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You've selected:
Too Close: Flute
Sheetmusic to print
58 sheet music found
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1
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51
Too Close: Flute
Too Close: Flute
#
Flute (band part)
#
Instructional
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Alex Claire and Jim Duguid
#
Jerry Burns
#
Too Close: Flute
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Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Marching Band - Digital Download SKU: AX.00-PC-0016474_F1 Flute. Composed by Alex Claire and Jim Duguid. Arranged by Jerry Burns. Instructional. P...
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Marching Band - Digital Download SKU: AX.00-PC-0016474_F1 Flute. Composed by Alex Claire and Jim Duguid. Arranged by Jerry Burns. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016474_F1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016474_F1). UPC: 038081475806.Alex Clare's soulful alternative rock tune is the basis for this solidly scored arrangement. Jerry Burns gives us a big sounding chart that will be ready to perform today! (1:20).
$3.00 ≈
2.71€
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Flute 1
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Flute 1
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Flute
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ADVANCED
#
Benjamin Harry Sajo
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Icarus Also Flew: A Pairing wi
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Benjamin Sajo
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SheetMusicPlus
Flute Solo - Level 5 - Digital Download SKU: A0.1018874 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sa...
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Flute Solo - Level 5 - Digital Download SKU: A0.1018874 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6056055. Published by Benjamin Sajo (A0.1018874). Programme Notes: Icarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, don’t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of one’s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarus’s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph. This piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. I’ll let the listener find their own connections.About the Composer:Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50 ≈
3.16€
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Flute 2
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Flute 2
#
Flute
#
ADVANCED
#
Benjamin Harry Sajo
#
Icarus Also Flew: A Pairing wi
#
Benjamin Sajo
#
SheetMusicPlus
Flute Solo - Level 5 - Digital Download SKU: A0.1018875 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sa...
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Flute Solo - Level 5 - Digital Download SKU: A0.1018875 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6056059. Published by Benjamin Sajo (A0.1018875). Programme Notes: Icarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, don’t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of one’s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarus’s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph. This piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. I’ll let the listener find their own connections.About the Composer:Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50 ≈
3.16€
The Third Book of Songs for Flute Quartet
The Third Book of Songs for Flute Quartet
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Flute Quartet: 4 flutes
#
INTERMEDIATE
#
Renaissance
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a Fountain Where I Lay
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John Dowland
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Lisa Ochoco
#
#
The Third Book of Songs for Fl
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Lisa L Ochoco
#
SheetMusicPlus
Flute Quartet,Woodwind Ensemble Alto Flute - Level 3 - Digital Download SKU: A0.559766 Composed by John Dowland. Arranged by Lisa Ochoco. Renaissance. 66...
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Flute Quartet,Woodwind Ensemble Alto Flute - Level 3 - Digital Download SKU: A0.559766 Composed by John Dowland. Arranged by Lisa Ochoco. Renaissance. 66 pages. Lisa L Ochoco #4726485. Published by Lisa L Ochoco (A0.559766). John Dowland (1562 – 1626) was a lutenist and singer in the Renaissance Period. The lute was a stringed instrument, most closely related to our guitar. He wrote quite a lot of music that is still played and sung by guitarists and singers today. Although his music was written for stringed instruments in general, many arrangers have adapted his works for wind instruments.This collection of 20 songs from his Third Book of Songs is arranged for flute quartet – 4 C flutes or 3 C flutes and alto. Most of these songs are rather short, so it is recommended that each song is played in its entirety at least twice. I arranged these songs so that the 1st flute always has the melody. To practice fairness in all parts, the parts should be rotated, to give each musician a chance to play the melody. Song list: 1. Farewell Too Fair 2. Time Stands Still 3. Behold a Wonder Here 4. Daphne Was Not so Chaste 5. Me, Me, and None but Me 6. When Phoebus First did Daphne Love 7. Say Love if Ever Thou Didst Find 8. Flow Not so Fast Ye Fountains 9. What if I Never Speed? 10. Love Stood Amaz’d 11. Lend Your Ears to My Sorrow 12. By a Fountain Where I Lay 13. O What Hath Overwrought 14. Farewell Unkind 15. Weep You no More, Sad Fountains 16. Fie on This Feigning 17. I Must Complain 18. It was a Time When Silly Bees 19. The Lowest Trees Have Tops 20. What Poor Astronomers are They If each song is played twice in its entirety, you will have almost an hour's worth of music. If you love Renaissance music, this will be a great addition to your repertoire!
