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Walk Like A Man Trombone
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You've selected:
Walk Like A Man Trombone
Sheetmusic to print
18 sheet music found
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1
Walk Like A Man
Walk Like A Man
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Trombone
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Old Time/Rock
#
Rock
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The Four Seasons
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Walk Like A Man
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Hal Leonard - Digital
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SheetMusicPlus
Interactive Download SKU: HX.394595 By The Four Seasons. This edition: Interactive Download. Oldies,Pop,Rock. Trombone Solo. 1 pages. Published by Hal Le...
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Interactive Download SKU: HX.394595 By The Four Seasons. This edition: Interactive Download. Oldies,Pop,Rock. Trombone Solo. 1 pages. Published by Hal Leonard - Digital (HX.394595).
$2.99 ≈
£2.28
Walk Like A Man - Trombone
Walk Like A Man - Trombone
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Trombone (band part)
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The Four Seasons
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Kirby Shaw
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Walk Like A Man - Trombone
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Hal Leonard - Digital
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SheetMusicPlus
Digital Download SKU: HX.219741 By The Four Seasons. By Bob Crewe and Bob Gaudio. Arranged by Kirby Shaw. Broadway,Concert,Pop. Choral Instrumental Pak. ...
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Digital Download SKU: HX.219741 By The Four Seasons. By Bob Crewe and Bob Gaudio. Arranged by Kirby Shaw. Broadway,Concert,Pop. Choral Instrumental Pak. 1 pages. Duration 110. Hal Leonard - Digital #897150. Published by Hal Leonard - Digital (HX.219741).
$7.00 ≈
£5.34
Too Much For Our Thirst (Trombone and Piano)
Too Much For Our Thirst (Trombone and Piano)
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Trombone and Piano
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INTERMEDIATE/ADVANCED
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Contemporary
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Alexander Burdiss
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Too Much For Our Thirst
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Ars Nova Press
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SheetMusicPlus
Piano,Tenor Trombone - Level 4 - Digital Download SKU: A0.1335564 Composed by Alexander Burdiss. Contemporary. Score and part. 12 pages. Ars Nova Press #...
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Piano,Tenor Trombone - Level 4 - Digital Download SKU: A0.1335564 Composed by Alexander Burdiss. Contemporary. Score and part. 12 pages. Ars Nova Press #921400. Published by Ars Nova Press (A0.1335564). Too Much For Our Thirstby Alexander BurdissArranged for Trombone and PianoDedicated to Courtney CarmackPerformance Time: approx. 7:00This is an adaptation for trombone of a piece originally written for tuba. The Eyes of the Poor from Paris SpleenWritten by Charles Baudelaire, Translated by Arthur Symons Ah! you want to know why I hate you to-day. It will probably be less easy for you to understand than for me to explain it to you; for you are, I think, the most perfect example of feminine impenetrability that could possibly be found. We had spent a long day together, and it had seemed to me short. We had promised one another that we would think the same thoughts and that our two souls should become one soul; a dream which is not original, after all, except that, dreamed by all men, it has been realised by none. In the evening you were a little tired, and you sat down outside a new café at the corner of a new boulevard, still littered with plaster and already displaying proudly its unfinished splendours. The café glittered. The very gas put on all the fervency of a fresh start, and lighted up with its full force the blinding whiteness of the walls, the dazzling sheets of glass in the mirrors, the gilt of cornices and mouldings, the chubby-cheeked pages straining back from hounds in leash, the ladies laughing at the falcons on their wrists, the nymphs and goddesses carrying fruits and pies and game on their heads, the Hebes and Ganymedes holding out at arm's-length little jars of syrups or parti-coloured obelisks of ices; the whole of history and of mythology brought together to make a paradise for gluttons. Exactly opposite to us, in the roadway, stood a man of about forty years of age, with a weary face and a greyish beard, holding a little boy by one hand and carrying on the other arm a little fellow too weak to walk. He was taking the nurse-maid's place, and had brought his children out for a walk in the evening. All were in rags. The three faces were extraordinarily serious, and the six eyes stared fixedly at the new café with an equal admiration, differentiated in each according to age. The father's eyes said: How beautiful it is! how beautiful it is! One would think that all the gold of the poor world had found its way to these walls. The boy's eyes said: How beautiful it is! how beautiful it is! But that is a house which only people who are not like us can enter. As for the little one's eyes, they were too fascinated to express anything but stupid and utter joy. Song-writers say that pleasure ennobles the soul and softens the heart. The song was right that evening, so far as I was concerned. Not only was I touched by this family of eyes, but I felt rather ashamed of our glasses and decanters, so much too much for our thirst. I turned to look at you, dear love, that I might read my own thought in you; I gazed deep into your eyes, so beautiful and so strangely sweet, your green eyes that are the home of caprice and under the sovereignty of the Moon; and you said to me: Those people are insupportable to me with their staring saucer- eyes! Couldn't you tell the head waiter to send them away? So hard is it to understand one another, dearest, and so incommunicable is thought, even between people who are in love!
