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Trying the Simple
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You've selected:
Trying the Simple
Sheetmusic to print
65 sheet music found
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51
Excerpt from the Last Part of Ariadne Auf Naxos
Excerpt from the Last Part of Ariadne Auf Naxos
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Guitar
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INTERMEDIATE
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Classical
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Richard Strauss
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Rod Whittle
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Excerpt from the Last Part of
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Mag...
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Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00 ≈
6.45€
Trying the Simple
Trying the Simple
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Easy Piano
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EASY
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Jack miller
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Trying the Simple
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Jack Miller
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SheetMusicPlus
Easy Piano - Level 2 - Digital Download SKU: A0.1029057 Composed by Jack miller. 20th Century,Contemporary,Jazz. Score. 5 pages. Jack Miller #4990723. Pu...
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Easy Piano - Level 2 - Digital Download SKU: A0.1029057 Composed by Jack miller. 20th Century,Contemporary,Jazz. Score. 5 pages. Jack Miller #4990723. Published by Jack Miller (A0.1029057). A piece based on a left-hand alberti-like bass pattern which sometimes diverges from the tonic through the cycle of fifths. It's quite a relaxing piece but not as harmonically simplistic as the title would suggest. .
$1.99 ≈
1.83€
I'm Trying to Be Like Jesus
I'm Trying to Be Like Jesus
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Piano solo
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INTERMEDIATE/ADVANCED
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Janice Kapp Perry
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Mark Gubler
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I'm Trying to Be Like Jesus
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Mark Gubler
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1307229 Composed by Janice Kapp Perry. Arranged by Mark Gubler. Children,Christian,New Age,Religious,Sacr...
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Piano Solo - Level 4 - Digital Download SKU: A0.1307229 Composed by Janice Kapp Perry. Arranged by Mark Gubler. Children,Christian,New Age,Religious,Sacred. Score. 5 pages. Mark Gubler #896486. Published by Mark Gubler (A0.1307229). The gospel of Jesus Christ is simple. We are commanded to love God and everyone around us. All the other commandments are given to point us to these two great commandments. In this arrangement the music surrounding the lyrics love one another as Jesus loves you keeps coming back throughout. It represents that though we may get distracted by all the things that we feel we should be doing, there is power in always returning and centering our lives around loving as Jesus loves.Song Lyrics 1. I’m trying to be like Jesus; I’m following in his ways. I’m trying to love as he did, in all that I do and say. At times I am tempted to make a wrong choice, But I try to listen as the still small voice whispers, “Love one another as Jesus loves you. Try to show kindness in all that you do. Be gentle and loving in deed and in thought, For these are the things Jesus taught.†2. I’m trying to love my neighbor; I’m learning to serve my friends. I watch for the day of gladness when Jesus will come again. I try to remember the lessons he taught. Then the Holy Spirit enters into my thoughts, saying: “Love one another as Jesus loves you. Try to show kindness in all that you do. Be gentle and loving in deed and in thought, For these are the things Jesus taught.â€.
$9.99 ≈
9.21€
Heart Of The Father
Heart Of The Father
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Piano, Vocal and Guitar
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EASY
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Sacred music
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Mac Montgomery, Mitch Wong, an
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Barry McCormick
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Heart Of The Father
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B. McCormick
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1040262 Composed by Mac Montgomery, Mitch Wong, and Ryan Ellis. Arranged by Barry McCormick...
