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Various composers Bass Flute
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You've selected:
Various composers Bass Flute
Sheetmusic to print
62 sheet music found
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51
Ave Verum Corpus - Mozart - Flute Choir Quartet - (2 Flutes, Alto Flute and Bass Flute) - Intermedia
Ave Verum Corpus - Mozart - Flute Choir Quartet - (2 Flutes, Alto Flute and Bass Flute) - Intermedia
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Flute Quartet: 4 flutes
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INTERMEDIATE
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Classical
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Wolfgang Amadeus Mozart
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Raymond Fenech
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Ave Verum Corpus - Mozart - Fl
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Raymond Fenech
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Flute - Level 3 - Digital Download SKU: A0.760689 Composed by Wolfgang Amadeus Mozart. Arranged by Raymond Fenech. Chr...
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Woodwind Ensemble,Woodwind Quartet Flute - Level 3 - Digital Download SKU: A0.760689 Composed by Wolfgang Amadeus Mozart. Arranged by Raymond Fenech. Christmas,Classical,Contemporary,Easter,Spiritual. 11 pages. Raymond Fenech #5793245. Published by Raymond Fenech (A0.760689). Ave verum corpus is a short Eucharistic hymn that has been set to music by various composers. It dates from the 14th century and has been attributed to Pope Innocent VI. This composition is by Wolfgang Amadeus Mozart (1756 – 1791).
$5.99
Bach: Jesu, Joy of Man's Desiring for Flute Choir
Bach: Jesu, Joy of Man's Desiring for Flute Choir
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Flute ensemble
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INTERMEDIATE
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J
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James M
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Bach: Jesu, Joy of Man's Desir
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.548649 Composed by J. S. Bach, 1685 - 1750. Arranged by James M. Guthrie, ASCAP. Christmas,E...
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.548649 Composed by J. S. Bach, 1685 - 1750. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Wedding. 34 pages. Jmsgu3 #3407871. Published by jmsgu3 (A0.548649). Jesu, Joy of Man's Desiring from Bach's Cantata 147, arranged for flute choir: piccolo, 3 flutes, alto flute, bass flute, double contrabass flute (optional) and cello (optional). Score: 19 pg. Parts: 2 pg. Duration with optional repeat: 7:36 Jesu, Joy of Man’s Desiring Bach composed a cantata called Herz und Mund und Tat und Leben. Though it is the 32nd cantata, it is listed as BWV 147. Jesu, Joy of Man’s Desiring is the 10th movement of the cantata. It was customary to use previous melodies as a basis for a new work - a practice called Cantus prius factus. So, the chorale melody for this piece is a historic tune called Werde munter, mein Gemüthe. Jesu, Joy of Man’s Desiring is customarily performed at weddings, and during major church seasons such as Easter and Christmas. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, in addition to his complete mastery of counterpoint and motivic development, his sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
$49.95
Variations on O Come all ye faithful (Adeste fideles) for flute quartet (mp3)
Variations on O Come all ye faithful (Adeste fideles) for flute quartet (mp3)
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Flute Quartet: 4 flutes
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INTERMEDIATE/ADVANCED
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Budapest Scoring
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David Warin Solomons
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Variations on O Come all ye fa
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David Warin Solomons
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SheetMusicPlus
Level 4 - Digital Download SKU: A0.1136494 By Budapest Scoring. By Traditional. Arranged by David Warin Solomons. Christmas,Classical. Full Performance. ...
