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Turn the Beat Around: Low Brass
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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You've selected:
Turn the Beat Around: Low Brass
Sheetmusic to print
8 sheet music found
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1
Turn the Beat Around: Low Brass & Woodwinds #2 - Treble Clef
Turn the Beat Around: Low Brass & Woodwinds #2 - Treble Clef
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Marching band
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Turn the Beat Around: Low Bras
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Marching Band - Digital Download SKU: AX.00-PC-0018363_LBW2TC Instructional. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0018363_LBW2TC. Published...
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Marching Band - Digital Download SKU: AX.00-PC-0018363_LBW2TC Instructional. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0018363_LBW2TC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0018363_LBW2TC). UPC: 654979030065.
$3.00 ≈
2.78€
Turn the Beat Around: Low Brass & Woodwinds #1 - Bass Clef
Turn the Beat Around: Low Brass & Woodwinds #1 - Bass Clef
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Marching band
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Turn the Beat Around: Low Bras
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Marching Band - Digital Download SKU: AX.00-PC-0018363_LBW1BC Instructional. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0018363_LBW1BC. Published...
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Marching Band - Digital Download SKU: AX.00-PC-0018363_LBW1BC Instructional. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0018363_LBW1BC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0018363_LBW1BC). UPC: 654979030065.
$3.00 ≈
2.78€
Turn the Beat Around: Low Brass & Woodwinds #1 - Treble Clef
Turn the Beat Around: Low Brass & Woodwinds #1 - Treble Clef
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Marching band
#
Turn the Beat Around: Low Bras
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Marching Band - Digital Download SKU: AX.00-PC-0018363_LBW1TC Instructional. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0018363_LBW1TC. Published...
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Marching Band - Digital Download SKU: AX.00-PC-0018363_LBW1TC Instructional. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0018363_LBW1TC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0018363_LBW1TC). UPC: 654979030065.
$3.00 ≈
2.78€
Turn the Beat Around: Low Brass & Woodwinds #2 - Bass Clef
Turn the Beat Around: Low Brass & Woodwinds #2 - Bass Clef
#
Marching band
#
Turn the Beat Around: Low Bras
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Marching Band - Digital Download SKU: AX.00-PC-0018363_LBW2BC Instructional. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0018363_LBW2BC. Published...
(+)
Marching Band - Digital Download SKU: AX.00-PC-0018363_LBW2BC Instructional. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0018363_LBW2BC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0018363_LBW2BC). UPC: 654979030065.
$3.00 ≈
2.78€
The Brass Player: Fantasy on Ich bin ein Musikant
The Brass Player: Fantasy on Ich bin ein Musikant
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE
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F
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The Brass Player: Fantasy on I
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Sweetwater Brass Press
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1303802 Composed by F. Leslie Smith. 21st Century,Chamber,Children,Historic...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1303802 Composed by F. Leslie Smith. 21st Century,Chamber,Children,Historic,Multicultural,World. 77 pages. Sweetwater Brass Press #893335. Published by Sweetwater Brass Press (A0.1303802).     A song learned in primary school years and years ago had words something along the lines of the following:         Oh! I’m a young musician,         From distant lands I come.         Singing and playing,         Ever I’m straying.    Also known as “I Am a Fine Musician,†“I Am a Gay Musician†and perhaps other titles, that song is still around and has evolved into many different versions. The original was probably a German folk song from the early 1800s. As published in an 1889 collection of children’s songs, it bears the title, “Ich bin ein Musikant.â€Â That translates as “I am a musician.â€Â In the lyrics the musician claims to be “from Schwabenland†(Swabia) and to play geige (violin: “Dide schum schum schumâ€), flöte (flute: “Päde wäpp päpp päppâ€) and basse (bass: “Dide schum schum schump, päde wäpp päpp päpp). Later versions list the instruments played by the musician as bassoon, bells, clarinet, drum, guitar, piano, piccolo, triangle, trombone, trumpet, tuba, tympani, viola and just about every instrument and noisemaker you can think of.     Anyway, that’s the tune on which “The Brass Player†was built. But here, the musician is concerned only with brass. Which brass? Well, possibly trumpet. Or maybe horn in F. Or trombone. Or tuba. Or perhaps all four; certainly, all are featured in this piece.    “The Brass Player†comprises four sections. The first is in the key of C major and is played at a moderate 2/4 tempo. After a brief Trumpet/Tuba ostinato, Trombone introduces the main theme. Other instruments join in and play around with a variation or two.     The second section is a sweet, nostalgic rendition in 4/4 carried mainly by Horn in F, with help from Trumpets and Trombone.     In section three, the mood changes radically. Time signature goes to 3/4; tempo speeds up to vivace and the key changes to B Minor. All five instruments participate, and some odd things take place rhythmically at I through K (measures 200 through 262), but Tuba seems to carry the melody most of the time.    Section four, in G Major, clips along at a fast 4/4 time. It returns to the main theme and (as in “Ich bin ein Musikant†and its multitudinous derivations) presents in call-and-response form. The first few measures are straight, but discord quickly creeps in. The melody begins to include smears, flutter tonguing and off-beat rhythmic figures. There is even a brief section in G Minor. Gradually, order and theme are restored and the piece ends in a glorious, upbeat statement.    This piece, completed in 2023, consists of 398 measures, a little over nine minutes in length. There are four changes of key and four changes of time signature. Trumpet 1’s highest note is A above its staff; Trombone’s is F above the staff. Trumpet 2 has a few G-below-its-staff notes.    The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. Contact him at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
$6.99 ≈
6.48€
The Girl from Ipanema for Solo Trumpet & Piano
The Girl from Ipanema for Solo Trumpet & Piano
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Trumpet, Piano
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INTERMEDIATE/ADVANCED
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Latin/World Music
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Various
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Keith Terrett
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The Girl from Ipanema for Solo
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Music for all Occasions
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SheetMusicPlus
By Various. Arranged by Keith Terrett. Score, Set of Parts. 8 pages. Published by Music for all Occasions...
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By Various. Arranged by Keith Terrett. Score, Set of Parts. 8 pages. Published by Music for all Occasions
Arranged for Solo Bb Brass & Piano "Garota de Ipanema" ("The Girl from Ipanema") is a Brazilian bossa nova and jazz song. It was a worldwide hit in the mid-1960s and won a Grammy for Record of the Year in 1965. It was written in 1962, with music by Antônio Carlos Jobim and Portuguese lyrics by Vinícius de Moraes. English lyrics were written later by Norman Gimbel.
The first commercial recording was in 1962, by Pery Ribeiro. The Stan Getz recording featuring the vocal debut of Astrud Gilberto became an international hit. This version had been shortened from the version on the album Getz/Gilberto (recorded in March 1963, released in March 1964) which had also included the Portuguese lyrics sung by Astrud's then husband João Gilberto. In the US, the single peaked at number five on the Billboard Hot 100, and went to number one for two weeks on the Easy Listening chart. Overseas it peaked at number 29 in the United Kingdom, and charted highly throughout the world.
Numerous recordings have been used in films, sometimes as an elevator music cliché. It is believed to be the second most recorded pop song in history, after "Yesterday" by The Beatles. The song was inducted into the Latin Grammy Hall of Fame in 2001. In 2004, it was one of 50 recordings chosen that year by the Library of Congress to be added to the National Recording Registry. In 2009, the song was voted by the Brazilian edition of Rolling Stone as the 27th greatest Brazilian song.
Ipanema is a fashionable seaside neighborhood located in the southern region of the city of Rio de Janeiro.
Helô Pinheiro, the woman who inspired the song, in 2006.
The song was composed for a musical comedy titled Dirigível (Blimp), then a work-in-progress of Vinicius de Moraes. The original title was "Menina que Passa" ("The Girl Who Passes By"); the first verse was different. Jobim composed the melody on his piano in his new house in Rua Barão da Torre, in Ipanema. In turn, Moraes had written the lyrics in Petrópolis, near Rio de Janeiro, as he had done with "Chega de Saudade" ("No More Blues") six years earlier.
During a recording session in New York with João Gilberto, Antonio Carlos Jobim and Stan Getz, the idea of cutting an English-language version came up. Norman Gimbel wrote the English lyrics. João's wife, Astrud Gilberto, was the only one of the Brazilians who could speak English well and was chosen to sing. Her voice, without trained singer mannerisms, proved a perfect fit for the song. Ethel Ennis and Nat King Cole have also both recorded the song.
