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You've selected:
Time After Time Tuba
Sheetmusic to print
357 sheet music found
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Time After Time
Time After Time
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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EASY
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Jule Styne and Sammy Cahn
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Peet du Toit
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Time After Time
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Peet du Toit
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SheetMusicPlus
Brass Quintet - Level 2 - Digital Download SKU: A0.1394240 Composed by Jule Styne and Sammy Cahn. Arranged by Peet du Toit. Film/TV,Jazz. 8 pages. Peet d...
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Brass Quintet - Level 2 - Digital Download SKU: A0.1394240 Composed by Jule Styne and Sammy Cahn. Arranged by Peet du Toit. Film/TV,Jazz. 8 pages. Peet du Toit #977715. Published by Peet du Toit (A0.1394240). Time After Time is a jazz standard about nostalgia with lyrics written by Sammy Cahn and music by Jule Styne in 1946.The first recording was on November 19, 1946 for Musicra by Sarah Vaughan with the Teddy Wilson Quartet: Wilson on piano, Charlie Ventura on tenor saxophone, Remo Palmieri on guitar, and Billy Taylor on double bass.The song was written for Frank Sinatra in the 1947 film It Happened in Brooklyn. The pianist providing the music offstage was André Previn. Sinatra recorded it again in 1957 with the Nelson Riddle Orchestra.Here is a short and easy cover of this beautiful piece, without neglecting its magnificent chord structures.
$13.00 ≈
12.00€
Moonlight Serenade for Tuba Quintet (Jazz for 5 Series)
Moonlight Serenade for Tuba Quintet (Jazz for 5 Series)
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Tuba ensemble
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INTERMEDIATE
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Jazz
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Glenn Miller
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Keith Terrett
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Moonlight Serenade for Tuba Qu
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Music for all Occasions
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SheetMusicPlus
Tuba, Euphonium, Tuba Quintet - Intermediate - Digital Download Composed by Glenn Miller. Arranged by Keith Terrett. 20th Century, Jazz, Swing, Old-t...
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Tuba, Euphonium, Tuba Quintet - Intermediate - Digital Download Composed by Glenn Miller. Arranged by Keith Terrett. 20th Century, Jazz, Swing, Old-time. Score, Set of Parts. 8 pages. Published by Music for all Occasions
Moonlight Serenade" arranged here for Tuba Quintet, is an American popular song composed by Glenn Miller with subsequent lyrics by Mitchell Parish. It was an immediate phenomenon when first released in May 1939 as an instrumental arrangement and was adopted as Miller’s signature tune. In 1991, Miller’s recording of "Moonlight Serenade" was inducted into the Grammy Hall of Fame.
The song, recorded on April 4, 1939 on RCA Bluebird, was a Top Ten hit on the U.S. pop charts in 1939, reaching number three on the Billboard charts, where it stayed for fifteen weeks. It was the number 5 top pop hit of 1939 in the Billboard year-end tally. Glenn Miller had five records in the top 20 songs of 1939 on Billboard′s list.
In the UK, "Moonlight Serenade" was released as the A-side of a 78 on His Master’s Voice, with "American Patrol" as the B-side. The recording reached number twelve in the UK in March 1954, staying on the chart for one week. In a medley with "Little Brown Jug" and "In the Mood", "Moonlight Serenade" reached number thirteen on the UK charts in January 1976, in a chart run of eight weeks.
The recording was also issued as a V-Disc, No. 39A, in November 1943.
The recording used a clarinet-led saxophone section, which is widely considered[citation needed] the classic Glenn Miller style. Miller studied the Schillinger technique with Joseph Schillinger, who is credited with helping Miller create the "Miller sound", and under whose tutelage he himself composed "Moonlight Serenade".
The song evolved from a 1935 version entitled "Now I Lay Me Down to Weep", with music by Glenn Miller and lyrics by Eddie Heyman to a version called "Gone with the Dawn" with lyrics by George Simon, and "The Wind in the Trees" with lyrics by Mitchell Parish. In his biography of Glenn Miller, George T. Simon recounted how vocalist Al Bowlly of the Ray Noble Orchestra sang him the Eddie Heyman lyrics to the Glenn Miller music of "Now I Lay Me Down to Weep" in 1935. The Noble Orchestra never recorded the song. Finally it ended up as "Moonlight Serenade" because Robbins Music bought the music and learned that Miller was recording a cover of "Sunrise Serenade", a Frankie Carle associated song, for RCA Victor. They thought "Moonlight" would be a natural association for "Sunrise".
"Now I Lay Me Down to Weep" was composed in 1935 with lyrics by Eddie Heyman and music by Glenn Miller. After "Moonlight Serenade", originally released solely as an instrumental, became a smash hit in 1939, Mitchell Parish wrote new lyrics for the music under that title.
A notable vocal version can be found on Frank Sinatra’s Moonlight Sinatra released in 1965, which also contains "Moon Love", "Moonlight Becomes You", and "Oh, You Crazy Moon", which were recorded by Glenn Miller and his Orchestra. "Moonlight Serenade" can also be found on Nothing But the Best, a 2008 Frank Sinatra greatest hits compilation by Reprise, on My Way: The Best of Frank Sinatra from 1997 by Warner Bros., and the Frank Sinatra compilation Greatest Love Songs from 2002. Frank Sinatra also released the song as part of an 7" EP 33RPM single in 1966, Reprise SR1018. The song also appeared on the 2015 centennial collection Ultimate Sinatra. In 1939, Count Basie and His Orchestra recorded one of the earliest versions to feature the lyrics added by Mitchell Parish which was released as a 78 single, Vocalion 5036.
