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Thou Art Gone Up On High
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You've selected:
Thou Art Gone Up On High
Sheetmusic to print
10 sheet music found
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1
Messiah 2.36 Thou Art Gone Up On High
Messiah 2.36 Thou Art Gone Up On High
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Brass quartet : 2 trumpets, trombone, tuba
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INTERMEDIATE
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Classical
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George Frideric Handel
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Joseph Pugh
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Messiah 2.36 Thou Art Gone Up
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Joseph Pugh
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1100292 Composed by George Frideric Handel(1685-1759). Arranged by Joseph ...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1100292 Composed by George Frideric Handel(1685-1759). Arranged by Joseph Pugh. Christian,Christmas,Classical. Score and parts. 16 pages. Joseph Pugh #704169. Published by Joseph Pugh (A0.1100292). Messiah, (HWV 56/ 2.36) is an English-language oratorio composed in 1741 by George Frideric Handel, with a scriptural text compiled by Charles Jennens from the King James Bible This is a Brass Quintet arrangement by, Joseph Pugh of the36th movement. Download the sheet music and the MP3 today at a reduced price. ©Copyright 2022 Joseph Pugh All Rights Reserved. Get all of Joseph's Brass Quintet arrangements of George Frideric Handel's Messiah right here on this site. Download today at a reduced price.
$7.99 ≈
£6.15
Thou Art Gone Up On High (Bassoon solo and Piano)
Thou Art Gone Up On High (Bassoon solo and Piano)
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Bassoon, Piano (duet)
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EASY
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Stephen DeCesare
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Stephen DeCesare
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Thou Art Gone Up On High
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Exultet Music
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SheetMusicPlus
Bassoon,Piano - Level 2 - Digital Download SKU: A0.620625 By Stephen DeCesare. By George Frideric Handel. Arranged by Stephen DeCesare. Baroque,Christian...
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Bassoon,Piano - Level 2 - Digital Download SKU: A0.620625 By Stephen DeCesare. By George Frideric Handel. Arranged by Stephen DeCesare. Baroque,Christian,Classical,Easter,Sacred. Score and part. 12 pages. Exultet Music #3412057. Published by Exultet Music (A0.620625). One of the signature songs in Georg Friedrich Händel's The Messiah has now been freshly arranged for Bassoon Solo with Piano accompaniment. An accompaniment track is also available.
$4.99 ≈
£3.84
Thou Art Gone Up On High (Trombone solo and Piano)
Thou Art Gone Up On High (Trombone solo and Piano)
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Trombone and Piano
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EASY
#
Stephen DeCesare
#
Stephen DeCesare
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Thou Art Gone Up On High
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Exultet Music
#
SheetMusicPlus
Piano,Trombone - Level 2 - Digital Download SKU: A0.620626 By Stephen DeCesare. By George Frideric Handel. Arranged by Stephen DeCesare. Baroque,Christia...
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Piano,Trombone - Level 2 - Digital Download SKU: A0.620626 By Stephen DeCesare. By George Frideric Handel. Arranged by Stephen DeCesare. Baroque,Christian,Classical,Easter,Sacred. Score and part. 12 pages. Exultet Music #3412077. Published by Exultet Music (A0.620626). One of the signature songs in Georg Friedrich Händel's The Messiah has now been freshly arranged for Trombone Solo with Piano accompaniment. An accompaniment track is also available.
$4.99 ≈
£3.84
Thou Art Gone Up On High (for Cello Solo and Piano)
Thou Art Gone Up On High (for Cello Solo and Piano)
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Cello, Piano
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EASY
#
Classical
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George Frideric Handel
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Stephen DeCesare
#
Thou Art Gone Up On High
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Exultet Music
#
SheetMusicPlus
Cello,Piano - Level 2 - Digital Download SKU: A0.620627 Composed by George Frideric Handel. Arranged by Stephen DeCesare. Baroque,Christian,Classical,Eas...
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Cello,Piano - Level 2 - Digital Download SKU: A0.620627 Composed by George Frideric Handel. Arranged by Stephen DeCesare. Baroque,Christian,Classical,Easter,Sacred. Score and part. 13 pages. Exultet Music #3412095. Published by Exultet Music (A0.620627). One of the signature songs in Georg Friedrich Händel's The Messiah has now been freshly arranged for Cello Solo with Piano accompaniment. An accompaniment track is also available.
$4.99 ≈
£3.84
Thou Art Gone Up On High (Accompaniment Track)
Thou Art Gone Up On High (Accompaniment Track)
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Piano solo
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Classical
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George Frideric Handel
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Stephen DeCesare
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Thou Art Gone Up On High
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Exultet Music
#
SheetMusicPlus
Piano - Digital Download SKU: A0.1052283 Composed by George Frideric Handel. Arranged by Stephen DeCesare. Baroque,Christian,Classical,Easter,Sacred. Acc...
