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You've selected:
Unknown Harpsichord
Sheetmusic to print
9 sheet music found
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1
Bach - Violin Sonata in A minor BWV 967 for Violin and Harpsichord (or Piano)
Bach - Violin Sonata in A minor BWV 967 for Violin and Harpsichord (or Piano)
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Violin and Piano
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INTERMEDIATE
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Classical
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Bach Johann Sebastian
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Santino Cara
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Bach - Violin Sonata in A mino
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Santino Cara
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SheetMusicPlus
Piano,Violin - Level 3 - Digital Download SKU: A0.517301 Composed by Bach Johann Sebastian. Arranged by Santino Cara. Baroque. 13 pages. Santino Cara #43...
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Piano,Violin - Level 3 - Digital Download SKU: A0.517301 Composed by Bach Johann Sebastian. Arranged by Santino Cara. Baroque. 13 pages. Santino Cara #4332535. Published by Santino Cara (A0.517301). Complete score of the Violin Sonata in A minor (with a single movement) BWV 967 for Violin and Harpsichord or Piano. Transcribed by Santino Cara from an Bach's adaptation perhaps in 1708, of an unidentified chamber sonata by of an unknown composer.
$12.00 ≈
10.83€
Hear My Cry - Keyboard Duet
Hear My Cry - Keyboard Duet
Piano, Piano Duet, For two keyboards: acoustic piano, digital keyboard, harpsichord, or synthesizer; 2 pianos, 4-hands
Intermediate level
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Unknown
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Sharon Wilson
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2 pianos, 4-hands
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Hear My Cry - Keyboard Duet
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SheetMusicPlus
By Unknown. Arranged by Sharon Wilson. For Piano, Piano Duet, For two keyboards: acoustic piano, digital keyboard, harpsichord, or synthesizer; 2 pianos, 4-hand...
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By Unknown. Arranged by Sharon Wilson. For Piano, Piano Duet, For two keyboards: acoustic piano, digital keyboard, harpsichord, or synthesizer; 2 pianos, 4-hands. Sacred, Christian, Contemporary Christian, Gospel. Intermediate. Sheet Music Single, Set of
$5.99 ≈
5.41€
Angels We Have Heard on High from ALBEDO Christmas
Angels We Have Heard on High from ALBEDO Christmas
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Christmas
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ALBEDO
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Doug Clyde
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Angels We Have Heard on High f
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ALBEDO MUSIC
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SheetMusicPlus
Small Ensemble Clarinet,Finger Cymbals,Harpsichord,High Voice,Low Voice,Oboe - Level 3 - Digital Download SKU: A0.713001 By ALBEDO. By Unknown. Arranged ...
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Small Ensemble Clarinet,Finger Cymbals,Harpsichord,High Voice,Low Voice,Oboe - Level 3 - Digital Download SKU: A0.713001 By ALBEDO. By Unknown. Arranged by Doug Clyde. Christmas,New Age. Score and parts. 17 pages. ALBEDO MUSIC #2551099. Published by ALBEDO MUSIC (A0.713001). Angels We Have Heard on High from ALBEDO Christmas. Small Ensemble. Full Score & Parts. Composer: Unknown. Arranger: Doug Clyde. Instrumentation: Oboe, Clarinet in Bb, Harpsichord, Soprano, Alto, Finger Cymbals. AMSM71. ALBEDO Christmas is a collection of secular and sacred Christmas songs with live and synthetic elements. Similar in style to Mannheim Steamroller, Kurt Bestor, and Jon Schmidt. Album: Christmas. Artist: ALBEDO. © 2012 by ALBEDO MUSIC.
$9.99 ≈
9.02€
Jan Zach - Fugue in C Minor
Jan Zach - Fugue in C Minor
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Organ
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Classical
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early 1745 he was living in Au
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Jan Zach
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Guido Menestrina
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Jan Zach - Fugue in C Minor
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Guido Menestrina
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SheetMusicPlus
Organ - Digital Download SKU: A0.828708 Composed by Jan Zach. Arranged by Guido Menestrina. Baroque. Score. 5 pages. Guido Menestrina #405395. Published ...