"Moonlight Serenade" has been covered by Barry Manilow, Carly Simon, The Airmen of Note of the U.S. Air Force with Air Force Strings, Charlie Haden, Marc Reift, Chet Baker with The Mariachi Brass in 1966, Santo and Johnny, Thelma Houston, Carol Burnett, Toots Thielemans, Deodato, who reached number 18 on the Billboard Easy Listening Chart, Count Basie and his Orchestra with vocals by Helen Humes in 1939, Benny Goodman and his Orchestra, Cab Calloway, The Modernaires, Gene Krupa and his Orchestra, Freddy Martin and his Orchestra, Bert Kaempfert, Ray Conniff, Mina, Dick Todd on RCA Bluebird, Geoff Love and His Orchestra, Lloyd Gregory on solo guitar, Dick Hyman, Maxwell Davis and his Orchestra, Tony Evans, Los Indios Tabajaras, David Rose, Richard Himber, Fi Dells Quartet, Waikikis, The Universal-International Orchestra conducted by Joseph Gershenson, Oleg Lundstrom, Charlie Byrd, Taco, Alix Combelle, Richard Vaughn, Lisa Ono, Eddie Maynard, Simone Kopmajer, Hamburg Philharmonia, Frankie Capp, Dave, Robert Banks Trio, Karel Vlach, Transatlantic Swing Band, the Frankie Condon Orchestra, The Romantic Strings, Paul Mauriat, Tommy Leonetti, Johnny Desmond, the Boston Pops under Arthur Fiedler, John Williams, and Keith Lockhart, Charlie Calello Orchestra, J.P. Torres and the Cuban All Stars, Tex Beneke and His Orchestra, the Manhattan Jazz Orchestra, Urbie Green, Bob Mintzer, Laura Fygi, Max Greger, Mario Pezzotta and His Orchestra, 101 Strings, Andrés Ramiro and His Orchestra, The Hiltonaires, Big Warsaw Band, Pep Poblet, Ray Anthony, Cheryl Bentyne, jazz trumpeter Bobby Hackett in 1965, The 12 Cellists of the Berlin Philharmonic, Joe Loss, Ted Heath, Lawrence Welk, Henry Mancini, James Last, Michael Maxwell and His Orchestra, John Blair, Ray Eberle, Enoch Light, Modern Folk Quartet, Buddy Emmons on steel guitar, The Rivieras, a 1950s Doo Wop group whose recording reached number 47 on the pop charts in 1959, Tuxedo Junction, Yasuko Agawa, George Melachrino, German bandleader Kurt Edelhagen, Ella Fitzgerald, Oscar Rabin, Henry Jerome and his Orchestra as a 45 single, Decca 25545, Kurt Elling, Syd Lawrence, The Ventures, Archie Bleyer, Mantovani, Bobby Vinton, who reached number 97 on the Billboard Hot 100 in 1976, and the rock band Chicago as a 1995 3 inch CD single in Japan and on the big band album Night & Day Big Band.
Jazz critic Gary Giddins wrote about the song’s impact and legacy; "Miller exuded little warmth on or off the bandstand, but once the band struck up its theme, audiences were done for: throats clutched, eyes softened. Can any other record match ’Moonlight Serenade’ for its ability to induce a Pavlovian slobber in so many for so long?" (The New Yorker, May 24, 2004).
"Moonlight Serenade" released as V-Disc 39A, VP 75, Theme Song, by the U.S. War Department in November 1943. In November 1939, Miller had a 15-minute radio series on CBS called Moonlight Serenade that ran three times a week, Tuesdays, Wednesdays, and Thursdays at 10:00 PM Eastern Time (shifting to 7:15 PM in May 1942), until September 1942, sponsored by Chesterfield.
Wartime release:
The 1939 RCA Victor studio recording of "Moonlight Serenade" was released by the U.S. War Department as V-Disc 39A, VP 75, Theme Song, in November, 1943. The recording was also released on the Navy V-Disc No. 160A. A V-Disc test pressing of a recording of the song from November 17, 1945 by the AAF Band was made but the disc was not issued. A new recording by Glenn Miller with the American Band of the Allied Expeditionary Forces was broadcast to Germany in 1944 on the radio program The Wehrmacht Hour.
Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com
$12.99 ≈
11.99€
No Time To Die for Tuba Quartet (EETT)
No Time To Die for Tuba Quartet (EETT)
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4 Tubas
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INTERMEDIATE
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Pop music
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Billie Eilish
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Graham Boag
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No Time To Die for Tuba Quarte
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Graham Boag
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SheetMusicPlus
Tuba, Euphonium, Brass Quartet - Intermediate - Digital Download By Billie Eilish. Arranged by Graham Boag. Score, Set of Parts. 18 pages. Published by...
