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There Is a Star F Horn 1
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You've selected:
There Is a Star F Horn 1
Sheetmusic to print
36 sheet music found
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1
26
There Is a Star - F Horn 1 & 2
There Is a Star - F Horn 1 & 2
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French horn (band part)
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There Is a Star - F Horn 1 & 2
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Hal Leonard - Digital
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SheetMusicPlus
Choral - Digital Download SKU: HX.436813 This edition: scorch. Advent,Christmas,Epiphany. Choral Instrumental Pak. 2 pages. Duration 290. Hal Leonard - D...
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Choral - Digital Download SKU: HX.436813 This edition: scorch. Advent,Christmas,Epiphany. Choral Instrumental Pak. 2 pages. Duration 290. Hal Leonard - Digital #256817. Published by Hal Leonard - Digital (HX.436813).
$7.00 ≈
$9.52
Twinkle Twinkle Little Star and Variation for Horn in F and Piano
Twinkle Twinkle Little Star and Variation for Horn in F and Piano
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French Horn and Piano
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BEGINNER
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Traditional
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Tim Curd
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Twinkle Twinkle Little Star an
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Tim Curd
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SheetMusicPlus
French Horn,Piano - Level 1 - Digital Download SKU: A0.716999 Composed by Traditional. Arranged by Tim Curd. Children,Classical. Score and part. 4 pages....
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French Horn,Piano - Level 1 - Digital Download SKU: A0.716999 Composed by Traditional. Arranged by Tim Curd. Children,Classical. Score and part. 4 pages. Tim Curd #5214185. Published by Tim Curd (A0.716999). Twinkle Twinkle Little Star and Variation for solo Horn in F and Piano. This solo features the famous tune repeating with a decorated variation featuring a counter melody in the piano accompaniment.Solo Part and piano accompaniment included.There is a backing track available to purchase so you can practise playing along to the piano.https://www.sheetmusicplus.com/title/twinkle-twinkle-little-star-and-variation-for-horn-in-f-and-pia...
$3.99 ≈
$5.43
STAR-SPANGLED BANNER for WOODWIND QUINTET (unaccompanied)
STAR-SPANGLED BANNER for WOODWIND QUINTET (unaccompanied)
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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INTERMEDIATE/ADVANCED
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John Stafford Smith
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Glen Poehlmann
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Meter: 3/4 - 4/4.
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STAR-SPANGLED BANNER for WOODW
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arrangements by GPoehlmann
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.806897 Composed by John Stafford Smith. Arranged by Glen Poehlmann. Holiday,Patri...
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Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.806897 Composed by John Stafford Smith. Arranged by Glen Poehlmann. Holiday,Patriotic. 9 pages. Arrangements by GPoehlmann #6114953. Published by arrangements by GPoehlmann (A0.806897). THE STAR-SPANGLED BANNER for WOODWIND QUINTET (unaccompanied)The National Anthem of the United States. There is a Bass Clarinet part included as an alternate for the Bassoon.32 measures. Performance Time approx. 1:25. Medium Difficult (Grade 3+).Key: Ab. Meter: 3/4 - 4/4. Instrument Ranges (C4=middle C): Flute G4 - Ab6. Oboe Ab4 - C6.Clarinet Bb3 - Bb5 (written). Horn in F Bb3 - Bb4 (written). Bassoon Eb2 - C4. (alt. Bass Clarinet).
$5.00 ≈
$6.80
Amazing Grace (Horn in F & Piano)
Amazing Grace (Horn in F & Piano)
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French Horn and Piano
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INTERMEDIATE/ADVANCED
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Sacred music
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John Henry Newton
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Nick Raspa
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Amazing Grace
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NJR Music
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SheetMusicPlus
French Horn,Piano - Level 4 - Digital Download SKU: A0.754399 Composed by John Henry Newton. Arranged by Nick Raspa. Praise & Worship,Sacred. Score and p...
