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Vilia from
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91 sheet music found
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Vilia from "The Merry Widow" for Clarinet Quartet
Vilia from "The Merry Widow" for Clarinet Quartet
#
Clarinet Quartet: 4 clarinets
#
INTERMEDIATE
#
Franz Lehar
#
Diego Marani
#
Vilia from "The Merry Widow" f
#
Diego Marani
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - Digital Download SKU: A0.557432 Composed by Franz Lehar. Arranged by Diego Marani. Classical,Film...
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - Digital Download SKU: A0.557432 Composed by Franz Lehar. Arranged by Diego Marani. Classical,Film/TV,Instructional,Opera,Standards. 19 pages. Diego Marani #166582. Published by Diego Marani (A0.557432). The Merry Widow (Die lustige Witwe) is an operetta by the Austro-Hungarian composer Franz Lehár. The operetta has enjoyed extraordinary international success since its 1905 premiere in Vienna and continues to be frequently revived and recorded. Film and other adaptations have also been made. Vilia is one of the most beloved of all romantic songs from the vast library of Viennese operetta. This arrangement for clarinet quartet (Bb Clarinet 1 or Eb Clarinet, Bb Clarinet 2, Bb Clarinet 3 or Eb Alto Clarinet, Bb Bass Clarinet) is suitable for classroom, repertoire and recital.
$12.99 ≈
11.60€
Vilia from "The Merry Widow" for Flute Quartet
Vilia from "The Merry Widow" for Flute Quartet
#
Flute Quartet: 4 flutes
#
INTERMEDIATE
#
Franz Lehar
#
Diego Marani
#
Vilia from "The Merry Widow" f
#
Diego Marani
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Flute - Level 3 - Digital Download SKU: A0.561518 Composed by Franz Lehar. Arranged by Diego Marani. Classical,Film/TV...
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Woodwind Ensemble,Woodwind Quartet Flute - Level 3 - Digital Download SKU: A0.561518 Composed by Franz Lehar. Arranged by Diego Marani. Classical,Film/TV,Instructional,Opera,Standards. 17 pages. Diego Marani #170956. Published by Diego Marani (A0.561518). The Merry Widow (Die lustige Witwe) is an operetta by the Austro-Hungarian composer Franz Lehár. The operetta has enjoyed extraordinary international success since its 1905 premiere in Vienna and continues to be frequently revived and recorded. Film and other adaptations have also been made. Vilia is one of the most beloved of all romantic songs from the vast library of Viennese operetta. This arrangement for flute quartet (Flute 1, Flute 2, Flute 3, Flute 4 or Alto Flute) is suitable for classroom, repertoire and recital.
$14.99 ≈
13.39€
Vilia from "The Merry Widow" for Saxophone Quartet
Vilia from "The Merry Widow" for Saxophone Quartet
#
Saxophone Quartet: 4 saxophones
#
INTERMEDIATE
#
Franz Lehar
#
Diego Marani
#
Vilia from "The Merry Widow" f
#
Diego Marani
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.557058 Compos...
(+)
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.557058 Composed by Franz Lehar. Arranged by Diego Marani. Classical,Film/TV,Instructional,Opera,Standards. 14 pages. Diego Marani #166520. Published by Diego Marani (A0.557058). The Merry Widow (Die lustige Witwe) is an operetta by the Austro-Hungarian composer Franz Lehár. The operetta has enjoyed extraordinary international success since its 1905 premiere in Vienna and continues to be frequently revived and recorded. Film and other adaptations have also been made. Vilia is one of the most beloved of all romantic songs from the vast library of Viennese operetta. This arrangement for sax quartet (Bb Soprano, Eb Alto, Bb Tenor, Eb Baritone) is suitable for classroom, repertoire and recital.