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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1040262 Composed by Mac Montgomery, Mitch Wong, and Ryan Ellis. Arranged by Barry McCormick. Praise & Worship,Sacred. Score. 12 pages. B. McCormick #645041. Published by B. McCormick (A0.1040262). About this Piano/Vocal/Guitar arrangement of “Heart of the Father†This arrangement containing a simple piano accompaniment and melody with chords of Heart of the Father by Ryan Ellis was created with the focus of ease of use in a Church setting for this modern song of worship. In the popular recording of this song Ellis uses his musicianship to change the melody slightly each verse as well as include expressive and elaborate vocal runs in numerous places through out the song. My aim was to write the melody omitting these vocal flourishes which are not as suitable for a corporate worship setting. With my many years of experience as church musician, worship leader and MD, I shaped this arrangement in a way to convey all necessary information for a modern church worship band with ease. Firstly the main Score simply has the melody and piano accompaniment. Secondly the parts are split up so the melody and accompaniment can be shared separately. The Lead, melody part, includes the chords so this part acts as a lead sheet which can be used for guitarists. I have also included the melody for Bb instruments also for bands which may have them. I have used repeats in a optimised way so that the music for each part takes up no more than 2 pages. All musicians know the frustrating limitations of music stands to hold much more than that! If you like this arrangement a also have some other arrangements of Christian worship songs and Hymns from Lead sheets to classical guitar arrangements you may also like to check out. About the Arranger, Barry McCormick I am Barry McCormick, I have an MA in music from the University of Glasgow. I am a musician, composer and arranger from Scotland. I have over 20 years experience in teaching music at a classroom and private tuition level and have taught students from early years to more mature in years. I was involved in a group using music as a means to aid mental health teaching guitar for those purposes. I now mainly focus on composing and arranging and trying to provide resources through various means for students and music educators. You can find me online You can keep up to date with me through my website and social media: Connect on inaminim.com. This is my new website where I am posting my new arrangements and compositions as well as trying to help build and collate resources that will be useful for those learning and teaching music. Connect on YouTube This is the place I will be uploading the videos of my arrangements where you can hear them alongside music educational content. Connect on Tik Tok This is a platform I am cautiously trying to utilise properly to promote my website. If you would like to follow me there please feel free. I will hopefully get over my apprehension and post more frequently soon!
$4.99 ≈
4.60€
And Then We See (Arranged for Flugelhorn)
And Then We See (Arranged for Flugelhorn)
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New Age
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Contemporary
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Ho Fong Leong
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and Leo, a ‘cellist
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And Then We See
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Marco leong
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SheetMusicPlus
Flugelhorn,Piano,Violin - Level 4 - Digital Download SKU: A0.1284795 Composed by Ho Fong Leong. Classical,Contemporary,New Age. 17 pages. Marco leong #87...
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Flugelhorn,Piano,Violin - Level 4 - Digital Download SKU: A0.1284795 Composed by Ho Fong Leong. Classical,Contemporary,New Age. 17 pages. Marco leong #875974. Published by Marco leong (A0.1284795). Alternate arrangement for Violin, Flugelhorn and Piano, Aug 2023.Dedicated to Simon, Leo and Wellington School as a parting gift. Scored for Violin, Horn and Piano. Premiered in St George's Bristol, September 2019. “And then we see†is dedicated to the wonderful people I have met throughout my journey in Wellington School, especially to two of my very good friends – Simon, a euphonist; and Leo, a ‘cellist. Originally planned to be written for Piano, ‘Cello and Euphonium, and to be finished and performed in our last school concert as a goodbye gift, I had however not managed to complete the work before graduation. I have therefore taken this opportunity to express my emotions and sentiments from the time with this newly written piece. One can therefore very easily sense the nostalgia pouring right from the very beginning of the music, as I reminisce our years together. It is based loosely on a ternary structure (ABA) – the A section depicts the moment of farewell. One can hear the violin plays a very simple, bell-like melody, representing the bell-strikes which signify that it is the end of a long journey – time to say goodbye. The B section, based on the very same melody, transforms itself into a 6/8 dance. This dance depicts the pang and melancholia as we bid farewell, leading to a passionate climax. The A section then returns with the melody in its original form, announced by the horn. The coda concludes the piece, trying to move away from the tonic, representing the start of a new chapter in our journey and our optimistic feelings about it. Throughout the piece there are also quotes from the famous Westminster chimes, and variants of it, enforcing the bell imagery.
$6.99 ≈
6.44€
And Then We See
And Then We See
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New Age
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Contemporary
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Ho Fong Leong
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and Leo, a ‘cellist
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And Then We See
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Marco leong
#
SheetMusicPlus
Small Ensemble Horn,Piano,Violin - Digital Download SKU: A0.506269 Composed by Ho Fong Leong. Classical,Contemporary,New Age. Score and parts. 18 pages. ...