$12.00 ≈
10.82€
Bibbidi-Bobbidi-Boo for Flute Choir
Bibbidi-Bobbidi-Boo for Flute Choir
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Flute ensemble
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INTERMEDIATE
#
Walt Disney
#
Lisa Ochoco
#
Bibbidi-Bobbidi-Boo for Flute
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Lisa Ochoco
#
SheetMusicPlus
Flute, Woodwind Choir or Ensemble, Flute Choir - Intermediate - Digital Download Arranged by Lisa Ochoco. Score, Set of Parts. 17 pages. Published by Lisa ...
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Flute, Woodwind Choir or Ensemble, Flute Choir - Intermediate - Digital Download Arranged by Lisa Ochoco. Score, Set of Parts. 17 pages. Published by Lisa Ochoco
Of all fun songs, this one is at the top of the list! Walt Disney's 1950 animated movie, Cinderella is a classic movie with classic songs. This song was also used in the remake movie in 2015.
Play this piece light and bouncy, and not too fast. It is set at the typical "march" tempo.
This arrangement is simple enough for musicians with intermediate skill. The upright bass part is optional, and can be substituted by any C instrument in a similar range, like a cello or bassoon.
This is a great closer for your recitals, and will have your audience going home happy.
Scored for 4 C flutes, alto, bass, contrabass, and optional upright string bass.
Duration: 1.25 minutes
$14.00 ≈
12.63€
Five - a - Side - Flute Quintet
Five - a - Side - Flute Quintet
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Flute Quintet : 5 flutes
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EASY
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Phil Rawle
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Five - a - Side - Flute Quinte
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Phillip Rawle
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SheetMusicPlus
Flute Quintet,Woodwind Ensemble Alto Flute - Level 2 - Digital Download SKU: A0.1458168 Composed by Phil Rawle. Classical,Contemporary. 11 pages. Phillip...
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Flute Quintet,Woodwind Ensemble Alto Flute - Level 2 - Digital Download SKU: A0.1458168 Composed by Phil Rawle. Classical,Contemporary. 11 pages. Phillip Rawle #1037142. Published by Phillip Rawle (A0.1458168). A close harmony piece for five flutes (4 + Alto Flute).Not too difficult but requires good intonation.
$5.00 ≈
4.51€
Gabrieli: Canzon Septimi Toni Ch 172 for Flute Choir
Gabrieli: Canzon Septimi Toni Ch 172 for Flute Choir
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Flute ensemble
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INTERMEDIATE
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Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni
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jmsgu3
#
SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549201 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 ...
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549201 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3460719. Published by jmsgu3 (A0.549201). Instrumentation: 2 piccolos, 3 concert flutes, 1 alto flute, 1 bass flute, 1 cello. Arranged in two antiphonal choirs. Full Score: 28 pg. Study Score: 14 pg. Parts: 2 pg ea. Duration: ca. 3:00 Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95 ≈
43.25€
Gabrieli: Sonata Pian e Forte Ch. 175 for Flute Choir
Gabrieli: Sonata Pian e Forte Ch. 175 for Flute Choir
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Flute ensemble
#
INTERMEDIATE
#
Gabrieli
#
James M
#
Gabrieli: Sonata Pian e Forte
#
jmsgu3
#
SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549210 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 ...
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549210 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 pages. Jmsgu3 #3464701. Published by jmsgu3 (A0.549210). A musical monument: the first composition to employ dynamics. Instrumentation: 1 piccolo, 5 concert flutes, 1 alto flute, 1 bass flute 1 cello. Arranged in two antiphonal choirs. Full Score: 27 pg. 81 ms 4/2, Study Score: 14 pg., Instrumental parts: 2 pg. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95 ≈
43.25€
Farewell Too Fair & Time Stands Still for Flute Quartet
Farewell Too Fair & Time Stands Still for Flute Quartet
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Flute Quartet: 4 flutes
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INTERMEDIATE
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Renaissance
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John Dowland
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Lisa Ochoco
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Farewell Too Fair & Time Stand
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Lisa L Ochoco
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SheetMusicPlus
Flute Quartet,Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.559786 Composed by John Dowland. Arranged by Lisa Ochoco. Renaissance. 20 page...
