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Waiting To Happen
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You've selected:
Waiting To Happen
Sheetmusic to print
21 sheet music found
<
1
Waiting To Happen
Waiting To Happen
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Drums
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INTERMEDIATE
#
Rock
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Marillion
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Evan Aria Serenity
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Waiting To Happen
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Jaslow Drum Sheets
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SheetMusicPlus
Drum Set,Drums - Level 3 - Digital Download SKU: A0.1328429 By Marillion. By Ian Mosley, Mark Kelly, Pete Trewavas, Steve Hogarth, and Steve Rothery. Arr...
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Drum Set,Drums - Level 3 - Digital Download SKU: A0.1328429 By Marillion. By Ian Mosley, Mark Kelly, Pete Trewavas, Steve Hogarth, and Steve Rothery. Arranged by Evan Aria Serenity. Pop,Rock. Score. 2 pages. Jaslow Drum Sheets #916451. Published by Jaslow Drum Sheets (A0.1328429). Drum tab sheet music transcription for Waiting to Happen by Marillion, from the album Holidays in Eden (1991). Drums by Ian Mosley. Progressive rock, difficulty 3/5.jdrumsheets.com
$4.99 ≈
4.59€
The Waiting Game
The Waiting Game
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE/ADVANCED
#
Daniel Burwasser
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The Waiting Game
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Head and Stem
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1305526 Composed by Daniel Burwasser. 21st Century,Chamber,Contemporary,Con...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1305526 Composed by Daniel Burwasser. 21st Century,Chamber,Contemporary,Contest,Festival. 52 pages. Head and Stem #894974. Published by Head and Stem (A0.1305526). NOTES on The Waiting GameWaiting is hard.The Waiting Game is a three-movement work for brass quintet depicting three different emotional scenarios one might endure while waiting for something good to happen. The Waiting Game can be applied to various situations in life where there is no control over the timing of an event and one must simply wait for it to unfold. The first movement, “Anticipationâ€, the first phase, takes the listener through the ambivalent feelings of both dread and positivity depending on the day. The 2nd movement, “Exaspirationâ€, is slow and expressive, representing time dragging on. This is the most frustrating period of the waiting process. The final movement, “Jubilationâ€, is celebratory and depicts a hopeful outcome from all the emotional hardships of waiting.--Daniel Burwasser, October, 2023For more information, go to: https://www.danielburwasser.com/To contact the composer directly, go to: danielburwasser9@gmail.com.
$20.00 ≈
18.42€
I've Gotta Get A Message To You
I've Gotta Get A Message To You
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Brass quartet : 2 trumpets, trombone, tuba
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EASY
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Bee Gees
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Peet du Toit
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I've Gotta Get A Message To Yo
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Peet du Toit
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.802647 By Bee Gees. By Barry Gibb, Maurice Gibb, and Robin Gibb. Arranged ...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.802647 By Bee Gees. By Barry Gibb, Maurice Gibb, and Robin Gibb. Arranged by Peet du Toit. Dance,Disco. Score and parts. 23 pages. Peet du Toit #6197563. Published by Peet du Toit (A0.802647). I've Gotta Get a Message to You is a song by the Bee Gees. Released as a single on 7 September 1968, it was their second number-one single on the UK Singles Chart and their first US Top 10 hit.The song is about a man who, awaiting his execution in the electric chair, begs the prison chaplain to pass a final message on to his wife. Robin Gibb, who wrote the lyrics, said that the man's crime was the murder of his wife's lover, though the lyrics do not explicitly allude to the identity of the victim. Robin said, This is about a prisoner on Death Row who only has a few hours to live. He wants the prison chaplain to pass on a final message to his wife. There's a certain urgency about it. Myself and Barry wrote it. It's a bit like writing a script. Sometimes you can sit there for three hours with your guitar and nothing will happen. Then in the last ten minutes something will spark. The song was written with Percy Sledge in mind to record it. Sledge did record it in February 1970 but Atlantic did not issue his version in the United States at the time.Barry recalled, In those days, the lyrics were almost pretty well done on the spot. I don't remember the fundamentals on how the lyrics were formed, except that we were writing about a guy on death row. That was it.Robin adds:It was like acting, you see, we said, let's pretend that somebody, his life is on the line, somebody's going to the chair. What would be going through their mind? Let's not make it doom and gloom but sort of an appeal to the person he loves. Because right now that's all he cares about. Regardless of whether he's done a bad thing, he is a human being, and he's sending out this last message. There's someone out there whom he loves. It's a torch song, but within a very sort of theatrical sense. Not sort of abstract, but definitely somebody in a very bad situation whose life is going to end. What would they be saying, you know? This is it: 'Gotta get a message to you, hold on.Revive this hit on your brass instruments and enjoy!