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Level 4 - Digital Download SKU: A0.1136494 By Budapest Scoring. By Traditional. Arranged by David Warin Solomons. Christmas,Classical. Full Performance. Duration 206. David Warin Solomons #736493. Published by David Warin Solomons (A0.1136494). Based on a Christmas carol composed/arranged by various composers including King John IV of Portugal (1604–1656) and John Francis Wade (1711–1786) but probably going back to much earlier times. My variations are as follows: Verse 1: 4 time, major mode, tune on flute 1 (Wade's harmonisation) Verse 2: 4 time, minor mode, decorated tune on flute 1 Verse 3: 3 time, major mode, tune on alto flute Verse 4: 3 time, minor mode, tune on bass flute Verse 5: 4 time, major mode, tune on flute 2 O come, all ye faithful, joyful and triumphant! O come ye, O come ye to Bethlehem; Come and behold him Born the King of Angels: O come, let us adore Him, (3×) Christ the Lord. God of God, light of light, Lo, he abhors not the Virgin's womb; Very God, begotten, not created: O come, let us adore Him, (3×) Christ the Lord. Sing, choirs of angels, sing in exultation, Sing, all ye citizens of Heaven above! Glory to God, glory in the highest: O come, let us adore Him, (3×) Christ the Lord. Yea, Lord, we greet thee, born this happy morning; Jesus, to thee be glory given! Word of the Father, now in flesh appearing! O come, let us adore Him, (3×) Christ the Lord. Performed by Anita Szabó Ildikó Szabady Iza Nagy Boglárka Dávid.
$4.50
Bach-Gounod: Ave Maria for Bass Flute & Piano
Bach-Gounod: Ave Maria for Bass Flute & Piano
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Flute and Piano
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INTERMEDIATE
#
Bach-Gounod
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James M
#
Piano
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Bach-Gounod: Ave Maria for Bas
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jmsgu3
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SheetMusicPlus
Bass Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.549355 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Co...
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Bass Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.549355 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and individual part. 11 pages. Jmsgu3 #3490019. Published by jmsgu3 (A0.549355). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Violin & Piano. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
Christmas Jazz for Flute Volume 1; 5 Christmas/Holiday pieces in Jazz Styles (also Funk, and Ballad). Includes Demo and Backing Tracks for FREE via details on printout after ordering
Christmas Jazz for Flute Volume 1; 5 Christmas/Holiday pieces in Jazz Styles (also Funk, and Ballad). Includes Demo and Backing Tracks for FREE via details on printout after ordering
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Flute and Piano
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INTERMEDIATE
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Christmas
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Chris Lawry, Keri Degg
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Christmas Jazz for Flute Volum
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SheetMusicPlus
Piano Accompaniment, Flute - Intermediate - Digital Download Arranged by Chris Lawry, Keri Degg. Jazz, Blues, Swing, Smooth Jazz, Christmas. Set of P...
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Piano Accompaniment, Flute - Intermediate - Digital Download Arranged by Chris Lawry, Keri Degg. Jazz, Blues, Swing, Smooth Jazz, Christmas. Set of Parts. 43 pages. Published by Masquerade Music
A Collection of five fabulous arrangements for flute and Piano by Chris Lawry and Keri Degg. The pack includes inventive and original ideas from the two composers/arrangers and include an accessible written out 'sax solo-type' section in each. With various styles covered (including Funk, smooth jazz, ballad, and even 5/4 time!) this is a bargain pack for the flautist. The pieces are accessible, and even the most challenging are only around grade 6 standard, so they are easy enough to practice up with limited time available. The pack is also available in Eb Saxophone, Bb Clarinet, and Bb Saxophone editions.
Free demo, and backing tracks with enhanced instruments added (drum kit, bass, bells etc as on the demo mp3) can be requested after purchasing by contacting the publisher (the details are printed on the sheet music, which you'll see once you've bought/printed it out - and requires the following information; 1.Order date, 2. Product and instrument, 3. Your location - eg state AND country).
$12.50
Bach: Wachet auf for Bass Flute & Piano
Bach: Wachet auf for Bass Flute & Piano
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Classical
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Johann Sebastian Bach
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James M
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#
Bach: Wachet auf for Bass Flut
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jmsgu3
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SheetMusicPlus
Bass Flute,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.549846 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Ba...