$12.99 ≈
11.60€
Vilia from "The Merry Widow" for Brass Quintet
Vilia from "The Merry Widow" for Brass Quintet
#
Brass quartet : 2 trumpets, trombone, tuba
#
INTERMEDIATE
#
Franz Lehar
#
Diego Marani
#
Vilia from "The Merry Widow" f
#
Diego Marani
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.573598 Composed by Franz Lehar. Arranged by Diego Marani. Classical,Film/T...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.573598 Composed by Franz Lehar. Arranged by Diego Marani. Classical,Film/TV,Instructional,Opera,Standards. Score and parts. 20 pages. Diego Marani #182968. Published by Diego Marani (A0.573598). The Merry Widow (Die lustige Witwe) is an operetta by the Austro-Hungarian composer Franz Lehár. The operetta has enjoyed extraordinary international success since its 1905 premiere in Vienna and continues to be frequently revived and recorded. Film and other adaptations have also been made. Vilia is one of the most beloved of all romantic songs from the vast library of Viennese operetta. This arrangement for brass quintet (Bb Trumpet 1, Bb Trumpet 2, F Horn, Trombone, Tuba) is suitable for classroom, repertoire and recital.
$14.99 ≈
13.39€
Vilia from "The Merry Widow" for String Quartet
Vilia from "The Merry Widow" for String Quartet
#
String Quartet: 2 violins, viola, cello
#
INTERMEDIATE
#
Franz Lehar
#
Diego Marani
#
Vilia from "The Merry Widow" f
#
Diego Marani
#
SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.562604 Composed by Franz Lehar. Arranged by Diego Marani. Classical...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.562604 Composed by Franz Lehar. Arranged by Diego Marani. Classical,Film/TV,Instructional,Opera,Standards. Score and parts. 15 pages. Diego Marani #171974. Published by Diego Marani (A0.562604). The Merry Widow (Die lustige Witwe) is an operetta by the Austro-Hungarian composer Franz Lehár. The operetta has enjoyed extraordinary international success since its 1905 premiere in Vienna and continues to be frequently revived and recorded. Film and other adaptations have also been made. Vilia is one of the most beloved of all romantic songs from the vast library of Viennese operetta. This arrangement for string quartet (Violin I, Violin II, Viola, Cello) is suitable for classroom, repertoire and recital.
$14.99 ≈
13.39€
Vilia from "The Merry Widow" for Brass Quartet
Vilia from "The Merry Widow" for Brass Quartet
#
Brass quartet : 2 trumpets, trombone, tuba
#
INTERMEDIATE
#
Franz Lehar
#
Diego Marani
#
Vilia from "The Merry Widow" f
#
Diego Marani
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.566029 Composed by Franz Lehar. Arranged by Diego Marani. Classical,Film/T...
(+)
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.566029 Composed by Franz Lehar. Arranged by Diego Marani. Classical,Film/TV,Instructional,Opera,Standards. Score and parts. 17 pages. Diego Marani #175430. Published by Diego Marani (A0.566029). The Merry Widow (Die lustige Witwe) is an operetta by the Austro-Hungarian composer Franz Lehár. The operetta has enjoyed extraordinary international success since its 1905 premiere in Vienna and continues to be frequently revived and recorded. Film and other adaptations have also been made. Vilia is one of the most beloved of all romantic songs from the vast library of Viennese operetta. This arrangement for brass quartet (Bb Trumpet 1, Bb Trumpet 2, Trombone or F Horn, Tuba) is suitable for classroom, repertoire and recital.
$12.99 ≈
11.60€
Vilia (English version) - The Merry Widow (G Major)
Vilia (English version) - The Merry Widow (G Major)
#
Piano, Voice
#
INTERMEDIATE
#
Franz Lehar
#
Jonathan Prentice
#
Vilia
#
Jonathan Prentice
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.884879 Composed by Franz Lehar. Arranged by Jonathan Prentice. Opera,Romantic Period. Score. 6 pag...
(+)
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.884879 Composed by Franz Lehar. Arranged by Jonathan Prentice. Opera,Romantic Period. Score. 6 pages. Jonathan Prentice #6087839. Published by Jonathan Prentice (A0.884879). One of the most famous melodies in Classical music, Franz Lehár's, Vilia, comes from his operetta, The Merry Widow (Die lustige Witwe). It does not form part of the narrative of the opera but is sung by the character, Hanna, who dressed in traditional Pontevedrin clothes, sings this Pontevedrin song about a Vilia, a beautiful supernatural character who seduces a hapless hunter. It has subsequently become standard concert repertoire for both male and female singers (this English version is in G major, suitable for sopranos and tenors).