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Tuba, Euphonium, Brass Quartet - Intermediate - Digital Download By Billie Eilish. Arranged by Graham Boag. Score, Set of Parts. 18 pages. Published by Graham Boag
No Time to Die is a the twenty-fifth instalment in the James Bond film series produced by Eon Productions. It features Daniel Craig in his fifth and final outing as the fictional MI6 agent James Bond. It is directed by Cary Joji Fukunaga, who also co-wrote the screenplay with Neal Purvis, Robert Wade, and Phoebe Waller-Bridge. Ralph Fiennes, Naomie Harris, Ben Whishaw, Rory Kinnear, Jeffrey Wright, Léa Seydoux, and Christoph Waltz reprise their roles from previous films, with Rami Malek, Lashana Lynch, Dali Benssalah, Billy Magnussen, and Ana de Armas joining the cast.
The theme song is sung by the American singer Billie Eilish. In January 2019, Eilish told her management that she wanted to be involved "if any Bond things come up…whatever we have to do we will do". When the opportunity did arise, the pair jumped into action to book a recording studio, but it left them "intensely uninspired" and suffering from writer's block. Following this lacklustre day in the studio and they ended up writing and recording the song in a tour bus in Texas, after Finneas came up with an initial chord progression; in just three days the song was written and recorded. Prior to this, the siblings had a meeting with Bond producer Barbara Broccoli, who sent them the script for the opening scene in order to give them a bit of inspiration, which Eilish said was "so cool" and "really, really helpful."
Finneas claimed it was useful to go back to listen to previous Bond themes to ensure they were on the right track and did not copy or recreate something which had already been done before, adding that "there are few things in your career that are as desirable as doing a Bond song. We did not take the opportunity lightly and worked as hard as we could to prove ourselves". Eilish also revealed that Daniel Craig himself had a major role in vetting the submissions.
$15.99 ≈
14.76€
Time After Time - Tuba
Time After Time - Tuba
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Jazz
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Jule Styne and Sammy Cahn
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Michael Sweeney
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Time After Time - Tuba
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Hal Leonard - Digital
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SheetMusicPlus
Jazz band Tuba - Level 2 - Digital Download SKU: HX.118021 Composed by Jule Styne and Sammy Cahn. Arranged by Michael Sweeney. Jazz,Standards. Individual...
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Jazz band Tuba - Level 2 - Digital Download SKU: HX.118021 Composed by Jule Styne and Sammy Cahn. Arranged by Michael Sweeney. Jazz,Standards. Individual instrument part. 2 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.118021).
$6.00 ≈
5.54€
With Pious Hearts Aria from Judas Maccabeus for Tuba and Piano
With Pious Hearts Aria from Judas Maccabeus for Tuba and Piano
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Tuba and Piano
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INTERMEDIATE
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Classical
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George Frideric Handel
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Stan Pethel
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With Pious Hearts Aria from Ju
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Gordon Cherry
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SheetMusicPlus
Piano,Tuba - Level 3 - Digital Download SKU: A0.792499 Composed by George Frideric Handel. Arranged by Stan Pethel. Baroque,Christian,Classical,Renaissan...
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Piano,Tuba - Level 3 - Digital Download SKU: A0.792499 Composed by George Frideric Handel. Arranged by Stan Pethel. Baroque,Christian,Classical,Renaissance,Sacred. Score and part. 6 pages. Gordon Cherry #4988379. Published by Gordon Cherry (A0.792499). Judas Maccabeus became one of Handel’s most popular oratorios during his lifetime after its London premier in 1747. The recitative and aria is from late in the work and is a reminder to the house of Judah to not fear the nations that defy the Israelites; that God will defend and be the friend of Zion.This lyrical arrangement of about seven minutes in length by Stan Pethel is appropriate for intermediate level Tubists or Bass Trombonists.
$12.50 ≈
11.54€
After the Cake Walk for Brass Quintet
After the Cake Walk for Brass Quintet
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE/ADVANCED
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R
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Charles Decker
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After the Cake Walk for Brass
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Charles Decker Music Press
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SheetMusicPlus
Brass Quintet Euphonium,Flugelhorn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1047456 Composed by R. Nathaniel Dett. Arranged by Charles ...
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Brass Quintet Euphonium,Flugelhorn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1047456 Composed by R. Nathaniel Dett. Arranged by Charles Decker. 20th Century,Contest,Festival,Jazz,Pop,Ragtime. 24 pages. Charles Decker Music Press #652018. Published by Charles Decker Music Press (A0.1047456). This entertaining and playful cakewalk, forerunner of ragtime style, is by the prominent Canadian-American Black composer Nathaniel Dett who studied with notable teachers such as composer Arthur Foote at Harvard, was the first African-American to receive a Bachelor's Degree in Music from Oberlin Conservatory in composition and piano in 1908 and received an Honorary Masters Degree in 1932 from the Eastman School of Music. Scored for two trumpets in B-flat (with alternate C trumpet parts), horn (with flugelhorn substitute), trombone (with treble clef euphonium substitute) and tuba, the arrangement has wide audience appeal and is very accessible for less experienced players. The recoding is of the entire edition.“The Music of Black Composers Series is a welcome and timely addition to the brass repertoire. Interesting music, expertly arranged, fun to perform, and well received by audiences. These pieces are now permanently in my quintet book and I will be using them with my student groups as well. Highly recommended!† Wesley Nance, Rochester Philharmonic Orchestra, Eastman School of Music“I was so pleased to see the great works arranged for brass ensemble by Charles Decker Music Press especially the Music of Black Composers’ Series. It was especially rewarding to perform several of these with Summit Brass and with the students attending the Rafael Mendez Brass institute. Please keep these wonderful settings coming. You have provided the brass world with some real gems.† Joseph Parisi, Director Summit Brass, Fountain City Brass Band, University of Missouri Kansas City Conservatory Wind EnsembleThe Interlochen Arts Academy and the University of Denver have purchased the Music of Black Composer Series with Charles Decker Music Press and the summer Rafael Mendez Brass Institute and Eastman School of Music uses the series arrangements in their chamber and brass ensembles music programs. See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others..For more brass quintet editions by Charles Decker use these links to Kendor Music  and Cherry Classics Music for listings of my arrangements of music by J.S. Bach, H.L. Clarke, Debussy, Dukas, Elgar, Falla, Holst, Ives, Nestico, Rachmaninoff, Satie, and Tchaikovsky.
