hurtin' my pride?)
I really can't stay (oh baby don't hold out)
But baby, it's cold outside
[VERSE 2]
I simply must go (but baby, it's cold outside)
The answer is no (but baby, it's cold outside)
Your welcome has been(how lucky that you dropped in)
So nice and warm (look out the window at this dawn)
My sister will be suspicious (gosh your lips look delicious)
My brother will be there at the door (waves upon the tropical shore)
My maiden aunts mind is vicious (gosh your lips are delicious)
But maybe just a cigarette more (never such a blizzard before)
I've gotta get home(but baby, you'd freeze out there)
Say lend me a coat(it's up to your knees out there)
You've really been grand (i thrill when you touch my hand)
But don't you see? (how can you do this thing to me?)
There's bound to be talk tomorrow (think of my lifelong sorrow)
At least there will be plenty implied (if you got pnuemonia and died)
I really can't stay (get over that old out)
Baby, it's cold outside
$4.99 ≈
$6.82
Paul Wehage: To You for baritone, tenor saxophone and piano
Paul Wehage: To You for baritone, tenor saxophone and piano
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Paul Wehage
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Paul Wehage: To You for barito
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - Digital Download SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary...
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Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - Digital Download SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary,Holiday,Love,Standards. Score and parts. 41 pages. Musik Fabrik Music Publishing #3396161. Published by Musik Fabrik Music Publishing (A0.534375). To You for Baritone, Tenor Saxophone and piano is dedicated to the American Baritone Kurt Ollmann, who has done much for the promotion and performance of American music both in the United States and abroad.Whitman’s poem speaks of seeing a stranger and feeling love for this person. In contrast to Poe’s To Helen, which treats a similar subject of a chance meeting of a stranger that the poet loves, Whitman does not idealize his subject but rather pointedly and brutally describes how he sees this person and what feelings (both negative and positive) this contemplation provokes in the poet’s mind In order to reflect this musically, there is an alternation between more introspective and brooding sections which are then followed by more ecstatic outbursts. The piece ends with the poet watching the stranger leave, expressing what the composer felt to be acceptance and release.As in any chamber music with voice, it is important that the two instruments allow the voice to predominate, regardless of the dynamics marked in their parts. The saxophonist should try as much as possible to match colour with the voice,in order to allow the contrapuntal exchanges between the voice and the saxophone to blend evenly. The pianist should play the passages at rehearsal marks E, G and K in a more soloist manner, always taking care not to cover the voice..To YouWhoever you are, I fear you are walking the walks of dreams,I fear these supposed realities are to melt from under your feet and hands,Even now your features, joys, speech, house, trade, manners,troubles, follies, costume, crimes, dissipate away from you,Your true soul and body appear before me.They stand forth out of affairs, out of commerce, shops, work,farms, clothes, the house, buying, selling, eating, drinking,suffering, dying.Whoever you are, now I place my hand upon you, that you be my poem,I whisper with my lips close to your ear.I have loved many women and men, but I love none better than you.O I have been dilatory and dumb,I should have made my way straight to you long ago,I should have blabb'd nothing but you, I should have chanted nothingbut you.I will leave all and come and make the hymns of you,None has understood you, but I understand you,None has done justice to you, you have not done justice to yourself,None but has found you imperfect, I only find no imperfection in you,None but would subordinate you, I only am he who will never consentto subordinate you,I only am he who places over you no master, owner, better, God,beyond what waits intrinsically in yourself.Painters have painted their swarming groups and the centre-figure of all,From the head of the centre-figure spreading a nimbus of gold-color'd light,But I paint myriads of heads, but paint no head without its nimbusof gold-color'd light,From my hand from the brain of every man and woman it streams,effulgently flowing forever.O I could sing such grandeurs and glories about you!You have not known what you are, you have slumber'd upon yourselfall your life,Your eyelids have been the same as closed most of the time,What you have done returns already in mockeries,(Your thrift, knowledge, prayers, if they do not return inmockeries, what is their return?)The mockeries are not you,Underneath them and within them I see you lurk,I pursue you where none else has pursued you,Silence, the desk, the flippant expression, the night, theaccustom'd routine, if these conceal you from others or fromyourself, they do not conceal you from me,The shaved face, the unsteady eye, the impure complexion, if thesebalk others they do not balk me,The pert apparel, the deform'd attitude, drunkenness, greed,premature death, all these I part aside.There is no endowment in man or woman that is not tallied in you,There is no virtue,.