$17.00 ≈
15.65€
PATIENTLY WAITING By Gary Lanier (Listening MP3)
PATIENTLY WAITING By Gary Lanier (Listening MP3)
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Sacred music
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Gospel/Spiritual
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Gary Lanier
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Gary Lanier
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PATIENTLY WAITING By Gary Lani
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The Lanier Company
#
SheetMusicPlus
Digital Download SKU: A0.1056299 Composed by Gary Lanier. Arranged by Gary Lanier. Christian,Gospel,Praise & Worship,Sacred. Full Performance. Duration 2...
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Digital Download SKU: A0.1056299 Composed by Gary Lanier. Arranged by Gary Lanier. Christian,Gospel,Praise & Worship,Sacred. Full Performance. Duration 213. The Lanier Company #5721319. Published by The Lanier Company (A0.1056299). PATIENTLY WAITINGThis is a wonderful true story song by Gary Lanier. Not only is Mr. Lanier an accomplished composer, he is also a talented artist. This song is about a man and little boy, that did not know each other, on the street and became involved in a conversation about God. Listen to learn what happened.
$1.99 ≈
1.83€
In Celebration (for 12 handbells)
In Celebration (for 12 handbells)
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Handbells
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INTERMEDIATE
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Jason W
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In Celebration
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Grassy Meadow Music
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SheetMusicPlus
Handbell,Instrumental Solo - Level 3 - Digital Download SKU: A0.1044923 Composed by Jason W. Krug. 20th Century,Contest,Festival,Sacred. Individual part....
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Handbell,Instrumental Solo - Level 3 - Digital Download SKU: A0.1044923 Composed by Jason W. Krug. 20th Century,Contest,Festival,Sacred. Individual part. 4 pages. Grassy Meadow Music #649541. Published by Grassy Meadow Music (A0.1044923). 12 Bell (F5-C7) Level 3 REPRODUCIBLE! Written to commemorate the retirement of beloved handbell director Carolynne Mathis, this original tune is a festive celebration just waiting to happen! Utilizing just 12 bells between F5 and C7, this selection is a perfect choice for the small or socially-distanced group. Be sure to check out the piano accompaniment to this composition! Purchase of this PDF entitles original purchaser to make as many copies as necessary for purchaser's sole use. Permission is also granted to broadcast or live stream performances.
$6.50 ≈
5.99€
Waltz of the Rhinoceroses, Op. 154
Waltz of the Rhinoceroses, Op. 154
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Piano solo
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ADVANCED
#
Contemporary
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Samuel Wellman
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Waltz of the Rhinoceroses, Op.
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Samuel Wellman
#
SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.882118 Composed by Samuel Wellman. Contemporary. Score. 6 pages. Samuel Wellman #3382487. Published by Sa...
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Piano Solo - Level 5 - Digital Download SKU: A0.882118 Composed by Samuel Wellman. Contemporary. Score. 6 pages. Samuel Wellman #3382487. Published by Samuel Wellman (A0.882118). I have composed numerous waltzes, as I have an affinity for them, especially if they have unique interest. The opening of this waltz is based on a snippet of material I heard in a beginning ballet class many years ago. The idea repeated many times, to the point of annoyance. I thought, now that A# in bar 2, bulling its way into E minor, is trouble waiting to happen. And indeed, trouble comes. This section appears several times, in different minor keys, alternating with contrasting sections, like a rondo. Every time the A# (or its transposed equivalent) is played, various harmonic disasters occur, growing more intense as the piece progresses. As for the title, I like the word 'rhinoceros.' I played the piece for some of them, and they liked it well enough.
$5.00 ≈
4.60€
Accident Waiting to Happen from The Drowsy Chaperone - Leadsheet
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Melody line, (Lyrics) and Chords
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Broadway
#
Accident Waiting to Happen fro
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Musicnotes
Accident Waiting to Happen - (from The Drowsy Chaperone) Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Leadsheet;Lyric...
