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Until You Come Home
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You've selected:
Until You Come Home
Sheetmusic to print
32 sheet music found
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1
26
Wait Until Your Father Comes Home
Wait Until Your Father Comes Home
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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EASY
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Contemporary
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Irving Berlin
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Bill Wilson
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Wait Until Your Father Comes H
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Alexander Wilson
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SheetMusicPlus
Brass Quintet - Level 2 - Digital Download SKU: A0.775253 Composed by Irving Berlin. Arranged by Bill Wilson. 20th Century. 11 pages. Alexander Wilson #4...
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Brass Quintet - Level 2 - Digital Download SKU: A0.775253 Composed by Irving Berlin. Arranged by Bill Wilson. 20th Century. 11 pages. Alexander Wilson #4602537. Published by Alexander Wilson (A0.775253). Irving Berlin's Wait Until Your Daddy Comes Home shows off the young Irving Berlin's ability to craft not just a melody and harmony, but a tapestry of interwoven melodic lines. Our arrangement of this upbeat song shares lead and countermelody responsibilities across the four upper parts. Arranged for brass quintet (two Bb trumpets, French horn, trombone, and tuba). Performance time is approximately 2:00. Visit our website, www.tootsuitebrasspublishing.com, for a catalog of our arrangements available through sheetmusicplus.com.
$4.00 ≈
3.60€
Until You Come Back Home
Until You Come Back Home
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Piano, Voice
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Pop music
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Beret Finken
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Until You Come Back Home
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Beret Finken
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SheetMusicPlus
Piano,Vocal,Voice - Digital Download SKU: A0.898229 Composed by Beret Finken. Pop. Score. 7 pages. Beret Finken #4295683. Published by Beret Finken (A0.8...
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Piano,Vocal,Voice - Digital Download SKU: A0.898229 Composed by Beret Finken. Pop. Score. 7 pages. Beret Finken #4295683. Published by Beret Finken (A0.898229). Composer's NoteI wrote this piece for my husband while he was away at U.S. Army Basic Training in 2017. My hope is that it is able to resonate with or bring comfort to anyone involved in a military or long-distance relationship.Copyright © 2017 Beret Finken. To learn more about the composer and her work, visit beretfinken.com.
$4.99 ≈
4.49€
Until You Come Home by Robin Spielberg - Piano Solo
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Piano solo
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Robin Spielberg
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Until You Come Home
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Musicnotes
Performed by: Robin Spielberg: Until You Come Home Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, in...
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Performed by: Robin Spielberg: Until You Come Home Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Piano; 6 pages --
$5.50 ≈
4.95€
DELTARUNE Chapter 2 Piano Score - Sheet Music from the game
DELTARUNE Chapter 2 Piano Score - from the game
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Easy Piano
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EASY
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Video Game
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Toby Fox
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Toby Fox
, ada
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Sydney Kjerstad
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DELTARUNE Chapter 2 Piano Scor
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Materia Editions
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SheetMusicPlus
Easy Piano - Level 2 - Digital Download SKU: A0.1200295 By Toby Fox. By Toby Fox. Arranged by Sydney Kjerstad. Video Game. Score. 96 pages. Materia Editi...
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Easy Piano - Level 2 - Digital Download SKU: A0.1200295 By Toby Fox. By Toby Fox. Arranged by Sydney Kjerstad. Video Game. Score. 96 pages. Materia Editions #799104. Published by Materia Editions (A0.1200295). All 47 songs from the DELTARUNE, Chapter 2 soundtrack. Composed by Toby Fox, adapted by Sydney Kjerstad.Making the Deltarune Piano Score series a little more complete, here’s DELTARUNE Chapter 2’s music finally in book form! Just like the music from the first chapter, each of the pieces here are varying levels of difficulty, but all are within your reach. Go in order, go out of order, play through the book how you want!You will strengthen your abilities and come out even better on the other side. Play this music for you, for your friends and family, and show off what makes this music so  special. Please enjoy! I know I did when adapting it all!- Sydney KjerstadCREDITSDELTARUNE Piano Score is brought to you by:TOBY FOX is the musical dog that made DELTARUNE.SYDNEY KJERSTAD is a video-gaming-piano-playing nerd whose goal in life is to make game music accessible for everyone. A Materia Editions Production.TRACKLIST Faint Glow Girl Next Door My Castle Town Ohhhhohohoho! Queen A CYBER'S WORLD? A Simple Diversion Almost to the Guys! Cool Beat When I Get Mad I Dance Like This Cyber Battle (Solo) When I Get Happy I Dance Like This Sound Studio Berdly Smart Race Faint Courage (Game Over) WELCOME TO THE CITY Mini Studio Holiday Studio Cool Mixtape HEY EVERY ! Spamton NOW'S YOUR CHANCE TO BE A Elegant Entrance Bluebird of Misfortune Pandora Palace KEYGEN Acid Tunnel of Love It's Pronounced Rules Lost Girl Ferris Wheel Attack of the Killer Queen Giga Size Powers Combined Knock You Down !! The Dark Truth Digital Roots Deal Gone Wrong BIG SHOT A Real Boy! Dialtone sans. Chill Jailbreak Alarm to Study and Relax to You Can Always Come Home Until Next Time Before the Story Berdly (Rejected Concept) Music by Toby Fox. © 2015-2021 ROYAL SCIENCES LLC. Arrangements © 2023 Materia Editions / Materia Music Inc. All rights reserved. Used by permission. No part of this book shall be reproduced, arranged, adapted, recorded, publicly performed, or transmitted by any means without written permission by the publisher.