$29.95 ≈
$40.96
Slumber song, Op. 124/16
Slumber song, Op. 124/16
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Violin and Piano
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Robert Schumann
#
Emil Kross and Fritz Meyer
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Slumber song, Op. 124/16
#
Schott Music - Digital
#
SheetMusicPlus
Violin and piano - Digital Download SKU: S9.Q3900 Composed by Robert Schumann. Arranged by Emil Kross and Fritz Meyer. This edition: Sheet music. Edition...
(+)
Violin and piano - Digital Download SKU: S9.Q3900 Composed by Robert Schumann. Arranged by Emil Kross and Fritz Meyer. This edition: Sheet music. Edition Schott - Single Edition. Copyright 2009 Schott Music GmbH & Co. KG, Mainz. Downloadable. Op. 124/16. Schott Music - Digital #Q3900. Published by Schott Music - Digital (S9.Q3900). He gave a present to me and my little Marie of a delightful lullaby composed that Christmas afternoon, Clara Schumann noted in the family diary they shared. This Slumer Song of 1841 Robert Schumann later included as No. 16 in his collection of Albumblätter (Album Leaves) Op. 124. The collection of twenty miniatures for piano was written over a fairly long period of time: the first piedes were written in 1832/33 and the composer started work on the last piece, the Canon, in 1845. In 1853 Schumann had the idea of brining together barious individual pieces that didn't fit in anywhere else in a collection of Albumblätter that was published in December of the same year. It is a bright bouquet of poetic little piano pieces of moderate technical difficulty: there can be no comparsion with grand works such as his G minor piano sonata of Carnaval. These musical aphorisms were not intended for the concert hall, though, but for domestic music making: this is chamber music in the true sense of the term. After unpleasant wrangling that even involved going to court to obtain permission to marry Clara Wieck, there followed a time of intense productivity for Robert Schumann: 1840 was his year of songs and 1841 his year of symphonies. Their marriage, which eventually took place against the wishes of Schumann's father-in-law, and the birth of their first child on 1 September 1841 contributed much to his personal happiness. It was for Marie that the hyppy father now composed this Slumber Song, which has enjoyed great popularity ever since: a simple and tender lullaby, written by the father as a surprise ´gift. This lullgy lends itself very well to being performed on a melodic instrument with piano accompaniment, as in thes edition for violin.
$5.99 ≈
$8.19
1. Symphonie
1. Symphonie
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Karl Amadeus Hartmann
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1. Symphonie
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Schott Music - Digital
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SheetMusicPlus
3 (auch 3 Picc.) · 3 · Engl. Hr. · 3 · Bassklar. · 3 · Kfg. – 4 · 3 · 3 · 1 – P. S. (Trgl. · 2 Gongs· Gl. · Be...
