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Watch Me Fly
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You've selected:
Watch Me Fly
Sheetmusic to print
40 sheet music found
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1
26
Watch Me Fly
Watch Me Fly
#
Adavion Wayne
#
Watch Me Fly
#
The WayneCreative Group, LLC
#
SheetMusicPlus
Tenor Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.977476 Composed by Adavion Wayne. Broadway,Musical/Show,Pop. 6 pages. The WayneCreative Group...
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Tenor Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.977476 Composed by Adavion Wayne. Broadway,Musical/Show,Pop. 6 pages. The WayneCreative Group, LLC #4323161. Published by The WayneCreative Group, LLC (A0.977476). ABOUT THE SONGRANGE: D3 - A4From the musical Feels, Thrills, & Trainwrecks, Watch Me Fly showcases the unique and fluid songwriting style of Adavion Wayne, a fresh sound to the musical theater landscape. This song challenges the listener to enjoy the musical ride as a dreamer's ambitions are interpreted with a moving melodic line and lush accompaniment. The musical Feels, Thrills, & Trainwrecks was premiered in Houston, TX in 2019.ABOUT THE COMPOSERAdavion Wayne is a Louisiana native and currently resides in Houston, Texas. He has been a songwriter for more than 15 years with titles that span the Classical, Musical Theater, and Gospel/Christian music genres. He is a former public school music educator and currently is a music instructor at the Humphrey's School of Musical Theater, the professional training academy of Theater Under The Stars, one of the most renowned musical theater companies in the country.
$2.99 ≈
2.76€
Watch Me (whip/nae Nae)
Watch Me (whip/nae Nae)
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Piano solo
#
INTERMEDIATE
#
Contemporary
#
Silento
#
Dennis Cheng
#
Watch Me
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Dennis Cheng
#
SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.884177 By Silento. By Brandon Whitfield, Deandre Johnson, Hasani Buchanan, Jalen Ware, Pervis Reynolds, R...
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Piano Solo - Level 3 - Digital Download SKU: A0.884177 By Silento. By Brandon Whitfield, Deandre Johnson, Hasani Buchanan, Jalen Ware, Pervis Reynolds, Ricky Hawk, and Timothy Mingo. Arranged by Dennis Cheng. Contemporary. Score. 5 pages. Dennis Cheng #3686815. Published by Dennis Cheng (A0.884177). Intermediate level piano solo arrangement. Helps to teach voicing left hand melodies as well as rhythm with chords and broken chords. If you are in central New Jersey area, learn piano from the arranger: https://www.thekeyspacenj.com/Arranger's channel: https://www.youtube.com/user/dc24fly
$5.00 ≈
4.62€
Learning to Fly (simplified)
Learning to Fly (simplified)
#
Easy Piano
#
EASY
#
Louis Landon
#
Learning to Fly
#
Landon Creative, Inc.
#
SheetMusicPlus
Easy Piano - Level 2 - Digital Download SKU: A0.761879 Composed by Louis Landon. Concert,Instructional,New Age,Standards. Score. 4 pages. Landon Creative...
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Easy Piano - Level 2 - Digital Download SKU: A0.761879 Composed by Louis Landon. Concert,Instructional,New Age,Standards. Score. 4 pages. Landon Creative, Inc. #6318125. Published by Landon Creative, Inc. (A0.761879). A lot of beginning piano students and teachers have been asking me for easy sheet music renditions of some of my more popular pieces. I decided to choose ten pieces and create simplified versions so that beginning pianists could enjoy successfully performing my music. This is a simplified version of Learning to Fly.Learning to Fly was originally released in 2017 on the Departure - Solo Piano album. It was also re-released on the Five Years of Sedona Solo Piano album. Watch the YouTube video.
$4.99 ≈
4.61€
Come Fly With Me To The Casbah
Come Fly With Me To The Casbah
#
Stephen DeCesare
#
Come Fly With Me To The Casbah
#
Exultet Music
#
SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 2 - Digital Download SKU: A0.618439 Composed by Stephen DeCesare. Broadway,Film/TV,Latin,Musical/Show. 9 pages....