$1.99 ≈
1.78€
Vilia, Fair Wood Nymph (Franz Lehar) for voice and classical guitar
Vilia, Fair Wood Nymph (Franz Lehar) for voice and classical guitar
#
Vocal duet
#
INTERMEDIATE/ADVANCED
#
Franz Lehar
#
John Pinno
#
Vilia, Fair Wood Nymph
#
John Pinno
#
SheetMusicPlus
Voice Duet Voice - Level 4 - Digital Download SKU: A0.775463 Composed by Franz Lehar (1870-1948). Arranged by John Pinno. Concert,Romantic Period. 9 page...
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Voice Duet Voice - Level 4 - Digital Download SKU: A0.775463 Composed by Franz Lehar (1870-1948). Arranged by John Pinno. Concert,Romantic Period. 9 pages. John Pinno #3581341. Published by John Pinno (A0.775463). An arrangement of Vilia, Fair Wood Nymph by Franz Lehar (1870-1948) for voice (soprano or mezzo-soprano) and classical guitar, from Lehar's The Merry Widow operetta.
$9.00 ≈
8.04€
Vilia from "The Merry Widow" for Saxophone Ensemble
Vilia from "The Merry Widow" for Saxophone Ensemble
#
Saxophone ensemble
#
INTERMEDIATE
#
Classical
#
Franz Lehar
#
Diego Marani
#
Vilia from "The Merry Widow" f
#
Diego Marani
#
SheetMusicPlus
Composed by Franz Lehar (1870- 1948). Arranged by Diego Marani. Classical, Film/TV, Instructional, Opera, Standards. 40 pages. Diego Marani #195829. Pu...
(+)
Composed by Franz Lehar (1870- 1948). Arranged by Diego Marani. Classical, Film/TV, Instructional, Opera, Standards. 40 pages. Diego Marani #195829. Published by Diego Marani
$24.99 ≈
22.32€
Theme From "new York, New York"
Theme From "new York, New York"
#
Concert band
#
INTERMEDIATE
#
Frank Sinatra
#
Joop Derks
#
Theme From "new York, New York
#
Derksarrangementen
#
SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.1260816 By Frank Sinatra. By Fred Ebb and John Kander. Arranged by Joop Derks. 20th Century,Jazz,Pop. S...
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Concert Band - Level 3 - Digital Download SKU: A0.1260816 By Frank Sinatra. By Fred Ebb and John Kander. Arranged by Joop Derks. 20th Century,Jazz,Pop. Score and Parts. 61 pages. Derksarrangementen #853959. Published by Derksarrangementen (A0.1260816). Theme from New York New York for Concert band, with Piano, Guitar, Bass Guitar and Vocals! Full Score, Flute, Oboe, Bassoon, Clarinet (Eb), Clarinet (Bb 1,2,3) Bass Clarinet, Alto sax (1,2), Tenor sax (1,2), Baritone  sax, Horn (1,2) in F and Eb, Trumpet (1,2,3,4), Trombone (1,2,3) In C, Bb TC and Bb BC, Bass trombone, Euphonium in C, Bb BC and Bb TC, Bass Tuba in C and Bb BC, Bb TC, Eb BC and Eb TC, Drum set, Vibraphone, Piano, Guitar, Bass Guitar and Vocals. For more information please contact Derksarrangementen@home.nlAbout the arranger: Joop Derks is a musician, conductor and arranger from the Netherlands. He has been working for the Dutch Military Music for years and also conducts a number of civilian concert bands.
$70.00 ≈
62.52€
Vilja - Die Lustige Witwe (F Major)
Vilja - Die Lustige Witwe (F Major)
#
Piano, Voice
#
INTERMEDIATE
#
Franz Lehar
#
Jonathan Prentice
#
Vilja - Die Lustige Witwe
#
Jonathan Prentice
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.884881 Composed by Franz Lehar. Arranged by Jonathan Prentice. Opera,Romantic Period. Score. 6 pag...
