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View From The Top, for Trombone
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You've selected:
View From The Top, for Trombone
Sheetmusic to print
86 sheet music found
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1
26
51
76
View From The Top, for Trombone Duet
View From The Top, for Trombone Duet
#
2 Trombones (duet)
#
EASY
#
David McKeown
#
View From The Top, for Trombon
#
David McKeown
#
SheetMusicPlus
Trombone Duet Trombone - Level 2 - Digital Download SKU: A0.591912 Composed by David McKeown. Children,Concert,Contemporary,Instructional,Standards. Scor...
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Trombone Duet Trombone - Level 2 - Digital Download SKU: A0.591912 Composed by David McKeown. Children,Concert,Contemporary,Instructional,Standards. Score. 2 pages. David McKeown #6307381. Published by David McKeown (A0.591912). View from the Top is a beautiful new and original composition by David McKeown arranged for two Trombones.View from the Top is one of a set of 10 Summer-themed duets. All 10 can be found together in 10 Easy Summer Duets for Trombone. Just copy and paste the title in the search box above to find it.View from the Top can be played at any time of year, in the Summer to celebrate the season, or in the Winter, to remind yourself of warmer days! The duet is mixed ability, with the top part set for players at an easy to early intermediate standard, and the bottom part to be played by a teacher or intermediate player. Playing time is around one minute; click on the link above to hear a full performance of the clarinet version on YouTube.View from the Top isPerfect for concert performances large and small; Fully articulated to help develop that sense of style; Great for helping with simple rhythms and keeping the pulse; Road tested with students; Fun to play; The titles provoke mental pictures that connect with the player’s musical imagination;
$2.49 ≈
¥18.07
View From The Top, for Trombone (Treble Clef in B Flat) Duet
View From The Top, for Trombone (Treble Clef in B Flat) Duet
#
2 Trombones (duet)
#
EASY
#
David McKeown
#
View From The Top, for Trombon
#
David McKeown
#
SheetMusicPlus
Trombone Duet Trombone - Level 2 - Digital Download SKU: A0.591917 Composed by David McKeown. Children,Concert,Contemporary,Instructional,Standards. Scor...
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Trombone Duet Trombone - Level 2 - Digital Download SKU: A0.591917 Composed by David McKeown. Children,Concert,Contemporary,Instructional,Standards. Score. 2 pages. David McKeown #6307393. Published by David McKeown (A0.591917). View from the Top is a beautiful new and original composition by David McKeown arranged for two Trombones (Treble Clef in B Flat).View from the Top is one of a set of 10 Summer-themed duets. All 10 can be found together in 10 Easy Summer Duets for Trombone (Treble Clef in B Flat). Just copy and paste the title in the search box above to find it.View from the Top can be played at any time of year, in the Summer to celebrate the season, or in the Winter, to remind yourself of warmer days! The duet is mixed ability, with the top part set for players at an easy to early intermediate standard, and the bottom part to be played by a teacher or intermediate player. Playing time is around one minute; click on the link above to hear a full performance of the clarinet version on YouTube.View from the Top isPerfect for concert performances large and small; Fully articulated to help develop that sense of style; Great for helping with simple rhythms and keeping the pulse; Road tested with students; Fun to play; The titles provoke mental pictures that connect with the player’s musical imagination;
$2.49 ≈
¥18.07
View From The Top, for Clarinet and Trombone Duet
View From The Top, for Clarinet and Trombone Duet
#
Clarinet, Trombone (duet)
#
EASY
#
David McKeown
#
View From The Top, for Clarine
#
David McKeown
#
SheetMusicPlus
Instrumental Duet Clarinet,Instrumental Duet,Trombone - Level 2 - Digital Download SKU: A0.591922 Composed by David McKeown. Children,Concert,Contemporar...