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French Horn,Piano - Level 4 - Digital Download SKU: A0.754399 Composed by John Henry Newton. Arranged by Nick Raspa. Praise & Worship,Sacred. Score and part. 11 pages. NJR Music #4301389. Published by NJR Music (A0.754399). This arrangement of Amazing Grace is for Horn in F and Piano. The piece starts out with the piano playing the hymn once through followed by an entrance by the Horn accompanied by the piano. In the last section, the piece modulates from the key of C Major to D Major and with added ornamentation in the Horn part.  Score & parts included.  There is a piano backing track sold separately at: Sheet Music Plus https://www.sheetmusicplus.com/title/amazing-grace-horn-piano-backing-track-digital-sheet-music/21402549?ac=1 ASCAP.
$9.95 ≈
$13.53
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Horn in F 1
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Horn in F 1
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French horn
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ADVANCED
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
French Horn Solo - Level 5 - Digital Download SKU: A0.1018931 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benja...
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French Horn Solo - Level 5 - Digital Download SKU: A0.1018931 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072965. Published by Benjamin Sajo (A0.1018931). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50 ≈
$4.76
Beethoven: Symphony No.8 in F Op.93 Mvt.II Allegretto - wind quintet
Beethoven: Symphony No.8 in F Op.93 Mvt.II Allegretto - wind quintet
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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INTERMEDIATE/ADVANCED
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Classical
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Ludwig van Beethoven
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Ray Thompson
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Beethoven: Symphony No.8 in F
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1088119 Composed by Ludwig van Beethoven. Arrang...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1088119 Composed by Ludwig van Beethoven. Arranged by Ray Thompson. Classical. 12 pages. RayThompsonMusic #692364. Published by RayThompsonMusic (A0.1088119). Arranged wind quintet. Horn Part in Bb basso ( same as Beethoven's )(alt Hn in F part provided) The Symphony No. 8 in F major, Op. 93 is a symphony in four movements composed by Ludwig van Beethoven in 1812. Beethoven fondly referred to it as my little Symphony in F, distinguishing it from his Sixth Symphony, a longer work also in F.[1] The Eighth Symphony is generally light-hearted, though not lightweight, and in many places cheerfully loud, with many accented notes. Various passages in the symphony are heard by some listeners to be musical jokes. As with various other Beethoven works such as the Opus 27 piano sonatas and the later Ninth Symphony, the symphony deviates from Classical tradition in making the last movement the weightiest of the four. This is my arrangement of the 2nd mvt. There is a widespread belief that this movement is an affectionate parody of the metronome, which had only recently been invented (or more accurately, merely improved) by Beethoven's friend, Johann Maelzel. Specifically the belief was that the movement was based on a canon called Ta ta ta... Lieber Maelzel, WoO 162, said to have been improvised at a dinner party in Maelzel's honor in 1812. However, there is no evidence corroborating this story and it is likely that WoO 162 was not written by Beethoven but was constructed after-the-fact by Anton Schindler. A more likely inspiration was the similar rhythmic parody of Joseph Haydn's Clock Symphony. The metronome-like parody starts at the very beginning of the movement with even staccato chords in 16th-notes (semiquavers). This basic 16th-note rhythm continues fairly steadily through the piece. The tempo is unusually fast for a symphonic slow movement. Richard Wagner has argued that the third movement was intended as the slow movement of this symphony and that the second should be played as a scherzo.
$14.95 ≈
$20.33
Moonlight Sonata by Beethoven for French Horn Quintet
Moonlight Sonata by Beethoven for French Horn Quintet
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Horn Ensemble
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EASY
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Classical
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Ludwig van Beethoven
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Ander
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Moonlight Sonata by Beethoven
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Woods Only, Arrangements
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SheetMusicPlus
Horn Quintet - Level 2 - Digital Download SKU: A0.1251246 Composed by Ludwig van Beethoven. Arranged by Ander. 19th Century,Christmas,Classical,March,Rom...
