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You've selected:
VARIATION 25
Sheetmusic to print
77 sheet music found
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1
26
51
76
VARIATION 25 (from the GOLDBERG VARIATIONS)
VARIATION 25 (from the GOLDBERG VARIATIONS)
#
Chamber Orchestra
#
INTERMEDIATE/ADVANCED
#
Classical
#
Johann Sebastian Bach
#
Stanley M
#
VARIATION 25
#
stanleymhoffman.com
#
SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.924813 Composed by Johann Sebastian Bach. Arranged by Stanley M. Hoffman. Baroque. Score and parts...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.924813 Composed by Johann Sebastian Bach. Arranged by Stanley M. Hoffman. Baroque. Score and parts. 18 pages. Stanleymhoffman.com #3911845. Published by stanleymhoffman.com (A0.924813). This arrangement of VARIATION 25 from J. S. Bach's GOLDBERG VARIATIONS is transposed to the key of A minor to make it playable by the solo violin, and more easily playable by all performers. Duration: 12:00 with repeats.
$10.00 ≈
9.15€
Bach-Goldberg Variation.25(Piano solo)
Bach-Goldberg Variation.25(Piano solo)
#
Piano solo
#
INTERMEDIATE
#
Classical
#
Johann Sebastian Bach
#
MPS
#
Bach-Goldberg Variation.25(Pia
#
Classic Piano sheetz
#
SheetMusicPlus
Small Ensemble - Level 3 - Digital Download SKU: A0.657658 Composed by Johann Sebastian Bach. Arranged by MPS. Baroque. Score and parts. 4 pages. Classic...
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Small Ensemble - Level 3 - Digital Download SKU: A0.657658 Composed by Johann Sebastian Bach. Arranged by MPS. Baroque. Score and parts. 4 pages. Classic Piano sheetz #6235115. Published by Classic Piano sheetz (A0.657658). Bach-Goldberg Variation.25(Piano solo).
$1.99 ≈
1.82€
Lullaby Variation (For Viola and Piano)
Lullaby Variation (For Viola and Piano)
#
Viola, Piano
#
INTERMEDIATE/ADVANCED
#
Jun-Hee Lim
#
Han-Ki Kim
#
Lullaby Variation
#
Han-Ki Kim
#
SheetMusicPlus
Instrumental Solo,Piano,Viola da gamba - Level 4 - Digital Download SKU: A0.1129054 Composed by Jun-Hee Lim. Arranged by Han-Ki Kim. Children,Classical,C...
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Instrumental Solo,Piano,Viola da gamba - Level 4 - Digital Download SKU: A0.1129054 Composed by Jun-Hee Lim. Arranged by Han-Ki Kim. Children,Classical,Contemporary,Instructional,Romantic Period. Score and individual part. 12 pages. Han-Ki Kim #729579. Published by Han-Ki Kim (A0.1129054). Adapted melodie for this music is the theme of the art song Star Keeper(Poem by “Gye-seok Takâ€) composed by “Junhee Limâ€. So far, melodic line is concerned, mostly the Korean pentatonic scale “Do re mi so la†is used. The overall framework is an introduction/theme and three variations/cadenza/finale/end. Through the theme, it creates a musical updraft up to the second variation, and in the third variation, a relaxed atmosphere, and then a cadenza singing a conversation between a mother who sings a lullaby and a baby who is enjoying her dream comes out. The figure of the mother is the theme melody played with the G string, and the figure of the child is the cheerful high notes composed of the first five notes of the theme, “Mi Re Do Re Mi.†It then ends with a brilliant finale and a short conclusion. Attached Music file and Shown YouTube Link(Fast-forward to 25:55) is played by Vn and Piano, it's just jor a reference.
$5.20 ≈
4.76€
Grace and Truth Came by Jesus Christ (variation 1)
Grace and Truth Came by Jesus Christ (variation 1)
#
Flute
#
ADVANCED
#
Edigles Guedes
#
Grace and Truth Came by Jesus
#
Edigles Guedes
#
SheetMusicPlus
Flute Solo - Level 5 - Digital Download SKU: A0.1001299 Composed by Edigles Guedes. Christian,Contemporary,Instructional,Spiritual. Individual part. 2 pa...