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Instrumental Duet Clarinet,Instrumental Duet,Trombone - Level 2 - Digital Download SKU: A0.591922 Composed by David McKeown. Children,Concert,Contemporary,Instructional,Standards. Score and parts. 2 pages. David McKeown #6307419. Published by David McKeown (A0.591922). View from the Top is a beautiful new and original composition by David McKeown arranged for one Clarinet and one Trombone.View from the Top is one of a set of 10 Summer-themed duets. All 10 can be found together in 10 Easy Summer Duets for Clarinet and Trombone. Just copy and paste the title in the search box above to find it.View from the Top can be played at any time of year, in the Summer to celebrate the season, or in the Winter, to remind yourself of warmer days! The duet is mixed ability, with the top part set for players at an easy to early intermediate standard, and the bottom part to be played by a teacher or intermediate player. Playing time is around one minute; click on the link above to hear a full performance of the clarinet version on YouTube.View from the Top isPerfect for concert performances large and small; Fully articulated to help develop that sense of style; Great for helping with simple rhythms and keeping the pulse; Road tested with students; Fun to play; The titles provoke mental pictures that connect with the player’s musical imagination;
$2.49 ≈
¥18.07
View From The Top, for Trumpet and Trombone Duet
View From The Top, for Trumpet and Trombone Duet
#
Trumpet, Trombone (duet)
#
EASY
#
David McKeown
#
View From The Top, for Trumpet
#
David McKeown
#
SheetMusicPlus
Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 2 - Digital Download SKU: A0.591945 Composed by David McKeown. Children,Concert,Contemporary...
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Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 2 - Digital Download SKU: A0.591945 Composed by David McKeown. Children,Concert,Contemporary,Instructional,Standards. Score and parts. 2 pages. David McKeown #6307465. Published by David McKeown (A0.591945). View from the Top is a beautiful new and original composition by David McKeown arranged for one Trumpet and one Trombone.View from the Top is one of a set of 10 Summer-themed duets. All 10 can be found together in 10 Easy Summer Duets for Trumpet and Trombone. Just copy and paste the title in the search box above to find it.View from the Top can be played at any time of year, in the Summer to celebrate the season, or in the Winter, to remind yourself of warmer days! The duet is mixed ability, with the top part set for players at an easy to early intermediate standard, and the bottom part to be played by a teacher or intermediate player. Playing time is around one minute; click on the link above to hear a full performance of the clarinet version on YouTube.View from the Top isPerfect for concert performances large and small; Fully articulated to help develop that sense of style; Great for helping with simple rhythms and keeping the pulse; Road tested with students; Fun to play; The titles provoke mental pictures that connect with the player’s musical imagination;
$2.49 ≈
¥18.07
Bach-Gounod: Ave Maria, Schwencke version for Trombone & Piano
Bach-Gounod: Ave Maria, Schwencke version for Trombone & Piano
#
Trombone and Piano
#
EASY
#
J
#
James M
#
Bach-Gounod: Ave Maria, Schwen
#
jmsgu3
#
SheetMusicPlus
Piano,Trombone - Level 2 - Digital Download SKU: A0.550934 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,E...
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Piano,Trombone - Level 2 - Digital Download SKU: A0.550934 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #4888761. Published by jmsgu3 (A0.550934). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95 ≈
¥239.14
Bach: Bist du bei mir BWV 508 for Trombone & Piano
Bach: Bist du bei mir BWV 508 for Trombone & Piano
#
Trombone and Piano
#
EASY
#
Classical
#
Johann Sebastian Bach
#
James M
#
Bach: Bist du bei mir BWV 508
#
jmsgu3
#
SheetMusicPlus
Piano,Trombone - Level 2 - Digital Download SKU: A0.549221 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standa...