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Flute Quartet,Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.559786 Composed by John Dowland. Arranged by Lisa Ochoco. Renaissance. 20 pages. Lisa L Ochoco #4790641. Published by Lisa L Ochoco (A0.559786). John Dowland (1562 – 1626) was a lutenist and singer in the Renaissance Period. The lute was a stringed instrument, most closely related to our guitar. He wrote quite a lot of music that is still played and sung by guitarists and singers today. Although his music was written for stringed instruments in general, many arrangers have adapted his works for wind instruments.
$3.00 ≈
2.71€
MARCH OF THE PRIESTS (from The Magic Flute by W. A. Mozart) - for Woodwind Quartet
MARCH OF THE PRIESTS (from The Magic Flute by W. A. Mozart) - for Woodwind Quartet
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Flute, Oboe, Clarinet, Bassoon
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EASY
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Classical
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Wolfgang Amadeus Mozart
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Ivan Marini
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MARCH OF THE PRIESTS
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www.dalsegno.eu
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 2 - Digital Download SKU: A0.770435 Composed by Wolfgang Amadeus Mozart. Arranged ...
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 2 - Digital Download SKU: A0.770435 Composed by Wolfgang Amadeus Mozart. Arranged by Ivan Marini. Classical,Multicultural,Opera,Standards,Wedding,World. 8 pages. Www.dalsegno.eu #5299285. Published by www.dalsegno.eu (A0.770435). Easy and accurate arrangement of this classic extract from The Magic Flute by Wolfgang Amadeus Mozart.Ideal as a solemn overture for every concert or as a entrance for weddings, but fits in really every serious context.Playable during concerts at school too, due to the easy grade despite the closeness to the original. An ideal approach for the younger player to the polite and light style of Mozart.Complete set with score and parts: Flute, Oboe, Clarinet (both Bb and A), Bassoon.Duration: approx. 3 mins., 8 pages. Feel free to contact me at info@dalsegno.eu for any other setting!Please, check my other works at www.sheetmusicplus.com/publishers/3025323or visit www.dalsegno.eu
$2.99 ≈
2.70€
Too Good At Goodbyes
Too Good At Goodbyes
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Pop music
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Sam Smith
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Andrea La Rose
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Too Good At Goodbyes
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Andrea La Rose
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SheetMusicPlus
Large Ensemble Bassoon,Cello,Clarinet,Double Bass,Euphonium,Flute,Oboe,Soprano Recorder,Tenor Recorder,Trombone,Tuba,Viola,Violin - Intermediate - Digital Downl...
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Large Ensemble Bassoon,Cello,Clarinet,Double Bass,Euphonium,Flute,Oboe,Soprano Recorder,Tenor Recorder,Trombone,Tuba,Viola,Violin - Intermediate - Digital Download SKU: A0.510056 By Sam Smith. By James Napier, Mikkel Eriksen, Sam Smith, and Tor Hermansen. Arranged by Andrea La Rose. Pop. Score and parts. 61 pages. Published by Andrea La Rose (A0.510056). • Melody and four-part harmony parts for C instruments in treble, alto, and bass clefs: voice, flute, recorder, oboe, bassoon, violin, viola, cello, bass, trombone, baritone horn• Chords included in every part, to encourage use of song as a vehicle for improvisation. • In original key, so you can play along with the recording. As a young musician, I often had a hard time finding music for me and my friends to play together. Small wonder, when I was a flutist and my closest friends in band played trumpet, baritone sax, and clarinet. Who writes for that combination? Later, as a music teacher, I would either be approached by students in the same kind of situation or I would have an after-school ensemble consisting of something like 3 flutes, 2 alto saxes, 4 pianists, 5 drummers, a guitar, a viola, and an accordion. Now, really. Who writes for THAT combination?! Since I am also a composer (who often finds herself writing for similarly odd instrumentation), I would simply arrange music for that combination. But not every teacher or student is comfortable with doing that or has the time to. Finally, I am sharing with you all the fruits of my labor. Let friends play with friends! Let people pick parts that they are comfortable with! Let’s play some music we love!
