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Warm Up in C for OBOE
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You've selected:
Warm Up in C for OBOE
Sheetmusic to print
16 sheet music found
<
1
Warm Up in C for OBOE
Warm Up in C for OBOE
#
Oboe (band part)
#
Contemporary
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Ellen Macpherson
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Warm Up in C for OBOE
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Ellen Macpherson
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SheetMusicPlus
Oboe Solo - Digital Download SKU: A0.740843 Composed by Ellen Macpherson. Contemporary. Individual part. 2 pages. Ellen Macpherson #6253015. Published by...
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Oboe Solo - Digital Download SKU: A0.740843 Composed by Ellen Macpherson. Contemporary. Individual part. 2 pages. Ellen Macpherson #6253015. Published by Ellen Macpherson (A0.740843). Warm Up in C for OBOE.
$1.99 ≈
1.79€
Warm Up in C for Woodwind Ensemble
Warm Up in C for Woodwind Ensemble
#
Instructional
#
Ellen Macpherson
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Warm Up in C for Woodwind Ense
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Ellen Macpherson
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SheetMusicPlus
Woodwind Ensemble - Digital Download SKU: A0.740847 Composed by Ellen Macpherson. Instructional. 27 pages. Ellen Macpherson #6253027. Published by Ellen ...
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Woodwind Ensemble - Digital Download SKU: A0.740847 Composed by Ellen Macpherson. Instructional. 27 pages. Ellen Macpherson #6253027. Published by Ellen Macpherson (A0.740847). Warm Up in C for Woodwind Ensemble. Piccolo, Flute, Oboe, English Horn, Clarinet, Bass Clarinet, Alto Sax, Tenor Sax, Bassoon, Baritone Saxophone, Alto Flute, Recorder, Bass Flute.
$7.99 ≈
7.20€
Donut Etudes vol. 3: Don’t Step in the Holes! – Oboe Quartet
Donut Etudes vol. 3: Don’t Step in the Holes! – Oboe Quartet
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Oboe (band part)
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INTERMEDIATE
#
Instructional
#
Joshua Hauser
#
#
Donut Etudes vol. 3: Don’t S
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Slide Ride
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SheetMusicPlus
Oboe Solo - Level 3 - Digital Download SKU: A0.784326 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288643. Published...
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Oboe Solo - Level 3 - Digital Download SKU: A0.784326 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288643. Published by Slide Ride (A0.784326). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00 ≈
4.50€
Donut Etudes vol. 3: Don’t Step in the Holes! – Woodwind Quartet or Quintet
Donut Etudes vol. 3: Don’t Step in the Holes! – Woodwind Quartet or Quintet
#
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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INTERMEDIATE
#
Instructional
#
Joshua Hauser
#
#
Donut Etudes vol. 3: Don’t S
#
Slide Ride
#
SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.784344 Composed by Joshua Hauser. Instructional. Score and parts. 18...
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.784344 Composed by Joshua Hauser. Instructional. Score and parts. 182 pages. Slide Ride #5288695. Published by Slide Ride (A0.784344). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$17.50 ≈
15.76€
Donut Etudes vol. 3: Don’t Step in the Holes! – Brass Quartet or Quintet
Donut Etudes vol. 3: Don’t Step in the Holes! – Brass Quartet or Quintet
#
Flute, Oboe, Clarinet, Bassoon
#
INTERMEDIATE
#
Instructional
#
Joshua Hauser
#
#
Donut Etudes vol. 3: Don’t S
#
Slide Ride
#
SheetMusicPlus
Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.784343 Composed by Joshua Hauser. Instructional. Score and parts...
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Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.784343 Composed by Joshua Hauser. Instructional. Score and parts. 146 pages. Slide Ride #5288693. Published by Slide Ride (A0.784343). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$15.00 ≈
13.51€
"Calisthenics for Recorders in C" 15 Fun Studies,Gallops,Polkas,Variations
"Calisthenics for Recorders in C" 15 Fun Studies,Gallops,Polkas,Variations
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Various
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B
#
"Calisthenics for Recorders in
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bl_music
#
SheetMusicPlus
Large Ensemble Alto Saxophone,Baritone Saxophone,Clarinet,Flute,Oboe,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone - Level 3 - Digital Downl...