$19.99 ≈
18.00€
The Steadfast Heart Psalm 5-8
The Steadfast Heart Psalm 5-8
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Piano, Voice
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EASY
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Sacred music
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Nicole Doran
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this is true of all music
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The Steadfast Heart Psalm 5-8
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Nicole E Doran
#
SheetMusicPlus
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.968672 Composed by Nicole Doran. 20th Century,Christian,Concert,Jewish,Sacred. Score. 8 pages. Nic...
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.968672 Composed by Nicole Doran. 20th Century,Christian,Concert,Jewish,Sacred. Score. 8 pages. Nicole E Doran #6360913. Published by Nicole E Doran (A0.968672). The Steadfast Heart, a psalm cycle for advancing musicians is a pedagogical work of art and a journey of faith. It sets into sound the faith of a Messianic Jewish classical musician who wants to pass along all that she has learned of faith and music to her children and the next generation of God-fearing musicians.Mastering the keyboard step by step helps you understand the miracle of harmony. Melodies refresh the soul and many tones blending together show the wonder of unity in diversity; this is true of all music. However, meditating on the psalms as you play helps you understand the way Christ and all the faithful have looked to the Father in Heaven as their guide and protector as you delight in the musical sounds you can produce.Dr. Doran includes accessible verses from the NIV and some lines of the poetry that challenge modern ears and sensibilities. Sweet melodies, imitative counterpoint, modal and tonal harmonization and register shifts prove that an intermediate pianist can savor the artistry for the level they have achieved and still thirst for more musical and spiritual goodness to come just like David longed for the Lord’s presence and fullness.As the deer pants for streams of water, so my soul longs after You, O God. Thousands of people are trying to hear or memorize ALL the Psalms in these confusing and uncertain times. What safer way to explore than in the shelter of your practice time until you are ready to share your favorites with others. Here is a method to use the instrument we have in our homes and be a participant in this wonderful musical journey from Psalm 1-150. Each new set should be released in January, April, August, and December.
$8.28 ≈
7.46€
The Steadfast Heart: Psalms 1-4
The Steadfast Heart: Psalms 1-4
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Easy Piano
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INTERMEDIATE
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Sacred music
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Nicole Doran
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this is true of all music
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The Steadfast Heart: Psalms 1-
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Nicole E Doran
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SheetMusicPlus
Easy Piano - Level 3 - Digital Download SKU: A0.968673 Composed by Nicole Doran. 20th Century,Christian,Jewish,Sacred. Score. 6 pages. Nicole E Doran #63...
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Easy Piano - Level 3 - Digital Download SKU: A0.968673 Composed by Nicole Doran. 20th Century,Christian,Jewish,Sacred. Score. 6 pages. Nicole E Doran #6304191. Published by Nicole E Doran (A0.968673). The Steadfast Heart, a psalm cycle for advancing musicians is a pedagogical work of art and a journey of faith. It sets into sound the faith of a Messianic Jewish classical musician who wants to pass along all that she has learned of faith and music to her children and the next generation of God-fearing musicians. Mastering the keyboard step by step helps you understand the miracle of harmony. Melodies refresh the soul and many tones blending together show the wonder of unity in diversity; this is true of all music. However, meditating on the psalms as you play helps you understand the way Christ and all the faithful have looked to the Father in Heaven as their guide and protector as you delight in the musical sounds you can produce.Dr. Doran includes accessible verses from the NIV and some lines of the poetry that challenge modern ears and sensibilities. Sweet melodies, imitative counterpoint, modal and tonal harmonization and register shifts prove that an intermediate pianist can savor the artistry for the level they have achieved and still thirst for more musical and spiritual goodness to come just like David longed for the Lord’s presence and fullness.As the deer pants for streams of water, so my soul longs after You, O God. Thousands of people are trying to hear or memorize ALL the Psalms in these confusing and uncertain times. What safer way to explore than in the shelter of your practice time until you are ready to share your favorites with others. Here is a method to use the instrument we have in our homes and be a participant in this wonderful musical journey from Psalm 1-150. Each new set should be released in January, April, August, and December.