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Flute Solo - Level 5 - Digital Download SKU: A0.1001299 Composed by Edigles Guedes. Christian,Contemporary,Instructional,Spiritual. Individual part. 2 pages. Edigles Guedes #6474797. Published by Edigles Guedes (A0.1001299). The present musical piece is a compositional study. Don't listen to the sound of the flute, just float between the musical notes and navigate the world beyond. Let your imagination run free. Duration of work: 02:25 min. Inspired by the biblical verse: For the law was given by Moses, but grace and truth came by Jesus Christ. (John 1:17 - KJV).
$1.99 ≈
1.82€
Etude 1.0 + 1.5 for Piano Solo from 25 Etudes using Symmetry, Mirroring and Intervals
Etude 1.0 + 1.5 for Piano Solo from 25 Etudes using Symmetry, Mirroring and Intervals
#
Piano solo
#
INTERMEDIATE/ADVANCED
#
Michael Bomier
#
Etude 1.0 + 1.5 for Piano Solo
#
Michael Butkus-Bomier
#
SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.862546 Composed by Michael Bomier. Contemporary,Instructional,Standards. Score. 4 pages. Michael Butkus-B...
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Piano Solo - Level 4 - Digital Download SKU: A0.862546 Composed by Michael Bomier. Contemporary,Instructional,Standards. Score. 4 pages. Michael Butkus-Bomier #2034379. Published by Michael Butkus-Bomier (A0.862546). The figure of a whole-step and a minor third was the favorite tone-row motif for Anton Webern, a cell such as C-D-Eb, for instance. This piece does NOT have a serial sound, but uses this same configuration of tones, in its close form as the melody, and an with an open, inverted form as the accompaniment. Eventually both hands play both figures. The finale uses the same single tone anchoring device from the opening accompaniment, but in a majestic block chord sequence. The aim of this entire series has been to create as many varied kinds of music with as little variation in the musical materials as possible, all the while giving the pianist some specific technical and artistic demands to meet. Approx running time is 3 mins 30 secs. MBB.
$2.50 ≈
2.29€
25 Sketches - Theme with Variation
25 Sketches - Theme with Variation
#
Guitar
#
INTERMEDIATE
#
Mark Houghton
#
25 Sketches - Theme with Varia
#
Les Productions d'OZ - Digital
#
SheetMusicPlus
Guitar - Intermediate - Digital Download SKU: ZZ.DZ-2159 Composed by Mark Houghton. Score. 4 pages. Les Productions d'OZ - Digital #DZ 2159. Published by...
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Guitar - Intermediate - Digital Download SKU: ZZ.DZ-2159 Composed by Mark Houghton. Score. 4 pages. Les Productions d'OZ - Digital #DZ 2159. Published by Les Productions d'OZ - Digital (ZZ.DZ-2159). ISBN 9782897370763.
$3.95 ≈
3.61€
Prelude, Fugue and Variation
Prelude, Fugue and Variation
#
Saxophone Quintet: 5 Saxophones
#
Classical
#
Cesar Auguste Franck
#
Jean-Louis Couturier
#
21 (parts) pages
#
Prelude, Fugue and Variation
#
FLEX Editions - Digital Sheet Music
#
SheetMusicPlus
Composed by Cesar Auguste Franck (1822-1890). Arranged by Jean-Louis Couturier. Classical. Score and set of parts. 24 (score); 21 (parts) pages. Duration 11 min...
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Composed by Cesar Auguste Franck (1822-1890). Arranged by Jean-Louis Couturier. Classical. Score and set of parts. 24 (score); 21 (parts) pages. Duration 11 minutes, 25 seconds. Published by FLEX Editions - Digital Sheet Music (FX.FX073414). - score and set of parts - Classical - FLEX Editions - Digital Sheet Music
$19.95 ≈
18.25€
Ciacona - Theme & 22 Variations for Tuba Quartet
Ciacona - Theme & 22 Variations for Tuba Quartet
#
2 Euphoniums and 2 Tubas
#
ADVANCED
#
Classical
#
Johann Pachelbel
#
Frank LaFratta
#
Ciacona - Theme & 22 Variation
#
Cherry Classics Music
#
SheetMusicPlus
Tuba Quartet - Advanced - Digital Download Composed by Johann Pachelbel (1653-1706). Arranged by Frank LaFratta. Baroque Period, Renaissance, Early M...