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Horn Quintet - Level 2 - Digital Download SKU: A0.1251246 Composed by Ludwig van Beethoven. Arranged by Ander. 19th Century,Christmas,Classical,March,Romantic Period. 15 pages. Woods Only, Arrangements #845524. Published by Woods Only, Arrangements (A0.1251246). This arrangement adapted for Horn in F quintet was designed to make its listeners weep with emotion, because the adaptation preserves the original essence of the work, keeping its integrity faithful to what Beethoven wanted to transmit, with only a slight change in tone and addition of harmonic resources in the structure of the arrangement. Even though it is a funeral march, it is well suited for any musical performance occasion, being intended for beginner students who want to immerse themselves in the universe of romantic music, and nothing better than starting with the transitional composer of this period, which also does not prevent professional teachers from using it for recitals, academic presentations or didactic material in their classes as an ensemble practice.Ludwig van Beethoven's Piano Sonata No. 14 in C minor sharp, Op. 27, No. 2, is one of his most popular compositions and was an audience favorite even in his day. Written when Beethoven was 31, the Moonlight Sonata (Mondscheinsonate in German) was composed after he finished some commissioned works, but there is no evidence that he was hired to write this work. It did not receive its nickname until 1832, five years after Beethoven's death. It was the critic Ludwig Rellstab who compared the music to a moonlighting on Lake Lucerne. This comparison was adopted as a nickname for the work. Called Quasi una fantasia by the author - like its companion Op. 27, No. 1 - the piece was completed in 1801 and dedicated the following year to one of the composer's pupils. Beethoven chose to open the sonata with a slow, hypnotic arpeggio movement, the best known of the entire work. The dotted rhythm of its minimal melody evokes the tradition of 'Trauermusik' (funeral music).
$9.99 ≈
$13.59
Schubert: Wind Octet in F major, D.72 (Complete) - wind octet
Schubert: Wind Octet in F major, D.72 (Complete) - wind octet
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Classical
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Franz Schubert / Ray Thompson
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Ray Thompson
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Schubert: Wind Octet in F majo
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RayThompsonMusic
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SheetMusicPlus
Large Ensemble Bassoon,Clarinet,Horn,Oboe - Level 4 - Digital Download SKU: A0.1082372 Composed by Franz Schubert / Ray Thompson. Arranged by Ray Thompso...
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Large Ensemble Bassoon,Clarinet,Horn,Oboe - Level 4 - Digital Download SKU: A0.1082372 Composed by Franz Schubert / Ray Thompson. Arranged by Ray Thompson. Classical,Romantic Period. Score and parts. 106 pages. RayThompsonMusic #686525. Published by RayThompsonMusic (A0.1082372). Written for wind octet :2 oboes, 2 clarinets, 2 horns and 2 bassoons. Composed in 1813, and publised in 1889, Schubert's wind octet D72 is incomplete. The minuet and trio, and finale exist, along with a fragment of 100 bars of the first movement. The 2nd slow movement (if there was one) is missing. This is my 4 movement octet: 1.Allegro (finished by me from the “fragmentâ€) 2. Allegretto (from Rosamunde string quartet†3. Menuetto and 2 Trios (original) 4. Allegro (original) Mvt.1.The fragment seems to show the end of the development, flowing into the recapitulation. I have now completed the first movment, with the expostion starting in F, and 2nd theme moduating into the Dominant C major. An optional repeat has been added, the 2nd time bar has a diminshed 7th chord I have created a new deveopment section in D minor, using themes from the fragment , which then leads into the start of the fragment., which leads to the recapitualtion. This has both themes in F and brings the movement to an end The new movement is 232 bars long. I have made some light tweaks to Schubert's original work. My new 1st mvt. lasts 5 mins 2 seconds without my repeat. (About 7 mins 20 secs with) Check out my other arrangements for wind quartet, wind quintet and wind dectet Mvt.2 is an arrangement of the slow movement of the “Rosamunde†string quartet. I have transposed this into Bb. (NATURAL HORN PARTS in Bb basso)(Hn in F provided) Mvts 3/4 are Schubert’s originals, but the clarinet parts are in Bb, rather than C. The mp3 is of the 1st movement.
$24.95 ≈
$33.93
A Rowdy, Raucous Rumpus
A Rowdy, Raucous Rumpus
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Brass ensemble
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INTERMEDIATE/ADVANCED
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F
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F
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A Rowdy, Raucous Rumpus
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 4 - Digital Download SKU: A0.808685 Composed by F. Leslie Smith. Arranged by F. Leslie Smith. Children,Holiday,Traditional. Score ...