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Small Ensemble Horn,Piano,Violin - Digital Download SKU: A0.506269 Composed by Ho Fong Leong. Classical,Contemporary,New Age. Score and parts. 18 pages. Published by Marco leong (A0.506269). Dedicated to Simon, Leo and Wellington School as a parting gift. Scored for Violin, Horn and Piano. Premiered in St George's Bristol, September 2019. “And then we see†is dedicated to the wonderful people I have met throughout my journey in Wellington School, especially to two of my very good friends – Simon, a euphonist; and Leo, a ‘cellist. Originally planned to be written for Piano, ‘Cello and Euphonium, and to be finished and performed in our last school concert as a goodbye gift, I had however not managed to complete the work before graduation. I have therefore taken this opportunity to express my emotions and sentiments from the time with this newly written piece. One can therefore very easily sense the nostalgia pouring right from the very beginning of the music, as I reminisce our years together. It is based loosely on a ternary structure (ABA) – the A section depicts the moment of farewell. One can hear the violin plays a very simple, bell-like melody, representing the bell-strikes which signify that it is the end of a long journey – time to say goodbye. The B section, based on the very same melody, transforms itself into a 6/8 dance. This dance depicts the pang and melancholia as we bid farewell, leading to a passionate climax. The A section then returns with the melody in its original form, announced by the horn. The coda concludes the piece, trying to move away from the tonic, representing the start of a new chapter in our journey and our optimistic feelings about it. Throughout the piece there are also quotes from the famous Westminster chimes, and variants of it, enforcing the bell imagery.
$6.99 ≈
6.44€
I Don't Want To Live On The Moon
I Don't Want To Live On The Moon
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Choral SATB
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EASY
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Jeff Moss
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Matthew Udland
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I Don't Want To Live On The Mo
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Midwest A Cappella
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1202752 Composed by Jeff Moss. Arranged by Matthew Udland. A Cappella,Broadway,Film/TV,Folk,Musi...
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1202752 Composed by Jeff Moss. Arranged by Matthew Udland. A Cappella,Broadway,Film/TV,Folk,Musical/Show,Singer/Songwriter. Octavo. 6 pages. Midwest A Cappella #801517. Published by Midwest A Cappella (A0.1202752). It. Is. Adorable. Here's a pretty simple a cappella SATB with soloist arrangement of Ernie's Sesame Street ballad, I Don't Want to Live on the Moon. It's not trying to be anything other than a simple, sweet, lullaby and sometimes your choir just needs that sweetness.
$1.99 ≈
1.83€
I Ain't Worried
I Ain't Worried
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Piano, Vocal and Guitar
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EASY
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OneRepublic
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Barry McCormick
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I Ain't Worried
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B. McCormick
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1042119 By OneRepublic. By Bjorn Yttling, Brent Kutzle, John Eriksson, Peter Moren, Ryan Te...
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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1042119 By OneRepublic. By Bjorn Yttling, Brent Kutzle, John Eriksson, Peter Moren, Ryan Tedder, and Tyler Spry. Arranged by Barry McCormick. Film/TV,Pop. Score. 8 pages. B. McCormick #646917. Published by B. McCormick (A0.1042119). About this Piano/Vocal/Guitar arrangement of “I Ain’t Worried†This One Republic hit from the sound track of “Top Gun:Maverik†is a catchy tune to learn. This piano, guitar and vocal arrangement will help you learn the song “I Aint Worried.†The key is in F major and included is the lead sheet so this can be given to another instrumentalist or singer to perform along. The distinct features in the song, the bass and the hook I have kept close to the recording on the track. I have done some slight adjustments for the piano accompaniment to break up and differentiate the different sections otherwise it would be very repetitive. It is a very simple song in essence, a four chord riff and rhythmic motif that breaks for the bridge section. The rhythm isn’t the simplest for the bass part that permeates the song however it is repetitive which means once that is learned you have practically mastered the whole song. There is a lot of back and forward in the music to the chorus which jumps to different parts. I have tried to simplify this by using boxed text to identify each section clearly and indicate when you should jump to each section. Using first, second and third time bars with D.S and coda markings cluttered the music up and made it seem more complicated. So I hope this editorial decision to use boxed text makes it clearer. If you like this arrangement a also have some other arrangements of Christian worship songs and Hymns from Lead sheets to classical guitar arrangements you may also like to check out. About the Arranger, Barry McCormick I am Barry McCormick, I have an MA in music from the University of Glasgow. I am a musician, composer and arranger from Scotland. I have over 20 years experience in teaching music at a classroom and private tuition level and have taught students from early years to more mature in years. I was involved in a group using music as a means to aid mental health teaching guitar for those purposes. I now mainly focus on composing and arranging and trying to provide resources through various means for students and music educators. You can find me online You can keep up to date with me through my website and social media: Connect on inaminim.com. This is my new website where I am posting my new arrangements and compositions as well as trying to help build and collate resources that will be useful for those learning and teaching music. Connect on YouTube This is the place I will be uploading the videos of my arrangements where you can hear them alongside music educational content. Connect on Tik Tok This is a platform I am cautiously trying to utilise properly to promote my website. If you would like to follow me there please feel free. I will hopefully get over my apprehension and post more frequently soon!