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Bass Flute,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.549846 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and individual part. 12 pages. Jmsgu3 #3554877. Published by jmsgu3 (A0.549846). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
Westerly for flute, violin and string orchestra (SCORE and PARTS)
Westerly for flute, violin and string orchestra (SCORE and PARTS)
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David Warin Solomons
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Westerly for flute, violin and
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David Warin Solomons
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SheetMusicPlus
Cello,Double Bass,Flute,Viola,Violin - Level 4 - Digital Download SKU: A0.576980 Composed by David Warin Solomons. 20th Century,Contemporary,Multicultura...
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Cello,Double Bass,Flute,Viola,Violin - Level 4 - Digital Download SKU: A0.576980 Composed by David Warin Solomons. 20th Century,Contemporary,Multicultural,World. 64 pages. David Warin Solomons #566725. Published by David Warin Solomons (A0.576980). Westerly is inspired by the old English folk song Westron Wynde and by the Renaissance masses based on that folk song It is an expanded version of Celebration originally written for James Pellerite and his North American Native flute [NAF] In order to make the piece accessible to a wider range of performers this version uses a concert flute, with wider range and with just a few of the NAF decorations, and the violin solo part has also been expanded, resulting in a miniature Double Concerto. Â Westerly uses four distinct themes and weaves them into a joyful whole. Â The flute soloist introduces himself with the traditional call of the North American Native flute (a repeated minor third phrase), which reappears from time to time in the rest of the piece, and then embarks upon a sort of jig in E flat major (second theme). The violin soloist copies these flute phrases but then introduces the third theme of the work in the related key of C minor, and the string orchestra comes in. Â This third tune is based on the old Westron Wynde melody but it uses an unusual rhythm (3 3 2) and the excitement gradually begins to mount. Â So the two soloists rhapsodise on the various tunes and permutations along with the orchestral strings, mixing the various tunes together. Â In due course the fourth theme comes in, and it is quite surprising how it fits in with the E flat major - C minor interplay, since it is merely a 12 tone row. It follows some of the traditions of the 20th Century atonal composers, but, due to the context in which it is set, it takes on a warmth seldom found in atonal music. The pdf file contains score and parts.
$17.00
Westerly for flute, violin and string orchestra (SCORE only)
Westerly for flute, violin and string orchestra (SCORE only)
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David Warin Solomons
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Westerly for flute, violin and
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David Warin Solomons
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SheetMusicPlus
Cello,Double Bass,Flute,Viola,Violin - Level 4 - Digital Download SKU: A0.576981 Composed by David Warin Solomons. 20th Century,Contemporary,Multicultura...
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Cello,Double Bass,Flute,Viola,Violin - Level 4 - Digital Download SKU: A0.576981 Composed by David Warin Solomons. 20th Century,Contemporary,Multicultural,World. 27 pages. David Warin Solomons #566727. Published by David Warin Solomons (A0.576981). Westerly is inspired by the old English folk song Westron Wynde and by the Renaissance masses based on that folk song It is an expanded version of Celebration originally written for James Pellerite and his North American Native flute [NAF] In order to make the piece accessible to a wider range of performers this version uses a concert flute, with wider range and with just a few of the NAF decorations, and the violin solo part has also been expanded, resulting in a miniature Double Concerto. Â Westerly uses four distinct themes and weaves them into a joyful whole. The flute soloist introduces himself with the traditional call of the North American Native flute (a repeated minor third phrase), which reappears from time to time in the rest of the piece, and then embarks upon a sort of jig in E flat major (second theme). The violin soloist copies these flute phrases but then introduces the third theme of the work in the related key of C minor, and the string orchestra comes in. Â This third tune is based on the old Westron Wynde melody but it uses an unusual rhythm (3 3 2) and the excitement gradually begins to mount. Â So the two soloists rhapsodise on the various tunes and permutations along with the orchestral strings, mixing the various tunes together. Â In due course the fourth theme comes in, and it is quite surprising how it fits in with the E flat major - C minor interplay, since it is merely a 12 tone row. It follows some of the traditions of the 20th Century atonal composers, but, due to the context in which it is set, it takes on a warmth seldom found in atonal music.