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Brass Ensemble - Level 4 - Digital Download SKU: A0.808685 Composed by F. Leslie Smith. Arranged by F. Leslie Smith. Children,Holiday,Traditional. Score and parts. 83 pages. Sweetwater Brass Press #3631645. Published by Sweetwater Brass Press (A0.808685).   What is a Rumpus? Most definitions include words such as noisy disturbance, commotion and uproar. Sort of like the sounds from a group of neighborhood children in the days before play dates, private lessons and organized kids’ sports. These sounds were part and parcel of the games they played, games that originated years, even centuries, before and involved high energy levels and top-of-their-voices counting, chanting or singing (with an occasional Nyah-nyah nyah-nyah nyah nyah thrown in for good measure!). Rowdy and raucous, indeed!  This composition is one that will entertain both adults (who, after all, are just grown-up children!) and youngsters. Like children at play, it races right along. In one 6-minute work, it incorporates tunes of eleven children’s game and campfire songs: Michael Finnegan; Ring a Ring o’ Roses; Twinkle, Twinkle, Little Star; London Bridge; Hickory Dickory Dock; Three Blind Mice; John Jacob Jingleheimer Schmidt; My Pony Boy; Old MacDonald Had A Farm; The Farmer in the Dell and Bingo. And, again, like children at play, there is fun, humor and a surprise at every turn.  A Rowdy, Raucous Rumpus is a hoot to play. At a cut-time tempo of 132 and with 14(!) changes of key, it keeps all five musicians on their toes. And busy: on the Tuba part, there are V.S. (turn the page quickly) indications on the bottom of 6 of the 8 pages, 5 for Trombone and Horn in F, 3 for Trumpet 2, and 2 for Trumpet 1. In Bingo, the last tune, the group intermittently stops playing and claps or foot-taps loudly (which is a good spot for audience participation!). On the audio clip, this is indicated with a click (actually, a tambourine sound).  There are a few high notes scattered throughout. Trumpet plays B above its staff once and A a number of times. Trumpet 2 has one A above its staff. Trombone has one F above its staff. Tuba has one G in the top space of its staff.
$9.95 ≈
$13.53
Sonata For Trumpet, Horn And Organ First Movement-Horn In F Part
Sonata For Trumpet, Horn And Organ First Movement-Horn In F Part
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French horn
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ADVANCED
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Contemporary
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Thomas R
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Sonata For Trumpet, Horn And O
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Thomas R. Schadl
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SheetMusicPlus
French Horn Solo - Level 5 - Digital Download SKU: A0.912493 Composed by Thomas R. Schadl. Classical,Contemporary. Individual part. 1 pages. Thomas R. Sc...
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French Horn Solo - Level 5 - Digital Download SKU: A0.912493 Composed by Thomas R. Schadl. Classical,Contemporary. Individual part. 1 pages. Thomas R. Schadl #3877231. Published by Thomas R. Schadl (A0.912493). Written in two movements for trumpet, horn in F and organ, the work starts with a slower introduction that is written in the key of B major, the dominant key of E major. Moreover, the first movement has imitative passages that are present in all the three instruments. Following the first movement that is written in the 4/4 time, the next movement, composed in the 6/8 time and in E major, is performed gracefully in a style of a pastorale. Like the previous movement, the second part is contrapuntal but it differs in its extensive use of the dialogue between the horn and trumpet. In performing the sonata, there should be balance among the brass instruments and the organ in regard to sound intensity and the speed. The trumpet tends to overpower the horn in passages marked f or louder, and the organist may adjust the registrations to keep the sound from overpowering the other two instruments. If this piece were to be performed in large concert halls or churches, the time that takes air to leave the organ chest to the pipes may be longer. Choice of speed should be rehearsed carefully. The organ registration itself is merely a suggestion and should not be taken too literally due to the design of the organ and the acoustics of the hall or church. Sonata For Trumpet, Horn And Organ is suitable for concert use. This work may be performed at any time of the year, especially Christmas, Post-Easter and general use.