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Baritone Horn TC,Vocal Solo,Voice - Level 2 - Digital Download SKU: A0.618439 Composed by Stephen DeCesare. Broadway,Film/TV,Latin,Musical/Show. 9 pages. Exultet Music #2023567. Published by Exultet Music (A0.618439). Passionate musical-theatre song that is featured song in Abelard & Heloise: the musical which can be obtained on this site. Scored for Tenor Solo, and Piano. A rehearsal and an accompaniment track are also available.Video Review: https://www.youtube.com/watch?v=86iB1IoeMvw
$3.99 ≈
3.69€
Come Fly With Me
Come Fly With Me
#
Saxophone (band part)
#
EASY
#
Jazz
#
James Van Heusen
#
Kayleigh Huelin
#
Come Fly With Me
#
Kayleigh Huelin
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone Solo - Level 2 - Digital Download SKU: A0.738558 Composed by James Van Heusen. Arranged by Kayleigh Hue...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone Solo - Level 2 - Digital Download SKU: A0.738558 Composed by James Van Heusen. Arranged by Kayleigh Huelin. Jazz. Individual part. 4 pages. Kayleigh Huelin #5327397. Published by Kayleigh Huelin (A0.738558). PIANO ACCOMPANIMENT AVAILABLE ON YOUTUBE: https://www.youtube.com/watch?v=Bq2H03G6LOs
$4.99 ≈
4.61€
Flying
Flying
#
Concert band
#
INTERMEDIATE/ADVANCED
#
Daniel Baldwin
#
Flying
#
Imagine Music - Digital
#
SheetMusicPlus
Concert band - Grade 4 - Digital Download SKU: IZ.CBW1815-S Composed by Daniel Baldwin. Score. 60 pages. Imagine Music - Digital #CBW1815-S. Published by...
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Concert band - Grade 4 - Digital Download SKU: IZ.CBW1815-S Composed by Daniel Baldwin. Score. 60 pages. Imagine Music - Digital #CBW1815-S. Published by Imagine Music - Digital (IZ.CBW1815-S). 9 x 12 in inches.The inspiration for Flying came on a flight I took to one of my premieres. Usually on those flights I will work on music, sleep, listen to music, or watch a show on my phone. However, on this particular leg of a flight, I happened to spend a portion of the trip staring out the window (which is unusual for me as I am prone to bouts of vertigo for which I have series of techniques to stave it off) admiring the beautiful scenery unfolding in front of me. The opportunity to set this scene to music became a reality when Jim McAllister, director of bands at Lincoln Memorial University and one of my best friends in the world, approached me about a commission. I wrote him an expansive hypermetric piece (over 400 measures in one movement) that reflects my thoughts, feelings, and impressions as I admired the view from sky.Flying was commissioned by and is gratefully dedicated to the Lincoln Memorial University Band and its world class conductor, James McAllister.
$16.00 ≈
14.78€
Flying
Flying
#
Concert band
#
INTERMEDIATE/ADVANCED
#
Daniel Baldwin
#
Flying
#
Imagine Music - Digital
#
SheetMusicPlus
Concert band - Grade 4 - Digital Download SKU: IZ.CBW1815 Composed by Daniel Baldwin. Score and Parts. 169 pages. Imagine Music - Digital #CBW1815. Publi...
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Concert band - Grade 4 - Digital Download SKU: IZ.CBW1815 Composed by Daniel Baldwin. Score and Parts. 169 pages. Imagine Music - Digital #CBW1815. Published by Imagine Music - Digital (IZ.CBW1815). 9 x 12 in inches.The inspiration for Flying came on a flight I took to one of my premieres. Usually on those flights I will work on music, sleep, listen to music, or watch a show on my phone. However, on this particular leg of a flight, I happened to spend a portion of the trip staring out the window (which is unusual for me as I am prone to bouts of vertigo for which I have series of techniques to stave it off) admiring the beautiful scenery unfolding in front of me. The opportunity to set this scene to music became a reality when Jim McAllister, director of bands at Lincoln Memorial University and one of my best friends in the world, approached me about a commission. I wrote him an expansive hypermetric piece (over 400 measures in one movement) that reflects my thoughts, feelings, and impressions as I admired the view from sky.Flying was commissioned by and is gratefully dedicated to the Lincoln Memorial University Band and its world class conductor, James McAllister.
$110.00 ≈
101.63€
Butterfly
Butterfly
#
Guitar
#
INTERMEDIATE
#
Tulio Cremisini
#
Butterfly
#
Tulio Cremisini
#
SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.987599 Composed by Tulio Cremisini. Contemporary,Standards. Individual part. 3 pages. Tulio Cremisini (T...
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Solo Guitar - Level 3 - Digital Download SKU: A0.987599 Composed by Tulio Cremisini. Contemporary,Standards. Individual part. 3 pages. Tulio Cremisini (TC Note by Note/ASCAP) #6525. Published by Tulio Cremisini (TC Note by Note/ASCAP) (A0.987599). I literally created this piece while watching a quirky and beautiful butterfly happily dancing in the air right outside my window. Her colors and playfulness actually inspired me to write this music. Hope you learn it and play it in the spirit it was created.