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Accident Waiting to Happen - (from The Drowsy Chaperone) Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Leadsheet;Lyrics/Melody/Chords, instruments: Voice;C Instrument;Backup Vocals; 4 pages -- Musical~~Show/Broadway
$3.25 ≈
2.99€
Accident Waiting To Happen by Lisa Lambert - Piano/Vocal/Guitar
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Piano, Vocal and Guitar
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Broadway
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Lisa Lambert
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Accident Waiting To Happen
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Musicnotes
Accident Waiting To Happen Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement ...
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Accident Waiting To Happen Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Guitar, instruments: Voice;Piano;Guitar; 5 pages -- Show/Broadway~~Musical
$5.50 ≈
5.06€
Visperas
Visperas
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C Instruments
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INTERMEDIATE
#
Nicolas Mustillo
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Nicolas Mustillo
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Visperas
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Nico Mustillo
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SheetMusicPlus
C Instrument - Level 3 - Digital Download SKU: A0.546451 By Nicolas Mustillo. By Nicolas Mustillo. Arranged by Nicolas Mustillo. Contemporary,Multicultur...
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C Instrument - Level 3 - Digital Download SKU: A0.546451 By Nicolas Mustillo. By Nicolas Mustillo. Arranged by Nicolas Mustillo. Contemporary,Multicultural,New Age,Praise & Worship,Spiritual,World. Lead Sheet / Fake Book. 3 pages. Nico Mustillo #156471. Published by Nico Mustillo (A0.546451). La obra nos invita a un clima de calidez, como a la espera de algo lindo que sucederá, como lo indica su nombre, el movimiento de los bajos ascendentes y la armonÃa nos relaja pero no hace que perdamos la atención. The work invites us to a climate of warmth, as if waiting for something nice to happen, as its name indicates, the movement of the ascending basses and the harmony relaxes us but does not make us lose our attention.
$10.00 ≈
9.21€
Accident Waiting To Happen
Accident Waiting To Happen
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Piano, Vocal and Guitar
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Broadway
#
Lisa Lambert and Drowsy Chaper
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Accident Waiting To Happen
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Lisa Lambert and Drowsy Chaperone (Musical). For piano, voice, and guitar (chords only). Musical/Show. 5 pages. Published by Hal Leonard - Digital Sheet Musi...
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By Lisa Lambert and Drowsy Chaperone (Musical). For piano, voice, and guitar (chords only). Musical/Show. 5 pages. Published by Hal Leonard - Digital Sheet Music
$4.99 ≈
4.59€
Accident Waiting To Happen
Accident Waiting To Happen
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Melody line, (Lyrics) and Chords
#
Broadway
#
Lisa Lambert and Drowsy Chaper
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Musical/Show
#
Accident Waiting To Happen
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Hal Leonard - Digital Sheet Music
#
SheetMusicPlus
By Lisa Lambert and Drowsy Chaperone (Musical). Broadway; Musical/Show. Fakebook. 2 pages. Published by Hal Leonard - Digital Sheet Music...
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By Lisa Lambert and Drowsy Chaperone (Musical). Broadway; Musical/Show. Fakebook. 2 pages. Published by Hal Leonard - Digital Sheet Music
$3.99 ≈
3.67€
Greg Morrison: Accident Waiting To Happen for voice, piano and guitar
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Piano, Vocal and Guitar
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INTERMEDIATE
#
Broadway
#
Greg Morrison
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Virtualsheetmusic
Instantly printable sheet music by Lisa Lambert for voice, piano or guitar of MEDIUM skill level. / musical/show
Instantly printable sheet music by Lisa Lambert for voice, piano or guitar of MEDIUM skill level. / musical/show
$9.99 ≈
9.20€
Greg Morrison: Accident Waiting To Happen for voice & other instruments
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Melody line, (Lyrics) and Chords
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INTERMEDIATE
#
Broadway
#
Greg Morrison
#
Virtualsheetmusic
Instantly printable sheet music by Lisa Lambert for voice & other instruments (fake book) of MEDIUM skill level. / musical/show,broadway
Instantly printable sheet music by Lisa Lambert for voice & other instruments (fake book) of MEDIUM skill level. / musical/show,broadway
$4.97 ≈
4.58€
Bach Fuga BWV 539 For Woodwind Quintet
Bach Fuga BWV 539 For Woodwind Quintet
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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ADVANCED
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Classical
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Johann Sebastian Bach
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Luis Anjos Teixeira
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Bach Fuga BWV 539 For Woodwind
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Luis Anjos Teixeira