$4.99 ≈
4.60€
I Believe In You (from How To Succeed In Business Without Really Trying)
I Believe In You (from How To Succeed In Business Without Really Trying)
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Big Note Piano
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BEGINNER
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Broadway
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I Believe In You
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Hal Leonard - Digital
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SheetMusicPlus
Digital Download SKU: HX.457956 Broadway,Musical/Show. E-Z Play Today. 4 pages. Published by Hal Leonard - Digital (HX.457956).
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Digital Download SKU: HX.457956 Broadway,Musical/Show. E-Z Play Today. 4 pages. Published by Hal Leonard - Digital (HX.457956). About Hal Leonard E-Z Play TodayFor organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.
$2.99 ≈
2.76€
A Moment In The Present
A Moment In The Present
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Piano solo
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INTERMEDIATE
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Blaze Scheuerman
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A Moment In The Present
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Blaze Scheuerman
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1084402 By Blaze Scheuerman. By Blaze Scheuerman. 20th Century,Classical,Contemporary,Contest,Festival,Ro...
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Piano Solo - Level 3 - Digital Download SKU: A0.1084402 By Blaze Scheuerman. By Blaze Scheuerman. 20th Century,Classical,Contemporary,Contest,Festival,Romantic Period. Score. 6 pages. Blaze Scheuerman #688577. Published by Blaze Scheuerman (A0.1084402). The second movement of Blaze's Piano Sonata in E Major No. 1, following A Look Into The Past, A Moment In The Present was primarily inspired by Beethoven’s Piano Sonata in F Minor No. 1 and Piano Sonata in C Minor No. 8 “Pathetiqueâ€. I gave it its name because I find it to be a very relaxing and dawdling piece. It reminds me of someone just lounging around and enjoying nothing but taking in the moment. The syncopated melody gives off the feeling that his thoughts are also jumbled together. He is not actively trying to achieve anything, but instead just letting anything come to him. It is supposed to contrast the first movement by being simpler and more relaxing (where the first is dominating and complex). I especially wanted a much more lyrical and monophonic (single voiced) piece to contrast with the polyphony (many voiced) and layers of the first.
$4.99 ≈
4.60€
Max, The Choo Choo Train
Max, The Choo Choo Train
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Alto voice, Piano
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BEGINNER
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Children
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Connie Boss
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Max, The Choo Choo Train
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Connie Boss
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 1 - Digital Download SKU: A0.801051 Composed by Connie Boss. Children. 3 pages. Connie Boss #4292419. Published by Connie B...
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Alto Voice,Vocal Solo - Level 1 - Digital Download SKU: A0.801051 Composed by Connie Boss. Children. 3 pages. Connie Boss #4292419. Published by Connie Boss (A0.801051). This is a song about a little Train called Max. He was small but fast and if he tried really hard he could make it up the hill. It shows a valuable lesson about not giving up but trying your best. I wrote this song to sing for my daycare kids and grand kids. They have always loved it. It is in simple piano with the bass clef representing the rhythm of the train going down the tracks. It also includes guitar chords.
$5.00 ≈
4.61€
This Is Me Trying
This Is Me Trying
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Guitar
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EASY
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Pop music
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Taylor Swift
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Yuvraj Metrani
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This Is Me Trying
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Yuvraj Metrani
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SheetMusicPlus
Solo Guitar - Level 2 - Digital Download SKU: A0.984064 By Taylor Swift. By Jack Antonoff and Taylor Swift. Arranged by Yuvraj Metrani. Pop. Individual p...
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Solo Guitar - Level 2 - Digital Download SKU: A0.984064 By Taylor Swift. By Jack Antonoff and Taylor Swift. Arranged by Yuvraj Metrani. Pop. Individual part. 3 pages. Yuvraj Metrani #6690277. Published by Yuvraj Metrani (A0.984064). Simple guitar lead sheet to help in practicing reading sheet music.Contains the lead part in guitar and chords Appropriate for schools and studentsYour Social Media Channels and Contact Information
$4.99 ≈
4.60€
The Long And Winding Road
The Long And Winding Road
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Rock
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The Beatles
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Stephen Rockey
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The Long And Winding Road
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Stephen Rockey
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SheetMusicPlus
Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.761226 By The Beatles. By John Lennon and Paul McCartney. Arranged b...