$8.99 ≈
8.31€
The Story Of Reuben Clamzo & His Strange Daughter
The Story Of Reuben Clamzo & His Strange Daughter
#
Choral TTBB
#
EASY
#
Arlo Guthrie
#
Craig Hanson
#
The Story Of Reuben Clamzo & H
#
Edition Craig Hanson
#
SheetMusicPlus
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octa...
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99 ≈
3.69€
The Emergence, Parts 1 & 2
The Emergence, Parts 1 & 2
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Chamber Orchestra
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ADVANCED
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Contemporary
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Trey Demmond
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The Emergence, Parts 1 & 2
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TreyD Music & Media, LLC
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1009779 Composed by (Gustav Mahler). Arranged by Trey Demmond. 20th Century,Contemporary. Score an...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1009779 Composed by (Gustav Mahler). Arranged by Trey Demmond. 20th Century,Contemporary. Score and parts. 20 pages. TreyD Music & Media, LLC #28413. Published by TreyD Music & Media, LLC (A0.1009779). Both Parts 1 & 2 of The Emergence are joined to project the birth, glory, and fading of something truly amazing! For me, it was watching a dragonfly emerge from its pupa casing!
$55.00 ≈
50.81€
From the Hillside, Aria for Tenor with Orchestral Accompaniment from On the Wings of the Scarlet Mes
From the Hillside, Aria for Tenor with Orchestral Accompaniment from On the Wings of the Scarlet Mes
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Orchestra
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INTERMEDIATE/ADVANCED
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James Nathaniel Holland
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From the Hillside, Aria for Te
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.730401 Composed by James Nathaniel Holland. Contemporary,Musical/Show,Opera. Score and parts. 37 page...
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Full Orchestra - Level 4 - Digital Download SKU: A0.730401 Composed by James Nathaniel Holland. Contemporary,Musical/Show,Opera. Score and parts. 37 pages. James Nathaniel Holland #3142471. Published by James Nathaniel Holland (A0.730401). Tenor Aria From the Hillside from the 21st Century Opera ON THE WINGS OF THE SCARLET MESSENGER (Based on the Henry James novel, On the Wings of a Dove) here with full orchestral accompaniment. (Full score in concert pitch, voice, and individual parts included) This accompaniment can also be used with the solo and male ensemble that is contained in the full vocal score.Instrumentation: pic, fl12,ob12,eh,cl12,bcl,tenor sax, bsn12,hrn1234, trpt 12, trmb, btrm, timp, hand cym/egg shaker, hrp, voice, stringsDuration: 4:00 minutes (Sample here begins with extra measure) Video presentation at: https://www.youtube.com/watch?v=u47yb4kiE0Y Curious? Listen to the complete opera playlist en demo at: http://www.youtube.com/watch?v=Rr5x_aXnUMM&list=PLEcbVsA36MCvHG_MTBdv7x2UNjwG27sMa Adaptation, Libretto, and Music by James Nathaniel Holland Performance: James Nathaniel Holland, Tenor Orchestra: CH Symphony Group (Complete Duration: 2 hours) BRIEF SYNOPSIS: In the urban capital of Soon Rafa, lovers Mariana (Soprano) and Kai (Bass) cannot be together because of Mariana's disapproving wealthy Aunt (Mezzo-Soprano). Torn between love and financial security, an unlikely opportunity arises when a dying rich Occidental, Justin (Tenor) reveals his romantic interest in Kai. The couple plot a pretense to inherit Justin's money and be free to marry and live together. This aria occurs in Act I, Scene 2. Justin (tenor) has just hired a group of porters, including Kai (bass), to guide him through the jungles of the island to photograph the mythical bird, the Scarlet Messenger. Although the men insist it is a legend, Justin inspires them to persevere with him. Aria Libretto, Justin (tenor singing): From the hillside, something breaks free. Is it real? Or just illusion? Oh how I have to see you, feel that beauty. Upon your wings our souls must one day fly to heaven. Never doubt that you can find him, hiding among your dreams. For when you feel all hope is gone, that's when you spot his red wings, fiery bright. (to the group of porters) So come with me, all's not in vain. It is real, just not illusion. The day is fading fast, oh, so quickly. We'll be the first to see that blazing path of fire. The Scarlet Messenger! Oh how that would be the greatest gift of my life. Composer website: http://lacoronadelossantos.net/jamesnathanielholland.html Music, Lyrics, Performance Copyright 2017 James Nathaniel Holland.