$10.00
Bach-Gonoud: Ave Maria, Schwencke version for Bass Flute & Piano
Bach-Gonoud: Ave Maria, Schwencke version for Bass Flute & Piano
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J
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James M
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Bach-Gonoud: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Bass Flute,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.550921 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Chri...
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Bass Flute,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.550921 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christian,Christmas,Concert,Easter,Standards. Score and individual part. 12 pages. Jmsgu3 #4888307. Published by jmsgu3 (A0.550921). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Register for free lifetime updates and revisions at www.jamesguthrie.comAve MariaAve Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.Bach OverviewFirst of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. HistoryBach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer. StyleIt seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top.Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. VoyagerNASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach that all the others combined.
$27.95
Piece en Forme de Habanera (Soloist and Concert Band): String Bass
Piece en Forme de Habanera (Soloist and Concert Band): String Bass
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Concert band
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Classical
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Maurice Ravel
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David Marlatt
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Piece en Forme de Habanera
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - Digital Download SKU: AX.81-PC-0000010_SB String Bass. Composed by Maurice Ravel. Arranged by David Marlatt. Classical. Part. 2 pag...
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Concert Band - Digital Download SKU: AX.81-PC-0000010_SB String Bass. Composed by Maurice Ravel. Arranged by David Marlatt. Classical. Part. 2 pages. Alfred Music - Digital Sheet Music #81-PC-0000010_SB. Published by Alfred Music - Digital Sheet Music (AX.81-PC-0000010_SB). ISBN 9781554732425. UPC: 685462012435.This short piece was originally written for low voice and piano as one of a series of studies by contemporary composers for use in voice classes at the Paris Conservatoire. It was subsequently arranged in various instrumental versions, including one for saxophone and piano, under the title Pièce en forme de habanera.Solo parts are available for Flute, Oboe, Clarinet, Alto Saxophone, Trumpet and Bassoon/Baritone.
$3.00
Ave Verum Corpus - Woodwind Quartet - Intermediate level
Ave Verum Corpus - Woodwind Quartet - Intermediate level
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Flute, Oboe, Clarinet, Bassoon
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INTERMEDIATE
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Classical
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Wolfgang Amadeus Mozart
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Raymond Fenech
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Ave Verum Corpus - Woodwind Qu
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Raymond Fenech
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.760725 Composed by Wolfgang Amadeus Mozart. Arranged ...
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.760725 Composed by Wolfgang Amadeus Mozart. Arranged by Raymond Fenech. Christmas,Classical,Contemporary,Easter,Sacred. 11 pages. Raymond Fenech #5865955. Published by Raymond Fenech (A0.760725). Ave verum corpus is a short Eucharistic hymn that has been set to music by various composers. It dates from the 14th century and has been attributed to Pope Innocent VI. This composition is by Wolfgang Amadeus Mozart (1756 – 1791). The duration is 2.43 minutes and it is an Intermediate level piece.
$5.99
Ave Verum Corpus - Mozart - Woodwind Quartet - Intermediate
Ave Verum Corpus - Mozart - Woodwind Quartet - Intermediate
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Flute, Oboe, Clarinet, Bassoon
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INTERMEDIATE
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Classical
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Wolfgang Amadeus Mozart
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Raymond Fenech
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Ave Verum Corpus - Mozart - Wo
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Raymond Fenech
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.760744 Composed by Wolfgang Amadeus Mozart. Arranged ...
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.760744 Composed by Wolfgang Amadeus Mozart. Arranged by Raymond Fenech. Christmas,Classical,Contemporary,Easter,Sacred. 11 pages. Raymond Fenech #5870071. Published by Raymond Fenech (A0.760744). Ave verum corpus is a short Eucharistic hymn that has been set to music by various composers. It dates from the 14th century and has been attributed to Pope Innocent VI. This composition is by Wolfgang Amadeus Mozart (1756 – 1791). The duration is 2.43 minutes and it is an Intermediate level piece.