$2.99 ≈
$4.07
Patricia: A Ragtime Composition
Patricia: A Ragtime Composition
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE/ADVANCED
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1900 ragtime was
the
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Joseph Lamb
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F
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Patricia: A Ragtime Compositio
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Sweetwater Brass Press
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1401614 Composed by Joseph Lamb. Arranged by F. Leslie Smith. 20th Century,...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1401614 Composed by Joseph Lamb. Arranged by F. Leslie Smith. 20th Century,Classical,Historic,Ragtime. 32 pages. Sweetwater Brass Press #984793. Published by Sweetwater Brass Press (A0.1401614). Ragtime was originally and primarily piano music. The Library of Congress traces the origin and wellspring of ragtime to St. Louis, Missouri.  The Britannica website explains, “Ragtime evolved in the playing of honky-tonk pianists along the Mississippi and Missouri rivers in the last decades of the 19th century. It was influenced by minstrel-show songs, African American banjo styles, and syncopated (off-beat) dance rhythms of the cakewalk, and also elements of European music.â€Â    But it wasn’t until the mid-1890s, when music publishers started printing ragtime scores, making the music available to the public at large, that ragtime’s popularity began to soar.  By 1900 ragtime was the popular music.  It stayed that way until about 1917 when the rise of jazz began to overtake it.  By 1920, ragtime was nearly forgotten.    Thirty years later, a ragtime revival began.  And one Patricia Lamb-Conn found out that her father, Joseph F. Lamb, was a well-known composer of ragtime.  In fact, the “Big Three†composers of classical ragtime are considered to be Scott Joplin, James Scott and the only non-African American, Joseph Lamb.    Lamb was born in 1887 in New Jersey, taught himself to play piano and was very much influenced by Joplin’s early ragtime publications.  From there, Lamb went on to develop into a master of classic ragtime.    One of Lamb’s most popular works was a 1916 composition he titled “Patricia Rag.†(The title apparently had nothing to do with his daughter, who was born in 1924.)  It consists of four themes in five sections, with the first theme repeated after sections 1 and 2.  Lamb pitched the opening in E-flat Major, changing to A-flat Major at the Trio.      This brass quintet arrangement, completed in 2024, consists of 150 measures, approximately five minutes, ten seconds in length.  It retains the basic structure of the original piano score but modifies the pitches to B-flat Major and E-flat Major, respectively, to accommodate the normal playing range of the brass instruments.  Possible exceptions for some players include:  (1) Trumpet 1 plays its A-above-the-staff a number of times and its B above-the-staff once; (2) Trombone plays several E above-the-staff notes; (3) Tuba plays several way-below-the-staff F notes and one high G note. Throughout the arrangement, the original melody is maintained and featured, but in some sections the background and harmony are altered to feature one or more of the five instruments.  In the Trio, the sections designated by rehearsal marks F and G are slowed and treated as a serenade; the original tempo is restored at H.  In performing this arrangement, players should pay particular attention to dynamics.  Additionally, because of the nature of ragtime, this piece may require more-than-usual practice and rehearsal.    The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge.  He would like to receive your suggestions, comments, corrections and criticisms.  Contact him at lessmith61@bellsouth.net.  For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
$12.99 ≈
$17.67
Rockin' with Frosty: 1st F Horn
Rockin' with Frosty: 1st F Horn
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Concert band
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Instructional
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Jack Rollins, Jim Boothe, Joe
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Douglas E
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Rockin' with Frosty: 1st F Hor
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - Digital Download SKU: AX.00-PC-0015683_H1 1st F Horn. Composed by Jack Rollins, Jim Boothe, Joe Beal, and Steve Nelson. Arranged by...
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Concert Band - Digital Download SKU: AX.00-PC-0015683_H1 1st F Horn. Composed by Jack Rollins, Jim Boothe, Joe Beal, and Steve Nelson. Arranged by Douglas E. Wagner. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0015683_H1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015683_H1). UPC: 038081299211.Douglas E. Wagner has combined two holiday favorites. There's a little bit of swing when Frosty starts to rock. Hold on to your seats . . . this is one champion score for your winter program. A breeze to prepare and a joy to perform! (2:00) This title is available in SmartMusic.