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.889416 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroqu...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.889416 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standards. 31 pages. Luis Anjos Teixeira #3485727. Published by Luis Anjos Teixeira (A0.889416). 2018 Chamber Music Contest EntryAs a violin player this was always one of my beloved pieces and it has accompanied all my Life. The G minor Fuga is the most compact of the three fugues in the volume for violin solo (and note that in this versions they are not in fact fugues in the proper sense of the word, but rather a kind of fugue/Baroque-concerto hybrid form). It was also transcribed for lute by Bach at some later time (BWV 1000). My arrangement is based on a version of this piece for the organ made by Bach himself - BWV 539. I follow very intimately the organ version, not adding or letting out any of the original notes. As an arrangement I transposed it to H-Minor and some of the notes where made through the interpretation symbols more or less shorter in order to accentuate the polyphonic, rhythmic and natural dynamic of the piece. I also added some legatos. Crescendos, or fortes and similar indications are left out like in the original, waiting for your own interpretation. In the musical consciousness of Bach the polyphony and dialog between the voices were a projection of an ideal world for the Human Society and this should be in the first line of focus and in the mind of all the members in the group. The power of this piece comes from within its structure and relays in its polyphonic dimension. Allow yourself to focus on the Art of enhancing the beauty of this dialog, the bless of communicating with each other. Bach is Love - Love each another I really advise all performers to have a very humble and sensitive approach in the interpretation of this piece towards loudness because you will have to be listening to each other very carefully while performing. Linear time, sound and silence are the basic of dynamic expression. Dynamic will than happen naturally and without much effort when bringing the „Art of playing the silence and the Art of the „duration of the notes to a state of consciousness within the whole piece itself. Often in the old music notation the duration of the notes is longer written in the score then it should be played. Understandable because It takes a lot more time for a composer to write in detail the sound and the silence than to write only the raw length of the notes! Back in those times the performing artists were trained very well to read their raw parts and became very skilled in making their own thing out of the scores so the composers did not have to worry with so much detail like nowadays. In some scores we even find words like:-„please play this note simply as written and without embellishments! On the original score of the Fuga a sixth voice joins the group between bars sixty and sixty one and this voice can be heard very well in the sound file. This „Ghost voice is noted on the clarinet part as an extended possibility. To play it with just one clarinet is absolutely possible as well as arbitrary. Do at will some experiments and let than the group decide. In case of doubt play simply the bottom voice or let yourself get inspired with the sound file. One of my suggestions would be also to play the bottom line as long as the other one is silent, than jump to the upper voice as it comes in and go back again to your usual voice while the other voice „takes a break. This work brought me a new insight into the consciousness and the universal nature of Bach`s music. It requires high skilled and experienced artists to execute. The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. Thank you very much f.
$25.00 ≈
23.02€
Concord Canticles (Downloadable)
Concord Canticles (Downloadable)
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Choral SATB
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INTERMEDIATE
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Sheldon Curry
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Concord Canticles
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Aureole Editions - Digital
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SheetMusicPlus
SATB choir and organ - Medium - Digital Download SKU: MQ.AE152-E Composed by Sheldon Curry. Lessons and Carols. 21 pages. Aureole Editions - Digital #AE1...
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SATB choir and organ - Medium - Digital Download SKU: MQ.AE152-E Composed by Sheldon Curry. Lessons and Carols. 21 pages. Aureole Editions - Digital #AE152-E. Published by Aureole Editions - Digital (MQ.AE152-E). English.Commissioned by True Concord (Tucson, AZ) for their annual Christmas Lessons and Carols, these settings of the Magnificat and Nunc dimittis are powerful and effective. Melding an almost British sensibility with a contemporary musical language, they require an advanced ensemble and capable organist. We think you'll agree that the results are stunning.Notes from the Composer:Magnificat: Imagine you are a teenage Jewish girl a little over 2 thousand years ago. You have almost no power to affect any change in your life other than the biological ones that are happening to you daily. You've been feeling strange lately, nauseous in the mornings. You're soon to be married to an older man you barely know. Your cousin Elizabeth is pregnant and you are on your way to visit her. As you walk, you silently meditate on your current state of affairs, absentmindedly chanting a prayer you've heard since birth.Suddenly, a bright light and strange being appear, the being greets you and gives you the most bizarre news anyone has ever heard. After your initial shock, you can't help but praise God.Nunc dimittis: An old man is at the temple in Jerusalem. Year after year, day after day, hour after hour he has longed for deliverance from Roman oppression and the coming of Messiah. On this day, as he trudges along, he encounters a young girl, an older man and a baby. Not unusual, but something about the child catches his eye and draws him to the family. As he stands staring at the child, suddenly he knows. He knows! This is the One he has been waiting for. The long wait is over. The search is ended. He takes the baby from the mother and holds him close. He feels not elation as much as relief. He can now rest in peace.