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3 (auch 3 Picc.) · 3 · Engl. Hr. · 3 · Bassklar. · 3 · Kfg. – 4 · 3 · 3 · 1 – P. S. (Trgl. · 2 Gongs· Gl. · Beck. · Tomt. · Rührtr. · kl. Tr. · gr. Tr. · Vibr.) (4 Spieler) – Cel. · Klav. · Hfe. – Str. altovoice and orchestra - Digital Download SKU: S9.Q2283 Versuch eines Requiems. Composed by Karl Amadeus Hartmann. This edition: study score. Music Of Our Time. Downloadable, study score. Duration 35 minutes. Schott Music - Digital #Q2283. Published by Schott Music - Digital (S9.Q2283). English.Karl Amadeus Hartmann wrote his first symphony in 1935/36. At that time he was still an unknown musician whose works stood no chance of being performed and who could not hope to find encouragement in his native Germany. He had to wait more than ten years for its first performance, which finally took place in Frankfurt in the spring of 1948 under the direction of Winfried Zillig. I was 21 at the time, and the work left an extraordinarily deep impression on me, an impression that marked the beginning of my admiration for Hartmann's music and its very special kind of intellectuality, which struck me as both important and significant: by this I mean its spontaneous and unrefracted immediacy, its honesty and straightforwardness – qualities that extend beyond this composer's works and affect his whole surroundings, including his fellow human beings. All Hartmann's works, moreover, contain an essential element of the art of compostion, namely, an exact correspondence between the artist's insistent need to express himself and the instrumental resources that he chooses. A superficial listener might perhaps fail to notice at first that the huge orchestral apparatus that Hartmann conjures up exactly matches his powerful expressivity and the colourful nature of his rhetoric. There is also the expansiveness and physically charged vitality of the native of southern Germany, a man capable of combining his own sense of inwardness with the beauty of the moment and a feeling of hymnic grandeur. It is a combination that reflects his own south German countryside and that answers a need to communicate sustained by his own unwavering faith in humanity. - Hans Werner Henze, in: Hartmann: Kleine Schriften.
$33.99 ≈
$46.49
Orange
Orange
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Easy Piano
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EASY
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Lynne Cox
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Orange
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Lynne Coc Publications
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SheetMusicPlus
Easy Piano - Level 2 - Digital Download SKU: A0.1033577 Composed by Lynne Cox. Children,Contest,Festival,Instructional. Score. 4 pages. Lynne Coc Publica...
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Easy Piano - Level 2 - Digital Download SKU: A0.1033577 Composed by Lynne Cox. Children,Contest,Festival,Instructional. Score. 4 pages. Lynne Coc Publications #638885. Published by Lynne Coc Publications (A0.1033577). 'ORANGE'! Oh, my! SWINGING!!! 'This one is for late elementary or medium difficulty. One of the most fun-to play solos I've ever created. Inspired by my granddaughters' love of the knock-knock jokes based on the phrases; 'Knock-knock, who's there? Orange-orange who? orange you glad you're...' This is a rollicking piece with a swinging intro (repeated as bridge going into second A section) but segueing into a B section at a slower tempo and comprised completely of major sevenths! (all in broken chords and/or rolled chords with help for small hands by the use of damper pedal). Structure of a major 7th chord being: maj 3rd, m3rd, maj 3rd requires many accidentals in the B section. The mood surprises with a dramatic shift into this dreamy sequence created by these major sevenths which LH breaks up and RH answers with rolled same chord. Intro is sassy and attention-grabbing. With hands in unison, this familiar rhythmic pattern beginning with a very quick note (16th) with emphasis on the second note, introduces the first A section consisting of melody of broken chords with fun, fun lyrics that are tossed around between the hands in an antiphonal question/answer style. Interspersed are 5-finger position descending motifs as well as accompanying chords (or pieces of chords) placed on predictable beats for continuity and ease of learning. Chord progressions are unexpected and surprising, as are the 5-finger position motifs. Coda creates excitement by building D major full chord with hands in unison with much crescendo. Great for analyzing chords and 5-finger position melodies. Did you know the word 'orange' has no English rhyming word? I took that as a challenge and had FUN with the lyrics! Form: intro A interlude/bridge A coda Key of G harmonic minor w/lots of exploration into other majors and minors. Time signature 4/4. When singing the lyrics, I envision the first phrase being sung in a normal voice, the 2nd in an operatic voice, 3rd in a voice much like the 'Cookie Monster', and the 4th in a very childish voice. Tempo indication moderato, quarter note at 108 Lots of dynamic contrast. I also perform just the instrumental version of this piece on you tube entitled, 'Orange Instrumental' and the you tube link is: https://youtu.be/A1moEpClsYI.
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There's No Place as Grand