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Piano,Trombone - Level 2 - Digital Download SKU: A0.549221 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468176. Published by jmsgu3 (A0.549221). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined. Â
$32.95 ≈
¥239.14
Beethoven: Adagio from Sonata Pathetique for Trombone & Piano
Beethoven: Adagio from Sonata Pathetique for Trombone & Piano
#
Trombone and Piano
#
INTERMEDIATE
#
Classical
#
Ludwig van Beethoven
#
James M
#
piano concertos 1-5
#
Beethoven: Adagio from Sonata
#
jmsgu3
#
SheetMusicPlus
Piano,Trombone - Level 3 - Digital Download SKU: A0.549651 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,R...
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Piano,Trombone - Level 3 - Digital Download SKU: A0.549651 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516933. Published by jmsgu3 (A0.549651). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes. Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. www.jamesguthrie.com.
$24.95 ≈
¥181.08
Bach: Wachet auf for Trombone & Piano
Bach: Wachet auf for Trombone & Piano
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Trombone and Piano
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EASY
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Classical
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Johann Sebastian Bach
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James M
#
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Bach: Wachet auf for Trombone
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 2 - Digital Download SKU: A0.549853 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter...
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Piano,Trombone - Level 2 - Digital Download SKU: A0.549853 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555091. Published by jmsgu3 (A0.549853). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95 ≈
¥181.08
Bach-Gounod: Ave Maria for Trombone & Piano
Bach-Gounod: Ave Maria for Trombone & Piano
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Trombone and Piano
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EASY
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Bach-Gounod
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James M
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Bach-Gounod: Ave Maria for Tro
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 2 - Digital Download SKU: A0.549368 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,We...
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Piano,Trombone - Level 2 - Digital Download SKU: A0.549368 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #3491299. Published by jmsgu3 (A0.549368). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Trombone & Piano - S0.662021. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95 ≈
¥239.14
Bach: Wachet auf for Brass Quintet
Bach: Wachet auf for Brass Quintet
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE
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Classical
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Brass Qui
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jmsgu3
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SheetMusicPlus
Level 3 - Digital Download SKU: A0.549857 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Sacred,Wedding. 17 pages...
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Level 3 - Digital Download SKU: A0.549857 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Sacred,Wedding. 17 pages. Jmsgu3 #3556935. Published by jmsgu3 (A0.549857). Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) from Cantata BWV 140. Program this for church services during Easter or as a recital encore. Also great for Weddings. Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the prelude, and a four-part chorale. He casts the new lyrics as recitatives – like the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the guards singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears; it catches the listener off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First, Johann Sebastian Bach may be the greatest composer in music history. Indeed, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. People are probably most familiar with instrumental works such as the Brandenburg Concertos and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. His most famous vocal works seem to include the most noteworthy Mass in B Minor. Also, most notable are the St. John Passion and, indeed, the Christmas Oratorio.  History Bach came from a long line of musicians and, above all, composers. Consequently, he first of all pursued a career as a church organist. As a result, he gained employment in various Protestant churches in Germany. He worked as a court musician in Weimar and Köthen for a while. Here, he probably developed his organ style and, likewise, his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here, he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his unique style. This new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach's works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will use an S (Schmieder) as an abbreviation for BWV. Â
$39.95 ≈
¥289.95
10 Easy Summer Duets for Trombone (in Bb, Treble Clef)
10 Easy Summer Duets for Trombone (in Bb, Treble Clef)
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2 Trombones (duet)
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EASY
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David McKeown
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10 Easy Summer Duets for Tromb
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David McKeown
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SheetMusicPlus
Trombone Duet Trombone - Level 2 - Digital Download SKU: A0.591033 Composed by David McKeown. 20th Century,Contemporary,Instructional,Standards. Score. 1...