$9.99 ≈
£7.63
Walk Like A Man
Walk Like A Man
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Concert band
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INTERMEDIATE
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The Four Seasons
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Adrián Horváth
#
Walk Like A Man
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Horváth Adrián
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.1213067 By The Four Seasons. By Bob Crewe and Bob Gaudio. Arranged by Adrián Horváth. Film/TV,Pop...
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Concert Band - Level 3 - Digital Download SKU: A0.1213067 By The Four Seasons. By Bob Crewe and Bob Gaudio. Arranged by Adrián Horváth. Film/TV,Pop. Score and Parts. 45 pages. Horváth Adrián #810243. Published by Horváth Adrián (A0.1213067). Visit my website: https://www.hadrian.huInstrumentation: Full Score (A4 Portrait), Parts (A4 Portrait): Flute 1., 2., Oboe, Bassoon, Clarinet in Bb 1., 2., 3., Bass Clarinet in Bb, Alto Saxophone 1., 2., Tenor Saxophone, Baritone Saxophone, Trumpet in Bb 1., 2., 3., Horn in F 1., 2., Horn in Eb 1., 2., Euphonium in Bb 1., 2. (T.C.), Euphonium in C 1., 2. (B.C.), Trombone 1., 2., 3., Trombone in Bb (T.C.) 1., 2., 3., Tuba, Guitar (opt.), Piano (opt.), Bass Guitar (opt.), Drum Set, Glockenspiel.
$49.99 ≈
£38.16
Walking In The Air
Walking In The Air
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE
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Howard Blake
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Kayleigh Huelin
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Walking In The Air
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Kayleigh Huelin
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1449624 Composed by Howard Blake. Arranged by Kayleigh Huelin. Christmas,Fi...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1449624 Composed by Howard Blake. Arranged by Kayleigh Huelin. Christmas,Film/TV. 10 pages. Kayleigh Huelin #1029381. Published by Kayleigh Huelin (A0.1449624). A timeless classic, 'Walking in the Air' is well-known to many as the central song and theme in the animated version of Raymond Briggs' The Snowman. The story follows a young boy and a snowman who comes to life, and the melancholy tune perfectly encapsulates the bittersweet ending of the tale. Arranged for brass quintet.Like this? Why not check out my website for more arrangements: www.khuelinmusic.co.uk.
$24.99 ≈
£19.07
Walking In The Air
Walking In The Air
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Brass Quartet: 2 trumpets, horn, trombone
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INTERMEDIATE
#
Howard Blake
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Kayleigh Huelin
#
Walking In The Air
#
Kayleigh Huelin
#
SheetMusicPlus
Brass Quartet Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1386102 Composed by Howard Blake. Arranged by Kayleigh Huelin. Christmas,Film/TV...