$5.99
Music for Four, Volume 2, Part 4 - Bass Clarinet 70243DD
Music for Four, Volume 2, Part 4 - Bass Clarinet 70243DD
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Clarinet Quartet: 4 clarinets
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ADVANCED
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Various
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Daniel Kelley
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Music for Four, Volume 2, Part
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Last Resort Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 5 - Digital Download SKU: A0.530270 Composed by Various. Arranged by Daniel Kelley. 20th Century,Baro...
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 5 - Digital Download SKU: A0.530270 Composed by Various. Arranged by Daniel Kelley. 20th Century,Baroque,Classical,Romantic Period,Wedding. 43 pages. Last Resort Music Publishing #3221037. Published by Last Resort Music Publishing (A0.530270). Part 4 for Bass Clarinet in Bb - 25 Masterful arrangements for quartet with flexible instrumentation including composers like Bach, Beethoven, Chopin, Franck, Purcell, Mendelssohn and more! A must have for any quartet! Perfect for String Quartet or Wind Quartet or Piano Quartet or 4 Clarinets & more! The keyboard/guitar part encompasses parts 2, 3 and 4. Therefore, the arrangements could be played as a piano quartet, or an entire quartet could play with a pianist - as long as Part 1 is being played.Table of ContentsArioso from Cantata #156 (Bach) Allegro, Adagio & Finale from Brandenburg Concerto #6 in Bb Major (Bach) My Heart Ever Faithful from Cantata #68 (Bach) Sheep May Safely Graze from Cantata #208 (Bach) Adagio from Piano Sonata #8, Op. 13 Pathetique (Beethoven) Ode to Joy from Symphony #9 (Beethoven) Nocturne from String Quartet #2 in D Major (Borodin) Prelude from Op. 28, #4 (Chopin) Prelude from Op. 28, #15 (Chopin) Pavane from Op. 50 (Faure) Panis Angelicus from Messe Solonnelle, Op. 12 (Franck) La Rejouissance from The Fireworks Music (Handel) Andante from String Quartet in F Major, Op. 3, #15 (Haydn) Wedding March from A Midsummer Night's Dream (Mendelssohn) Rondeau from Sinfonies de Fanfares (Mouret) Andante from K. 316 for Flute and Orchestra (Mozart) Crisantemi (Puccini) Trumpet Tune (Purcell) Ave Maria (Schubert) Am Camin from Kinderscenen, Op. 15, #8 (Schumann) Traumerei from Kinderscenen, Op. 15, #7 (Schumann) Romeo and Juliet Love Theme from Overture-Fantasy (Tschaikovsky) Allegro from Violin Concerto in E Major, Op. 8 #1 - Spring (Vivaldi)www.lastresortmusic.com
$18.50
Variations on O Come all ye faithful (Adeste fideles) for wind quartet
Variations on O Come all ye faithful (Adeste fideles) for wind quartet
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Flute, Oboe, Clarinet, Bassoon
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INTERMEDIATE
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John Francis Wade
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David Warin Solomons
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Variations on O Come all ye fa
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David Warin Solomons
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 3 - Digital Download SKU: A0.580757 Composed by John Francis Wade. Arranged by David Warin Solomons. 20th Cent...
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Woodwind Ensemble,Woodwind Quartet - Level 3 - Digital Download SKU: A0.580757 Composed by John Francis Wade. Arranged by David Warin Solomons. 20th Century,Christian,Christmas,Contemporary. 13 pages. David Warin Solomons #6072355. Published by David Warin Solomons (A0.580757). Based on a Christmas carol composed/arranged by various composers including King John IV of Portugal (1604–1656) and John Francis Wade (1711–1786) but probably going back to much earlier times. My variations are as follows:
$10.00
2 pontos
2 pontos
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Clarinet, Bassoon (duet)
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Contemporary
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Sergio Roberto de Oliveira
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2 pontos
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Sergio Roberto de Oliveira
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SheetMusicPlus
Instrumental Duet Bassoon,Clarinet,Instrumental Duet - Digital Download SKU: A0.962314 Composed by Sergio Roberto de Oliveira (1970 - 2017). 20th Century...