(+)
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.884881 Composed by Franz Lehar. Arranged by Jonathan Prentice. Opera,Romantic Period. Score. 6 pages. Jonathan Prentice #6088007. Published by Jonathan Prentice (A0.884881). One of the most famous melodies in Classical music, Franz Lehár's, Vilja, comes from his operetta, Die lustige Witwe (The Merry Widow). It does not form part of the narrative of the opera but is sung by the character, Hanna, who dressed in traditional Pontevedrin clothes, sings this Pontevedrin song about a Vilia, a beautiful supernatural character who seduces a hapless hunter. It has subsequently become standard concert repertoire for both male and female singers (here in F major, suitable for mezzos and baritones).
$1.99 ≈
1.78€
Vilja - Die Lustige Witwe (G Major)
Vilja - Die Lustige Witwe (G Major)
#
Piano, Voice
#
INTERMEDIATE
#
Franz Lehar
#
Jonathan Prentice
#
Vilja - Die Lustige Witwe
#
Jonathan Prentice
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.884882 Composed by Franz Lehar. Arranged by Jonathan Prentice. Opera,Romantic Period. Score. 6 pag...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.884882 Composed by Franz Lehar. Arranged by Jonathan Prentice. Opera,Romantic Period. Score. 6 pages. Jonathan Prentice #6088013. Published by Jonathan Prentice (A0.884882). One of the most famous melodies in Classical music, Franz Lehár's, Vilja, comes from his operetta, Die lustige Witwe (The Merry Widow). It does not form part of the narrative of the opera but is sung by the character, Hanna, who dressed in traditional Pontevedrin clothes, sings this Pontevedrin song about a Vilia, a beautiful supernatural character who seduces a hapless hunter. It has subsequently become standard concert repertoire for both male and female singers (here in G major, suitable for sopranos and tenors).
$1.99 ≈
1.78€
S'altro che lacrime
S'altro che lacrime
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Soprano voice, Piano
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Classical
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Wolfgang Amadeus Mozart
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Wolfgang Birtel
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S'altro che lacrime
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Schott Music
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SheetMusicPlus
'Aria di Servilia' from 'La clemenza di Tito'. Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by Claudia Eder. Arranged by Wolfgang Birtel. Copy...
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'Aria di Servilia' from 'La clemenza di Tito'. Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by Claudia Eder. Arranged by Wolfgang Birtel. Copyright 2012 Schott Music GmbH & Co. KG, Mainz. 3 pages. Published by Schott Music (S9.Q13885). - - - Schott Music
$3.99 ≈
3.56€
Eternal Father, Strong to Save (The United States Navy Hymn)
Eternal Father, Strong to Save (The United States Navy Hymn)
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Choral SATB
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EASY
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Music by John B
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James F
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Eternal Father, Strong to Save
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Military Bible Association
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1465877 Composed by Music by John B. Dykes and Words by William Whiting and Mary Ham...
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Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1465877 Composed by Music by John B. Dykes and Words by William Whiting and Mary Hamilton. Arranged by James F. Linzey. Chamber,Classical,Patriotic,Religious,Sacred. 4 pages. Military Bible Association #1044474. Published by Military Bible Association (A0.1465877). History of the United States Navy and the Navy HymnOn August 26, 1775, the General Assembly of Rhode Island passed a resolution to create the Continental Fleet, to be funded by the Continental Congress in Philadelphia. But on October 3, 1775, Congress rejected it. On October 13, 1775, the Continental Congress changed courses and established the Continental Navy. This was the birth of the United States Navy. The Continental Navy obtained and armed two civilian vessels, the Andrew Doria and the Cabot. The first United States Navy ship was the USS Alfred, which was commissioned by Captain Dudley Saltonstall on December 3, 1775. John Adams served as the first Chairman of the Naval Committee, but in 1776 the Continental Congress appointed Commodore Esek Hopkins to be the Navy’s first Commander. After the Revolutionary War, the government abolished the Continental Navy. But 11 years