$3.00 ≈
$4.08
Somewhere Along the Way (Samuel the Prophet) from "The Kings" - ACT 1:Song 7
Somewhere Along the Way (Samuel the Prophet) from "The Kings" - ACT 1:Song 7
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McCorkle, Dennis F
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Somewhere Along the Way
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DF McCorkle Music and eBook Publications
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.784820 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock...
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Baritone Horn TC,Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.784820 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. 28 pages. DF McCorkle Music and eBook Publications #11729. Published by DF McCorkle Music and eBook Publications (A0.784820). ACT ONE: Song 7 The King, by Dennis McCorkle, is a contemporary pop-rock musical of the first two kings of Israel, Saul ben Kish and David ben Jesse and explores the contrasting lives and outcome of each man’s choices in life. [1 Samuel 10:18-19… - And he said to the children of Israel: Thus says Yahweh, the God of Israel: ‘I brought up Israel out of Egypt, and I delivered you out of the hand of the Egyptians, and out of the hand of all the kingdoms that oppressed you.’ 19 But you have this day rejected your God, who Himself saves you out of all your calamities and your distresses; and you have said unto Him: Nay, but set a king over us…] [1 Samuel 12:24-25 - Only fear Yahweh, and serve him in truth with all your heart; for consider how great things he hath done for you. But if you shall still do wickedly, you shall be consumed, both you and your king.] SAMUEL warns Saul and the people that if they follow God all will go well for them. If they do not, there will be severe repercussions [Somewhere Along the Way – Samuel]. As SAMUEL walks off, thunder and lightning start and the people scatter. Also included with your order is our new 20 page catalog of over 150 titles at no additional charge.
$2.99 ≈
$4.07
Sonata For Trumpet, Horn and Organ
Sonata For Trumpet, Horn and Organ
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Trumpet
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ADVANCED
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Contemporary
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Thomas R
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Sonata For Trumpet, Horn and O
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Thomas R. Schadl
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SheetMusicPlus
Trumpet Solo - Level 5 - Digital Download SKU: A0.912495 Composed by Thomas R. Schadl. Classical,Contemporary. Individual part. 1 pages. Thomas R. Schadl...
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Trumpet Solo - Level 5 - Digital Download SKU: A0.912495 Composed by Thomas R. Schadl. Classical,Contemporary. Individual part. 1 pages. Thomas R. Schadl #3877235. Published by Thomas R. Schadl (A0.912495). Written in two movements for trumpet, horn in F and organ, the work starts with a slower introduction that is written in the key of B major, the dominant key of E major. Moreover, the first movement has imitative passages that are present in all the three instruments. Following the first movement that is written in the 4/4 time, the next movement, composed in the 6/8 time and in E major, is performed gracefully in a style of a pastorale. Like the previous movement, the second part is contrapuntal but it differs in its extensive use of the dialogue between the horn and trumpet. In performing the sonata, there should be balance among the brass instruments and the organ in regard to sound intensity and the speed. The trumpet tends to overpower the horn in passages marked f or louder, and the organist may adjust the registrations to keep the sound from overpowering the other two instruments. If this piece were to be performed in large concert halls or churches, the time that takes air to leave the organ chest to the pipes may be longer. Choice of speed should be rehearsed carefully. The organ registration itself is merely a suggestion and should not be taken too literally due to the design of the organ and the acoustics of the hall or church. Sonata For Trumpet, Horn And Organ is suitable for concert use. This work may be performed at any time of the year, especially Christmas, Post-Easter and general use.
$2.99 ≈
$4.07
Nice Work If You Can Get It from A DAMSEL IN DISTRESS
Nice Work If You Can Get It from A DAMSEL IN DISTRESS
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Brass ensemble
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INTERMEDIATE/ADVANCED
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Jazz
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Frank Sinatra
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Mike Lyons
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Nice Work If You Can Get It fr
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble - Level 4 - Digital Download SKU: A0.767338 By Frank Sinatra. By George Gershwin and Ira Gershwin. Arranged by Mike Lyons. Jazz. Score and...