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Trombone Duet Trombone - Level 2 - Digital Download SKU: A0.591033 Composed by David McKeown. 20th Century,Contemporary,Instructional,Standards. Score. 12 pages. David McKeown #6269815. Published by David McKeown (A0.591033). 10 Easy Summer Duets are beautiful new and original compositions by David McKeown arranged for two Trombones (in B Flat, Treble Clef). The Concert pitch Bass Clef version of these duets is also available via the search bar.They can be played at any time of year, in the Summer to celebrate the season, or in the Winter, to remind yourself of warmer days! The duets are mixed ability, with the top part set for players at an easy to early intermediate standard, and the bottom part to be played by a teacher or intermediate player. Click on the link above to hear samples of these duets performed on YouTube, performed on Clarinet.10 Easy Summer Duets arePerfect for concert performances large and small; Fully articulated to help develop that sense of style; Great for helping with simple rhythms and keeping the pulse; Road tested with students; Fun to play; The titles provoke mental pictures that connect with the student’s musical imagination; The ten titles are, Up with the Birds, The View from the Top, Summer Shower, Cotton-Wool Clouds, Pooh Sticks, Riding My Bike, Wave-Walking, Sandcastles, Dozing in the Deck-Chair and Sunset 9pm.There are thousands more duets available for all standards and styles, in many different instrumental combinations athttps://www.sheetmusicplus.com/publishers/david-mckeown/6203
$7.99 ≈
¥57.99
10 Easy Summer Duets for Trombone
10 Easy Summer Duets for Trombone
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2 Trombones (duet)
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EASY
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David McKeown
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10 Easy Summer Duets for Tromb
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David McKeown
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SheetMusicPlus
Trombone Duet Trombone - Level 2 - Digital Download SKU: A0.591034 Composed by David McKeown. 20th Century,Contemporary,Instructional,Standards. Score. 1...
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Trombone Duet Trombone - Level 2 - Digital Download SKU: A0.591034 Composed by David McKeown. 20th Century,Contemporary,Instructional,Standards. Score. 12 pages. David McKeown #6269817. Published by David McKeown (A0.591034). 10 Easy Summer Duets are beautiful new and original compositions by David McKeown arranged for two Trombones. They can be played at any time of year, in the Summer to celebrate the season, or in the Winter, to remind yourself of warmer days! The duets are mixed ability, with the top part set for players at an easy to early intermediate standard, and the bottom part to be played by a teacher or intermediate player. Click on the link above to hear samples of these duets performed on YouTube, performed on Clarinet. 10 Easy Summer Duets are Perfect for concert performances large and small; Fully articulated to help develop that sense of style;  Great for helping with simple rhythms and keeping the pulse; Road tested with students; Fun to play; The titles provoke mental pictures that connect with the student’s musical imagination; The ten titles are, Up with the Birds, The View from the Top, Summer Shower, Cotton-Wool Clouds, Pooh Sticks, Riding My Bike, Wave-Walking, Sandcastles, Dozing in the Deck-Chair and Sunset 9pm. There are thousands more duets available for all standards and styles, in many different instrumental combinations athttps://www.sheetmusicplus.com/publishers/david-mckeown/6203 Search also for 10 Autumn Duets, 10 Easy Winter Duets and 10 Easy Spring Duets, all arranged for the same instruments.
$7.99 ≈
¥57.99
The Arban Manual (Pre 2013)
The Arban Manual (Pre 2013)
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Trumpet
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INTERMEDIATE/ADVANCED
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Instructional
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Eric Bolvin
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The Arban Manual
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SheetMusicPlus
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Reper...
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Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 75 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the older Carl Fischer Arban Method.
Description
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice.
Why
Arban’s Complete Conservatory Method for Trumpet andArban’s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.
How
A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.
Range Considerations
Students who are ready to play from Arban should have a “usable range” up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today’s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.
If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don’t rush your progress.
Warming Up
One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.
Performance Etudes
I’ve designated some of the more melodic and well balanced etudes as “performance etudes”. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.
All of the characteristic studies and celebrated fantaisies are considered performance pieces.
Models
Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban’suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.
The Hard Stuff
At some point in your study of Arban you may come across something that you just can’t play, or play at tempo. This often involves triple or double tonguing. Don’t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world’s top players can’t play everything in the Arban book.