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Brass Quartet Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1386102 Composed by Howard Blake. Arranged by Kayleigh Huelin. Christmas,Film/TV. 8 pages. Kayleigh Huelin #970081. Published by Kayleigh Huelin (A0.1386102). A timeless classic, 'Walking in the Air' is well-known to many as the central song and theme in the animated version of Raymond Briggs' The Snowman. The story follows a young boy and a snowman who comes to life, and the melancholy tune perfectly encapsulates the bittersweet ending of the tale. Arranged for brass quartet.Like this? Why not check out my website for more arrangements: www.khuelinmusic.co.uk.
$19.99 ≈
£15.26
18 Gospel Hymns Vol.1 for Solo Trombone and Piano
18 Gospel Hymns Vol.1 for Solo Trombone and Piano
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Trombone and Piano
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EASY
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Gospel/Spiritual
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Various
#
Worship
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18 Gospel Hymns Vol.1 for Solo
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David McKeown
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SheetMusicPlus
Piano Accompaniment, Trombone - Early Intermediate - Digital Download Composed by Various. Arranged by David McKeown. Christian, Gospel, Spiritual, Sac...
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Piano Accompaniment, Trombone - Early Intermediate - Digital Download Composed by Various. Arranged by David McKeown. Christian, Gospel, Spiritual, Sacred, Praise & Worship. Score, Solo Part. 50 pages. Published by David McKeown
18 Easy Gospel Hymns Vol.1 for Solo Trombone and Piano is a beautiful collection of your best-loved Gospel Hymns and Spirituals. They are arranged simply in the most suitable range and key for the solo instrument. The preview only shows a few pages of the piano score, but this is followed by a separate solo instrumental part, adding up to 49 pages of quality music.
The standard is early intermediate. Players with a year or two’s experience will enjoy playing these Gospel hymns, with plenty of interest in both the solo and the piano parts. These hymns are ideal for use in concerts or worship, formal or informal. The hymns are in alphabetical order and are as follows
· Abide with Me,
· Amazing Grace,
· Blessed Assurance,
· Deep River,
· Down by the Riverside,
· Go Down Moses,
· Go Tell It on the Mountain,
· He’s Got the Whole World in HIs Hands,
· Higher Ground,
· Jesus on the Mainline,
· Joshua Fought the Battle of Jericho,
· Just a Closer Walk with Thee,
· Just as I Am,
· Just Over in the Glory Land,
· Kumbaya My Lord,
· Love Lifted Me,
· Nobody Knows the Trouble I’ve Seen,
· Nothing but the Blood of Jesus.
If you like these Gospel Hymns, then there are another eighteen just like them in Volume 2. To find them copy and paste 18 Easy Gospel Hymns Vol.2 for Solo Trombone and Piano in the Search Bar above. There are also duet versions of these Gospel hymns available on Sheet Music Plus, and more advanced duet arrangements of your Gospel favourites in the 10 Gospel Duets series.
To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.
There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$8.49 ≈
£6.48
The Four Seasons: Walk Like A Man - trombone solo
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Trombone
#
INTERMEDIATE
#
Rock
#
The Four Seasons
#
Virtualsheetmusic
Instantly printable sheet music by The Four Seasons for trombone solo of MEDIUM skill level. / oldies,pop,rock
Instantly printable sheet music by The Four Seasons for trombone solo of MEDIUM skill level. / oldies,pop,rock
$3.97 ≈
£3.03
Walk Like An Egyptian
Walk Like An Egyptian
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Rock
#
The Bangles
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Chris Gorman
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Walk Like An Egyptian
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Chris Gorman
#
SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.1356043 By The Bangles. By Liam Sternberg. Arranged by Chris Gorman. Pop,Rock. Brass Band. 62 pages. Chris Gorman #940741. Published by Chris Gorman (A0.1356043). Walk Like an Egyptian is a song by American band the Bangles. It was released in September 1986 as the third single from their second studio album, Different Light (1986). It was the band's first number-one single, and was ranked Billboard's number-one song of 1987. Liam Sternberg said he was inspired to create the song while on a ferry crossing the English Channel. When the vessel hit choppy water, passengers stepped carefully and moved their arms awkwardly while struggling to maintain their balance, and that reminded Sternberg of the depiction of human figures in ancient Egyptian tomb paintings. He wrote the words Walk like an Egyptian in a notebook. Later, Sternberg looked back in the notebook, and composing the melody with a guitar, he put together an up-tempo song with lyrics about Egyptian hieroglyphs, the Nile River, crocodiles, desert sand, bazaars and hookah pipes and then segued into modern scenes of blonde waitresses, school kids and police officers. This arrangement shows off the Brass Band to be capable to play a wider variety of music.