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Instrumental Duet Bassoon,Clarinet,Instrumental Duet - Digital Download SKU: A0.962314 Composed by Sergio Roberto de Oliveira (1970 - 2017). 20th Century,Contemporary. Score and parts. 19 pages. Sergio Roberto de Oliveira #3074223. Published by Sergio Roberto de Oliveira (A0.962314). Falls House Press has published his works Faces and Mot pour Laura in the United States. Various articles in specialized journals and sites have cited the composer, such as the Flutist Quarterly (Circus Brasilis - The flute music of Sergio Roberto de Oliveira), Early Music America (Something New for Early Music), Andante.com (The heirs of Villa-Lobos), 21st Century Music, Musicabrasileira.org, etc. Sergio Roberto de Oliveira has frequently been invited to lecture at American universities, and has spoken at more than a dozen institutions including Princeton and Duke. In 2009 he was Artist-in-Residence at Duke University. In addition the USA and the UK, Oliveira's music has also been played in many countries, with invitations for concerts exclusively with his music in México, Italy and Holland (Amsterdam). The Spanish Magazine Sonograma has published 2 interviews with Sergio.Sergio is the founder and a member of the group of composers Prelúdio 21. The group is one of the most active worldwide. It holds a distinguished place in Brazilian contemporary music, having been active for 15 consecutive seasons, with a permanent series of monthly concerts since 2008. In 2011 the group released the CD String Quartets, with performances by the Quarteto Radamés Gnattali. Oliveira is also a member of the group of composers Vox Novus, based in New York.To commemorate 15 years of activity as a composer, Oliveira released a box set with 4 CDs, as well as a CD with composer Mark Hagerty, and produced the series QUINZE, with 13 concerts including his works, between July and October of 2012. More than 130 musicians, including 28 composers, participated of QUINZE (CDs and series).His discography includes 14 CDs as producer, 14 as composer, 22 as general producer, 2 as arranger and 2 as pianist. His catalog of compositions includes approximately 115 works for various ensembles, including Symphony Orchestra. Sergio Roberto de Oliveira is a member of the Latin Academy of the Arts and Science of Recording.He died from pancreatic cancer in 2017.
$10.25
Wind Quintet Op 91 No 4 - Movement 1: Andante. Allegro Assai
Wind Quintet Op 91 No 4 - Movement 1: Andante. Allegro Assai
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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INTERMEDIATE/ADVANCED
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Anton Reicha
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Adrian Barnes
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Wind Quintet Op 91 No 4 - Move
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Cammerayguy
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1261168 Composed by Anton Reicha. Arranged by Ad...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1261168 Composed by Anton Reicha. Arranged by Adrian Barnes. Chamber,Classical. 7 pages. Cammerayguy #854237. Published by Cammerayguy (A0.1261168). Anton (AntonÃn, Antoine) Joseph Reicha (Rejcha) (26 February 1770 – 28 May 1836) was a Czech-born, Bavarian-educated, later naturalized French composer and music theorist. A contemporary and lifelong friend of Beethoven, he is now best remembered for his substantial early contributions to the wind quintet literature and his role as teacher of pupils including Franz Liszt, Hector Berlioz and César Franck.Reicha's 25 wind quintets, composed in Paris between 1811 and 1820, were mostly premiered from 1817 in the foyer of the Théâtre Favart by some of the world's fifinest wind soloists. They were well received and were played al over Europe shortly afterward.Reicha claimed in his memoirs that his wind quintets filed a void:At that time, there was a dearth not only of good classic[al] music, but of any good music at al for wind instruments, simply because the composers knew little of their technique.[Wikipedia]Notes concerning this editionIn preparing this edition various manuscripts were consulted including the facimilies held by the IMSLP and Clarinet Institute. I also acknowledge the excel ent transcriptions prepared by Charles-David Lehrer for the International Double Reed Society.In addition, various editorial markings have been added to facilitate the performance of the quintet in a contemporary ensemble. Editorial additions marked in red in the score and may be considered optional. [Adrian Barnes]
$10.00
Take On Me
Take On Me
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Bassoon
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EASY
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Contemporary
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a-ha
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Andrew Wrangell, Samuel Dicken
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Take On Me
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Sheet Music Boss
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SheetMusicPlus
Bassoon Solo - Level 2 - Digital Download SKU: A0.853671 By a-ha. By Magne Furuholmne and Pal Waaktaar. Arranged by Andrew Wrangell, Samuel Dickenson. Co...