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Piano - Digital Download SKU: A0.1052283 Composed by George Frideric Handel. Arranged by Stephen DeCesare. Baroque,Christian,Classical,Easter,Sacred. Accompaniment. Duration 178. Exultet Music #3412059. Published by Exultet Music (A0.1052283). One of the signature songs in Georg Friedrich Händel's The Messiah has now been freshly arranged for Bassoon, Trombone, or Cello Solo with Piano accompaniment.
$3.99 ≈
£3.07
Dishes, Dolls, Dresses and Dreams
Dishes, Dolls, Dresses and Dreams
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Choral 3-part
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EASY
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Deborah Johnson
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Deborah Johnson
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Barnes &
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Dishes, Dolls, Dresses and Dre
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Deborah Johnson
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SheetMusicPlus
Choral Choir,Choral,SSA Chorus - Level 2 - Digital Download SKU: A0.1422372 Composed by Deborah Johnson. Arranged by Deborah Johnson. Broadway,Contest,Fe...
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Choral Choir,Choral,SSA Chorus - Level 2 - Digital Download SKU: A0.1422372 Composed by Deborah Johnson. Arranged by Deborah Johnson. Broadway,Contest,Festival,Historic,Musical/Show,Opera,Romantic Period. 19 pages. Deborah Johnson #1003714. Published by Deborah Johnson (A0.1422372). With a charming message evoking nostalgia for days gone by, 'Dishes, Dolls, Dresses and Dreams' is an enchanting song crafted for solos and chorus. Its whimsical melody and heartfelt lyrics transport listeners to a bygone era filled with innocence and wonder. Originally written for a musical, this versatile composition can stand alone as a captivating musical selection or be enhanced with the addition of dance, adding visual depth to its already enchanting narrative. Furthermore, its adaptable nature allows for easy dramatization, making it suitable for theatrical performances. For those seeking versatility, the song offers the flexibility to be shortened after measure 117 without compromising its impact, ensuring it can be tailored to fit various performance contexts and preferences. Sheet music, including vocal lead sheet score is 19 pages including cover. Instrumental accompaniment track also available for download. Range is G below middle C to high C, which occurs once very quickly.Written and arranged by Deborah Johnson, first written to be included in the musical TSARINA. (http://TsarinaTheMusical.com) DEBORAH JOHNSON, is a National Recording Artist, Composer, Speaker and published Author. She has recorded dozens of albums, written 3 original musicals and has appeared on many stages around the country and world. She also appeared with the headliner piano/vocal duo Double Grande. Her internationally released books have garnered great reviews (on Amazon & Barnes & Noble) Deborah’s songs have also been up for multiple Grammy Awards. Music and Lyrics by Deborah Johnson. Basic production and piano tracking by Deborah. Additional production & keyboards: Richard Callaci, guitars Jack Majdecki. Additional vocals: Deborah Johnson, Joyce Anderson, Micah Pearsal, Lori Donato, Melanie Smith. Recorded at DJWorks Studios & Callaci Studios. https://DJWorksMusic.com Books & Products: https://goalsforyourlife.com/goal-setting-products Twitter: @DJWorksMusic; LinkedIn: https://www.linkedin.com/in/deborahjjohnson/ Follow on Facebook: http://on.fb.me/14hfyhf For more information about Deborah, her albums, books and products, visit https://DJWorksMusic.com, https://goalsforyourlife.com/ or https://DeborahJohnsonSpeaker.com
$8.99 ≈
£6.92
River Music
River Music
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Contemporary
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Sarah Hersh
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River Music
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Burbury Lane Music
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SheetMusicPlus
Small Ensemble B-Flat Clarinet,Bass Clarinet - Level 4 - Digital Download SKU: A0.1028052 Composed by Sarah Hersh. 20th Century,Contemporary. Score and p...
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Small Ensemble B-Flat Clarinet,Bass Clarinet - Level 4 - Digital Download SKU: A0.1028052 Composed by Sarah Hersh. 20th Century,Contemporary. Score and parts. 59 pages. Burbury Lane Music #3368591. Published by Burbury Lane Music (A0.1028052). River Music is a fun and accessible piece that has received much positive feedback in the clarinet world and has been performed many times, including at the International Clarinet Association's ClarinetFest. It is an approximately 8 minute piece for two Bb clarinets and bass clarinet that would be equally at home on an environmental-themed concert or any other type of program. It is a relatively advanced piece but has been performed by high school students. River Music was written for Clarinets for Conservation.Program Note: River Music was inspired by my time one summer spent on the Chattahoochee River and at the Chattahoochee Nature Center near Atlanta, Georgia. I have always had a connection to bodies of water, having spent many summers and weekends at the lake by my grandparents’ house in New York. While sometimes I feel like an outsider as a New Yorker living in the South, as soon as I got on the river, canoeing down the Chattahoochee, I felt at home again. Something about the river reminds me of my childhood on Lake Peekskill, and River Music was partially inspired by that connection.Once I started writing the piece, it took on a life of its own, as water and nature (and composing) often does. One reason I’ve always felt strongly about environmentalism and protecting our natural environment is that all of it – the trees, the earth, the rivers, the lakes – has been here long before we came along and started messing it up, and it will (hopefully) be here long after we’re gone, as long as we make sure to protect these natural spaces and wilderness areas. I often think about how much trees have seen, and as I wrote this piece I started thinking about how much the river has seen too. I hear stories in River Music, and to me it’s the river telling us some, though certainly nowhere near all, of its stories.Perhaps River Music will take you, the listener, on a journey down the river-not just through space, but through time. You might hear some of the same stories I hear. Or you may not. Part of the beauty of writing a piece inspired by a river is that I hope you hear in it whatever the river means to you.Note: The sheet music includes a score, regular set of parts, and a bonus set of parts that include a partial score underneath the main part.The composer is a member of ASCAP and may be reached at www.sarahhersh.com or sarahhershcomposer@gmail.com.