$15.95 ≈
14.74€
Cantaloupe Island
Cantaloupe Island
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE/ADVANCED
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Jazz
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Herbie Hancock
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Kyle Pudenz
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Cantaloupe Island
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ViolinVagabond Music
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1145015 By Herbie Hancock. By Herbie Hancock. Arranged by Kyle Pude...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1145015 By Herbie Hancock. By Herbie Hancock. Arranged by Kyle Pudenz. Jazz,Standards. Score and parts. 31 pages. ViolinVagabond Music #745332. Published by ViolinVagabond Music (A0.1145015). Settle into the groove with this tasteful interpretation of a modal jazz staple for the modern string quartet!! I didn’t seek to re-invent the wheel with this arrangement, but rather to capture some of its signature jazz combo swagger while fitting the signature lines & licks into string-friendly voicings. I did add an original intro & outro, which will give a bit more pizazz to your live performance than the fade out from Herbie’s original album version. The full chart includes written-out solos for each member of the quartet. I highly encourage improvising your own solos if you are comfortable, or even vamping one or more of the solo sections to really stretch out as you watch your next cocktail hour gig fly by! For a shorter (and significantly more lame…) performance, you can instead cut one or more of the solo sections from letter C thru F to save time. This arrangement makes use of modern extended string techniques in order to create a rhythmic foundation without the need for additional rhythm instruments, including chopping and ghost notes. If you are unfamiliar with these concepts, various resources exist all over the internet to aid you in your quest towards having better time. I recommend this series, for example: https://strum-bowing-groove-academy.teachable.com?coupon_code=KYLE20&affcode=459429_z8y3atf That being said, if broadening your horizons to the world of percussive string playing just doesn't sound like your cup of tea, I have included a Rhythm Section Chart for performances with drums/percussion, guitar, bass, etc. It is highly recommended for you to use either the chopping parts or rhythm section musicians. If you use neither, you may feel as if something is missing in your life that you just can’t pinpoint. Don’t worry, I’ll pinpoint it for you: BACKBEATS. One way or another, you need them. And I’ve given you multiple options here so if you can’t make this chart groove that’s on you… Performance time - approximately 5:00 for the full chart as written. As mentioned above, solo sections can be repeated with improv or cut without requiring significant chart changes, to adjust to the needs of your specific performance. Each solo section is ~30 seconds if you want to do the math on that. Questions? Feel free to contact me via my website, www.kylepudenz.com/ or on the 'Insta @theviolinvagabond. Would love to hear your performances if you play this chart out live, so please send videos along and tag me!
$19.99 ≈
18.47€
Come un fiore (Faust, le polveri e gli intrugli)
Come un fiore (Faust, le polveri e gli intrugli)
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Piano solo
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Contemporary
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Monica Bergo
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Come un fiore
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Monica Bergo
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SheetMusicPlus
Piano Solo - Digital Download SKU: A0.976877 Composed by Monica Bergo. Contemporary. Score. 7 pages. Monica Bergo #3244377. Published by Monica Bergo (A0...
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Piano Solo - Digital Download SKU: A0.976877 Composed by Monica Bergo. Contemporary. Score. 7 pages. Monica Bergo #3244377. Published by Monica Bergo (A0.976877). 2017 Holiday Contest Entry* • .¸¸. ♫ Like a flower (Faust, powders and potions) ♫ • *'¯` * .¸¸. ♫ I seek peace, I want to light… Is one of those days that the silence takes away that last smile and dies in throat happiness The old desires resurface here and there and move the dish intact the food don't takes me away hunger I would to be a flower needs has never the sun heats the wind then lull it the rain mixes with my tears that goes my steps echo in the nothing of city and while I walked in to the melancholy with only my sad thoughts to keep me company with the mind's eye I had seen him already beautiful in appearance, but in the heart the ice he has It 's so much waiting for you but I have eternity it's true ,to have you tried and you're back here, you good acrobat, actress without identity it is useless to run away, it is written in the DNA. Do not you remember? but that good days powders and concoctions that filled your eternal empty watched yourself now always the same love, affection is a life that you are looking for Surrender and you'll see .... here with me, no one in the world, will can hurt you or harm you will do damnation, pure invention and heaven will remain empty But do not you realize? you're out of time and out of place in this society if you disappear at this instant of your essence, what will be left? Do-sol do-sol energy becomes infinite Re- la Re- la and from the heart goes to the fingers MI- si mi- si search keys, caresses them and finally there is sweetness also for me Do-sol do-sol so tired of being alone re-la re-la fly music and consoles mi-si mi-si remove also this love too and as a flower without treatment, I wither Stay with me I want to light Stay with me I look for peace like a flower that does not give answers here with you there is no peace here with you without light like a flower without the sun I will die Sweetes.