$35.00 ≈
£26.71
I'll Walk Alone
I'll Walk Alone
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Dinah Shore
#
F
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I'll Walk Alone
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Sweetwater Brass Press
#
SheetMusicPlus
Horn,Tenor Saxophone,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1351942 By Dinah Shore. By Jule Styne and Sammy Cahn. Arranged by F. Lesl...
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Horn,Tenor Saxophone,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1351942 By Dinah Shore. By Jule Styne and Sammy Cahn. Arranged by F. Leslie Smith. 20th Century,Jazz,Pop,Standards. 20 pages. Sweetwater Brass Press #936564. Published by Sweetwater Brass Press (A0.1351942). “I’ll Walk Alone†is a World War II era ballad whose poignant melody sounds as though it could have been written just yesterday.  First introduced in the 1944 movie Follow the Boys, it was hugely popular and has since been recorded by numerous artists.   Universal Pictures produced Follow the Boys in an effort to help boost morale for both overseas military and folks on the home front.  Despite being filled with stars and songs, critics tended to dismiss it as hokey and trite.  The exception was a scene in which Dinah Shore sang “I’ll Walk Alone.† Nominated for the Academy Award for Best Original Song, Ms. Shore’s follow-up Victor recording spent 20 weeks on the top ten Best Selling Records chart.  The song was used yet again in 1952 for another motion picture, With a Song in My Heart, the Jane Froman biographical film, and the melody eventually developed as a standard, particularly in the world of jazz.   Sammy Cahn’s lyrics for this song express the feelings and the promise of a woman who has been separated from her lover by the war.  She pledges that she will be true, that she will wait for him, and that “'till you're walking beside me, I'll walk alone.† Jule Styne’s melody is both plaintiff and simple. an eight-measure phrase, a repeat of the phrase, an eight-measure second phrase, then another repeat of the first phrase.   For this arrangement, the suggested tempo is a relatively slow, blues-like 72 bpm.  It features a tenor saxophone as lead and solo instrument accompanied by brass quintet.  A four-measure introduction opens the piece with Trumpet 1 playing melody and the other four brass providing background.  Following the intro, Tenor Sax plays its first three notes alone; the other instruments begin their accompaniment on measure 6.  Trumpet 1 is tacit during measures 6-11 but begins adding counterpoint in measure 12.     In performing this arrangement, brass instruments should ensure that, when the Sax plays, their volume as a group is under (i.e., softer than) the melody.  The exception begins at measure 36, when a crescendo leads to the quintet playing fortissimo.  During this section, the Tenor Sax plays a couple of responses.  At measures 43 a decrescendo lowers the brass volume back to its original soft accompaniment level.  The piece ends with brass recapping the introduction and Sax providing a final statement.   This piece, completed in 2023, consists of 57 measures, a little over three minutes in length.  Written in the key of G major, Tuba’s lowest note is a G below the staff.  Other than that, all notes are well within the normal playing range of each instrument.   The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge.  He would like to receive your suggestions, comments, corrections and criticisms.  Contact him at lessmith61@bellsouth.net.  For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
$12.99 ≈
£9.91
Beau Soir (Debussy) for Trombone and Piano
Beau Soir (Debussy) for Trombone and Piano
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Trombone and Piano
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INTERMEDIATE
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Claude Debussy
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Harry Walker
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Beau Soir
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SCORE EDITIONS
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SheetMusicPlus
Piano,Trombone - Level 3 - Digital Download SKU: A0.1501220 Composed by Claude Debussy. Arranged by Harry Walker. 19th Century,Chamber,Classical,Contest,...