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Large Ensemble Alto Saxophone,Baritone Saxophone,Clarinet,Flute,Oboe,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone - Level 3 - Digital Download SKU: A0.842537 Composed by Various (Collection). Arranged by B. Brennan. Concert,Instructional,Romantic Period,Standards. Score and parts. 24 pages. Bl_music #5290007. Published by bl_music (A0.842537). Calisthenics for Recorders in C 15 Solo-Etudes, Gallops, Polkas, Variations (notation: treble clef) 15 entertaining solo-etudes: Rondos, Polkas, Gallops, Variations….. all suitable for intermediate to advanced students as well as professionals; as exercises for the fingers, just for the fun of it or as (shorter) concert /contest pieces or encores. What are Calisthenics? You’ve all come across them in one form or another….mainly probably in caricatures of Victorian or Edwardian men in boldly striped sportswear lifting heavy weights or Victorian ladies elegantly waving their arms around(see photo) We found the idea of daily exercises in combination with utterly lovely tunes so intriguing that we decided to call our latest publication Calisthenics The music combines training of speed, thumb technique, interpretation. Short: another great fun and educational publication. The word calisthenics is derived from the Greek, kalos, beautiful; and sthenos, strength; the object of calisthenic exercises being to secure physical beauty by developing the limbs and muscles of the human frame, and making the joints flexible, thereby giving strength and power, and ensuring a graceful carriage, erect bearing, and freedom to the figure. In the words of the old Victorians: The highest refinement of that beauty is unattainable without splendour of activity and delicate strength. Exercise is now recognised to be as great a necessity in woman's education as in man's we are learning that many bodily defects and much of her weak health is attributable to the want of it; more especially in youth, when the frame is growing. Such exercises must, however, be carried out under a system; irregularly conducted, they do more harm than good. The constitution must be coaxed, not strained; the strength not unduly taxed, no over-fatigue ensuing; for exhaustion makes people look worn and old. The exertion must not be too violent, and the health and physical development of each pupil must be specially studied. Early morning or evening are the best times to select, but on no account immediately after a meal. The clothing should not be too warm, nor interfere in any way with the action of the limbs. A musical accompaniment will best preserve the necessary rhythm - the time, four or eight beats to a bar; failing this, the pupils should be taught to sing or count in concert, thereby keeping up their interest and zest. A castanet will, failing better means, help to mark the time with or without music. One of our aims is to revive these compositions and bring them to the attention of players and audiences.
$15.99 ≈
14.40€
Invention Nr. 8 in F-Dur BWV 779. Arrangement für kleines Orchester
Invention Nr. 8 in F-Dur BWV 779. Arrangement für kleines Orchester
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Classical
#
Johann Sebastian Bach
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Michael von Troschke
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Invention Nr. 8 in F-Dur BWV 7
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Michael von Troschke
#
SheetMusicPlus
Bassoon,C Trumpet,Cello,Clarinet,Flute,Horn,Oboe,Violin - Level 2 - Digital Download SKU: A0.1373328 Composed by Johann Sebastian Bach. Arranged by Micha...
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Bassoon,C Trumpet,Cello,Clarinet,Flute,Horn,Oboe,Violin - Level 2 - Digital Download SKU: A0.1373328 Composed by Johann Sebastian Bach. Arranged by Michael von Troschke. Baroque,Chamber,Classical,Historic. Educational Warm-up. 22 pages. Michael von Troschke #957675. Published by Michael von Troschke (A0.1373328). Arrangement of the two-part invention by Johann Sebastian Bach for small orchestra: school orchestra; Church orchestra. Easy to play. Happy, festive character.
$20.00 ≈
18.01€
WER GUTES TUT (Silcher) - Every combination of Winds
WER GUTES TUT (Silcher) - Every combination of Winds
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Concert band
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BEGINNER
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Friedrich Silcher
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Ivan Marini
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WER GUTES TUT
#
www.dalsegno.eu
#
SheetMusicPlus
Concert Band - Level 1 - Digital Download SKU: A0.770427 Composed by Friedrich Silcher. Arranged by Ivan Marini. Classical,Instructional. Score and parts...