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Organ - Digital Download SKU: A0.828708 Composed by Jan Zach. Arranged by Guido Menestrina. Baroque. Score. 5 pages. Guido Menestrina #405395. Published by Guido Menestrina (A0.828708). Transcription by Guido Menestrina, follow the score on youtube: https://youtu.be/A0riyf_X3P4 Jan Zach, called in German Johann Zach (baptized 13 November 1699 – 24 May 1773) was a Czech composer, violinist and organist. Although he was a gifted and versatile composer capable of writing both in Baroque and Classical idioms, his eccentric personality led to numerous conflicts and lack of steady employment from about 1756 onwards. Zach was born in ÄŒelákovice, Bohemia into a wheelwright's family. In 1724 he moved to Prague and started working as violinist at St Gallus and at St MartÃn. According to Dlabacž, he studied organ under Bohuslav MatÄ›j ÄŒernohorský, who lived in Prague from 1720 to 1727. Zach's career as organist started at St MartÃn, and by 1737 he was also playing the organ at the monastic church of the Merciful Brethren and the Minorite chapel of St Ann. In 1737 he competed for the position of organist at St. Vitus Cathedral, but was not successful. Details of what happened next are unknown: he was reported to have left Bohemia, but apparently remained in Prague at least until 1740. By early 1745 he was living in Augsburg and then on 24 April 1745 he was appointed Kapellmeister of the Electoral orchestra at the court of Johann Friedrich Karl von Ostein, Prince-Elector of Mainz. He visited Italy in 1746 and, briefly, Bohemia in 1747.[1] Zach evidently had a complex and eccentric personality, which led to numerous conflicts that plagued his life at Mainz. He was suspended from his position in 1750 and finally dismissed in 1756. From that point on it appears that Zach never again had steady employment. He traveled through Europe and supported himself financially by performing and selling copies of his works, teaching, dedicating his compositions, and so on. He visited numerous courts and monasteries in Germany and Austria, stayed in Italy in 1767 and between 1771and 1772, and may have worked as choirmaster at the Pairis Abbey in Alsace. He stayed several times at the Stams Abbey at Stams, Tyrol, where he may have had connections, and served as music teacher at the Jesuit school in Munich, for several brief periods of time. The last mentions of Zach in contemporary sources indicate that in January 1773 he was at the Wallerstein court, and according to the Frankfurt Kayserliche Reichs-Ober-Post-Amts-Zeitung of 5 June 1773 he died on a journey, at Ellwangen. Zach was buried in the local church of St Wolfgang. Zach's surviving oeuvre comprises a wealth of both instrumental and sacred music: some 30 masses, 28 string sinfonias, a dozen keyboard works and other pieces. Due to the nature of Zach's life it is difficult to establish a precise chronology. His work reflects the transition from the old Baroque style to the emerging Classical music era ideals. Zach was equally adept at strict counterpoint and the style galant, and was also influenced by Czech folk music. Zach was fond of chromatic modulations. Scholar Johann Branberger, writing in the early 20th century, noted Zach's preference for chromatic, and often exotic, themes. Only a few of Zach's pieces were published during his lifetime: a harpsichord sonata (in Oeuvres mêlées, v/6 (Nuremberg, 1759)), a harpsichord concerto (Nuremberg, 1766; GS C13), and the collection Sei sonate for harpsichord and violin or flute (Paris, 1767).
$4.99 ≈
4.50€
Ungaresca & Almande Poussinghe (Recueil de Danseries, 1583)
Ungaresca & Almande Poussinghe (Recueil de Danseries, 1583)
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Renaissance
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Pierre Phalèse Jnr
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Colin Kirkpatrick
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Ungaresca & Almande Poussinghe
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Colin Kirkpatrick Publications
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SheetMusicPlus
String Ensemble - Level 2 - Digital Download SKU: A0.1041170 Composed by Pierre Phalèse Jnr. Arranged by Colin Kirkpatrick. Renaissance. Score and par...