$19.99 ≈
18.03€
Flute Quartet in F major, Op.7 No.1 (Weinmann Vb: F1)
Flute Quartet in F major, Op.7 No.1 (Weinmann Vb: F1)
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Johann Baptist Wanhal
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Uwe Grodd
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Flute Quartet in F major, Op.7
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Artaria Editions
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SheetMusicPlus
Cello,Flute,Viola,Violin - Level 3 - Digital Download SKU: A0.1488235 Composed by Johann Baptist Wanhal. Arranged by Uwe Grodd. Classical. 52 pages. Arta...
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Cello,Flute,Viola,Violin - Level 3 - Digital Download SKU: A0.1488235 Composed by Johann Baptist Wanhal. Arranged by Uwe Grodd. Classical. 52 pages. Artaria Editions #1065122. Published by Artaria Editions (A0.1488235). Artaria Editions AE379 The flute writing in Wanhal's quartets is a good deal less virtuosic than the solo writing found in Hofmann's quartets. The principal reason for this lies in the greater equality of part-writing and in this respect Wanhal's quartets are more modern and technically advanced than those of Hofmann. One prime example of this can be seen in Wanhal's adoption of the modern alla breve notation in first movements in preference to the fussy eight-in-a-bar favoured by Hofmann and others. There is also a greater emphasis on the development of thematic material although not to the same extent or intensity that one encounters in the composer's symphonies. In keeping with the conventional practice of the period the flute quartets were conceived to be played with a variety of possible instruments on the top part. The London publisher Welcker, for example, issued the Op. 7 set with the title page Six Quartettes for a / Hautboy or German Flute whereas Sieber styled them Six Quartetto Concertante / Pour une Flute au Hautbois. Copies of several works from the set are preserved in manuscript as string quartets and at least one work as a clarinet quartet. There is good reason to believe that the six flute quartets under consideration were conceived as a set and probably intended for immediate publication. They first appeared under Huberty's imprint in 1771 (as Op.8) and may have been composed reasonably close to the publication date. Whether Wanhal sent the works direct to Huberty is uncertain. It is very interesting to note, however, that Sieber issued the same works in a new edition the following year - it was announced on 28 January 1772 - and this seems to have been the basis for the later (undated) Welcker edition published in London and many of the extant manuscript copies.In the absence of both the autograph score and an authentic set of parts, this edition presents as faithfully as possible the intentions of the composer as transmitted in the Sieber print. A number of variants have been adopted from other sources, notably the Welcker edition, on the rare occasions where they appear more convincing than Sieber's text. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing from the source, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets. Like most eighteenth-century sources, the present manuscript is inconsistent at in its notation of appoggiature ; these too have been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; text underlay, where confused in the source, has been corrected; editorial emendations with no authority from the source are placed within brackets. Paul Bryan, Uwe Grodd
$53.00 ≈
47.80€
They Saw a Star - Epiphany/Christmas - SATB (optional flute, violin or cello) and piano
They Saw a Star - Epiphany/Christmas - SATB (optional flute, violin or cello) and piano
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Christmas
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Connie Boss
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They Saw a Star - Epiphany/Chr
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Connie Boss
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SheetMusicPlus
Alto Voice,Bass Voice,Cello,Flute,Piano Accompaniment,Soprano voice,Tenor Banjo,Violin - Level 3 - Digital Download SKU: A0.1317838 Composed by Connie Bo...