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Piano,Trombone - Level 3 - Digital Download SKU: A0.1501220 Composed by Claude Debussy. Arranged by Harry Walker. 19th Century,Chamber,Classical,Contest,Festival,Romantic Period. Score and part. 8 pages. SCORE EDITIONS #1077177. Published by SCORE EDITIONS (A0.1501220). Beau Soir, composed by Claude Debussy, is a captivating piece that embodies the essence of French Impressionism. The title translates to Beautiful Evening, and the music, originally written for voice and piano, evokes a serene and idyllic twilight scene. The piece has been arranged for various instruments, including violin and piano, highlighting its lyrical and expressive qualities. Beau Soir features flowing melodies and rich harmonies that transport listeners to a tranquil, dreamlike landscape. Its gentle, evocative nature makes it a popular choice for recitals and performances, offering musicians the opportunity to explore subtle nuances and emotional depth. This timeless work by Debussy continues to enchant audiences with its delicate beauty and serene atmosphere. In this version, the composition was arranged for Trombone and Piano by Harry Walker.
$5.99 ≈
£4.57
A Night In Tunisia
A Night In Tunisia
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Trumpet, Euphonium (duet)
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INTERMEDIATE
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Jazz
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Dizzy Gillespie
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Keith Terrett
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
Euphonium,Instrumental Duet,Trombone - Level 3 - Digital Download SKU: A0.747026 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by ...
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Euphonium,Instrumental Duet,Trombone - Level 3 - Digital Download SKU: A0.747026 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. 12 pages. Keith Terrett #5899355. Published by Keith Terrett (A0.747026). A great sounding arrangement of A Night in Tunisia arranged for Baritone, Euphonium, Trombone (BC) & Piano, low brass players will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$8.99 ≈
£6.86
Nineteen Skeletal Duets for Trombones
Nineteen Skeletal Duets for Trombones
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2 Trombones (duet)
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EASY
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Jazz
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Gregory Fritze
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Nineteen Skeletal Duets for Tr
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Musica Nova USA
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SheetMusicPlus
Composed by Gregory Fritze. Classical Period, Contemporary Classical, Jazz, Method, Etudes and Exercises. Individual Part, Score. 44 pages. Published ...
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Composed by Gregory Fritze. Classical Period, Contemporary Classical, Jazz, Method, Etudes and Exercises. Individual Part, Score. 44 pages. Published by Musica Nova USA
Nineteen Skeletal Duets for Trombones is a set of duets of easy to moderately difficult specifically for teachers and students in private lessons. The first 15 duets are arranged from Fifteen Safari Duets for Tubas which was composed in 1989 for playing with my tuba students at Berklee College of Music. They are at different levels of difficulty and in various styles so that we always had duets to play no matter what was the ability of the student. The additional four duets were added in 2020 for trombones for this set. The title of each duet is also a name for a bone in the human body, hence the name Skeletal Duets. There is something in each duet for students to learn: the basics of tone production, rhythms, melodic phrasing, jazz, graphic notation, etc. Most are sight readable and some have been performed in concerts. Nineteen Skeletal Duets for Euphoniums are the same duets but in treble clef. Twenty-two Skeletal Duets for Hornsuses the first 19 of the trombone set with three additional duets added. Some of the trombone and horn duets are in the same key so they can be played together.
1. Cranium
This duet presents the cantabile “singing” style as studied for playing the trombone. I find that this duet helps the student much like the melodies of Borgodni (Rochet) etudes.
2. Stirrup
This duet provides an opportunity to read basic rhythms and articulations. I find that the more advanced students can read in a faster tempo while the less skilled students work best in the slower tempos – a common choice for all of the duets.