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Tuba Quartet - Advanced - Digital Download Composed by Johann Pachelbel (1653-1706). Arranged by Frank LaFratta. Baroque Period, Renaissance, Early Music. Score, Set of Parts. 25 pages. Published by Cherry Classics Music
Ciacona (original key of F minor for organ) has been beautifully arranged for Tuba/Euphonium Quartet in G minor by Mark LaFratta. It is likely Pachelbel’s second most famous work, after the Kanon in D. As is typical for a Ciacona (Chaconne), there is a short simple tune in triple meter over a repeating bass ostinato that provides a vehicle for variation, ornamentation, and melodic invention and is somewhat similar to a passacaglia. There is a passage or two that even have hints of Bach's great Passacaglia, which didn't appear for many years in the future.
Pachelbel's Ciacona states an opening theme followed by 22 variations, the last of which is an almost exact repeat of the opening theme.
This fantastic 8-minute arrangement is appropriate for advanced performers and is scored for 2 Euphoniums and 2 Tubas.
$25.00 ≈
22.86€
Chaccone for Trombone Quartet
Chaccone for Trombone Quartet
#
Brass Quartet: 4 trombones
#
ADVANCED
#
Classical
#
Johann Pachelbel
#
Mark LaFratta
#
Chaccone for Trombone Quartet
#
Cherry Classics Music
#
SheetMusicPlus
Trombone Quartet Ensemble - Advanced - Digital Download Composed by Johann Pachelbel (1653-1706). Arranged by Mark LaFratta. Classical Period, Baroque ...
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Trombone Quartet Ensemble - Advanced - Digital Download Composed by Johann Pachelbel (1653-1706). Arranged by Mark LaFratta. Classical Period, Baroque Period, Renaissance. Score, Set of Parts. 25 pages. Published by Cherry Classics Music
Ciacona (original key of F minor for organ) has been beautifully arranged for trombone quartet in C minor by Mark LaFratta. It is probably Pachelbel’s second most famous work, after the Kanon in D. As is typical for a Ciacona (Chaconne), there is a short simple tune in triple meter over a repeating bass ostinato that provides a vehicle for variation, ornamentation, and melodic invention. It is somewhat similar to a passacaglia. There is a passage or two that even have hints of Bach's great Passacaglia, which didn't appear for many years in the future.
Pachelbel's Ciacona states an opening theme followed by 22 variations, the last of which is an almost exact repeat of the opening theme.
This fantastic 8-minute arrangement is appropriate for advanced performers and is scored for: alto trombone, 2 tenor trombones, and a bass trombone
$25.00 ≈
22.86€
Op. 3 Variations on "St. Denio"
Op. 3 Variations on "St. Denio"
#
Organ
#
INTERMEDIATE
#
Matthew Alan Edwards
#
Matthew Alan Edwards
#
Op. 3 Variations on "St. Denio
#
Matthew Alan Edwards
#
SheetMusicPlus
Organ - Level 3 - Digital Download SKU: A0.898550 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. 20th Century,Concert,Contemporary,S...
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Organ - Level 3 - Digital Download SKU: A0.898550 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. 20th Century,Concert,Contemporary,Sacred. Score. 9 pages. Matthew Alan Edwards #4266089. Published by Matthew Alan Edwards (A0.898550). Now offering 25% off my SMP price at MatthewAlanEdwards.com/op-3 !Immortal, invisible, God only wise describes God’s omnipresence and omniscience, with His hand present in all things on earth in all aspects of life. The four variations follow the four verses of text written by Walter Chalmers Smith (1824-1908) as found in the Hymnal 1982. I leave it to your artistic imagination to interpret how the melodies and harmonies of each variation paint the text. Much like my Opus 2 (Partita Vom Himmel hoch), this set of variations was initially conceived as an improvisation. As such, some rubato should be employed in performance. Registration suggestions are indicated in the score though are by no means binding. To maintain the atmosphere of wonderment established by the first variation, the tempo of the final variation should not be too fast.
$5.99 ≈
5.48€
Variations on a Theme by Sor (Violin and Guitar) - Score and Parts
Variations on a Theme by Sor (Violin and Guitar) - Score and Parts
#
Violin, Guitar (duet)
#
INTERMEDIATE/ADVANCED
#
Contemporary
#
Kevin Love
#
Segovia No
#
Variations on a Theme by Sor
#
Kevin Edward Love
#
SheetMusicPlus
Instrumental Duet Guitar,Instrumental Duet,Violin - Level 4 - Digital Download SKU: A0.752965 Composed by Kevin Love. Classical,Contemporary. Score and p...