$8.28 ≈
7.46€
Mysterious Moment for alto flute and string trio
Mysterious Moment for alto flute and string trio
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String Trio: violin, viola, cello
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INTERMEDIATE
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Contemporary
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David Warin Solomons
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Mysterious Moment for alto flu
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David Warin Solomons
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SheetMusicPlus
String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.576736 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 p...
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String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.576736 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #119391. Published by David Warin Solomons (A0.576736). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
$8.00 ≈
7.21€
Mysterious Moment for oboe and string trio
Mysterious Moment for oboe and string trio
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Contemporary
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David Warin Solomons
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Mysterious Moment for oboe and
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David Warin Solomons
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SheetMusicPlus
Small Ensemble Cello,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.576733 Composed by David Warin Solomons. 20th Century,Contemporary. Score and...
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Small Ensemble Cello,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.576733 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #90581. Published by David Warin Solomons (A0.576733). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
$8.00 ≈
7.21€
Bunting (On The Bright Side)
Bunting (On The Bright Side)
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE
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Bob Good
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Bunting
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Surrey Dance Music
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SheetMusicPlus
String Quartet String Quartet - Level 3 - Digital Download SKU: A0.951122 Composed by Bob Good. Classical,Contemporary,Instructional,Standards,Wedding. S...
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String Quartet String Quartet - Level 3 - Digital Download SKU: A0.951122 Composed by Bob Good. Classical,Contemporary,Instructional,Standards,Wedding. Score and parts. 8 pages. Surrey Dance Music #3674497. Published by Surrey Dance Music (A0.951122). Cheerful elegant String Quartet in classical style. I've graded it as intermediate because of the key, but the chances are that if you're looking for string quartet music of this ilk, you'll find it more than manageable.On our Until The Cows Come Home albumCan also be heard here https://itunes.apple.com/gb/album/elegantia-string-quartets/id1113604666http://www.surreydancemusic.co.uk
$7.95 ≈
7.16€
Eternal Bridge For Oboe Harp And Strings
Eternal Bridge For Oboe Harp And Strings
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Luis Anjos Teixeira
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Eternal Bridge For Oboe Harp A
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Luis Anjos Teixeira
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SheetMusicPlus
Large Ensemble Cello,Double Bass,Harp,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.889419 Composed by Luis Anjos Teixeira. Concert,Contemporary...
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Large Ensemble Cello,Double Bass,Harp,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.889419 Composed by Luis Anjos Teixeira. Concert,Contemporary. Score and parts. 36 pages. Luis Anjos Teixeira #3492515. Published by Luis Anjos Teixeira (A0.889419). For the 2018 Chamber Music Contest Entry Eternal Bridge was made to be performed by a group of six soloists playing the following instruments: Oboe, Harp, Violin, Viola, Cello, Double Bass. It is not a difficult piece once learned. It is really a great fun for the players and very easy listening too, It covers a very wide range of audience demands. There is a groove feeling on it that makes it very pleasant to most all people. Because of its plasticity the piece allows many interpretations, therefore I did not made much use of interpretation symbols in order to leave to the performers the freedom of doing their own. Bowing and fingering are left totally virgin at the hands of the schools or the creativity of the performing Artists. P.S. - The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. This is the first time that this version is published in Sheet Music Plus. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Thanks to Claudia Eppelt for the cover design, all the Love and inspiration. Special Thanks to Nina and Stray Queen Mimi for my Family, all their Love Patience and Compassion. Love Forever.