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Concert Band - Level 1 - Digital Download SKU: A0.770427 Composed by Friedrich Silcher. Arranged by Ivan Marini. Classical,Instructional. Score and parts. 42 pages. Www.dalsegno.eu #5221643. Published by www.dalsegno.eu (A0.770427). Finally THE definitive transcription of this beloved round by Friedrich Silcher for EVERY ensemble of winds. An essential, flexible and handy working tool for every conductor to develop the basics of the ensemble playing and, of course, a great concert piece too (ideal for a walk-in begin or to close the concert while walking off the stage).Forget about chorales and other warm-ups! Develope stronger sense of intonation, phrasing, articulation and blend with your ensemble of younger or even experienced players. Ideal as warm-up, for masterclasses, young band classes etc.Every part is transposed in the most comfortable range (to grant playability and a warm, rich sound) and combines with every other part in this set.Set of 41 convenient card size parts covering virtually any combination of Woodwinds and Brass instruments:Recorders (Sopranino, Soprano, Alto, Tenor, Bass)Flutes (Piccolo, C flute, G Alto flute, C Bass flute)Double Reeds (Oboe, English Horn, Bassoon, Contrabassoon)Clarinets (Eb Piccolo, Clarinets in Bb and A, Basset horn, Alto, Bass, Eb ContraAlto, Bb ContraBass)Saxophones (Soprillo, Sopranino, Soprano, Alto, Tenor, Baritone, Bass, Eb Tubax)Trumpets (Piccolo in Bb and A, Trumpets in Eb, D, C, Bb)Horns (in F and Eb, also 3-Valves Mellophone/Alto Horn)Low Brass (Trombone, Euphonium TC and BC, Tuba).Duration ad lib. (about 45'' for the three entrances), 41 pages and foldable cover.Feel free to contact me at info@dalsegno.eu for any other setting!Please, check my other works at www.sheetmusicplus.com/publishers/3025323or visit www.dalsegno.eu
$2.49 ≈
2.24€
Wo der perlende Wein... (Mozart) - Every combination of Winds
Wo der perlende Wein... (Mozart) - Every combination of Winds
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Concert band
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BEGINNER
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Classical
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Wolfgang Amadeus Mozart
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Ivan Marini
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Wo der perlende Wein...
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www.dalsegno.eu
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SheetMusicPlus
Concert Band - Level 1 - Digital Download SKU: A0.770357 Composed by Wolfgang Amadeus Mozart. Arranged by Ivan Marini. Classical,Instructional. Score and...
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Concert Band - Level 1 - Digital Download SKU: A0.770357 Composed by Wolfgang Amadeus Mozart. Arranged by Ivan Marini. Classical,Instructional. Score and parts. 42 pages. Www.dalsegno.eu #3820009. Published by www.dalsegno.eu (A0.770357). Finally THE definitive transcription of this beloved round by Wolfgang Amadeus Mozart for EVERY ensemble of winds. An essential, flexible and handy working tool for every conductor to develop the basics of the ensemble playing and, of course, a great concert piece too (ideal for a walk-in begin or to close the concert while walking off the stage).Forget about chorales and other warm-ups! You can develop stronger sense of intonation, phrasing, articulation and blend with your ensemble of younger or even experienced players. Ideal as warm-up, for masterclasses, young band classes etc.Every part is transposed in the most comfortable range (to grant playability and a warm, rich sound) and combines with every other part in this set.Set of 41 convenient card size parts covering virtually any combination of Woodwinds and Brass instruments:Recorders (Sopranino, Soprano, Alto, Tenor, Bass)Flutes (Piccolo, C flute, G Alto flute, C Bass flute)Double Reeds (Oboe, English Horn, Bassoon, Contrabassoon)Clarinets (Eb Piccolo, Clarinets in Bb and A, Basset horn, Alto, Bass, Eb ContraAlto, Bb ContraBass)Saxophones (Soprillo, Sopranino, Soprano, Alto, Tenor, Baritone, Bass, Eb Tubax)Trumpets (Piccolo in Bb and A, Trumpets in Eb, D, C and Bb)Horns (in F and Eb, also 3-Valves Mellophone/Alto Horn)Low Brass (Trombone, Baritone/Euphonium TC and BC, Tuba).Duration ad lib. (min. 1'20'' for the six entrances), 41 pages and foldable cover.Feel free to contact me at info@dalsegno.eu for any other setting!Please, check my other works at www.sheetmusicplus.com/publishers/3025323or visit www.dalsegno.eu
$2.49 ≈
2.24€
Kind of Mozart - Every combination of Winds
Kind of Mozart - Every combination of Winds
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Concert band
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BEGINNER
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Classical
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Ivan Marini
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Kind of Mozart - Every combina
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www.dalsegno.eu
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SheetMusicPlus
Concert Band - Level 1 - Digital Download SKU: A0.770351 Composed by Ivan Marini. Classical,Instructional,Sacred. Score and parts. 42 pages. Www.dalsegno...