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Instrumental Duet Guitar,Instrumental Duet,Violin - Level 4 - Digital Download SKU: A0.752965 Composed by Kevin Love. Classical,Contemporary. Score and parts. 25 pages. Kevin Edward Love #40889. Published by Kevin Edward Love (A0.752965). These variations are based on the famous B Minor study by Fernando Sor (Op. 35, No.22; Segovia No. 5). The haunting theme is ideal for the violin and is set off by simple arpeggios in the guitar part. The first variation will really wake everybody up and the second variation in B major reveals the sunny side of this melody. The last variation considers what may have happened if Sor met Villa-Lobos.
$13.50 ≈
12.35€
Variations on a Theme by Sor (Cello and Guitar) - Score and Parts
Variations on a Theme by Sor (Cello and Guitar) - Score and Parts
#
Cello, Guitar (duet)
#
INTERMEDIATE/ADVANCED
#
Contemporary
#
Kevin Love
#
Segovia No
#
Variations on a Theme by Sor
#
Kevin Edward Love
#
SheetMusicPlus
Instrumental Duet Cello,Guitar,Instrumental Duet - Level 4 - Digital Download SKU: A0.752937 Composed by Kevin Love. Classical,Contemporary. Score and pa...
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Instrumental Duet Cello,Guitar,Instrumental Duet - Level 4 - Digital Download SKU: A0.752937 Composed by Kevin Love. Classical,Contemporary. Score and parts. 25 pages. Kevin Edward Love #37779. Published by Kevin Edward Love (A0.752937). These variations are based on the famous B Minor study by Fernando Sor (Op. 35, No.22; Segovia No. 5). The haunting theme is ideal for the cello and is set off by simple arpeggios in the guitar part. The first variation will really wake everybody up and the second variation in B major reveals the sunny side of this melody. The last variation considers what may have happened if Sor met Villa-Lobos.
$13.50 ≈
12.35€
Hybrid Studies
Hybrid Studies
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Piano solo
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ADVANCED
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Classical
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Hakan Ali Toker
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Hakan Ali Toker
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Hybrid Studies
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Hakan Ali Toker
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1285388 By Hakan Ali Toker. By Frederic F. Chopin. Arranged by Hakan Ali Toker. 19th Century,20th Century...
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Piano Solo - Level 5 - Digital Download SKU: A0.1285388 By Hakan Ali Toker. By Frederic F. Chopin. Arranged by Hakan Ali Toker. 19th Century,20th Century,Classical,Romantic Period. Score. 106 pages. Hakan Ali Toker #876505. Published by Hakan Ali Toker (A0.1285388). A set of 12 etudes, all based on music by Chopin. The first 10 etudes are created by cross-breeding music by Chopin with the work of another composer. The texture of one work has been applied to the harmony of another. The last two are created by a different approach: work by one composer has been recreated in the style of another. All based on ideas of Prof. Douglas HofstadterNo. 1: Texture of J. S. Bach's C Major Prelude BWV 846 from book I of the Well-tempered Clavier applied to the harmony of F. F. Chopin's C Major Etude Op. 10 no. 1No. 2: Vice versaNo. 3: Texture of J. S. Bach's ce minor Prelude BWV 847 from book I of the Well-tempered Clavier applied to the harmony of F. F. Chopin's c minor Etude Op. 25 no. 12Â No. 4: Vice versaNo. 5: Texture of F. F. Chopin's Etude Op. 10 No. 6 applied to the harmony of the composer's own Prelude in A Major Op. 28 no. 7No. 6: Variations on F. F. Chopin's Prelude in c minor Op. 28 no. 20, each variation based on a different etude by Chopin himselfNo. 7: Texture of F. F. Chopin's Etude in A Flat Major Op. 25 no.1 applied to the harmony and melody of F. Loewe's song I Could Have Danced All Night from My Fair LadyNo. 8: Texture of F. F. Chopin's Etude in C Major Op. 10 no.1 applied to the harmony of the the composer's own Etude in c minor Op. 25 no. 12No. 9: Vice VersaNo. 10: Texture of F. F. Chopin's Prelude in f# minor Op. 28 no. 8 and his Fantaisie-Impromptu in c# minor Op. 66 applied to the harmony and melody of A. DvorÌŒaÌk's Humoresque Op. 101 no. 7No. 11: S. S. Prokofiev's Waltz Op. 65 no. 6 in the style of F. ChopinNo. 12: F. F. Chopin's Waltz in f#minor Op. 69 no. 2 in the style of S. S. Prokofiev.