$12.99 ≈
11.99€
Symphony No. 7 by Beethoven for Tuba Quartet
Symphony No. 7 by Beethoven for Tuba Quartet
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4 Tubas
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INTERMEDIATE
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Classical
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Ludwig van Beethoven
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Ander
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Symphony No. 7 by Beethoven fo
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Woods Only, Arrangements
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SheetMusicPlus
Tuba Quartet - Level 3 - Digital Download SKU: A0.1261848 Composed by Ludwig van Beethoven. Arranged by Ander. 19th Century,Classical,Film/TV,March,Roman...
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Tuba Quartet - Level 3 - Digital Download SKU: A0.1261848 Composed by Ludwig van Beethoven. Arranged by Ander. 19th Century,Classical,Film/TV,March,Romantic Period. 13 pages. Woods Only, Arrangements #854931. Published by Woods Only, Arrangements (A0.1261848). This arrangement adapted for tuba quartet was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change of key, so that it is comfortable for all the instruments in the formation, as well as for use in ensemble practice between musicians of different traditions. Ludwig van Beethoven began concentrated work on his Symphony No. 7 in A major Op. 92 in 1811, it was completed in 1812, and was dedicated to Count Moritz von Fries, and premiered in Vienna on December 8, 1813. It is considered a remarkable example of the more ebullient side of Beethoven's compositional personality and evidence that even after the onset of deafness, he still found cause for musical optimism. The second movement Allegretto is a funeral march in everything but name. Often several contrasting melodic ideas are made to coexist, as if Beethoven were imagining several processions converging on the cemetery at the same time. As he was working on this symphony during the years of the Napoleonic Wars, this experience was probably within his experience. It was also used as the soundtrack to the film Knowing, by director Alex Proyas and starring Nicolas Cage, where it is used in the final scene of the film. Beethoven called Symphony No. 7 his most excellent symphony, and a music critic of the time reported, this symphony is the most melodically rich and the most pleasing and comprehensible of all Beethoven's symphonies..
$7.99 ≈
7.37€
Shorties #21: Tuba
Shorties #21: Tuba
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Tuba (band part)
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Instructional
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Victor Lopez
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Shorties #21: Tuba
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Marching Band - Digital Download SKU: AX.00-PC-0016990_TB1 Tuba. Arranged by Victor Lopez. Instructional. Part. 1 pages. Alfred Music - Digital Sh...
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Marching Band - Digital Download SKU: AX.00-PC-0016990_TB1 Tuba. Arranged by Victor Lopez. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016990_TB1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016990_TB1). UPC: 038081502991.Victor LA3pez does it again! Continuing in his very popular Shorties series are four more short timeout-length arrangements for the stands or pep band. Depend on the Shorties series year after year! (2:10).
$3.00 ≈
2.77€
Shorties #20: Tuba
Shorties #20: Tuba
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Tuba (band part)
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Instructional
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Victor López
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Shorties #20: Tuba
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Marching Band - Digital Download SKU: AX.00-PC-0016502_TB1 Tuba. Arranged by Victor López. Instructional. Part. 1 pages. Alfred Music - Dig...
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Marching Band - Digital Download SKU: AX.00-PC-0016502_TB1 Tuba. Arranged by Victor López. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016502_TB1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016502_TB1). UPC: 038081481036.One of our most popular concepts ever continues with four more short, timeout-length arrangements that are perfect for both marching and pep band. Depend on the Shorties series year after year! (2:15).