later, Congress passed the Naval Act of 1794, which created the United States Navy. The Navy was involved in the Revolutionary War (1775 – 1776), the War of 1812 (1812 – 1815), the Civil World (1861 – 1865), the Mexican-American War (1846 – 1848), the Spanish-American War (1898), World War I (1914 – 1918), World War II (1939 – 1945), the Korean conflict, the Vietnam conflict (1964 – 1975), the war on terrorism through various military operations around the world (1987 – 2021) ), Operation Earnest Will (1987 – 1988), Operation Praying Mantis in the Persian Gulf (1988), Operation Urgent Fury at the invasion of Grenada (1983), Operation Desert Shield (1990 – 1991) and Operation Desert Storm (1991) which comprised the Gulf War, Operation Deliberate Force which was the invasion of Bosnia and Herzegovina (1995), Operation Allied Force which was the attack on Yugoslavia (1999), Operation Desert Fox which was the bombing of Iraq (1998), Operation Southern Watch which was the aerial patrolling of Iraq (1992 – 2003), Operation Enduring Freedom at the invasion of Afghanistan (2001 – 2021), and Operation Iraqi Freedom at the invasion of Iraq (2003 – 2011). The Navy emerged from World War II as the most powerful Navy in the world.In 1860, William Whiting of Winchester, England, wrote a poem titled “Eternal Father, Strong to Save” for one of his students, who was preparing to sail for the United States. The poem alludes to Psalm 107 and is a prayer for God’s protection from seafaring danger. In 1861, Rev. John Bacchus Dykes, an Anglican clergyman, composed the tune “Melita,” in 88 88 88 iambic meter, to accompany the hymn. “Melita” is the archaic name of Malta, which is an ancient seafaring nation. It was the site of the shipwreck that involved the Apostle Paul, as described in the Acts of the Apostles, chapters 27–28. In 1814, Malta became the Crown Colony of the United Kingdom, but in 1964 it gained independence and joined the British Commonwealth. The hymn has long been used by Navy and civilian chaplains during chapel services at sea, in navy and civilian maritime contexts. The Royal Navy, navies of the British Commonwealth, and the United States Navy adopted the hymn in the late 19th century as “The Navy Hymn.” Many verses have been written to Melita. James F. Linzey selected the four verses by Whiting (verses 1-3) and Hamilton (verse 4), which are the verses traditionally used in the Armed Forces Hymnal. James Linzey is the General Editor of the New Tyndale Version (NTV) Bible translation.
$1.99 ≈
1.78€
Elegía a los Inocentes Caídos
Elegía a los Inocentes Caídos
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William Ortiz
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Elegía a los Inocentes Caído
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William Ortiz
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SheetMusicPlus
Large Ensemble Choir - Level 5 - Digital Download SKU: A0.1008991 Composed by William Ortiz. 20th Century,Christian,Contemporary. Score and parts. 79 pag...
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Large Ensemble Choir - Level 5 - Digital Download SKU: A0.1008991 Composed by William Ortiz. 20th Century,Christian,Contemporary. Score and parts. 79 pages. William Ortiz #5969875. Published by William Ortiz (A0.1008991). ElegÃa a los Inocentes CaÃdos, which translates to Elegy for the Fallen Innocent, is a work for Chorus and Orchestra in memorial of the massacre that took place on Palm Sunday, 1937 in Ponce, Puerto Rico.A peaceful civilian march turned into a police shooting in which 19 civilians and 2 policemen were killed, and more than 200 civilians were wounded. Most of the dead were reportedly shot in their backs. The march had been organized by the Puerto Rican Nationalist Party to commemorate the abolition of slavery in Puerto Rico and to protest the U.S. government's imprisonment of the party's leader Pedro Albizu Campos.A free twelve-tone matrix is the musical language and style used that reflects the brutal violence of this historic occurrence. The biblical text, from Ecclesiastes, also conveys and addresses the helplessness, the anguish, the outrage, and the injustices that, unfortunately, still keep occurring during our times.
$38.50 ≈
34.39€
Evviva Trieste - Score Only
Evviva Trieste - Score Only
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Alphons Czibulka
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Matteo Firmi
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Evviva Trieste - Score Only
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BoraVerlag
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SheetMusicPlus
Small Ensemble - Level 3 - Digital Download SKU: A0.708624 Composed by Alphons Czibulka. Arranged by Matteo Firmi. Classical,Folk,Instructional,Patriotic...