$20.00 ≈
18.29€
Op. 5 Aria: "Wachet auf, ruft uns die Stimme" (Vocal/Organ Score)
Op. 5 Aria: "Wachet auf, ruft uns die Stimme" (Vocal/Organ Score)
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Piano, Voice
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INTERMEDIATE/ADVANCED
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Matthew Alan Edwards
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Matthew Alan Edwards
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Op. 5 Aria: "Wachet auf, ruft
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Matthew Alan Edwards
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.898544 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Class...
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.898544 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Classical,Romantic Period,Sacred. Score. 7 pages. Matthew Alan Edwards #3555267. Published by Matthew Alan Edwards (A0.898544). Now offering 25% off my SMP price at MatthewAlanEdwards.com/op-5 !This aria on the chorale, Wachet auf, combines a lyrical instrumental line with an equally lyrical cantus firmus vocal line. The text provides inspiration for motivic variation in the accompaniment and variation of the original cantus firmus. Optional instrumental trio parts (S0.377285 and S0.377291) also available.Vocal range: C3-E4Duration: 4:15.
$2.99 ≈
2.73€
Op. 5 Aria: "Wachet auf, ruft uns die Stimme" (Chamber Conductor Score)
Op. 5 Aria: "Wachet auf, ruft uns die Stimme" (Chamber Conductor Score)
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Matthew Alan Edwards
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Matthew Alan Edwards
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Op. 5 Aria: "Wachet auf, ruft
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Matthew Alan Edwards
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SheetMusicPlus
Small Ensemble,Strings Organ,Voice - Level 4 - Digital Download SKU: A0.898545 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroqu...
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Small Ensemble,Strings Organ,Voice - Level 4 - Digital Download SKU: A0.898545 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Classical,Romantic Period,Sacred. Score and parts. 11 pages. Matthew Alan Edwards #3555273. Published by Matthew Alan Edwards (A0.898545). Now offering 25% off my SMP price at MatthewAlanEdwards.com/op-5 !This aria on the chorale, Wachet auf, combines a lyrical instrumental line with an equally lyrical cantus firmus vocal line. The text provides inspiration for motivic variation in the accompaniment and variation of the original cantus firmus. Optional organ accompaniment score (S0.377279) also available. Instrumental parts (S0.377291) sold separately.Vocal range: C3-E4Duration: 4:15.
$3.99 ≈
3.65€
Op. 5 Aria: "Wachet auf, ruft uns die Stimme" (Instrumental Parts)
Op. 5 Aria: "Wachet auf, ruft uns die Stimme" (Instrumental Parts)
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Matthew Alan Edwards
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Matthew Alan Edwards
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Op. 5 Aria: "Wachet auf, ruft
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Matthew Alan Edwards
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SheetMusicPlus
Small Ensemble Harpsichord,Organ,Voice - Level 4 - Digital Download SKU: A0.898546 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Ba...
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Small Ensemble Harpsichord,Organ,Voice - Level 4 - Digital Download SKU: A0.898546 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Classical,Romantic Period,Sacred. Score and parts. 6 pages. Matthew Alan Edwards #3555279. Published by Matthew Alan Edwards (A0.898546). Now offering 25% off my SMP price at MatthewAlanEdwards.com/op-5 !This aria on the chorale, Wachet auf, combines a lyrical instrumental line with an equally lyrical cantus firmus vocal line. The text provides inspiration for motivic variation in the accompaniment and variation of the original cantus firmus. Includes 1 Treble Instrument I part, 1 Treble Instrument II part, and 1 Basso Continuo part. Chamber conductor score (S0.377285) and vocal/organ scores (S0.377279) sold separately.Duration: 4:15.
$5.99 ≈
5.48€
Heavy Metal for Balinese gamelan and chamber ensemble
Heavy Metal for Balinese gamelan and chamber ensemble
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Christine Southworth
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Heavy Metal for Balinese gamel
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Airplane Ears Music
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SheetMusicPlus
Small Ensemble Bass Guitar,Violin - Level 4 - Digital Download SKU: A0.1013048 Composed by Christine Southworth. Contemporary,World. Score and parts. 76 ...