Multiple Tonguing
Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends “tu ku”, many have had success using “tuh kuh”, “duh guh”, “tee kee” and many others. Finding your best syllables may take some experimentation.
Extending Exercises
Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.
Transposition
Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.
The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.
Songs and duets
Some teachers love these and others don’t. I suggest you try them and if you’d like to supplement other pieces that you need to work on, please feel free to do so.
For bass clef instruments
Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.
The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.
$16.95 ≈
¥123.02
The Arban Manual - Hooten Edition
The Arban Manual - Hooten Edition
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Trumpet
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INTERMEDIATE/ADVANCED
#
Instructional
#
Eric Bolvin
#
The Arban Manual - Hooten Edit
#
SheetMusicPlus
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire,...
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Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 76 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the newer, Hooten edition published by Fischer.
Why
Arban?s Complete Conservatory Method for Trumpet andArban?s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.
How
A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.
Range Considerations
Students who are ready to play from Arban should have a ?usable range? up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today?s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.
If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don?t rush your progress.
Warming Up
One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.
Performance Etudes
I?ve designated some of the more melodic and well balanced etudes as ?performance etudes?. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.
All of the characteristic studies and celebrated fantaisies are considered performance pieces.
Models
Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban?suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.
The Hard Stuff
At some point in your study of Arban you may come across something that you just can?t play, or play at tempo. This often involves triple or double tonguing. Don?t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world?s top players can?t play everything in the Arban book.
Multiple Tonguing
Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends ?tu ku?, many have had success using ?tuh kuh?, ?duh guh?, ?tee kee? and many others. Finding your best syllables may take some experimentation.
Extending Exercises
Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.
Transposition
Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.
The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.
Songs and duets
Some teachers love these and others don?t. I suggest you try them and if you?d like to supplement other pieces that you need to work on, please feel free to do so.
For bass clef instruments
Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.
The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.
About SMP Press
$16.95 ≈
¥123.02
Beethoven: Sonata Op. 49 No. 2 for Brass Quintet
Beethoven: Sonata Op. 49 No. 2 for Brass Quintet
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE
#
Classical
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Ludwig van Beethoven
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James M
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Beethoven: Sonata Op. 49 No. 2
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jmsgu3
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Tuba - Level 3 - Digital Download SKU: A0.549869 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Clas...
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Brass Ensemble Horn,Trombone,Tuba - Level 3 - Digital Download SKU: A0.549869 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Standards,Wedding,World. Score and parts. 57 pages. Jmsgu3 #3559131. Published by jmsgu3 (A0.549869). Beethoven Sonata Op. 49 No. 2 arranged for brass quintet. Duration: ca: 10:15 Score: 30 pages, 242 measures. In two movements. A great recital piece to demonstrate the many subtle nuances of the brass quintet. Sonata Op. 49 No. 2 Arranged from Beethoven’s Piano Sonata No. 20, this is a simple but interesting work in two movements showing the composers sense of humor. The first movement Allegro ma non troppo and the second movement Tempo di Menuetto are both in the key of G. Both Sonatas 19 and 20 (op. 49, No. 1 & 2) are named Easy Sonatas because they are technically easier than the usual Beethoven Sonatas. This makes them very popular among students and teachers alike. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna the rest of his life. In his late 20s it seems like his hearing certainly began to decline. It slowly declined until consequently he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies therefore belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. www.jamesguthrie.com.
$49.95 ≈
¥362.52
10 Easy Summer Duets for Trumpet and Trombone
10 Easy Summer Duets for Trumpet and Trombone
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Trumpet, Trombone (duet)
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EASY
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David McKeown
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10 Easy Summer Duets for Trump
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David McKeown
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 2 - Digital Download SKU: A0.591039 Composed by David McKeown. 20th Century,Contemporary,Ins...