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Alto Voice,Bass Voice,Cello,Flute,Piano Accompaniment,Soprano voice,Tenor Banjo,Violin - Level 3 - Digital Download SKU: A0.1317838 Composed by Connie Boss. Christian,Christmas,Holiday. 17 pages. Connie Boss #906529. Published by Connie Boss (A0.1317838). This is an original song I composed about the Wisemen coming from the East searching for the infant King. When they saw the star, they knew they had to follow it. It is a great song for Epiphany. It contains 3 verses and a bridge. If you think it's too long, you could cut out the bridge. This is for SATB with optional parts for flute, cello and violin accent instruments and piano. It can be sung with solo for verses, adding the harmonies for the refrain and bridge and final ending. email cdboss@cvalley.net for requests or questionsLyrics below:They Saw a StarVerse 1:Three wisemen came from the eastA desert camel, their traveling beastThey traveled far, they traveled wideSearching for the infant child.Then they looked toward the sky….. Refrain:They saw a star, They saw a star, They saw a starLighting up in the darkest nightThey saw a star, They saw a star, They saw a starOh …..what a wondrous sight Verse 2:They followed where the light shown downAnd came upon a tiny townThen they scarce believed their eyesWhere it stopped a big surpriseThen they looked toward the light…… Refrain: Verse 3:A crowd of people gathered roundIncluding shepherds kneeling downTheir flocks of sheep by their sideThen the noise would subsideThey made it to the light……. Bridge:They saw the tiniest of KingsLying in a mangerHis mother was close by His sideKeeping him from dangerHe was the son of GodThe greatest King of KingsThe wisemen brought from their landsThe greatest gifts they could bring. Final Refrain:
$7.99 ≈
7.21€
MARCH OF THE PRIESTS (from The Magic Flute by W. A. Mozart) - for Brass Quartet
MARCH OF THE PRIESTS (from The Magic Flute by W. A. Mozart) - for Brass Quartet
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Trumpet, Trombone (duet)
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EASY
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Classical
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Wolfgang Amadeus Mozart
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Ivan Marini
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MARCH OF THE PRIESTS
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www.dalsegno.eu
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SheetMusicPlus
Trombone,Trumpet - Level 2 - Digital Download SKU: A0.770436 Composed by Wolfgang Amadeus Mozart. Arranged by Ivan Marini. Classical,Multicultural,Opera,...
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Trombone,Trumpet - Level 2 - Digital Download SKU: A0.770436 Composed by Wolfgang Amadeus Mozart. Arranged by Ivan Marini. Classical,Multicultural,Opera,Standards,Wedding,World. 8 pages. Www.dalsegno.eu #5299335. Published by www.dalsegno.eu (A0.770436). Easy and accurate arrangement of this classic extract from The Magic Flute by Wolfgang Amadeus Mozart.Ideal as a solemn overture for every concert or as a entrance for weddings, but fits in really every serious context.Playable during concerts at school too, due to the easy grade despite the closeness to the original. An ideal approach for the younger players to the polite and light style of Mozart.Complete set with score and parts: Trumpet 1 (up to high F), Trumpet 2, Trombone 1 (up to high Eb), F Horn (instead of Trombone 1), Trombone 2. Ideal for larger ensembles too.Duration: approx. 3 mins., 8 pages. Feel free to contact me at info@dalsegno.eu for any other setting!Please, check my other works at www.sheetmusicplus.com/publishers/3025323or visit www.dalsegno.eu
$2.99 ≈
2.70€
MARCH OF THE PRIESTS (from The Magic Flute by W. A. Mozart) - for Tuba Quartet
MARCH OF THE PRIESTS (from The Magic Flute by W. A. Mozart) - for Tuba Quartet
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4 Tubas
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EASY
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Classical
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Wolfgang Amadeus Mozart
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Ivan Marini
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MARCH OF THE PRIESTS
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www.dalsegno.eu
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SheetMusicPlus
Brass Ensemble Euphonium,Tuba - Level 2 - Digital Download SKU: A0.770442 Composed by Wolfgang Amadeus Mozart. Arranged by Ivan Marini. Classical,Multicu...
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Brass Ensemble Euphonium,Tuba - Level 2 - Digital Download SKU: A0.770442 Composed by Wolfgang Amadeus Mozart. Arranged by Ivan Marini. Classical,Multicultural,Opera,Standards,Wedding,World. Score and parts. 9 pages. Www.dalsegno.eu #5299393. Published by www.dalsegno.eu (A0.770442). Easy and accurate arrangement of this classic extract from The Magic Flute by Wolfgang Amadeus Mozart.Ideal as a solemn overture for every concert or as a entrance for weddings, but fits in really every serious context.Playable during concerts at school too, due to the easy grade despite the closeness to the original. An ideal approach for the younger brass players to the polite and light style of Mozart.Complete set with score and parts: Euphonium 1 (Bass Clef and Treble Clef), Euphonium 2 (Bass Clef and Treble Clef), Tuba 1, Tuba 2. Ideal for larger ensembles too.Duration: approx. 3 mins., 9 pages. Feel free to contact me at info@dalsegno.eu for any other setting!Please, check my other works at www.sheetmusicplus.com/publishers/3025323or visit www.dalsegno.eu
$2.99 ≈
2.70€
MARCH OF THE PRIESTS (from The Magic Flute by W. A. Mozart) - for Trombone Quartet
MARCH OF THE PRIESTS (from The Magic Flute by W. A. Mozart) - for Trombone Quartet
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Brass Quartet: 4 trombones
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EASY
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Classical
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Wolfgang Amadeus Mozart
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Ivan Marini
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MARCH OF THE PRIESTS
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www.dalsegno.eu
#
SheetMusicPlus
Brass Ensemble Trombone - Level 2 - Digital Download SKU: A0.770439 Composed by Wolfgang Amadeus Mozart. Arranged by Ivan Marini. Classical,Multicultural...