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Small Ensemble Bass Guitar,Violin - Level 4 - Digital Download SKU: A0.1013048 Composed by Christine Southworth. Contemporary,World. Score and parts. 76 pages. Airplane Ears Music #5802059. Published by Airplane Ears Music (A0.1013048). HEAVY METAL (2006, 18') for Balinese Gamelan Gong Kebyar, guitar, violin, bass, lyricon, and robotic instruments. Commissioned by the Boston Museum of Science with the support of NEFA and Meet the Composer. Premiered on Wednesday, January 25, 2006 at Cahner's Theater in the Boston Museum of Science as part of Music & The Invasion of Technology, performed by Gamelan Galak Tika, Blake Newman, Erik Nugent, Todd Reynolds, and Eddie Whalen. Heavy Metal represents a new kind of fusion, multi-dimensional, making connections across cultures acoustic and electronic, western and eastern, high and low, human and machine. The piece was written for Gamelan Galak Tika, a Balinese gamelan in residence at MIT that has worked with electric instruments many times in the past, but this is certainly the first time a traditional Balinese gamelan has shared the stage with robotic instruments. In other ways, though, there is something very natural about these combinations: they reflect the way we all experience music in the 21st century. It could also be argued that this is simply an extension of the way music has always progressed and changed, as Chinese shawms morphed into oboes, and exotic middle eastern percussion instruments, like the cymbal and triangle, worked their way into the symphony orchestra. Heavy Metal engages the full force of two ensembles, Galak Tika and Ensemble Robot, as well as a living history of electroacoustic instruments, from the vintage lyricon to the Whirlybot. The sounds implicit in both senses of the title find their way into new combinations of struck bronze and excitable circuitry. Heavy Metal is based on American hard rock music from the late 1970’s through the early 1990s. The idea started as a pun, because the keys of many Balinese gamelan instruments are made of metal, but when I began studying the melodic ideas and rhythms in heavy metal music, I found that they leant themselves very well to gamelan. The problem was that a gamelan has a very specific sound and limited timbral variation, the sounds of hit metal and skin. I feel that the sounds of the gamelan become much more interesting when combined with string sounds. Also, the gamelan uses a pentatonic scale so I am using western instruments and robots to expand the sound universe to a full spectrum. In this piece, the gamelan and the western/robotic instruments play separately – rhythmically they are together, and they are working through the same material at the same time, but the western instruments and robots do not play the 5 notes that the gamelan plays, and more often than not they stay out of that key (a variation of E Major, the gamelan tuning being C#, D#, E, G, and A) altogether. This creates a sense of two harmonic worlds co-existing and cooperating, the West and our technology with Bali and their technology, much more primitive but very powerful nonetheless.About the ComposerChristine Southworth (b. 1978) is a composer and video artist based in Lexington, Massachusetts, dedicated to creating music born from a cross-pollination of sonic ideas. Inspired by intersections of technology and art, nature and machines, and musics from cultures around the world, her music employs sounds from man and nature, from Van de Graaff Generators to honeybees, Balinese gamelan to seismic data from volcanoes. Website: www.kotekan.com
$25.00 ≈
22.86€
3. Sinfonie
3. Sinfonie
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Hans Werner Henze
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3. Sinfonie
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Schott Music - Digital
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SheetMusicPlus
Picc. · 2 · 2 · Engl. Hr. · 2 · Bassklar. · Tenorsax. · 2 · Kfg. - 4 · 4 · 3 · 1 - P. S. (Trgl. · hg. Beck. · Beckenpaar ...