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String Ensemble - Level 2 - Digital Download SKU: A0.1041170 Composed by Pierre Phalèse Jnr. Arranged by Colin Kirkpatrick. Renaissance. Score and parts. 18 pages. Colin Kirkpatrick Publications #645901. Published by Colin Kirkpatrick Publications (A0.1041170). These two dances are taken from a collection entitled Recueil de danseries, contenant presque toutes sortes de danses (“Collection of dances, containing almost every kind of dancesâ€) published in Antwerp in 1583 by Pierre Phalèse Jnr (c.1545-1629). He was continuing the work of his father Pierre Phalèse the Elder (1510-1575) the most important publisher in the Low Countries during the 16th century. The piece known as Ungaresca evokes the atmosphere of street music rather than that of the court and the drone accompaniment that Phalèse provides suggests the sound of the peasant bagpipes. As the name implies, the dance came from Hungary though it may have simply been a dance in the Hungarian style. Even so, the melody was tremendously popular during the fifteenth century though the author is unknown. The dance calls for a lively performance, and you can use plenty of percussion to enliven it. This music was meant for dancing and entertainment and musicians would often combine several dances to make a more substantial piece. In this arrangement, the rather wild Ungaresca is paired with the stately Almande Poussinghe. The music would have been played by any instruments that happened to be available. The dances still retain their freshness and charm today and are sure to be popular at any concerts, public recitals or end-of-semester events. This arrangement is for virtually any string ensemble and the single PDF file includes a full score and parts for violin 1, violin 2, viola (violin 3), cello and bass (combined), keyboard and simple percussion. Two additional melody part are provided in the treble and bass clefs and the chords (for optional guitar) are shown in both keyboard and cello-bass parts. In the spirit of the original publication, you can add to the melody line any other C-pitch instruments that happen to be available. Even the additional of a couple of recorders will enhance the sound. Alternatively, you can do opposite and create a pleasing contrast by omitting various instruments for certain sections. The audio demo will give you an idea how this might be achieved. The keyboard part is intended as a guide and when possible, the keyboard player should feel free to improvise around the part and the chords shown. A digital or acoustic harpsichord sounds more authentic than a piano. Most electronic keyboards have a harpsichord option. The optional percussion instruments used are similar to those found in elementary school music rooms and usually include a tambour or hand-held drum, antique (finger) cymbals, wood-blocks and tambourine. Two or three players can be used (but feel free to add more) and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that.
$9.99 ≈
9.02€
Two Courantes - Dances 151 and 152 from Terpsichore (Praetorius) for Wind Instruments
Two Courantes - Dances 151 and 152 from Terpsichore (Praetorius) for Wind Instruments
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Unknown
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Colin Kirkpatrick
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Part 1 (C, B flat, E flat)
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Two Courantes - Dances 151 and
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Colin Kirkpatrick Publications
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SheetMusicPlus
Small Ensemble - Level 2 - Digital Download SKU: A0.522167 Composed by Unknown. Arranged by Colin Kirkpatrick. Renaissance,Standards. Score and parts. 26...
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Small Ensemble - Level 2 - Digital Download SKU: A0.522167 Composed by Unknown. Arranged by Colin Kirkpatrick. Renaissance,Standards. Score and parts. 26 pages. Colin Kirkpatrick Publications #4325529. Published by Colin Kirkpatrick Publications (A0.522167). These two courantes are well-known dances from the famous collection entitled Terpsichore by Michael Praetorius. This piece is arranged for virtually any combination of conventional wind instruments and percussion, with optional keyboard part. They are attractive pieces and are sure to be popular at any concerts or end-of-semester events. They are fairly easy to play too. The flexible arrangement with alternative transpositions makes them playable by all sorts of non-standard ensembles. The keyboard part enables you to use the piece as a solo or duet and trio for mixed instruments. This 4-part arrangement is presented in a single PDF file which includes the Full Score; Part 1 (C, B flat, E flat); Part 2 (C, B flat, E flat); Part 3 (C, F, B flat, E flat), Part 4 (C, B flat, E flat); Keyboard and Percussion. The optional keyboard part is intended as a guide and when possible the keyboard player should improvise around the part and chords shown. A piano sounds distinctly out of place in this music and a digital or acoustic harpsichord sounds more authentic. Most electronic keyboards have a harpsichord option. The percussion instruments used are similar to those found in elementary school music rooms and usually include a hand-held drum, clave or small headless tambourine. Two players are usually required and the parts can be interpreted quite freely. Other percussion instruments may be added as desired. Dance music is intended to be fun, and we hope that this arrangement brings you just that.Â
$11.99 ≈
10.82€
Telemann - Double Sonata in D minor TWV 42-d10 for Two Flutes and Cembalo (or Piano)
Telemann - Double Sonata in D minor TWV 42-d10 for Two Flutes and Cembalo (or Piano)
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Classical
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Telemann Georg Philipp
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Santino Cara
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Telemann - Double Sonata in D
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Santino Cara
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SheetMusicPlus
Instrumental Duet,Piano Flute,Harpsichord,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.517532 Composed by Telemann Georg Philipp. Arrange...