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Small Ensemble - Level 3 - Digital Download SKU: A0.708624 Composed by Alphons Czibulka. Arranged by Matteo Firmi. Classical,Folk,Instructional,Patriotic,Traditional. Score and parts. 13 pages. BoraVerlag #317192. Published by BoraVerlag (A0.708624). Small March for band transcribed for wind septet Czibulka was born in Spišské Podhradie (German: Kirchdrauf, Hungarian: Szepesváralja), district of Spiš (Hungarian: Szepes County), Upper Hungary. He first came to prominence from the age of 15 touring Southern Russia giving piano recitals and concerts. He eventually became musical director at the French Opera in Odessa and at the National Theatre in Innsbruck, in 1865 he was second under Franz von Suppé as conductor at the Carl Theatre in Vienna. From 1866 to 1869 he served as a military bandmaster in Austro-Hungarian Infantry Regiment No. 17 in Bolzano. From 1869 to 1870 he held the same position at the 23ern in Petrovaradin and then, until 1871, with Infantry Regiment No. 20 in Krakow. Success as conductor and composer in the military led Czibulka onwards to Kapellmeister for Infantry Regiment No. 25 in Prague from 1872 to 1880. In 1880 he was appointed representative of Austria-Hungary's military orchestra at the International Exhibition in Brussels. He won First Prize he won 1st prize at that festival's Internationalen Musikkapellenkonkurrenz When Rudolf, Crown Prince of Austria became engaged, he dedicated to Princess Stéphanie of Belgium his Stephanie Gavotte, which became one of the most popular salon music pieces of the 19th century. From 1880 to 1883 he was military bandmaster of Infantry Regiment No. 44 in Trieste. His opera Pentecost premiered in Vienna in 1884 and its success took it on to Florence and throughout Europe. As a military bandmaster in the Infantry Regiment No. 31 in Vienna from 1883 to 1887 he held highly acclaimed composer-nights together with the musicians of the 30 under Carl Czerny (not related to the piano teacher). As a civilian he became music director in 1889 of the Concert House Flora in Hamburg. From 1891 to 1894 he again served as a military band conductor at the 19ern in Vienna.
$20.00 ≈
17.86€
Evviva Trieste - Score and Parts
Evviva Trieste - Score and Parts
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Alphons Czibulka
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Matteo Firmi
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Evviva Trieste - Score and Par
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BoraVerlag
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SheetMusicPlus
Woodwind Ensemble Bassoon,Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.713550 Composed by Alphons Czibulka. Arranged by Matteo Firmi. Classic...
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Woodwind Ensemble Bassoon,Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.713550 Composed by Alphons Czibulka. Arranged by Matteo Firmi. Classical,Contest,Festival,Folk,Multicultural,Traditional,World. 27 pages. BoraVerlag #322125. Published by BoraVerlag (A0.713550). Small March for band transcribed for wind septetCzibulka was born in Spišské Podhradie (German: Kirchdrauf, Hungarian: Szepesváralja), district of Spiš (Hungarian: Szepes County), Upper Hungary. He first came to prominence from the age of 15 touring Southern Russia giving piano recitals and concerts. He eventually became musical director at the French Opera in Odessa and at the National Theatre in Innsbruck, in 1865 he was second under Franz von Suppé as conductor at the Carl Theatre in Vienna.From 1866 to 1869 he served as a military bandmaster in Austro-Hungarian Infantry Regiment No. 17 in Bolzano. From 1869 to 1870 he held the same position at the 23ern in Petrovaradin and then, until 1871, with Infantry Regiment No. 20 in Krakow.Success as conductor and composer in the military led Czibulka onwards to Kapellmeister for Infantry Regiment No. 25 in Prague from 1872 to 1880. In 1880 he was appointed representative of Austria-Hungary's military orchestra at the International Exhibition in Brussels. He won First Prize he won 1st prize at that festival's Internationalen MusikkapellenkonkurrenzWhen Rudolf, Crown Prince of Austria became engaged, he dedicated to Princess Stéphanie of Belgium his Stephanie Gavotte, which became one of the most popular salon music pieces of the 19th century.From 1880 to 1883 he was military bandmaster of Infantry Regiment No. 44 in Trieste. His opera Pentecost premiered in Vienna in 1884 and its success took it on to Florence and throughout Europe.As a military bandmaster in the Infantry Regiment No. 31 in Vienna from 1883 to 1887 he held highly acclaimed composer-nights together with the musicians of the 30 under Carl Czerny (not related to the piano teacher). As a civilian he became music director in 1889 of the Concert House Flora in Hamburg. From 1891 to 1894 he again served as a military band conductor at the 19ern in Vienna.