The song was inspired by Heloísa Eneida Menezes Paes Pinto (now known as Helô Pinheiro), a seventeen-year-old girl living on Montenegro Street in Ipanema. Daily, she would stroll past the Veloso bar-café, not just to the beach ("each day when she walks to the sea"), but in the everyday course of her life. She would sometimes enter the bar to buy cigarettes for her mother and leave to the sound of wolf-whistles. In the winter of 1962, the composers saw the girl pass by the bar. Since the song became popular, she has become a celebrity.
In Revelação: a verdadeira Garôta de Ipanema ("Revealed: The Real Girl from Ipanema") Moraes wrote that she was "the paradigm of the young Carioca: a golden teenage girl, a mixture of flower and mermaid, full of light and grace, the sight of whom is also sad, in that she carries with her, on her route to the sea, the feeling of youth that fades, of the beauty that is not ours alone—it is a gift of life in its beautiful and melancholic constant ebb and flow."
Ella Fitzgerald recorded this song on her two-disc set of Brazilian music Ella Abraca Jobim, released on the label [[Pablo today}] in 1981.
The legacy of "The Girl from Ipanema" was acknowledged by multiple aspects of the 2016 Summer Olympics and Paralympics held in Rio de Janeiro: the Olympic and Paralympic mascots were respectively named Vinicius and Tom after the song's co-writers by a public vote, while the Olympics' opening ceremony featured a segment themed around the song and the architecture of Oscar Niemeyer. Jobim's grandson Daniel performed the song during the segment, which also featured an appearance by Brazilian supermodel Gisele Bündchen. Spotify reported that the song had been streamed on its service 40,000 times per-day in the days following the ceremony (a 1200% increase), while in the U.S., the song reached #5 on Billboard's World Digital Songs chart the following week.
$7.99 ≈
7.41€
Grandpa's Griddlecakes
Grandpa's Griddlecakes
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Concert band
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BEGINNER
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Folkloric/Traditional
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Bob Marshall
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Grandpa's Griddlecakes
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Bob Marshall
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SheetMusicPlus
Concert Band - Level 1 - Digital Download SKU: A0.827137 Composed by Bob Marshall. Folk. Score and parts. 23 pages. Bob Marshall #1910645. Published by B...
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Concert Band - Level 1 - Digital Download SKU: A0.827137 Composed by Bob Marshall. Folk. Score and parts. 23 pages. Bob Marshall #1910645. Published by Bob Marshall (A0.827137). This bright, cheerful piece portrays a visit to Grandma and Grandpa’s house and eating some of Grandpa’s famous griddlecakes. The melody, reminiscent of early Americana, trades back and forth between the woodwinds and high brass while the low brass, woodwinds, and percussion keep that good ole country two-beat a goin’! Using only 6 notes, this work is good teaching tool for dynamic shading (it runs the gamut from p to ff) as well as keeping a good steady offbeat (2 & 4) going without turning the beat around. Key of Eb. Beginning Band Series Level 1.5-2.
$18.00 ≈
16.68€
When I'm Sixty-four
When I'm Sixty-four
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Rock
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The Beatles
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Steve Ash
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When I'm Sixty-four
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Aaron Hettinga
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SheetMusicPlus
Brass Ensemble Trombone - Level 3 - Digital Download SKU: A0.782099 By The Beatles. By John Lennon, John Winston Lennon, Paul James Mccartney, and Paul M...
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Brass Ensemble Trombone - Level 3 - Digital Download SKU: A0.782099 By The Beatles. By John Lennon, John Winston Lennon, Paul James Mccartney, and Paul McCartney. Arranged by Steve Ash. Pop,Rock,Standards. Score and parts. 16 pages. Aaron Hettinga #6707789. Published by Aaron Hettinga (A0.782099). This Beatles classic from the Sergeant Pepper album gets a low brass treatment in Steve Ash’s bouncy arrangement for trombone quintet. Every part takes its turn with the melody while splitting up accompaniment patterns around the ensemble to keep things interesting for everybody.
$19.99 ≈
18.53€
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Turn the Beat Around: Low Brass 