$3.00 ≈
2.77€
Patricia: A Ragtime Composition
Patricia: A Ragtime Composition
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE/ADVANCED
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1900 ragtime was
the
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Joseph Lamb
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F
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Patricia: A Ragtime Compositio
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Sweetwater Brass Press
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1401614 Composed by Joseph Lamb. Arranged by F. Leslie Smith. 20th Century,...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1401614 Composed by Joseph Lamb. Arranged by F. Leslie Smith. 20th Century,Classical,Historic,Ragtime. 32 pages. Sweetwater Brass Press #984793. Published by Sweetwater Brass Press (A0.1401614). Ragtime was originally and primarily piano music. The Library of Congress traces the origin and wellspring of ragtime to St. Louis, Missouri.  The Britannica website explains, “Ragtime evolved in the playing of honky-tonk pianists along the Mississippi and Missouri rivers in the last decades of the 19th century. It was influenced by minstrel-show songs, African American banjo styles, and syncopated (off-beat) dance rhythms of the cakewalk, and also elements of European music.â€Â    But it wasn’t until the mid-1890s, when music publishers started printing ragtime scores, making the music available to the public at large, that ragtime’s popularity began to soar.  By 1900 ragtime was the popular music.  It stayed that way until about 1917 when the rise of jazz began to overtake it.  By 1920, ragtime was nearly forgotten.    Thirty years later, a ragtime revival began.  And one Patricia Lamb-Conn found out that her father, Joseph F. Lamb, was a well-known composer of ragtime.  In fact, the “Big Three†composers of classical ragtime are considered to be Scott Joplin, James Scott and the only non-African American, Joseph Lamb.    Lamb was born in 1887 in New Jersey, taught himself to play piano and was very much influenced by Joplin’s early ragtime publications.  From there, Lamb went on to develop into a master of classic ragtime.    One of Lamb’s most popular works was a 1916 composition he titled “Patricia Rag.†(The title apparently had nothing to do with his daughter, who was born in 1924.)  It consists of four themes in five sections, with the first theme repeated after sections 1 and 2.  Lamb pitched the opening in E-flat Major, changing to A-flat Major at the Trio.      This brass quintet arrangement, completed in 2024, consists of 150 measures, approximately five minutes, ten seconds in length.  It retains the basic structure of the original piano score but modifies the pitches to B-flat Major and E-flat Major, respectively, to accommodate the normal playing range of the brass instruments.  Possible exceptions for some players include:  (1) Trumpet 1 plays its A-above-the-staff a number of times and its B above-the-staff once; (2) Trombone plays several E above-the-staff notes; (3) Tuba plays several way-below-the-staff F notes and one high G note. Throughout the arrangement, the original melody is maintained and featured, but in some sections the background and harmony are altered to feature one or more of the five instruments.  In the Trio, the sections designated by rehearsal marks F and G are slowed and treated as a serenade; the original tempo is restored at H.  In performing this arrangement, players should pay particular attention to dynamics.  Additionally, because of the nature of ragtime, this piece may require more-than-usual practice and rehearsal.    The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge.  He would like to receive your suggestions, comments, corrections and criticisms.  Contact him at lessmith61@bellsouth.net.  For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
$12.99 ≈
11.99€
Time In A Bottle
Time In A Bottle
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2 Euphoniums and 2 Tubas
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INTERMEDIATE
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Jim Croce
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Tim Olt
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Time In A Bottle
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Olt Music
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SheetMusicPlus
Tuba Quartet Euphonium,Tuba - Level 3 - Digital Download SKU: A0.1399933 By Jim Croce. By Jim Croce. Arranged by Tim Olt. Folk,Pop,Singer/Songwriter. 10 ...
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Tuba Quartet Euphonium,Tuba - Level 3 - Digital Download SKU: A0.1399933 By Jim Croce. By Jim Croce. Arranged by Tim Olt. Folk,Pop,Singer/Songwriter. 10 pages. Olt Music #983160. Published by Olt Music (A0.1399933). Now 50 years old, this classic by Jim Croce was actually released after his death by a couple months.
$15.00 ≈
13.84€
Time After Time
Time After Time
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Flute, Oboe, Clarinet, Bassoon
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Contemporary
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Javier Colon
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Tim Middleton
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Time After Time
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Middleton Music
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SheetMusicPlus
Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.787563 By Javier Colon. By Cyndi Lauper and Rob Hyman. Arranged by Tim Mid...
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Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.787563 By Javier Colon. By Cyndi Lauper and Rob Hyman. Arranged by Tim Middleton. Contemporary. Score and parts. 29 pages. Middleton Music #6247057. Published by Middleton Music (A0.787563). Beautiful Brass Quartet Arrangement of the classic 80's song Time After Time by Cyndi LauperArranged and Published By Tim Middleton - http://middletonMusic.com. Trumpet 1, Trumpet 2, Tenor Horn/Eb Horn, Tuba (Additional Treble Clef parts included for Trombone, Bb Tuba and Euphonium)
$12.99 ≈
11.99€
A Most Wonderful Christmas: Tuba
A Most Wonderful Christmas: Tuba
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Tuba (band part)
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Christmas
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Robert Sheldon
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A Most Wonderful Christmas: Tu
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Full Orchestra - Digital Download SKU: AX.00-PC-0016180_TB1 Tuba. Arranged by Robert Sheldon. Instructional. Part. 3 pages. Alfred Music - Digital...
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Full Orchestra - Digital Download SKU: AX.00-PC-0016180_TB1 Tuba. Arranged by Robert Sheldon. Instructional. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0016180_TB1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016180_TB1). UPC: 038081323527.A fabulous medley for full orchestra or band and orchestra together! Some of the most popular Christmas selections of all time are included in this delightful arrangement that has a complimentary band arrangement by the same title. Winter Wonderland, I'll be Home for Christmas, Santa Claus is Comin' to Town, Have Yourself a Merry Little Christmas and It's the Most Wonderful Time of the Year are featured in this tasteful arrangement. Solo opportunities abound and are cross-cued to allow your best players to shine, while the swing sections and jazz-inspired ballads will have your audience tapping their feet and singing these tunes long after the concert is over. This is certain to become a repertoire standard year after year! (8:30).