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Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 2 - Digital Download SKU: A0.591039 Composed by David McKeown. 20th Century,Contemporary,Instructional,Standards. Score and parts. 12 pages. David McKeown #6269827. Published by David McKeown (A0.591039). 10 Easy Summer Duets are beautiful new and original compositions by David McKeown arranged for one Trumpet and one Trombone. They can be played at any time of year, in the Summer to celebrate the season, or in the Winter, to remind yourself of warmer days! The duets are mixed ability, with the top part set for players at an easy to early intermediate standard, and the bottom part to be played by a teacher or intermediate player. Click on the link above to hear samples of these duets performed on YouTube, performed on Clarinet. 10 Easy Summer Duets are Perfect for concert performances large and small; Fully articulated to help develop that sense of style;  Great for helping with simple rhythms and keeping the pulse; Road tested with students; Fun to play; The titles provoke mental pictures that connect with the student’s musical imagination; The ten titles are, Up with the Birds, The View from the Top, Summer Shower, Cotton-Wool Clouds, Pooh Sticks, Riding My Bike, Wave-Walking, Sandcastles, Dozing in the Deck-Chair and Sunset 9pm. There are thousands more duets available for all standards and styles, in many different instrumental combinations athttps://www.sheetmusicplus.com/publishers/david-mckeown/6203Search also for 10 Autumn Duets, 10 Easy Winter Duets and 10 Easy Spring Duets, all arranged for the same instruments. Â
$7.99 ≈
¥57.99
Saving All My Love For You
Saving All My Love For You
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Trombone and Piano
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EASY
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Whitney Houston
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Kevin P Holdgate
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Saving All My Love For You
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Kevin P Holdgate
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SheetMusicPlus
Piano,Tenor Trombone - Level 2 - Digital Download SKU: A0.1313111 By Whitney Houston. By Gerry Goffin and Michael Masser. Arranged by Kevin P Holdgate. 2...
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Piano,Tenor Trombone - Level 2 - Digital Download SKU: A0.1313111 By Whitney Houston. By Gerry Goffin and Michael Masser. Arranged by Kevin P Holdgate. 20th Century,Broadway,Film/TV,Musical/Show,Pop,Wedding. Score and part. 6 pages. Kevin P Holdgate #901945. Published by Kevin P Holdgate (A0.1313111). Saving All My Love for You is a song written by Michael Masser and Gerry Goffin. American singer Whitney Houston recorded it for her self-titled debut studio album (1985). It was released on August 13, 1985, by Arista Records, as the second single from the album in the United States, and third worldwide. Whitney Houston's version of Saving All My Love for You garnered positive critical response, with reviewers praising its melodious production and her vocal performance, and picked it as one of the album's highlights. The song became a global success and represented a commercial breakthrough for her, topping the charts in four countries and reaching the top 10 in various other regions. It became her first song to top the US Billboard Hot 100, and was certified Platinum by the RIAA for sales of over 1 million copies. At the 28th Annual Grammy Awards, it won for Best Female Pop Vocal Performance.
$5.99 ≈
¥43.47
Saving All My Love For You
Saving All My Love For You
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Trombone and Piano
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EASY
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Whitney Houston
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Kevin P Holdgate
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Saving All My Love For You
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Kevin P Holdgate
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SheetMusicPlus
B-Flat trombone,Piano - Level 2 - Digital Download SKU: A0.1313115 By Whitney Houston. By Gerry Goffin and Michael Masser. Arranged by Kevin P Holdgate. ...