3. Humerus
This waltz helps the student match phrasing in a cantabile setting. There are a few instances where the teacher (playing the first part) plays a phrase then the student plays a similar phrase.
4. Vertebra
This is in a “rock” style with syncopated rhythms with cantabile melodies. Articulations are especially important in this duet.
5. Axis
Legato scales and syncopated rhythms are the features of this duet. This is a good exercise for legato playing on trombone, especially when the legato tongue is needed versus when the trombonist does not need to tongue when moving across partials.
6. Tibia
This duet alternates in rock style and swing. Articulations and manipulation of “swing” rhythms are important.
7. Clavicle
The key of A for this duet provides variation for the students.
8. Fibula nd
This duet uses the easiest of rhythms and range, especially for the 2
9. Scapula
This duet is non-metric and uses graphic notation. This was a favorite duet of my students as many had never experienced this notation before.
10. Atlas ndThis is an Invention in the Bach style. This is probably the best duet to play when the 2 part is played by bass trombone.
(student) part.
11. Radius
This duet is in a “Medium Swing” jazz style. Each part has a chance to play a little bit of a “walking” bass line. Articulations and manipulation of “swing” rhythms are important in this duet.
12. Femur
This duet works on double time and half time tempo changes.
13. Patella
This is another duet that includes graphic notation. In this duet “Free rapid legato lines” are used.
14. Anvil
This gallop displays different types of articulation.
15. Hammer
This duet is in the style of a fanfare.
16. Rib
This duet is a melody, “Magallon Blues”, that I originally composed when I taught at a summer music camp in Magallon, Spain. In that camp each of the students would practice playing a jazz solo. This duet also has jazz chord changes so you can add piano or guitar. The use of drums is also an added option.
17. Sacrum
This duet is a short arrangement of Mozart’s “Eine Kleine Nachtmusic”.
18. Ulna
This duet is a short arrangement of the traditional Irish folk song “Londonderry Air”, more commonly known as “Danny Boy”.
19. Ilium
This duet is a short arrangement of the Beethoven’s song “Ode to Joy” which represents the triumph of universal brotherhood against war and desperation.
Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer. He recently retired from Berklee College of Music where he was Tuba Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over one hundred compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally including First Prize in the 1991 TUBA Etude Contest for Twenty Characteristic Etudes for Tuba, an award from The American Prize for his Petite Suite for Brass Quintet and others. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world. Many of his compositions are available on ITunes, Youtube and Soundcloud.
His compositions are recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.
$20.00 ≈
£15.27
18 Gospel Hymns Vol.1 for Solo Trombone (Treble Clef in B Flat) and Piano
18 Gospel Hymns Vol.1 for Solo Trombone (Treble Clef in B Flat) and Piano
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Trombone and Piano
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Gospel/Spiritual
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Various
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Worship
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18 Gospel Hymns Vol.1 for Solo
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David McKeown
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SheetMusicPlus
Composed by Various. Arranged by David McKeown. Christian, Gospel, Spiritual, Sacred, Praise & Worship. Score, Solo Part. 50 pages. Published by D...
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Composed by Various. Arranged by David McKeown. Christian, Gospel, Spiritual, Sacred, Praise & Worship. Score, Solo Part. 50 pages. Published by David McKeown
18 Easy Gospel Hymns Vol.1 for Solo Trombone (Treble Clef in B Flat) and Piano is a beautiful collection of your best-loved Gospel Hymns and Spirituals. They are arranged simply in the most suitable range and key for the solo instrument. The preview only shows a few pages of the piano score, but this is followed by a separate solo instrumental part, adding up to 49 pages of quality music.