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Bassoon Solo - Level 2 - Digital Download SKU: A0.853671 By a-ha. By Magne Furuholmne and Pal Waaktaar. Arranged by Andrew Wrangell, Samuel Dickenson. Contemporary. Individual part. 2 pages. Sheet Music Boss #3050621. Published by Sheet Music Boss (A0.853671). Take On Me is the 1985 hit by Norwegian A-ha, famous for its unforgettable music video featuring rotoscoped comic-style black and white animation. Having sold over 7 millions copies worldwide, Take On Me is one of best-selling singles of all time.This arrangement, professionally prepared by Andrew Wrangell and Samuel Dickenson is sure to be a fantastic repertoire choice and not too difficult to play!Sheet Music Boss tutorials here: https://www.youtube.com/SheetMusicBossAbout the arranger:Andrew Wrangell is a composer and arranger from Brisbane, Australia. He began adapting music for piano as soon as he began learning at the age of 5, playing his favourite TV show themes on piano. He has been arranging music for all sorts of instrument combinations ever since, and has 90 piano arrangements to his name and counting!https://www.facebook.com/composer1992/https://twitter.com/composer1992/https://www.youtube.com/composer1992/About the arranger and editor:Samuel is a composer and engraver from Brisbane, Australia. He regularly edits music for professional composers and ensembles. Clients include The Camerata of St. John's, Greg Andrew (Elton John Experience), Sydney based Fluteworthy and various community and youth orchestras.https://www.samueldickenson.com/
$4.99
Safe And Sound
Safe And Sound
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Choral SATB
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INTERMEDIATE/ADVANCED
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Pop music
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Taylor Swift Featuring The Civ
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Ray-Michael Kauffman, a do Ra
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my music out!
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Safe And Sound
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as do Ray meflute studio production
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SheetMusicPlus
Choral Choir (Mixed) - Level 4 - Digital Download SKU: A0.874251 By Taylor Swift Featuring The Civil Wars. By John Paul White, Joy Williams, T-Bone Burne...
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Choral Choir (Mixed) - Level 4 - Digital Download SKU: A0.874251 By Taylor Swift Featuring The Civil Wars. By John Paul White, Joy Williams, T-Bone Burnett, and Taylor Swift. Arranged by Ray-Michael Kauffman, a do Ray me flute studio production. Pop. Octavo. 36 pages. As do Ray meflute studio production #4317427. Published by as do Ray meflute studio production (A0.874251). https://youtu.be/yThmw9_DBnASafe and Sound from the movie The Hunger games, performed by The Civil Wars and Taylor Swift. arranged for flute choir / flute ensemble by me, Ray-Michael Kauffman.This beautiful , a hunting melody is not only great for a movie themed flute choir performance , but also for those whom never seen the movie because the music is written that well by the composers and the arranger. scored for piccolo, 5 c flutes, alto flute in g, bass flute , opt. contra bass flute, and opt. cello.This arrangement , like most of my pieces, are perfect addition for your players such as giving every one a chance at the melody, as well as creating something sounding complex and rich well entertaining audiences of various backgrounds and taste preferences.You'll love playing this piece, and your flute choir / flute group will enjoy this for years to come. Thanks for checking my music out! To purchase this or other available music please visit ; :https://www.sheetmusicplus.com/publishers/a-do-ray-me-flute-studio-production/7545 and check out my website @ doraymeflute.com.