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Brass Ensemble Trombone - Level 2 - Digital Download SKU: A0.770439 Composed by Wolfgang Amadeus Mozart. Arranged by Ivan Marini. Classical,Multicultural,Opera,Standards,Wedding,World. Score and parts. 7 pages. Www.dalsegno.eu #5299371. Published by www.dalsegno.eu (A0.770439). Easy and accurate arrangement of this classic extract from The Magic Flute by Wolfgang Amadeus Mozart.Ideal as a solemn overture for every concert or as a entrance for weddings, but fits in really every serious context.Playable during concerts at school too, due to the easy grade despite the closeness to the original. An ideal approach for the younger trombonists to the polite and light style of Mozart.Complete set with score and parts: Trombone 1 (up to high Ab, notated in Bass Clef), Trombone 2, Trombone 3, Trombone 4 (bass) or Tuba. Ideal for larger ensembles too.Duration: approx. 3 mins., 7 pages. Feel free to contact me at info@dalsegno.eu for any other setting!Please, check my other works at www.sheetmusicplus.com/publishers/3025323or visit www.dalsegno.eu
$2.99 ≈
2.70€
MARCH OF THE PRIESTS (from The Magic Flute by W. A. Mozart) - for Clarinet Quartet
MARCH OF THE PRIESTS (from The Magic Flute by W. A. Mozart) - for Clarinet Quartet
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Clarinet Quartet: 4 clarinets
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EASY
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Classical
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Wolfgang Amadeus Mozart
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Ivan Marini
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MARCH OF THE PRIESTS
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www.dalsegno.eu
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 2 - Digital Download SKU: A0.770434 Composed by Wolfgang Amadeus Mozart. Arranged by Ivan Marini. Cla...
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 2 - Digital Download SKU: A0.770434 Composed by Wolfgang Amadeus Mozart. Arranged by Ivan Marini. Classical,Multicultural,Opera,Standards,Wedding,World. 8 pages. Www.dalsegno.eu #5299323. Published by www.dalsegno.eu (A0.770434). Easy and accurate arrangement of this classic extract from The Magic Flute by Wolfgang Amadeus Mozart.Ideal as a solemn overture for every concert or as a entrance for weddings, but fits in really every serious context.Playable during concerts at school too, due to the easy grade despite the closeness to the original. An ideal approach for the younger clarinetists to the polite and light style of Mozart.Complete set with score and parts: Clarinet 1, Clarinet 2, Clarinet 3 (below the break) or Alto Clarinet, Bass Clarinet. Ideal for larger ensembles too.Duration: approx. 3 mins., 8 pages. Feel free to contact me at info@dalsegno.eu for any other setting!Please, check my other works at www.sheetmusicplus.com/publishers/3025323or visit www.dalsegno.eu
$2.99 ≈
2.70€
MARCH OF THE PRIESTS (from The Magic Flute by W. A. Mozart) - for Saxophone Quartet
MARCH OF THE PRIESTS (from The Magic Flute by W. A. Mozart) - for Saxophone Quartet
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Saxophone Quartet: 4 saxophones
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EASY
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Classical
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Wolfgang Amadeus Mozart
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Ivan Marini
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MARCH OF THE PRIESTS
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www.dalsegno.eu
#
SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble - Level 2 - Digital Download SKU: A0.770340 Composed by Wolfgang Amadeus Mozart. Arranged by Ivan Marini. Classical,I...