$15.99 ≈
£12.31
Mysterious Moment for alto flute and string trio
Mysterious Moment for alto flute and string trio
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String Trio: violin, viola, cello
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INTERMEDIATE
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Contemporary
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David Warin Solomons
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Mysterious Moment for alto flu
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David Warin Solomons
#
SheetMusicPlus
String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.576736 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 p...
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String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.576736 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #119391. Published by David Warin Solomons (A0.576736). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
$8.00 ≈
£6.16
Mysterious Moment for oboe and string trio
Mysterious Moment for oboe and string trio
#
Contemporary
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David Warin Solomons
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Mysterious Moment for oboe and
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David Warin Solomons
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SheetMusicPlus
Small Ensemble Cello,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.576733 Composed by David Warin Solomons. 20th Century,Contemporary. Score and...
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Small Ensemble Cello,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.576733 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #90581. Published by David Warin Solomons (A0.576733). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
$8.00 ≈
£6.16
Dishes, Dolls, Dresses and Dreams-Instrumental Accompaniment track
Dishes, Dolls, Dresses and Dreams-Instrumental Accompaniment track
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Deborah Johnson
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Deborah Johnson
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Barnes &
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Dishes, Dolls, Dresses and Dre
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Deborah Johnson
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SheetMusicPlus
Drum Set,Guitar Accompaniment,Keyboard Accompaniment,Synth String Reduction - Level 2 - Digital Download SKU: A0.1422373 Composed by Deborah Johnson. Arr...
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Drum Set,Guitar Accompaniment,Keyboard Accompaniment,Synth String Reduction - Level 2 - Digital Download SKU: A0.1422373 Composed by Deborah Johnson. Arranged by Deborah Johnson. Broadway,Contest,Festival,Historic,Musical/Show,Opera,Romantic Period. Accompaniment. Duration 354. Deborah Johnson #1003715. Published by Deborah Johnson (A0.1422373). With a charming message evoking nostalgia for days gone by, 'Dishes, Dolls, Dresses and Dreams' is an enchanting song crafted for solos and chorus. Its whimsical melody and heartfelt lyrics transport listeners to a bygone era filled with innocence and wonder. Originally written for a musical, this versatile composition can stand alone as a captivating musical selection or be enhanced with the addition of dance, adding visual depth to its already enchanting narrative. Furthermore, its adaptable nature allows for easy dramatization, making it suitable for theatrical performances. For those seeking versatility, the song offers the flexibility to be shortened after measure 117 without compromising its impact, ensuring it can be tailored to fit various performance contexts and preferences. This is the instrumental accompaniment track for performance. Sheet music, including vocal lead sheet score is also available and is 19 pages including cover. Range is G below middle C to high C, which occurs once very quickly. Written and arranged by Deborah Johnson, first written to be included in the musical TSARINA. (http://TsarinaTheMusical.com) DEBORAH JOHNSON, is a National Recording Artist, Composer, Speaker and published Author. She has recorded dozens of albums, written 3 original musicals and has appeared on many stages around the country and world. She also appeared with the headliner piano/vocal duo Double Grande. Her internationally released books have garnered great reviews (on Amazon & Barnes & Noble) Deborah’s songs have also been up for multiple Grammy Awards. Music and Lyrics by Deborah Johnson. Basic production and piano tracking by Deborah. Additional production & keyboards: Richard Callaci, guitars Jack Majdecki. Additional vocals: Deborah Johnson, Joyce Anderson, Micah Pearsal, Lori Donato, Melanie Smith. Recorded at DJWorks Studios & Callaci Studios. https://DJWorksMusic.com Books & Products: https://goalsforyourlife.com/goal-setting-products Twitter: @DJWorksMusic; LinkedIn: https://www.linkedin.com/in/deborahjjohnson/ Follow on Facebook: http://on.fb.me/14hfyhf For more information about Deborah, her albums, books and products, visit https://DJWorksMusic.com, https://goalsforyourlife.com/ or https://DeborahJohnsonSpeaker.com Video here: https://youtu.be/uQcUdXwCA0w
$8.99 ≈
£6.92
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