$14.99
A Repton Fugue
A Repton Fugue
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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INTERMEDIATE/ADVANCED
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Philip Le Bas
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Philip Le Bas
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A Repton Fugue
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Philip Le Bas
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1463474 By Philip Le Bas. By Philip Le Bas. Arra...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1463474 By Philip Le Bas. By Philip Le Bas. Arranged by Philip Le Bas. Chamber,Classical. 21 pages. Philip Le Bas #1042196. Published by Philip Le Bas (A0.1463474). A short, attractive fugue for wind quintet (flute, oboe, clarinet, horn and bassoon) by Philip Le Bas, inspired by and based on Hubert Parry's much-loved hymn Dear Lord and Father, whose melody is entitled Repton. The fugue's structure results from a fascinating online Fugue Writing course run by CityLit, London, which the composer attended in the first half of 2024. The course presents and explains the eighteenth-century ideas of a fully developed fugue, which culminated in J.S. Bach's extraordinary achievement, the Well Tempered Clavier, and which has been used in various forms by composers ever since. The fugal rules are here treated rather as guidelines in order to create a fugue more immediately appealing to 21st century listeners, but the piece attempts to maintain the general structure found in classic fugues. The initial subject is quirky and tuneful (in fact a bit of an ear-worm), but it immediately goes on to include counter-subjects, tonal answers, codettas, episodes, middle entries, inverted subjects, strettos, a pedal and a final entry, plus a relatively long coda in which Parry's original melody is celebrated exuberantly. These different sections and techniques are all labeled in the score to add an educational dimension to the composition. Those who know the composer's Repton Variations for wind sextet will recognise the opening and ending, at least in outline, but they will soon find the rest to be more technically developed, if rather less serious, from the very beginning! The piece lasts just under three minutes.
$5.99
Southern Man
Southern Man
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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INTERMEDIATE
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Neil Young
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Jason Sullivann
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Southern Man
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Green Bicycle Music
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1408410 By Neil Young. By Neil Young. Arranged b...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1408410 By Neil Young. By Neil Young. Arranged by Jason Sullivann. Chamber,Folk,Historic,Multicultural,Rock,World. 22 pages. Green Bicycle Music #990996. Published by Green Bicycle Music (A0.1408410). Https://en.wikipedia.org/wiki/Southern_Man_(song)https://en.wikipedia.org/wiki/Slavery_in_the_United_StatesThis is a setting of Neil Young's SOUTHERN MAN (from the album AFTER THE GOLD RUSH) for woodwind quintet and optional percussion.The song is chosen by the arranger as a reponse to recent confisions surrounding the poisonouslegacy of Slavery, and various questionable debates regarding its history in America.Ironically, the arranger was originally ready to mention the song written as a response to thissong by the band Lynyrd Skynyrd, but found interesting information on Wikipedia (the links areprovided). Apparently the song by Young that spurred Lynyrd Skynyrd to write SWEET HOME ALABAMAwas the one titled simply ALABAMA, which is on the album HARVEST. Also interesting was the information that the bands and composers did get along, even showing this by wearing each other'st-shirts when performing.This arrangement is advanced grade 3 or grade 4, with no extreme playing in the outer registers,or meter changes, etc.. The optional percussion can be added to create a more solemn-march feel.The socio-political element is not varied or diffused in any way. If possible, the complete lyricsshould be contained in program notes. This piece offers a serious contemplation of the history andhorror of Slavery in America.
$14.99
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Various composers Bass Flute