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B-Flat trombone,Piano - Level 2 - Digital Download SKU: A0.1313115 By Whitney Houston. By Gerry Goffin and Michael Masser. Arranged by Kevin P Holdgate. 20th Century,Broadway,Film/TV,Musical/Show,Pop,Wedding. Score and part. 8 pages. Kevin P Holdgate #901947. Published by Kevin P Holdgate (A0.1313115). Saving All My Love for You is a song written by Michael Masser and Gerry Goffin. American singer Whitney Houston recorded it for her self-titled debut studio album (1985). It was released on August 13, 1985, by Arista Records, as the second single from the album in the United States, and third worldwide. Whitney Houston's version of Saving All My Love for You garnered positive critical response, with reviewers praising its melodious production and her vocal performance, and picked it as one of the album's highlights. The song became a global success and represented a commercial breakthrough for her, topping the charts in four countries and reaching the top 10 in various other regions. It became her first song to top the US Billboard Hot 100, and was certified Platinum by the RIAA for sales of over 1 million copies. At the 28th Annual Grammy Awards, it won for Best Female Pop Vocal Performance.
$5.99 ≈
¥43.47
Christmas-Thanksgiving Package for Brass Quintet
Christmas-Thanksgiving Package for Brass Quintet
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE/ADVANCED
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Christmas
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Various
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F
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Christmas-Thanksgiving Package
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 4 - Digital Download SKU: A0.808714 Composed by Various. Arranged by F. Leslie Smith. Christmas,Holiday. Score and parts. 362 page...
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Brass Ensemble - Level 4 - Digital Download SKU: A0.808714 Composed by Various. Arranged by F. Leslie Smith. Christmas,Holiday. Score and parts. 362 pages. Sweetwater Brass Press #6717705. Published by Sweetwater Brass Press (A0.808714).   This is a one-stop answer for Christmas and Thanksgiving gig music. It consists of a collection of 23 traditional compositions, a total of about 43 minutes of music. All have proved to be among the most popular over the years, and all are in the public domain and copyright free.  These selections have been especially arranged for brass quintet. They average a little under two minutes, with the longest being 2:57 and the shortest, 1:12; just right for caroling, holiday parties or almost any such setting. The individual parts are mostly within the normal playing range of Bb trumpet, horn in F, trombone and tuba.  The Sheet Music Plus audio preview sample contains a few measures from most of the selections. In the download document, however, the arrangements are printed in alphabetical order.  Completed in 2022, total performance time for all items in the Package runs about 43 minutes. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would also like to receive your suggestions, comments, corrections and criticisms. Contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95 ≈
¥57.70
House Of The Rising Sun
House Of The Rising Sun
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Brass ensemble
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Contemporary
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Eric Burdon and Eric Victor Bu
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Phil Lawrence
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House Of The Rising Sun
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Phillip Lawrence
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SheetMusicPlus
Brass Ensemble - Digital Download SKU: A0.883786 Composed by Eric Burdon and Eric Victor Burdon. Arranged by Phil Lawrence. Contemporary. Score and parts...
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Brass Ensemble - Digital Download SKU: A0.883786 Composed by Eric Burdon and Eric Victor Burdon. Arranged by Phil Lawrence. Contemporary. Score and parts. 64 pages. Phillip Lawrence #5287377. Published by Phillip Lawrence (A0.883786). The idea for this arrangement was given to me by an old friend who played in BR Edge Hill band with when we were kids, Christine Humphreys and to do it for bass trombone, the more I looked at it thinking of Eric Burdon’s voice from The Animals with his first verse nearly too low for him to scrape the lower notes and then the later verses near to top of his register suited. The Animals though in A minor, so for BT I dropped it to Ab minor a real shall we say juicy register for bass trombone plus the added attraction of setting it in the lower octave pedal area to show the instrument off. There aren’t may Bass Trom solos in the rep, so now we add one more!An interview with Eric Burdon revealed that he first heard the song at a club in Newcastle, England, where it was performed by Northumberland folk singer Johnny Handle.The Animals were on tour with Chuck Berry and chose him because they wanted to sing something different. The Animals version moves the narrative from the initial point of view of a woman drawn into a life of decline to that of a man whose father is a gambler and a drunk, rather than the adorable person of the previous versions.
$29.99 ≈
¥217.66
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View From The Top, for Trombone