„The litle story of the - „Eternal BridgeEternal Bridge came out of a dream. Imagine a little railway station, a train that comes and stops, and your friends go inside. As you step on the little stairs to go inside, the doors close letting you out, and the train starts rolling. It speeds up very fast and enough so you can`t jump out of the little stairs back to the ground, you are holding now to the iron bars around the doors of the train, you see your friends and the people inside but they can`t see you, they can`t hear you, and you notice that the train is now on a bridge so high, that you can`t see the earth any more. Wind is blowing around me and I feel this cosmic cold and everything starts to twist around in a gigantic spiral. I still feel the Gravity but it goes in all directions at the same time pushing me violently and I feared to fail the grip on the iron bars and fall down, in an imaginary endless abyss. Little by little the speed of the events slows down progressively until everything freezes. Now, The other side of the bridge does not exist at all, neither the beginning or up or down. The train disappeared in a glimpse and I noticed that I was not falling down, just hanging there out in hyperspace, Free from Gravity. I lost the fear of falling in the abyss, it felt kind a good, because the only thing that I could see was light, pure beautiful bright white light, I was floating in light, I realised I could stay there forever, but then I felt lonely and wanted to come back home. When I finally woke up, I wrote this words in Portuguese and made a song out of it. the words go like:Ponte eterna abismo sem fundo - Vento ciclónico medo profundo - Comboio gelado lentidão d`aço - Espiral eterna suspensa no espaço - Maos agarram a vida duas barras d` aço - Corpo sacudido em espasmos de medo - Alucinação divina acordar de um sonho Eternal Bridge endless Abyss - Cyclonic wind deep Fear - Frozen Train slowness of steel - Eternal spiral suspended in space - Hands cling to life on two bars of steel - Body shaken into spasms of fear - Divine hallucination waking up from a dream
$25.00 ≈
22.52€
Wait Until Your Daddy Comes Home by Irving Berlin - Piano/Vocal
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Piano, Voice
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Contemporary
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Irving Berlin
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Wait Until Your Daddy Comes Ho
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Musicnotes
Irving Berlin - Wait Until Your Daddy Comes Home Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music f...
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Irving Berlin - Wait Until Your Daddy Comes Home Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal, instruments: Voice;Piano; 4 pages -- 20th-Century~~Tin Pan Alley~~Novelty
$3.25 ≈
2.93€
Goodbye! So Long! I'm Headin' Home!: A Medley
Goodbye! So Long! I'm Headin' Home!: A Medley
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Ragtime
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F
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Goodbye! So Long! I'm Headin
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Sweetwater Brass Press
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SheetMusicPlus
Composed by F. Leslie Smith. Ragtime, Old-time, Americana. Score, Set of Parts. 48 pages. Published by Sweetwater Brass Press (S0.86305). - Score,Set of Parts -...
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Composed by F. Leslie Smith. Ragtime, Old-time, Americana. Score, Set of Parts. 48 pages. Published by Sweetwater Brass Press (S0.86305). - Score,Set of Parts - Ragtime,Old-time,Americana - Sweetwater Brass Press
This novelty is great as either a featured number or as an encore. It is upbeat, a medley of turn-of-the-last-century tunes that, in the tradition of Haydn?s "Farewell" Symphony (No. 45 in F-sharp minor), provides opportunity for four musicians to leave, one by one, until only Tuba remains. It opens at a fast clip with a statement of ?Good-Night, Ladies? followed by a four-measure vamp that is subsequently repeated after nearly every section. First, horn and tuba perform ?There is a Tavern in the Town.? Second, trombone and trumpets combine to ask, ?Bill Bailey, Won?t You Please Come Home.? Third is a close-harmony, ensemble version of ?Goin? Home.? Fourth features exchanges between trumpets and low brass in ?Toot, Toot, Tootsie!? Fifth is an amalgam of all the tunes; this is played four times, each time featuring a different instrument, which then drops out for the rest of the number. The tuba ends the piece and takes a bow. This arrangement was completed in 2014, and performance time runs about 3 minutes, 56 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus search box.
$4.00 ≈
3.60€
Cello - "And Can It Be?" Theme and Variations
Cello - "And Can It Be?" Theme and Variations
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Cello, Piano
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INTERMEDIATE
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Sacred music
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Gospel/Spiritual
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Lyrics: Charles Wesley, Music:
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Dan Cutchen
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Cello - "And Can It Be?" Theme
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Dan Cutchen Music
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SheetMusicPlus
Cello,Piano - Level 3 - Digital Download SKU: A0.844351 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. A...