$3.00 ≈
2.77€
Calibrating the Moon - Tuba and Piano
Calibrating the Moon - Tuba and Piano
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Tuba and Piano
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ADVANCED
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Contemporary
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Kyle Vanderburg
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Calibrating the Moon - Tuba an
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NoteForge
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SheetMusicPlus
Piano,Tuba - Level 5 - Digital Download SKU: A0.1002836 Composed by Kyle Vanderburg. Contemporary. Score and part. 33 pages. NoteForge #6113517. Publishe...
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Piano,Tuba - Level 5 - Digital Download SKU: A0.1002836 Composed by Kyle Vanderburg. Contemporary. Score and part. 33 pages. NoteForge #6113517. Published by NoteForge (A0.1002836). I spent New Year's Eve 2018 in Nye, Montana, visiting family and friends. One of those friends is an imaging specialist who regaled us with an explanation of his most recent project, which he described as calibrating the moon. Specifically, he was talking about the NASA ARCSTONE mission to calibrate the moon's reflectance to use as an accurate reference, primarily in climate science. The idea is that we have all this data about global warming and atmospheric changes, and a lot of that data uses the brightness of the moon as a control variable, but we don't actually have a precise definition of how bright the moon is. Ever since I was a part of that conversation, I knew that I wanted calibrating the moon as a title, and everything that came after that plays with the idea of moon themes or of doing big impossible-sounding things. When Connor Challey approached me about writing for tuba, Calibrating the Moon was an obvious choice.The work opens with Syzygy, a term describing the straight line between the sun, moon, and Earth that occurs every new and full moon. The movement starts dark and brooding, moves to an energetic middle section, and returns to being mysterious, kind of like a lunar cycle. Fun fact: This movement's theme is actually a tuba setting of the phrase Calibrating the moon.The Second movement, Spectral Reflectance, is slow and shiny. NDSU was fortunate to have portfolio tubist (and Connor's mentor) Sam Pilafian as a visiting guest artist for several years, and I finished Syzygy around the time of his passing. I spent a lot of time thinking about Sam while putting the second movement together, and I quoted a couple of his favorite tuba concerti.The work ends with Libration. If you were to watch a time-lapse video of a lunar cycle, you'd notice that the moon not only transitions from new to full to new, but also sort of oscillates or wags. That's Libration. The movement is likewise off-kilter, playing with the listener's sense of time through alternating time signatures.https://kylevanderburg.com/music/calibrating-the-moon/
$14.99 ≈
13.83€
I Vow to Thee, My Country (Thaxted) (Bb) (Brass Quintet - 2 Trp, 1 Hrn, 1 Trb, 1 Tuba) (Tuba lead)
I Vow to Thee, My Country (Thaxted) (Bb) (Brass Quintet - 2 Trp, 1 Hrn, 1 Trb, 1 Tuba) (Tuba lead)
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Brass quartet : 2 trumpets, trombone, tuba
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INTERMEDIATE
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Gustav Holst
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Regis Bookshar
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I Vow to Thee, My Country
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Regis Bookshar
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.813676 Composed by Gustav Holst. Arranged by Regis Bookshar. 20th Century,...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.813676 Composed by Gustav Holst. Arranged by Regis Bookshar. 20th Century,Contemporary,Multicultural,Standards,Wedding,World. Score and parts. 9 pages. Regis Bookshar #6473851. Published by Regis Bookshar (A0.813676). I Vow to Thee, My Country (Thaxted) (Bb) (Brass Quintet) - Intermediate - Digital Download. This marvelous arrangement of I Vow to Thee, My Country, a hymn tune based on the Andante Maestoso section from Jupiter, the Bringer of Jollity from Gustav Holst's The Planets, would be a fabulous addition to any music library and could be performed for church services, especially Weddings and Funerals, but would be appropriate any time during the church year. However, if you are looking to perform this selection for concerts or recitals, I would suggest you look for the arrangement of Jupiter (Andante Maestoso from Jupiter, the Bringer of Jollity from The Planets), also by Regis Bookshar. These arrangements are suitable for high school and college students but professional musicians would also enjoy playing these selections as well. Included are a score and a complete set of parts (9 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time. We have performed the Trumpet Quintet version of this composition quite often for numerous weddings and other special occasions.The Planets, written between 1914 and 1917 by the English composer Gustav Holst, premiered at the Queen's Hall in London, on September 29, 1918 for an invited audience of about 250 people. In the fourth movement, Jupiter, the Bringer of Jollity, Holst portrays Jupiter's supposedly characteristic abundance of life and vitality. Nobility and generosity are allegedly characteristics of those born under Jupiter, and in the slower, middle section marked Andante Maestoso, perhaps the most well-known theme from The Planets (and the theme on which this arrangement is based), Holst provides a broad tune embodying these traits. In 1921, Holst adapted the theme to fit the patriotic poem I Vow to Thee, My Country by Cecil Spring Rice, and was written as a unison song with orchestra. It did not appear as the hymn tune until 1926, when Holst harmonized this melody, named Thaxted, named after the English village where he had lived for many years. Holst's friend Ralph Vaughan Williams included it in Songs of Praise. It has since been performed at numerous occasions, most notably for the wedding of Prince Charles and Diana, Princess of Wales in 1981, and also at the funerals of Princess Diana in 1997, Margaret Thatcher in 2013 and Senator John McCain where it was performed at the Washington National Cathedral on September 1, 2018. In addition to being used as the melody for the solemn, patriotic hymn I Vow to Thee, My Country, other settings of this hymn tune also include O God, Beyond All Praising, by Michael Perry in 1982, O Spirit All Embracing by Delores Dufner in 1995 and We Praise You and Acknowledge You, O God, a paraphrase of the Te Deum Laudemus by Stephen P. Starke in 1999.Regis Bookshar thought that it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to the Trumpet Quintet version and this version for a Brass Quintet, consisting of 2 Trumpets, 1 French Horn, 1 Trombone and 1 Tuba (which has the lead), he has made quite a few other arrangements of this selection. There are Quintets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are added as often as possible. I'm certain that this beautiful arrangement of I Vow to Thee, My Country based on the Andante Maestoso section from Jupiter, the Brin.