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Concert Band - Level 1 - Digital Download SKU: A0.770351 Composed by Ivan Marini. Classical,Instructional,Sacred. Score and parts. 42 pages. Www.dalsegno.eu #3580247. Published by www.dalsegno.eu (A0.770351). Easy round inspired by Wolfgang Amadeus Mozart for EVERY ensemble of winds. An essential, flexible and handy working tool for every conductor to develop the basics of the ensemble playing and, of course, a great concert piece too (ideal for a walk-in begin or to close the concert while walking off the stage).Forget about chorales and other warm-ups! Develope stronger sense of intonation, phrasing, articulation and blend with your ensemble of younger or even experienced players. Ideal as warm-up, for masterclasses, young band classes etc. Every part is transposed in the most comfortable range (to grant playability and a warm, rich sound) and combines with every other part in this set.Set of 41 convenient card size parts covering virtually any combination of Woodwinds and Brass instruments:- Recorders (Sopranino, Soprano, Alto, Tenor, Bass)- Flutes (Piccolo, C flute, G Alto flute, C Bass flute)- Double Reeds (Oboe, English Horn, Bassoon, Contrabassoon)- Clarinets (Eb Piccolo, Clarinets in Bb and A, Basset horn, Alto, Bass, Eb ContraAlto, Bb ContraBass)- Saxophones (Soprillo, Sopranino, Soprano, Alto, Tenor, Baritone, Bass, Eb Tubax)- Trumpets (Piccolo in Bb and A, Trumpets in Eb, D, C, Bb)- Horns (in F and Eb, also 3-Valves Mellophone/Alto Horn)- Low Brass (Trombone, Euphonium TC and BC, Tuba). Duration ad lib. (min. 1 minute for the three entrances), 41 pages and foldable cover. Feel free to contact me at info@dalsegno.eu for any other setting!Please, check my other works at www.sheetmusicplus.com/publishers/3025323or visit www.dalsegno.eu
$2.49 ≈
2.24€
Gymnopédie No.1 - Eric Satie - Concert Band
Gymnopédie No.1 - Eric Satie - Concert Band
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Concert band
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EASY
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Classical
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Contemporary
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Erik Satie
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Thomas Graf
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Gymnopédie No.1 - Eric Satie
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Concert Band - Level 2 - Digital Download SKU: A0.569465 Composed by Erik Satie. Arranged by Thomas Graf. Instructional,Standards. Score and parts. 89 pa...
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Concert Band - Level 2 - Digital Download SKU: A0.569465 Composed by Erik Satie. Arranged by Thomas Graf. Instructional,Standards. Score and parts. 89 pages. Thomas Graf - the-hit-factory.com #6355159. Published by Thomas Graf - the-hit-factory.com (A0.569465). This piece is perfect as warm up for your band. It will settle up a good intonation while feeling the warmth of this heart taking melody and harmony. It goes through 4! Different keys, from Bb over C, Db to the original key D-Major. So for wind players it might be a great challenge to master the original key, while Bb-major would be the perfect starter key for a rehearsal. The Gymnopédies are three piano compositions written by French composer and pianist Erik Satie. He completed the whole set by 2 April 1888, however they were at first published individually: the first and the third in 1888, the second in 1895. Instrumentation: All Band Instruments, including Piano. Part I (8vb) Baritone Horn, Part I (8vb) Horn in F, Part I (8vb) Tenor Saxophone, Part I (8vb) Trombone, Part I Alto Saxophone, Part I Clarinet 1 in Bb, Part I Flute, Part I Oboe, Part I Trumpet in Bb, Part II Alto Saxophone, Part II Clarinet 2 in Bb, Part II Horn in F, Part II Tenor Saxophone, Part II Trombone, Part II Trumpet in Bb, Part III Baritone, Part III Horn in Eb, Part III IV Alto Saxophone, Part III IV Clarinet 3 in Bb, Part III IV Horn in F, Part III IV Trumpet in Bb, Part III Tenor Saxophone, Part III Trombone, Part IV Bassoon, Part IV Euphonium, Part IV Horn in Eb, Part IV Tenor Saxophone, Part IV Trombone, Part V Baritone Saxophone, Part V Bass Clarinet in Bb, Part V Bass in Bb, Part V Bass in Eb, Part V Bassoon, Part V Tuba B.-Trombone E-Bass, Piano, Listen to the video recording - a challenge for your ensemble. .
$29.99 ≈
27.01€
Eight More Chorales: Semicircle of Fifths
Eight More Chorales: Semicircle of Fifths
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Tyler James Cook
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Eight More Chorales: Semicircl
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Tyler James Cook
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SheetMusicPlus
Bassoon,Flute,Oboe - Level 1 - Interactive Download SKU: A0.1492378 Composed by Tyler James Cook (ASCAP). This edition: Interactive Download. Classical,C...