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Cello,Piano - Level 3 - Digital Download SKU: A0.844351 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4281895. Published by Dan Cutchen Music (A0.844351). This arrangement of And Can It Be That I Should Gain? is for cello solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Cello - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/xCpG9mpfSFk
$6.00 ≈
5.40€
Tuba solo - "And Can It Be?" Theme and Variations
Tuba solo - "And Can It Be?" Theme and Variations
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Tuba
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INTERMEDIATE
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Sacred music
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Lyrics: Charles Wesley, Music:
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Dan Cutchen
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Tuba solo - "And Can It Be?" T
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Dan Cutchen Music
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SheetMusicPlus
Piano,Tuba - Level 3 - Digital Download SKU: A0.844352 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Ar...
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Piano,Tuba - Level 3 - Digital Download SKU: A0.844352 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Easter,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4285469. Published by Dan Cutchen Music (A0.844352). This arrangement of And Can It Be That I Should Gain? is for tuba solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Tuba - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00To contact Dan Cutchen, go to:Facebook: https://www.facebook.com/merry1722/dancutchen.com: http://www.dancutchen.com/contactAnd Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/7-Qdg7QK.
$6.00 ≈
5.40€
Alto Sax - "And Can It Be?" Theme and Variations
Alto Sax - "And Can It Be?" Theme and Variations
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Alto Saxophone and Piano
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INTERMEDIATE
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Sacred music
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Lyrics: Charles Wesley, Music:
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Dan Cutchen
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Alto Sax - "And Can It Be?" Th
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Dan Cutchen Music
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.844328 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and publishe...
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.844328 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Easter,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #3115903. Published by Dan Cutchen Music (A0.844328). This arrangement of And Can It Be That I Should Gain? is for alto saxophone solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Alto Sax - And Can It Be? Theme and Variations-Accompaniment Track, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year. This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/BSX9yYcNY2E
$7.00 ≈
6.30€
Moon Chasers
Moon Chasers
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Brass ensemble
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BEGINNER
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Contemporary
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David Healy-Richards
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Moon Chasers
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David Healy-Richards
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SheetMusicPlus
Brass Ensemble - Level 1 - Digital Download SKU: A0.1015626 Composed by David Healy-Richards. 20th Century,Contemporary. Score and parts. 42 pages. David...
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Brass Ensemble - Level 1 - Digital Download SKU: A0.1015626 Composed by David Healy-Richards. 20th Century,Contemporary. Score and parts. 42 pages. David Healy-Richards #4805037. Published by David Healy-Richards (A0.1015626). Moon Chasers is my third musical work and is dedicated to my Girlfriend who I met in the International Brass Band Summer School in Swansea in 2016. This piece of music is aimed at capturing the feeling of a young couple savouring the moment as they experience it. Not worrying about the future or the past just the here and now. I tried to capture this feeling with suspensions and utilising the different sections of the band. The intro represents the end of a manic day, driving home until A. Where the duet kicks in A melody and a counter-melody representing two young lovers. It starts as a minimalist quartet before the scoring becomes a lot thicker allowing more colours to come out. We hear echoes of the next section which starts at (D) with a rhythm that feels like its slightly behind the beat. It's a simple harmonic line but as it feels behind the beat this achieves a kind of euphoric feel to the music. This is then decorated by the twinkling stars that we here popping up every now and again which are represented by the Glockenspiel.
$19.99 ≈
18.00€
WOODY’S CHRISTMAS ADVENTURE (a new & original Christmas musical)
WOODY’S CHRISTMAS ADVENTURE (a new & original Christmas musical)
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Choral SATB
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INTERMEDIATE/ADVANCED
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Dennis A
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WOODY’S CHRISTMAS ADVENTURE
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Tyne Music
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SheetMusicPlus
Choral Choir (Mixed) - Level 4 - Digital Download SKU: A0.999352 Composed by Dennis A. Westgate. Children,Christmas,Contemporary,Musical/Show. Octavo. 59...