$2.70 ≈
2.49€
The Story Of Reuben Clamzo & His Strange Daughter
The Story Of Reuben Clamzo & His Strange Daughter
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Choral TTBB
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EASY
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & H
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octa...
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99 ≈
3.67€
Hereafter - Concert Band
Hereafter - Concert Band
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Concert band
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INTERMEDIATE
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Nicholas Ruel
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Hereafter - Concert Band
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NSRuel Music
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.1206016 Composed by Nicholas Ruel. Classical,Contemporary,Contest,Festival. Score and parts. 40 pages. ...
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Concert Band - Level 3 - Digital Download SKU: A0.1206016 Composed by Nicholas Ruel. Classical,Contemporary,Contest,Festival. Score and parts. 40 pages. NSRuel Music #804207. Published by NSRuel Music (A0.1206016). “Hereafter†is a word that means, and often refers to, life after death. This ballad uses many clashing tones to allude to the uncertainty that death holds and what truly happens to us after death. But, the openness and beauty of this piece also alludes to the hope that we have that people who have reached the end of life have peace and happiness waiting for them.This piece is rated as being medium difficulty, at a solid Grade 3. This is a great piece to program as a tribute to someone and to provide variety to a concert program. The Piece is written with the intent of allowing the director to focus more on phrasing, character, dynamic contrast, tuning, and overall ensemble blend.
$40.00 ≈
36.83€
Contemporary Soprano Aria, "They Say You Can Find Love" from the opera "Menkaure"
Contemporary Soprano Aria, "They Say You Can Find Love" from the opera "Menkaure"
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High voice
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ADVANCED
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James Nathaniel Holland
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Contemporary Soprano Aria, "Th
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James Nathaniel Holland
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SheetMusicPlus
High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.730207 Composed by James Nathaniel Holland. Contemporary,Holiday,Opera,Wedding. 9 pages. James...
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High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.730207 Composed by James Nathaniel Holland. Contemporary,Holiday,Opera,Wedding. 9 pages. James Nathaniel Holland #37039. Published by James Nathaniel Holland (A0.730207). They say you can find Love Contemporary Soprano aria in English from 21st Century opera (Duration: 4'30) Music and Libretto by American Costa Rican composer James Nathaniel Holland Composer website: http://lacoronadelossantos.net/jamesnathanielholland.htmlVideo: https://www.youtube.com/watch?v=br_0U00Ck4Q From the American Opera MENKAURE Full opera YouTube: https://www.youtube.com/playlist?list=PLEcbVsA36MCuT1hxkTAyLuChFGJjtj4Ia Lyrics: They say you can find love, but in truth it is love who finds you! No matter how you force things, no matter what you do. You may sit patiently waiting, As months or years pass you by, and then one day it happens, A glance, a smile, you spy. Yes, I want love to find me, To tangle and entwine me, And it will, I know it will in its own sweet time. (Entire Opera duration: 2 hours) BRIEF SYNOPSIS: 6,000 years ago an almighty ruler died in Aksum. But today he lives for one woman, Trista,who falls in love with his statue at the Metropolitan Museum of Art in New York City. She is pulled deep into obsession, and her family is unable to rescue her; she tries to kiss the statue's face, and is arrested. With a quest to find the statue's twin, she flees to the country Joondor, site of the ancient city of Aksum where she is ultimately consumed by her love for Menkaure. Opera Website Page: http://www.lacoronadelossantos.net/menkaureopera.html Composer's website: http://www.lacoronadelossantos.net/jamesnathanielholland.html
$3.95 ≈
3.64€
The Lightning Seeds: Waiting For Today To Happen for voice, piano and guitar
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Piano, Vocal and Guitar
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INTERMEDIATE
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Rock
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The Lightning Seeds
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Virtualsheetmusic
Instantly printable sheet music by The Lightning Seeds for voice, piano or guitar of MEDIUM skill level. / pop,rock
Instantly printable sheet music by The Lightning Seeds for voice, piano or guitar of MEDIUM skill level. / pop,rock
$6.97 ≈
6.42€
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Waiting To Happen