$10.00 ≈
9.23€
O God, Beyond All Praising (Thaxted) (Bb) (Brass Quintet - 2 Trp, 1 Hrn, 1 Trb, 1 Tuba) (Tuba lead)
O God, Beyond All Praising (Thaxted) (Bb) (Brass Quintet - 2 Trp, 1 Hrn, 1 Trb, 1 Tuba) (Tuba lead)
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Brass quartet : 2 trumpets, trombone, tuba
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INTERMEDIATE
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Gustav Holst
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Regis Bookshar
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O God, Beyond All Praising
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Regis Bookshar
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.813736 Composed by Gustav Holst. Arranged by Regis Bookshar. 20th Century,...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.813736 Composed by Gustav Holst. Arranged by Regis Bookshar. 20th Century,Contemporary,Sacred,Standards,Wedding. Score and parts. 9 pages. Regis Bookshar #6474761. Published by Regis Bookshar (A0.813736). O God, Beyond All Praising (Thaxted) (Bb) (Brass Quintet) - Intermediate - Digital Download. This marvelous arrangement of O God, Beyond All Praising, a hymn tune based on the Andante Maestoso section from Jupiter, the Bringer of Jollity from Gustav Holst's The Planets, would be a fabulous addition to any music library and could be performed for church services, especially Weddings and Funerals, but would be appropriate any time during the church year. However, if you are looking to perform this selection for concerts or recitals, I would suggest you look for the arrangement of Jupiter (Andante Maestoso from Jupiter, the Bringer of Jollity from The Planets), also by Regis Bookshar. These arrangements are suitable for high school and college students but professional musicians would also enjoy playing these selections as well. Included are a score and a complete set of parts (9 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time. We have performed the Trumpet Quintet version of this composition quite often for numerous weddings and other special occasions.The Planets, written between 1914 and 1917 by the English composer Gustav Holst, premiered at the Queen's Hall in London, on September 29, 1918 for an invited audience of about 250 people. In the fourth movement, Jupiter, the Bringer of Jollity, Holst portrays Jupiter's supposedly characteristic abundance of life and vitality. Nobility and generosity are allegedly characteristics of those born under Jupiter, and in the slower, middle section marked Andante Maestoso, perhaps the most well-known theme from The Planets (and the theme on which this arrangement is based), Holst provides a broad tune embodying these traits. In 1921, Holst adapted the theme to fit the patriotic poem I Vow to Thee, My Country by Cecil Spring Rice, and was written as a unison song with orchestra. It did not appear as the hymn tune until 1926, when Holst harmonized this melody, named Thaxted, named after the English village where he had lived for many years. Holst's friend Ralph Vaughan Williams included it in Songs of Praise. It has since been performed at numerous occasions, most notably for the wedding of Prince Charles and Diana, Princess of Wales in 1981, and also at the funerals of Princess Diana in 1997, Margaret Thatcher in 2013 and Senator John McCain where it was performed at the Washington National Cathedral on September 1, 2018. In addition to being used as the melody for the solemn, patriotic hymn I Vow to Thee, My Country, other settings of this hymn tune also include O God, Beyond All Praising, by Michael Perry in 1982, O Spirit All Embracing by Delores Dufner in 1995 and We Praise You and Acknowledge You, O God, a paraphrase of the Te Deum Laudemus by Stephen P. Starke in 1999.Regis Bookshar thought that it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to the Trumpet Quintet version and this version for a Brass Quintet, consisting of 2 Trumpets, 1 French Horn, 1 Trombone and 1 Tuba (which has the lead), he has made quite a few other arrangements of this selection. There are Quintets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are added as often as possible. I'm certain that this beautiful arrangement of O God, Beyond All Praising based on the Andante Maestoso section from Jupiter, the B.