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Choral Choir (Mixed) - Level 4 - Digital Download SKU: A0.999352 Composed by Dennis A. Westgate. Children,Christmas,Contemporary,Musical/Show. Octavo. 59 pages. Tyne Music #5953757. Published by Tyne Music (A0.999352). Deep in the heart of Dingle Woods everyone is preparing for Christmas. On atree stump Barny the barn owl wakes from his slumbers, winks, blinks and toowit-toowoos.Woody the little fir tree is feeling very sorry for himself, bemoaning the fact that all ofhis leafy friends have been taken by the townspeople for their Christmas festivities andeven the late arrival of Jack Frost, a most exuberant character, finds it difficult to lift ourlittle friend’s spirit with his cheerful banter. And so our fir tree resigns himself to make the best of Christmas Eve as allthe forest creatures hurry off home to prepare for the coming celebrations. However,things take a sudden turn when he overhears the fox and weasel devising a cunning planto make a pile of money, by going into the ‘Wholesale Toy Business’. Of course when others hear about the plan, Woody becomes nominated tosave Christmas and sets out on his adventure, with a little help from the Christmas Fairy,Snowy White the snowman and Gordon the Garden Gnome, along with other forestfriends. Needless to say Foxy and Weazy get their just deserts, but just how this comesabout, will have to remain a secret until ............This album includes the Piano & Vocal Score along with the full Libretto.For full information please see my website:- https://www.tynemusic.com/woody’s-christmas-adventureP.S. Owing to the high cost in orchestration The music is only available as a piano score with lyrics and chords. However this is reflected in the price. You would have to add your own instrumentation, but this would be an excellent opportunity for any up and coming senior music student to take on.SONG TITLES1) Christmas is Coming2) Mister Snow3) Little Fir Tree4) Snowy White5) A Very Merry Christmas5) Snowflakes (dance)6) Mister Santa Claus7) Christmas is Here
$43.00 ≈
38.73€
Theme From "New York, New York"
Theme From "New York, New York"
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String Trio: 2 violins, cello
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INTERMEDIATE/ADVANCED
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Frank Sinatra
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Sarah Cellobat Chaffee
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Theme From "New York, New York
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Sarah Cellobat Chaffee
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SheetMusicPlus
String Trio Cello,Violin - Level 4 - Digital Download SKU: A0.1419194 By Frank Sinatra. By Fred Ebb and John Kander. Arranged by Sarah Cellobat Chaffee. ...
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String Trio Cello,Violin - Level 4 - Digital Download SKU: A0.1419194 By Frank Sinatra. By Fred Ebb and John Kander. Arranged by Sarah Cellobat Chaffee. Broadway,Film/TV,Jazz,Musical/Show,Pop,Standards. 12 pages. Sarah Cellobat Chaffee #1000626. Published by Sarah Cellobat Chaffee (A0.1419194). *INSTRUMENTATION: 2 VIOLINS & CELLO*New York, New York is really a song that needs no introduction! Written as the theme for the Martin Scorsese film of the same name in 1977, the song was originally performed by Liza Minnelli, and her version received a Golden Globe nomination that year. However, it didn't really become a mainstream hit until 1978, when Frank Sinatra included it in his performances at Radio City Music Hall; his version quickly became a massive success, and it's now considered one of his signature songs. To this day, it's still one of the best-known songs of all time about New York City, and it's been included in AFI's list of the top 100 songs in American cinema -- so you can't go wrong adding this one to your gig books! This Cellobat arrangement for your two-violin and cello trio features the soaring melodies, catchy big-band horn riffs, fun jazz harmonies, and feel-good vibe of the original for a chart your group will love to play...and you're sure to get your audience singing along, too! Rated advanced-intermediate for a few tricky rhythms and accidentals; this will be playable for more advanced students and sightreadable for professionals.Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat.
$14.99 ≈
13.50€
Theme From "new York, New York"
Theme From "new York, New York"
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE/ADVANCED
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Frank Sinatra
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Sarah Cellobat Chaffee
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Theme From "new York, New York
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Sarah Cellobat Chaffee
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1250755 By Frank Sinatra. By Fred Ebb and John Kander. Arranged by ...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1250755 By Frank Sinatra. By Fred Ebb and John Kander. Arranged by Sarah Cellobat Chaffee. Film/TV,Jazz,Pop,Standards. 16 pages. Sarah Cellobat Chaffee #845029. Published by Sarah Cellobat Chaffee (A0.1250755). New York, New York is really a song that needs no introduction! Written as the theme for the Martin Scorsese film of the same name in 1977, the song was originally performed by Liza Minnelli, and her version received a Golden Globe nomination that year. However, it didn't really become a mainstream hit until 1978, when Frank Sinatra included it in his performances at Radio City Music Hall; his version quickly became a massive success, and it's now considered one of his signature songs. To this day, it's still one of the best-known songs of all time about New York City, and it's been included in AFI's list of the top 100 songs in American cinema -- so you can't go wrong adding this one to your gig books! This Cellobat arrangement for your string quartet features the soaring melodies, catchy big-band horn riffs, fun jazz harmonies, and feel-good vibe of the original for a chart your group will love to play...and you're sure to get your audience singing along, too! Rated advanced-intermediate for a few tricky rhythms and accidentals; this will be playable for more advanced students and sightreadable for professionals.Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat.
$16.99 ≈
15.30€
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