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Brass Ensemble - Level 4 - Digital Download SKU: A0.767338 By Frank Sinatra. By George Gershwin and Ira Gershwin. Arranged by Mike Lyons. Jazz. Score and parts. 15 pages. Lyons Music Services #3505173. Published by Lyons Music Services (A0.767338). Brand new arrangement of Gershwin's well known tune Nice Work If You Can Get It, which is from a film A Damsel in Distress which starred Fred Astaire and Joan Fontaine. This song appears near the end of the film and is sung by Fred Astaire. There have been many cover versions of the song, including by Ella Fitzgerald, Billie Holliday, Sarah Vaughan, Bing Crosby, Frank Sinatra, and Sting to name only a few.This song needs to be played at an upbeat tempo and with swing.Parts are supplied as follows:Part 1 in Bb (Trumpet/Cornet)Part 2 in Bb (Trumpet/Cornet)Part 3 in F/Eb (Horn)Part 4 in C/Bb (Trombone/Euphonium/Baritone)Part 5 in C/Eb (Tuba/Eb Bass)Parts described as in C are in Bass clef. All other parts are in treble clef.
$25.00 ≈
$34.00
Up On The Housetop
Up On The Housetop
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE/ADVANCED
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Contemporary
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Benjamin R
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F
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Up On The Housetop
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Sweetwater Brass Press
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SheetMusicPlus
Composed by Benjamin R. Hanby. Arranged by F. Leslie Smith. Christmas, Children's Music. Score, Set of Parts. 15 pages. Published by Sweetwater Brass Press (S0....
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Composed by Benjamin R. Hanby. Arranged by F. Leslie Smith. Christmas, Children's Music. Score, Set of Parts. 15 pages. Published by Sweetwater Brass Press (S0.89639). - Score,Set of Parts - Christmas,Children's Music - Sweetwater Brass Press
If you can afford only one ?Up On The Housetop? for your brass quintet, this is the one to get. It is a hoot! It starts with an introduction that is definitely in a hurry; Santa?s sleigh may even have a klaxon on board to blast loitering birds out of the way! The arrangement moves on at the same fast clip, having fun with the melody and never letting up. As it reaches the halfway point, the tempo seems to slow down, but this is just an illusion; tuba and horn keep it moving. Racing toward the end, the conclusion recalls the introduction and finishes with a great, upbeat wind-up. Click on the ?Listen? button, and get set for an exciting Christmas ride with Santa.Tempo is halfnote = 138 throughout. There are some high notes and jumps. Trumpet 1?s highest note is B-flat5 (high C); Trumpet 2, A-flat5 (B-flat above the staff); Horn, F5 (high C). Trombone?s highest jump is from B-flat2 to E-sharp4. Horn has several 6-note jumps. This arrangement was completed in 2012, and performance time runs about 1 minute, 41 seconds. The arranger, Les Smith, can be reached at lessmith@ufl.edu. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus search box.
$4.00 ≈
$5.44
Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, score only
Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, score only
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Chamber Orchestra
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ADVANCED
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Christian contemporary
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Sacred music
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Carson Cooman
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Carson Cooman: Symphony No. 3,
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533672 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 54 pages. Musik Fabrik Mus...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533672 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037097. Published by Musik Fabrik Music Publishing (A0.533672). Symphony No. 3, “Ave Maris Stella†(2005) was written for the Duquesne ContemporaryEnsemble and is dedicated to composer David Stock. Throughout his career, Stock has beena tireless and generous advocate on behalf of new music and living composers. This work isdedicated to him in tribute – as both an important American composer and a significantcontributor to America’s contemporary musical life.The work’s basic source material is the plainchant Ave maris stella (“Hail, star of the seaâ€) –appropriate because of Duquesne’s standing and history as a Catholic university. When thecomposition of this work first began, the original plan was for a celebratory and vibrant piece.As the planning progressed, however, personal circumstances intervened and began to changethe work’s tone – becoming substantially bleaker and more obsessive.The title of the first movement, Pentimento, is defined as “an underlying image in a painting,as an earlier painting, that shows through when the top layer of paint has become transparentwith age.†The melodic and harmonic material for the movement is entirely drawn from theplainchant source, although it is completely transformed and covered up – as in a pentimento.At various points, one can begin to hear the original plainchant “peek out†in subtle ways.The opening section of the movement obsesses again and again on what sounds like a“beginning†– as though it is trying to begin again and again. After a brief bassoon cadenza, afast and driving section starts, marked “sinister.