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Picc. · 2 · 2 · Engl. Hr. · 2 · Bassklar. · Tenorsax. · 2 · Kfg. - 4 · 4 · 3 · 1 - P. S. (Trgl. · hg. Beck. · Beckenpaar · Tamt. · kl. Tr. · Rührtr. · gr. Tr. · Glsp. · Xyl. · Vibr.) (4 Spieler) - Hfe. · Cel. · Klav. - Str. large orchestra - Digital Download SKU: S9.Q2279 Composed by Hans Werner Henze. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 25 minutes. Schott Music - Digital #Q2279. Published by Schott Music - Digital (S9.Q2279). Dieses Stück habe ich 1949 komponiert mit dem Bestreben, den Begriff Sinfonik von der Vorstellung klassischer und romantischer Formen zu trennen. Der Hörer darf also hier nicht jene Elemente suchen wollen, die der Sinfonie des 19. Jahrhunderts eigen waren. Die Titel über den drei Teilen des Stücks haben keinen beschreibenden Charakter, sondern sind nur als Hinweise auf ihre musikalische Atmosphäre zu betrachten. Der 1. Teil beginnt mit einer Einleitung in ruhigem Zeitmaß, welcher eine lebhafte Passacaglia folgt, deren zweistimmige Bassfigur, zunächst vom Klavier vorgetragen, von Variation zu Variation durch verschiedene Instrumentengruppen in höhere Lagen gezogen wird, bei gleichzeitigem und regelmäßigem Sich-Steigern des Tempos, bis sie zum Schluss durch die hohen Violinen hindurch in das Anfangszeitmaß einmündet. Der 2. Teil beginnt in der Schluss-Stimmung des ersten und wechselt dann in eine vorwiegend von Blechbläsern getragene Periode von erregten Signalen und Rufen, welchen ein ruhiges, auf gleichmäßiger Achtelbewegung liegendes Andantino folgt, in dem Holzbläser, Harfe und Vibraphon konzertieren. Dieses Andantino wird in zwei Hälften geteilt durch einen Hymnus der Streicher und Bläser. Die zweite Hälfte des Andantino gleitet in einen stillen und aphoristischen Epilog über. Der 3. Teil ist eine lebhaft bewegte Folge kleiner Gruppen und Kurzmotive, deren formale Herkunft sich jeweils aus den rhythmischen und spannungsmäßigen Gegebenheiten des Vorhergegangenen erklärt. Kurz vor der Stretta liegt noch eine ruhige Strecke: Ein von Glockeninstrumenten umspielter Kanon der Violoncelli und Violinen. - Hans Werner Henze.
$35.99 ≈
32.92€
The Calm
The Calm
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Contemporary
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Elizabeth Biondolillo
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The Calm
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Elizabeth Biondolillo
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Marimba,Tenor Saxophone - Level 4 - Digital Download SKU: A0.993024 Composed by Elizabeth Biondolillo. 20th Century. ...
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Instrumental Duet Instrumental Duet,Marimba,Tenor Saxophone - Level 4 - Digital Download SKU: A0.993024 Composed by Elizabeth Biondolillo. 20th Century. Score and parts. 11 pages. Elizabeth Biondolillo #3677103. Published by Elizabeth Biondolillo (A0.993024). The Calm is a duet I wrote to be performed by a college friend and I for our senior recitals. Composed for tenor saxophone and marimba, it starts with a simple theme on the marimba. The tenor sax adds a countermelody, and the listener begins to hear variation upon variation of the original theme. I decided on a more classical form and style because of the amount of jazz repertoire already written for saxophone, and I love the kind of blend the tenor saxophone can get with marimba notes. Matthew 6:25-34
$9.99 ≈
9.14€
Just a Closer Walk with Thee - Theme and Variations
Just a Closer Walk with Thee - Theme and Variations
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Contemporary
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Don Bowyer (Sunway University)
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Just a Closer Walk with Thee -
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Dolphin Don's Music School
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SheetMusicPlus
Large Ensemble Bassoon,Clarinet,Flute,Oboe,Trombone,Tuba,Violin - Digital Download SKU: A0.990155 Arranged by Don Bowyer (Sunway University). Contemporar...
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Large Ensemble Bassoon,Clarinet,Flute,Oboe,Trombone,Tuba,Violin - Digital Download SKU: A0.990155 Arranged by Don Bowyer (Sunway University). Contemporary. Score and parts. 48 pages. Dolphin Don's Music School #6437925. Published by Dolphin Don's Music School (A0.990155). This piece was written in memory of my father, John Franklin Bowyer, who passed away on September 25, 2012. The work opens with a trombone statement of the melody, followed by an ensemble variation. Each of the seven members of the ensemble is the featured soloist on one the next seven variations, followed by a restatement of the ensemble variation. The piece closes with a vocal refrain accompanied by tuba, clarinet, and an improvised jazz trombone obbligato. The audience is encouraged to join the performers in singing.Just a closer walk with Thee,Grant it, Jesus, is my plea,Daily walking close to Thee,Let it be, dear Lord…
$18.99 ≈
17.37€
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