$10.00 ≈
9.23€
O Spirit All-Embracing (Thaxted) (Bb) (Brass Quintet - 2 Trp, 1 Hrn, 1 Trb, 1 Tuba) (Tuba lead)
O Spirit All-Embracing (Thaxted) (Bb) (Brass Quintet - 2 Trp, 1 Hrn, 1 Trb, 1 Tuba) (Tuba lead)
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Brass quartet : 2 trumpets, trombone, tuba
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INTERMEDIATE
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Gustav Holst
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Regis Bookshar
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O Spirit All-Embracing
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Regis Bookshar
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.813796 Composed by Gustav Holst. Arranged by Regis Bookshar. 20th Century,...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.813796 Composed by Gustav Holst. Arranged by Regis Bookshar. 20th Century,Contemporary,Sacred,Standards,Wedding. Score and parts. 9 pages. Regis Bookshar #6480697. Published by Regis Bookshar (A0.813796). O Spirit All-Embracing (Thaxted) (Bb) (Brass Quintet) - Intermediate - Digital Download. This marvelous arrangement of O Spirit All-Embracing, a hymn tune based on the Andante Maestoso section from Jupiter, the Bringer of Jollity from Gustav Holst's The Planets, would be a fabulous addition to any music library and could be performed for church services, especially Weddings and Funerals, but would be appropriate any time during the church year. However, if you are looking to perform this selection for concerts or recitals, I would suggest you look for the arrangement of Jupiter (Andante Maestoso from Jupiter, the Bringer of Jollity from The Planets), also by Regis Bookshar. These arrangements are suitable for high school and college students but professional musicians would also enjoy playing these selections as well. Included are a score and a complete set of parts (9 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time. We have performed the Trumpet Quintet version of this composition quite often for numerous weddings and other special occasions.The Planets, written between 1914 and 1917 by the English composer Gustav Holst, premiered at the Queen's Hall in London, on September 29, 1918 for an invited audience of about 250 people. In the fourth movement, Jupiter, the Bringer of Jollity, Holst portrays Jupiter's supposedly characteristic abundance of life and vitality. Nobility and generosity are allegedly characteristics of those born under Jupiter, and in the slower, middle section marked Andante Maestoso, perhaps the most well-known theme from The Planets (and the theme on which this arrangement is based), Holst provides a broad tune embodying these traits. In 1921, Holst adapted the theme to fit the patriotic poem I Vow to Thee, My Country by Cecil Spring Rice, and was written as a unison song with orchestra. It did not appear as the hymn tune until 1926, when Holst harmonized this melody, named Thaxted, named after the English village where he had lived for many years. Holst's friend Ralph Vaughan Williams included it in Songs of Praise. It has since been performed at numerous occasions, most notably for the wedding of Prince Charles and Diana, Princess of Wales in 1981, and also at the funerals of Princess Diana in 1997, Margaret Thatcher in 2013 and Senator John McCain where it was performed at the Washington National Cathedral on September 1, 2018. In addition to being used as the melody for the solemn, patriotic hymn I Vow to Thee, My Country, other settings of this hymn tune also include O God, Beyond All Praising, by Michael Perry in 1982, O Spirit All-Embracing by Delores Dufner in 1995 and We Praise You and Acknowledge You, O God, a paraphrase of the Te Deum Laudemus by Stephen P. Starke in 1999.Regis Bookshar thought that it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to the Trumpet Quintet version and this version for a Brass Quintet, consisting of 2 Trumpets, 1 French Horn, 1 Trombone and 1 Tuba (which has the lead), he has made quite a few other arrangements of this selection. There are Quintets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are added as often as possible. I'm certain that this beautiful arrangement of O Spirit All-Embracing based on the Andante Maestoso section from Jupiter, the Bringer of Jollity.
$10.00 ≈
9.23€
Tuba solo - "And Can It Be?" Theme and Variations
Tuba solo - "And Can It Be?" Theme and Variations
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Tuba
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INTERMEDIATE
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Sacred music
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Lyrics: Charles Wesley, Music:
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Dan Cutchen
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Tuba solo - "And Can It Be?" T
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Dan Cutchen Music
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SheetMusicPlus
Piano,Tuba - Level 3 - Digital Download SKU: A0.844352 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Ar...
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Piano,Tuba - Level 3 - Digital Download SKU: A0.844352 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Easter,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4285469. Published by Dan Cutchen Music (A0.844352). This arrangement of And Can It Be That I Should Gain? is for tuba solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Tuba - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00To contact Dan Cutchen, go to:Facebook: https://www.facebook.com/merry1722/dancutchen.com: http://www.dancutchen.com/contactAnd Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/7-Qdg7QK.
$6.00 ≈
5.54€
Down to the Nightclub / What Is Hip?: Tuba
Down to the Nightclub / What Is Hip?: Tuba
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Tuba (band part)
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Instructional
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Tower Of Power
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Victor López
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Down to the Nightclub / What I
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Marching Band - Digital Download SKU: AX.00-PC-0016499_TB1 Tuba. By Tower Of Power. By David Garibaldi, Emilio Castillo, and Stephen Kupka. Arrang...
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Marching Band - Digital Download SKU: AX.00-PC-0016499_TB1 Tuba. By Tower Of Power. By David Garibaldi, Emilio Castillo, and Stephen Kupka. Arranged by Victor López. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016499_TB1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016499_TB1). UPC: 038081473154.Victor LA3pez concludes our Tower of Power halftime show with the funky Down to the Nightclub, before a reprise of What Is Hip? After a steady buildup, the show finishes with a short final statement of You're Still a Young Man. Although conceived as part of the complete show, this chart would make a great stands or pep band tune by stopping at the optional ending for a shorter version. Another winner from the pen of Victor LA3pez! (2:20).
$3.00 ≈
2.77€
Time After Time
Time After Time
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Rock
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Cyndi Lauper
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Stephen Hague
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Time After Time
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Stephen Hague
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - Digital Download SKU: A0.1416892 By Cyndi Lauper. By Cyndi Lauper and Rob Hyman. Arranged by Stephen Hague. Pop,Rock. Brass Band. 58 pages. Stephen Hague #998481. Published by Stephen Hague (A0.1416892). Full Brass Band Arrangement.Classic Rock Version.
$24.99 ≈
23.06€
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Time After Time Tuba