$30.00 ≈
26.80€
Korsakov: Flight of the Bumblebee for Soprano Sax & Piano
Korsakov: Flight of the Bumblebee for Soprano Sax & Piano
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Soprano Saxophone and Piano
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ADVANCED
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Classical
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Contemporary
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Nikolay Andreyevich Rimsky-Kor
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James M
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Korsakov: Flight of the Bumble
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 5 - Digital Download SKU: A0.549256 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP....
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Piano,Soprano Saxophone - Level 5 - Digital Download SKU: A0.549256 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 15 pages. Jmsgu3 #3473699. Published by jmsgu3 (A0.549256). Flight of the Bumblebee from Korsakov's Tale of Tsar Saltan Score: 9 pages, Solo part: 3 pages, Piano accompaniment part: 3 pages. Duration: ca. 1:15 Amaze your listeners with this short but stunning recital encore! Korsakov: Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Korsakov, of course, intended to musically portray the chaotic flying pattern of a bumblebee. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears from time to time in popular culture. In the opera, the piece appears notably at the close of Act III, Tableau 1. This is when the magic Swan-Bird, in fact, changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive.  Korsakov Background Nikolai Rimsky-Korsakov (1844 –1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions-Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite-are important monuments of the standard music repertoire.  Also, comparatively very important are his suites and excerpts from his 15 operas. Korsakov was moreover fond of using Russian folklore and fairy tales in his music, such as Scheherazade. Nationalistic Style Korsakov believed, similarly to fellow outspoken composer Balakirev, in creating a nationalistic, Russia-centric style of classical music. The new style was in fact called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education and mastered Western methods, incorporating them in conjunction with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed as a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which in turn heightened his capabilities in orchestration. Legacy Korsakov in due time contributed a significant number of Russian nationalist works. He also prepared, from time to time, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers during his time as a music educator. Therefore, music historians consider Korsakov as the foremost engineer of what the public considers to be the Russian style of composition. He served, all in all, as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he forthwith influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi. Â
$32.95 ≈
29.43€
Korsakov: Flight of the Bumblebee for Viola & Piano
Korsakov: Flight of the Bumblebee for Viola & Piano
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Viola, Piano
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ADVANCED
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Classical
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Contemporary
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Nikolay Andreyevich Rimsky-Kor
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James M
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Korsakov: Flight of the Bumble
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 5 - Digital Download SKU: A0.549240 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instruction...
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Piano,Viola - Level 5 - Digital Download SKU: A0.549240 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 17 pages. Jmsgu3 #3473581. Published by jmsgu3 (A0.549240). Flight of the Bumblebee from Korsakov's Tale of Tsar Saltan Score: 11 pages, Solo part: 3 pages, Piano accompaniment part: 3 pages. Duration: ca. 1:15 Amaze your listeners with this short but great recital encore! Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Korsakov, of course, intended to musically portray the chaotic flying pattern of a bumblebee. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears from time to time in popular culture. In the opera, the piece appears notably at the close of Act III, Tableau 1. This is when the magic Swan-Bird, in fact, changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive.  Korsakov Background Nikolai Rimsky-Korsakov (1844 –1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions-Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite-are important monuments of the standard music repertoire.  Also, comparatively very important are his suites and excerpts from his 15 operas. Korsakov was moreover fond of using Russian folklore and fairy tales in his music, such as Scheherazade. Nationalistic Style Korsakov believed, similarly to fellow outspoken composer Balakirev, in creating a nationalistic, Russia-centric style of classical music. The new style was in fact called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education and mastered Western methods, incorporating them in conjunction with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed as a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which in turn heightened his capabilities in orchestration. Legacy Korsakov in due time contributed a significant number of Russian nationalist works. He also prepared, from time to time, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers during his time as a music educator. Therefore, music historians consider Korsakov as the foremost engineer of what the public considers to be the Russian style of composition. He served, all in all, as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he forthwith influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi. Â
$32.95 ≈
29.43€
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