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Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.761226 By The Beatles. By John Lennon and Paul McCartney. Arranged by Stephen Rockey. Rock. 18 pages. Stephen Rockey #5334049. Published by Stephen Rockey (A0.761226). The Long and Winding Road arranged for Clarinet Quintet, 3 B Flats, Alto in E flat (Opt B flat part) and Bass Clarinet in B flat treble Clef (Opt, Bass Clef C and B flat for Bass Clarinet). This is a simple arrangement but is not easy to play, I hope you have lots of fun trying this one out. Suitable for concerts, recitals etc. Enjoy!
$13.00 ≈
11.98€
'A golden time ...' from Ariadne auf Naxos
'A golden time ...' from Ariadne auf Naxos
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Guitar
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INTERMEDIATE/ADVANCED
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Classical
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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'A golden time ...' from Ariad
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Mag...
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Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00 ≈
6.45€
Overture from Ariadne auf Naxos
Overture from Ariadne auf Naxos
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Guitar
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INTERMEDIATE/ADVANCED
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Classical
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Overture from Ariadne auf Naxo
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Mag...
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Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00 ≈
6.45€
Chorus and Aria from Ariadne auf Naxos
Chorus and Aria from Ariadne auf Naxos
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Guitar
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INTERMEDIATE/ADVANCED
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Classical
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Chorus and Aria from Ariadne a
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Maggie Creek Music
#
SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Mag...
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Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00 ≈
6.45€
Invitation #5
Invitation #5
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Guitar notes and tablatures
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EASY
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Barry Kay
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Invitation #5
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Barry W Kay
#
SheetMusicPlus
Guitar - Level 2 - Digital Download SKU: A0.1031832 Composed by Barry Kay. Concert,Contemporary,Standards,Wedding. Guitar Tab. 1 pages. Barry W Kay #3618...
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Guitar - Level 2 - Digital Download SKU: A0.1031832 Composed by Barry Kay. Concert,Contemporary,Standards,Wedding. Guitar Tab. 1 pages. Barry W Kay #3618085. Published by Barry W Kay (A0.1031832). In 1999-2000 I recorded 10 instrumental acoustic guitar pieces I like to call Invitations (in part because they are somewhat technical like a Bach invention, but simpler and in a modern style; and because they are meant to sound pleasant enough to invite the listener in!) This one, #5, was based on a simple melodic-chordal idea I got in the shower. I remember rushing to my guitar while still wet and naked, trying to play what I was hearing in my head. It didn't take long because this is probably the simplest of the 10 pieces. I used a Yamaha LL35 steel-string acoustic that I've owned since the early '90s, playing it finger-style with classical technique. I hope you enjoy it!
$3.25 ≈
3.00€
Complete 10-Hole Diatonic Harmonica Series: F# Harmonica Book
Complete 10-Hole Diatonic Harmonica Series: F# Harmonica Book
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Harmonica
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BEGINNER
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James Major
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Complete 10-Hole Diatonic Harm
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Harmonica (diatonic) - Beginning - Digital Download SKU: M0.20516EB Composed by James Major. Technique, Theory and Reference. Diatonic Harmonica Series. ...
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Harmonica (diatonic) - Beginning - Digital Download SKU: M0.20516EB Composed by James Major. Technique, Theory and Reference. Diatonic Harmonica Series. Acoustic Music. E-book. Mel Bay Publications - Digital Sheet Music #20516EB. Published by Mel Bay Publications - Digital Sheet Music (M0.20516EB). ISBN 9781609741129. 8.75x11.75 inches.Finally! There is a definitive reference guide available for harmonicas in each and every key. This ground breaking series unlocks the musical power of the 10-hole major diatonic harmonica. One key at a time, each is designed to present detailed musical information for beginners, intermediate and advanced players who are either music readers or non-reading players. Learn the notes, intervals, bends, overbends, dyads, chords, arpeggios, modes and scales that are specific to each harmonica key. There is also a special section in each book showing other types of diatonic harmonicas and the variations unique to them like - extreme bending, low-tuned, octave and tremolo-tuned models and more.Have you ever wondered which harmonica is the best one to use when you're ready to play a tune? Have you ever sat with a lap full of harmonicas desperately trying one after another, searching for the key that has all of the right notes? The Complete 10-hole Diatonic Harmonica Series is the definitive music reference guide that resolves those dilemmas and more. The F-Sharp Harmonica Book is packed with information about chords, arpeggios, modes, positions, scales, bends, overbends and basic music theory unique to the 10-hole F-Sharp major diatonic harp. Learn how to effectively play blues scales in seven different keys. It's simple. If you have an F-Sharp harmonica you should own the F-Sharp Harmonica Book.
$9.99 ≈
9.21€
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