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Bassoon,Flute,Oboe - Level 1 - Interactive Download SKU: A0.1492378 Composed by Tyler James Cook (ASCAP). This edition: Interactive Download. Classical,Contest,Praise & Worship,Wedding. 6 pages. Duration 243. Tyler James Cook #20k05VgdzzVgWgwbSrCswg. Published by Tyler James Cook (A0.1492378). Key: C major.Eight More Chorales: Semicircle of Fifths is a collection of eight short chorales for flute, oboe, and bassoon trio. The chorales start in the key of C, and circle through keys going up by fifths (C to G, G to D, etc.), before an eighth chorale back in C major. Great for warmups or for establishing a shimmering, atmospheric sound for a worship service, Eight More Chorales is a fun exploration of harmonies and voicings, and couples nicely with its companion piece, Eight Chorales: Semicircle of Fourths..
$4.99 ≈
4.49€
Over The Rainbow
Over The Rainbow
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Broadway
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Film/TV
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Judy Garland
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Genessa West
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Over The Rainbow
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Genessa West
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Bass Clarinet,Flute,Oboe,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1208946 By Judy Garland. ...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Bass Clarinet,Flute,Oboe,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1208946 By Judy Garland. By E.Y. Yip Harburg and Harold Arlen. Arranged by Genessa West. 20th Century,Broadway,Film/TV,Musical/Show,Pop,Wedding. 24 pages. Genessa West #807031. Published by Genessa West (A0.1208946). This timeless song for a Flexible Combination of Four Woodwind Intsruments, is sung by Judy Garland, in The Wizard of Oz. There are TWO SCORES. One simply showing the harmony for four instruments in concert pitch. Also, another showing all the intsrumental parts in C, Bb & Eb. It lasts slightly more than 2 minutes,and has been sensitively arranged by the Clarinettist, and Clarinet Teacher Genessa West. The part options should provide you with a piece playable by any combination of woodwind instruments. Its uplifting yet wistful charm is just what you need for your next concert! The melody line is shared largely between parts A and B. Parts C a D provide warmth and depth. This piece will be enjoyed by both musicians and audience. Snap it up now!
$13.99 ≈
12.60€
Festival
Festival
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Orchestra
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INTERMEDIATE/ADVANCED
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Contemporary
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Mike Lyons
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Festival
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Lyons Music Services
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1119919 By Mike Lyons. By Mike Lyons. Classical,Contemporary. Score and parts. 111 pages. Lyons Music...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1119919 By Mike Lyons. By Mike Lyons. Classical,Contemporary. Score and parts. 111 pages. Lyons Music Services #721269. Published by Lyons Music Services (A0.1119919). Festival:(Time 7:05) This is an original, previously unpublished piece, composed specifically for the ICF festival 2022. It is a programmatic piece in 3 sections, with each section being a description of some aspect of the word Festival. I have taken the broadest definition of the word festival to give as much scope for variety as possible. The first section opens with ‘sunrise’ on the day of the festival, shown by long-held open fourth chords, with the snapping of the violin pizzicatos (perhaps) being the rattle of tent lines/guys. The bass clarinet solo then shows people waking up and stretching, yawning and just before Letter A, the descending figures throughout the ensemble bring us all together to start the festival. From Letter A, one sets off at a marching pace through the crowds. We hear a mish-mash of vendors’ calls overlaying each other, repeating variations of the same motif and this little tune develops as it moves around the festival site, sometimes loud and sometimes faint. At some point, of course, arguments break out (e.g. Letter B between the strings and brass), but generally, the mood is business-like. At Letter C, there comes a parade of minstrels through the field which eventually fades off into the distance. At Letter D, we look at a different kind of festival. Not necessarily religious, but certainly spiritual. The harp and bell sounds evoke far-eastern temples while the string harmonics evoke an eerie stillness which is broken only by the melodic fragments (based on the 4ths of the first section) which pass around the orchestra. The theme is first heard on the Cor Anglais (echoed by the harp) which gives it a warmer, less piercing, sound than the oboe. The quartal chords at b.149 denote the vast mysteries of the cosmos. As our gaze widens, we are suddenly brought back to Earth with a rush as yet another kind of festival is evoked. This time we are looking briefly at the Indian subcontinent. Where fakirs charm snakes and young boys climb ropes only to disappear. The third and final section returns us to the British Isles, where the Celts are making merry in a festival. There is dancing, singing, feasting and drinking a-plenty. And, just when you think it’s all over, there’s a final push to get another dance going. The final chords are a reminder of the opening as we finish our revels as the sun descends below the horizon in a beautiful sunset.
$55.00 ≈
49.54€
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Warm Up in C for OBOE