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Instrumental Duet,Piano Flute,Harpsichord,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.517532 Composed by Telemann Georg Philipp. Arranged by Santino Cara. Baroque. Score and parts. 17 pages. Santino Cara #6073639. Published by Santino Cara (A0.517532). Complete score and parts of the Double Sonata in D minor TWV 42:d10 for Two Flutes and Cembalo (or Piano). Year of unknown composition, (it is assumed that Georg Philipp Telemman composed it between about 1718). Reconstructed and elaborated by Santino Cara.
$18.40 ≈
16.60€
Ungaresca and Almande Poussinghe (Pierre Phalèse Jnr, 1583) for Wind Instruments
Ungaresca and Almande Poussinghe (Pierre Phalèse Jnr, 1583) for Wind Instruments
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Unknown
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Colin Kirkpatrick
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Part 1 (C, B flat, E flat)
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Ungaresca and Almande Poussing
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Colin Kirkpatrick Publications
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SheetMusicPlus
Small Ensemble - Level 2 - Digital Download SKU: A0.522186 Composed by Unknown. Arranged by Colin Kirkpatrick. Christmas,Holiday,Renaissance. Score and p...
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Small Ensemble - Level 2 - Digital Download SKU: A0.522186 Composed by Unknown. Arranged by Colin Kirkpatrick. Christmas,Holiday,Renaissance. Score and parts. 27 pages. Colin Kirkpatrick Publications #6363609. Published by Colin Kirkpatrick Publications (A0.522186). These are two charming dances taken from a collection entitled Recueil de danseries, contenant presque toutes sortes de danses (“Collection of dances, containing almost all kinds of dancesâ€) published in Antwerp in 1583 by Pierre Phalèse Jnr (c.1545-1629). He was continuing the work of his father Pierre Phalèse the Elder (1510-1575) the most important publisher in the Low Countries during the 16th century and who published his First Book of Dances in Leuven in 1571. The Antwerp publication of 1583 contains about half the dances from the original 1571 edition, together with some new titles, making a total of about seventy numbers.The 1583 collection contains a large selection of gaillardes, almandes and bransles which were all popular courtly dances of the time. The lively and well-known piece entitled Ungaresca appears on page 24 of the original publication. The drone accompaniment that Phalèse provides suggests the sound of the peasant bagpipes. The name Ungaresca is a term used outside Hungary to denote a dance in the Hungarian style and this particular one probably first appeared in a 1578 dance collection for viol consort - Mainerio's Primo libro de balli. As a result, the music is sometimes attributed to Mainerio.In this arrangement, Ungaresca is paired with the delightful Almande Poussinghe which appears on page 16 of the original. This wonderful music of the 16th century still speaks to us today and this arrangement would be an ideal concert item, playable by virtually any combination of conventional wind instruments with optional percussion and keyboard parts. The optional keyboard part enables you to use the piece as a solo or duet and trio for mixed instruments. Some minor changes have been made to the inner parts to facilitate performance.This 4-part arrangement is presented in a single PDF file which includes the Full Score; Part 1 (C, B flat, E flat); Part 2 (C, B flat, E flat); Part 3 (C, F, B flat, E flat), Part 4 (C, B flat, E flat); Keyboard and Percussion. Most electronic keyboards have a harpsichord option. The score and set of parts come in a single PDF file.
$9.99 ≈
9.02€
Telemann - Concerto in B flat TWV 44-43 for 3 Oboes, 3 Violins, Cello and Cembalo
Telemann - Concerto in B flat TWV 44-43 for 3 Oboes, 3 Violins, Cello and Cembalo
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Classical
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Telemann Georg Philipp
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Santino Cara
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Telemann - Concerto in B flat
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Santino Cara
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SheetMusicPlus
Small Ensemble Harpsichord,Oboe,Violin - Level 4 - Digital Download SKU: A0.517531 Composed by Telemann Georg Philipp. Arranged by Santino Cara. Baroque....
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Small Ensemble Harpsichord,Oboe,Violin - Level 4 - Digital Download SKU: A0.517531 Composed by Telemann Georg Philipp. Arranged by Santino Cara. Baroque. Score and parts. 55 pages. Santino Cara #6072407. Published by Santino Cara (A0.517531). Complete score and parts of the Concerto in B flat major TWV 44:43 for 3 Oboes, 3 Violins, Cello and Cembalo. Year of unknown composition, (it is assumed that Georg Philipp Telemman composed it between 1730 and 1738). Reconstructed and elaborated by Santino Cara.
$18.40 ≈
16.60€
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Unknown Harpsichord