The standard is early intermediate. Players with a year or two’s experience will enjoy playing these Gospel hymns, with plenty of interest in both the solo and the piano parts. These hymns are ideal for use in concerts or worship, formal or informal. The hymns are in alphabetical order and are as follows
· Abide with Me,
· Amazing Grace,
· Blessed Assurance,
· Deep River,
· Down by the Riverside,
· Go Down Moses,
· Go Tell It on the Mountain,
· He’s Got the Whole World in HIs Hands,
· Higher Ground,
· Jesus on the Mainline,
· Joshua Fought the Battle of Jericho,
· Just a Closer Walk with Thee,
· Just as I Am,
· Just Over in the Glory Land,
· Kumbaya My Lord,
· Love Lifted Me,
· Nobody Knows the Trouble I’ve Seen,
· Nothing but the Blood of Jesus.
If you like these Gospel Hymns, then there are another eighteen just like them in Volume 2. To find them copy and paste 18 Easy Gospel Hymns Vol.2 for Solo Trombone (Treble Clef in B Flat) and Piano in the Search Bar above. There are also duet versions of these Gospel hymns available on Sheet Music Plus, and more advanced duet arrangements of your Gospel favourites in the 10 Gospel Duets series.
To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.
There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$8.49 ≈
£6.48
Pictures At An Exhibition
Pictures At An Exhibition
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Brass quartet : 2 trumpets, trombone, tuba
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INTERMEDIATE/ADVANCED
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Popular Demand
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Fiona Hickie
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Pictures At An Exhibition
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Fiona Alice Hickie
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.738342 Composed by Fiona Hickie. Baroque,Classical,Contemporary,Jazz. Scor...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.738342 Composed by Fiona Hickie. Baroque,Classical,Contemporary,Jazz. Score and parts. 42 pages. Fiona Alice Hickie #6593871. Published by Fiona Alice Hickie (A0.738342). A new version of Pictures of an Exhibition that reflects on what art galleries are like today. Why not take your audiences for a walk through the art gallery. It is composed for brass quintet: 1st trumpet, 2nd trumpet, French horn, trombone and tuba.It includes:The GalleryThe Ancients Environmental Reflection Baroque Masters Rite of Opinion By Popular Demand.
$25.00 ≈
£19.08
Religious - 40 Beloved Christian Hymns (for Brass Quintet)
Religious - 40 Beloved Christian Hymns (for Brass Quintet)
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE
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Sacred music
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Various
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Kenneth Abeling
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Religious - 40 Beloved Christi
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
Composed by Various. Arranged by Kenneth Abeling. Christian, Sacred, General Worship, Christmas, Easter. Score, Set of Parts. 89 pages. Published by LINCOLN MUS...
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Composed by Various. Arranged by Kenneth Abeling. Christian, Sacred, General Worship, Christmas, Easter. Score, Set of Parts. 89 pages. Published by LINCOLN MUSIC PUBLICATIONS (S0.142503). - Score,Set of Parts - Christian,Sacred,General Worship,Christmas,Easter - LINCOLN MUSIC PUBLICATIONS
40 Beloved Christian Hymns Volume I for Brass Quintet is the first collection of traditionally scored, and frequently used hymns in many Christian worship services. This collection has been completely revised and now includes an optional Organ/Piano/Harpsichord part. The Titles include: A Mighty Fortress is Our God - Abide With Me - All Creatures of Our God and King - All Hail the Power of Jesus' Name! - Amazing Grace - At the Cross Mine Eyes Have seen the Glory (Battle Hymn of the Republic) - Be Thou My Vision Blessed Assurance Breathe on Me, Breath of God - Crown Him With Many Crowns - Eternal Father, Strong to Save - Fairest Lord Jesus - Faith of Our Fathers - For the Beauty of the Earth - God of Our Fathers - Holy, Holy, Holy - I Love to Tell the story - In the Garden - It is Well With My Soul (When Peace Like a River) - Jesus Christ is Risen Today - Jesus Loves Me - Jesus Paid It All - Jesus Shall Reign - Jesus, Lover of My Soul - Joyful, Joyful, We Adore Thee - Just a Closer Walk With Thee - Nearer My God to Thee - Onward Christian Soldiers - Praise the Lord! - O Heavens, Adore Him - Rock of Ages - Shall We Gather at the River - Take My Life and Let it Be - The Lords is My Shepard, I'll Not Want - The Old Rugged Cross - To God be the Glory - We Gather Together - Were You There - What a Friend We Have in Jesus - Wonderful Words of Life. To view and listen to this piece IN ITS ENTIRETY as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: www.lincolnmusicpublications.com. Total Playing Time approximately 54:00 with repeats. Preview this score on YouTube: https://www.youtube.com/watch?v=d0liLdFbnHY
$28.99 ≈
£22.13
They Came Here to Dance (Swing Band Arrangement)
They Came Here to Dance (Swing Band Arrangement)
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Jazz Ensemble
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INTERMEDIATE/ADVANCED
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Mike Strand, ASCAP
T
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Mike Strand
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They Came Here to Dance
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Michael M. Strand
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.970736 Composed by Mike Strand. Graduation,Jazz,Wedding. Score and parts. 22 pages. Mich...