†After driving through a series oftransformations on the plainchant material, a bridge passage leads to further attempts at the“beginning†again. Finally, these attempts are given up, and the plainchant material (theunderlying layer) begins to show through quietly – in preparation for the next movement.In the second movement, Interrupted Motet, the plainchant theme is used in a morestraightforward fashion. After the opening declamatory statements, the following sectionsmove between more free developmental techniques, based on the first movement’stransformations, and “motet†sections – using cantus firmus methods and textures fromRenaissance music. The tone and palate is, however, much darker and more obsessive.There is a brooding ponderousness to these contrapuntal developments. The final motetsection ends in a rageful shout, the plainchant material is presented again in full force, and thepent-up energy dissipates to the close.FluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in F/BbTrumpet in CTrombonePercussion (1 player):tubular bells, vibraphone(Percussionist needs one rosined bow for vibraphone.)PianoViolin IViolin IIViolaCelloContrabass(single strings)This is the score only. The complete parts and each seperate part are also available as seperate items.
$25.95 ≈
$35.29
Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, full set of parts on
Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, full set of parts on
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Christian contemporary
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Sacred music
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Carson Cooman
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Carson Cooman: Symphony No. 3,
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble - Level 5 - Digital Download SKU: A0.533673 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 134 pages. Musik Fabrik Music...
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Small Ensemble - Level 5 - Digital Download SKU: A0.533673 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 134 pages. Musik Fabrik Music Publishing #3037307. Published by Musik Fabrik Music Publishing (A0.533673). Symphony No. 3, “Ave Maris Stella†(2005) was written for the Duquesne ContemporaryEnsemble and is dedicated to composer David Stock. Throughout his career, Stock has beena tireless and generous advocate on behalf of new music and living composers. This work isdedicated to him in tribute – as both an important American composer and a significantcontributor to America’s contemporary musical life.The work’s basic source material is the plainchant Ave maris stella (“Hail, star of the seaâ€) –appropriate because of Duquesne’s standing and history as a Catholic university. When thecomposition of this work first began, the original plan was for a celebratory and vibrant piece.As the planning progressed, however, personal circumstances intervened and began to changethe work’s tone – becoming substantially bleaker and more obsessive.The title of the first movement, Pentimento, is defined as “an underlying image in a painting,as an earlier painting, that shows through when the top layer of paint has become transparentwith age.†The melodic and harmonic material for the movement is entirely drawn from theplainchant source, although it is completely transformed and covered up – as in a pentimento.At various points, one can begin to hear the original plainchant “peek out†in subtle ways.The opening section of the movement obsesses again and again on what sounds like a“beginning†– as though it is trying to begin again and again. After a brief bassoon cadenza, afast and driving section starts, marked “sinister.†After driving through a series oftransformations on the plainchant material, a bridge passage leads to further attempts at the“beginning†again. Finally, these attempts are given up, and the plainchant material (theunderlying layer) begins to show through quietly – in preparation for the next movement.In the second movement, Interrupted Motet, the plainchant theme is used in a morestraightforward fashion. After the opening declamatory statements, the following sectionsmove between more free developmental techniques, based on the first movement’stransformations, and “motet†sections – using cantus firmus methods and textures fromRenaissance music. The tone and palate is, however, much darker and more obsessive.There is a brooding ponderousness to these contrapuntal developments. The final motetsection ends in a rageful shout, the plainchant material is presented again in full force, and thepent-up energy dissipates to the close.FluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in F/BbTrumpet in CTrombonePercussion (1 player):tubular bells, vibraphone(Percussionist needs one rosined bow for vibraphone.)PianoViolin IViolin IIViolaCelloContrabass(single strings)This is the complete set of parts. The full score and the individual parts are avaialbe as seperate items.
$64.95 ≈
$88.33
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There Is a Star F Horn 1 