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Saxophone Quartet,Woodwind Ensemble - Level 2 - Digital Download SKU: A0.770340 Composed by Wolfgang Amadeus Mozart. Arranged by Ivan Marini. Classical,Instructional,Opera,Standards,Wedding. 8 pages. Www.dalsegno.eu #3386439. Published by www.dalsegno.eu (A0.770340). Easy and accurate arrangement of this classic extract from The Magic Flute by Wolfgang Amadeus Mozart.Ideal as a solemn overture for every concert or as a entrance for weddings, but fits in really every serious context.Playable during concerts at school too, due to the easy grade despite the closeness to the original. An ideal approach for the younger saxophonists to the polite and light style of Mozart.Complete set with score and parts: Soprano, Alto (instead of soprano), Alto, Tenor, Baritone. Ideal for larger ensembles too.Duration: approx. 3 mins., 8 pages. Feel free to contact me at info@dalsegno.eu for any other setting!Please, check my other works at www.sheetmusicplus.com/publishers/3025323or visit www.dalsegno.eu
$2.99 ≈
2.70€
MARCH OF THE PRIESTS (from The Magic Flute by W. A. Mozart) - for Horn Quartet
MARCH OF THE PRIESTS (from The Magic Flute by W. A. Mozart) - for Horn Quartet
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Brass Quartet: 4 horns
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EASY
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Classical
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Wolfgang Amadeus Mozart
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Ivan Marini
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MARCH OF THE PRIESTS
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www.dalsegno.eu
#
SheetMusicPlus
Brass Ensemble Horn - Level 2 - Digital Download SKU: A0.770438 Composed by Wolfgang Amadeus Mozart. Arranged by Ivan Marini. Classical,Multicultural,Ope...
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Brass Ensemble Horn - Level 2 - Digital Download SKU: A0.770438 Composed by Wolfgang Amadeus Mozart. Arranged by Ivan Marini. Classical,Multicultural,Opera,Standards,Wedding,World. Score and parts. 7 pages. Www.dalsegno.eu #5299357. Published by www.dalsegno.eu (A0.770438). Easy and accurate arrangement of this classic extract from The Magic Flute by Wolfgang Amadeus Mozart.Ideal as a solemn overture for every concert or as a entrance for weddings, but fits in really every serious context.Playable during concerts at school too, due to the easy grade despite the closeness to the original. An ideal approach for the younger hornists to the polite and light style of Mozart.Complete set with score and parts: Horn 1 (high, up to written high F), Horn 2 (high), Horn 3 (low), Horn 4 (low).Duration: approx. 3 mins., 7 pages. Feel free to contact me at info@dalsegno.eu for any other setting!Please, check my other works at www.sheetmusicplus.com/publishers/3025323or visit www.dalsegno.eu
$2.99 ≈
2.70€
Too Good At Goodbyes
Too Good At Goodbyes
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Pop music
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Sam Smith
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Andrea La Rose
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Too Good At Goodbyes
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Andrea La Rose
#
SheetMusicPlus
Small Ensemble Clarinet,Soprano Saxophone,Tenor Saxophone,Trumpet - Intermediate - Digital Download SKU: A0.510057 By Sam Smith. By James Napier, Mikkel ...
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Small Ensemble Clarinet,Soprano Saxophone,Tenor Saxophone,Trumpet - Intermediate - Digital Download SKU: A0.510057 By Sam Smith. By James Napier, Mikkel Eriksen, Sam Smith, and Tor Hermansen. Arranged by Andrea La Rose. Pop. Score and parts. 51 pages. Published by Andrea La Rose (A0.510057). • Melody and four-part harmony parts for Bb instruments (clarinet, bass clarinet, soprano saxophone, tenor saxophone, trumpet). • Chords included in every part, to encourage use of song as a vehicle for improvisation. • In original key, so you can play along with the recording. As a young musician, I often had a hard time finding music for me and my friends to play together. Small wonder, when I was a flutist and my closest friends in band played trumpet, baritone sax, and clarinet. Who writes for that combination? Later, as a music teacher, I would either be approached by students in the same kind of situation or I would have an after-school ensemble consisting of something like 3 flutes, 2 alto saxes, 4 pianists, 5 drummers, a guitar, a viola, and an accordion. Now, really. Who writes for THAT combination?! Since I am also a composer (who often finds herself writing for similarly odd instrumentation), I would simply arrange music for that combination. But not every teacher or student is comfortable with doing that or has the time to. Finally, I am sharing with you all the fruits of my labor. Let friends play with friends! Let people pick parts that they are comfortable with! Let’s play some music we love!
$19.99 ≈
18.03€
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Too Close: Flute