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Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.970736 Composed by Mike Strand. Graduation,Jazz,Wedding. Score and parts. 22 pages. Michael M. Strand #4890111. Published by Michael M. Strand (A0.970736). By Mike Strand, ASCAPThis is the full score, plus scores for three groups of parts, for a full arrangement of a swing tune for piano, bass, saxophone, trumpet, trombone, and two singers. After the cover, there are 21 pages of music: Ten pages for the full score; four pages for the group of blowing instruments (alto saxophone, B flat trumpet, and trombone); four pages for the piano and bass; and three pages for the two singers. Grouping the parts in this manner is natural and advantageous for this particular swing composition. These part groupings will help players in a group coordinate with each other from their group score. This is an excellent compromise between everyone working from the full score, and each player having a score with just the player’s individual part. The audio sample plays the full score.This product solves a problem that any composer of new jazz music faces: Unlike the popular standards, there aren’t any well-known and often-heard arrangements for a band to emulate. As the composer with only a lead sheet, I would have to convince your band to develop an arrangement from scratch, starting from nothing but the lead sheet! With so many attractive standard swing tunes to perform, a busy band may hesitate to put extra effort into an unknown tune. Problem solved! With this full arrangement of They Came Here to Dance, a band can better see and hear the tune’s full potential. It will be easier for a band to make any modifications to suit its particular mix of musicians and to better fit its style. With this arrangement, with written score, part group scores and audio sample, it will be as easy as working from the recording and score of a popular standard. All that’s missing from this arrangement is the percussion, because of the individuality of drummers. The band only needs a skilled jazz drummer to join in easily with this arrangement. Here are the lyrics to They Came Here to Dance: 1.You may come here to eat and to drink.Lots of chins wag, and wine glasses clink. Well, that’s all good, but here’s what I think: They came here to dance! 2. We cats up front have to check our sound mix. Then they walk in, togged to the bricks. They have the moves to show off our licks. They came here to dance! Bridge – Instrumental section, followed by: Our band’s in the groove – here’s one reason why: The doghouse amps are turned up high. They get in there, and tear up the floor! And they don’t care if their feet get sore. 3. Bustin’ our conks, we cats are hot, She is a wren who rocks him a lot! And they don’t care if we light up or not. They came here to dance!4. Bridge again, then:Bustin’ our conks, we cats are hot, She is a wren who rocks him a lot! And they don’t care if we light up or not.They have the learning to, they have a yearning to,They came here to dance! Note Some words in these lyrics are taken from Cab Calloway Slang: Light up – smoke a stick (marijuana cigarette) Doghouse - bass Get in there - go to work, get busy, make it hot, give it all you got Bustin’ our conks – breaking our necks (applying ourselves diligently) Wren – a chick, a queen (beautiful girl) Cat – musician in swing band Togged to the bricks – dressed to kill, from head to toe Licks – hot musical phrases In the groove – perfect, down the alley .
$8.00 ≈
£6.11
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Walk Like A Man Trombone