$3.99 ≈
3.69€
Africa
Africa
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Choral TTBB
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INTERMEDIATE
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Rock
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Toto
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Jonathan Kilhams
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Africa
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Jonathan Kilhams
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.943040 By Toto. By David Paich, Jeff Porcaro, Prince Lamont Board Priese, and Robin Dimaggio. Ar...
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.943040 By Toto. By David Paich, Jeff Porcaro, Prince Lamont Board Priese, and Robin Dimaggio. Arranged by Jonathan Kilhams. Pop,Rock. Octavo. 18 pages. Jonathan Kilhams #4797945. Published by Jonathan Kilhams (A0.943040). About the pieceAfrica is a song by the American rock band Toto. It was included on their 1982 album Toto IV, and released as a single on September 30, 1982. It reached number one on the US Billboard Hot 100 chart on February 5, 1983 (the band's only number one there), and number three on the UK Singles Chart the same month.The initial idea and words for the song came from David Paich. Jeff Porcaro explains the idea behind the song: a white boy is trying to write a song on Africa, but since he's never been there, he can only tell what he's seen on TV or remembers in the past.Paich said: At the beginning of the '80s I watched a late night documentary on TV about all the terrible death and suffering of the people in Africa. It both moved and appalled me, and the pictures just wouldn't leave my head. I tried to imagine how I'd feel about if I was there and what I'd do.In 2015, Paich explained the song is about a man's love of a continent, Africa, rather than just a personal romance. In 2018, Paich explained the song is about a person flying in to meet a lonely missionary. As a child, Paich attended a Catholic school. Several of the teachers had done missionary work in Africa, and this became the inspiration behind the line I bless the rains down in Africa.About the arrangementI have tried to keep as much of the original material used by Toto as possible, within the confines of a male voice choir arrangement. The arrangement is for TTBB and piano and can include sound effects made by the choir at the beginning to imitate rain and a thunderstorm. A bongo/djembe drum can be played through the choruses to add more of an African percussive feel. My thanks must go to Gareth Giles who helped create the piano part for this arrangement.Duration: 4 minsAdditional Parts & Social MediaIf you require any additional learning parts or rehearsal tracks then please contact me directly through www.jonathankilhams.com. I am also on Facebook, Twitter and Instagram so please let me know if your choir are planning to sing my arrangement - it is always nice to know where in the world it is being performed. Facebook: @johnnykilhamsmusicTwitter: @Johnny_KilhamsInstagram: @johnnykilhamsmusic
$5.00 ≈
4.62€
Glorificamus Deum
Glorificamus Deum
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Choral 2-part
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EASY
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Sacred music
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Timothy Piper
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Glorificamus Deum
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Timothy Piper
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SheetMusicPlus
Choral Choir (SA) - Level 2 - Digital Download SKU: A0.1015164 Composed by Timothy Piper. Christian,Praise & Worship,Sacred. Octavo. 7 pages. Timothy Pip...
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Choral Choir (SA) - Level 2 - Digital Download SKU: A0.1015164 Composed by Timothy Piper. Christian,Praise & Worship,Sacred. Octavo. 7 pages. Timothy Piper #4747147. Published by Timothy Piper (A0.1015164). Glorificamus Deum is a setting of Psalm 23. This setting works well in both a church service and a concert setting.It takes the very traditional words of the psalm, and spins them with a fresh new approach. The music takes you on a journey from a quiet beginning, into a jazzy-pop expression of wonder as the words joyfully proclaim that goodness and mercy shall follow me all the days of my life.... An added refrain of Glorificamus Deum adds an accent of exuberance throughout the piece. This piece of music is not difficult and is accessible to most choirs. Mostly sung in unison, it goes into two parts briefly, but the two parts are canonic and thus, easy to master. The piece is musically interesting for the conductor of a youth ensemble. The range is just over an octave and has young people singing in their head voices. There are opportunities for controlled expressive singing, and also opportunities for more exuberant let-it-out singing. The piece goes back and forth between the major and minor modes. It has one particularly challenging interval with a descending major 7th. As well, there is a large dynamic range and some excellent opportunities for rubato and watching the conductor carefully in the softer, more expressive sections. This piece is fun, melodic, and will be a favorite with every chorister, the instant it is learned.
$1.99 ≈
1.84€
Concerto
Concerto
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Piano and Orchestra
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ADVANCED
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Contemporary
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Gyorgy Ligeti
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Concerto
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Schott Music - Digital
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SheetMusicPlus
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. D...
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. .
The markings of the movements are the following: .
1. Vivace molto ritmico e preciso .
2. Lento e deserto .
3. Vivace cantabile .
4. Allegro risoluto .
5. Presto luminoso.
The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. .
The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. .
In the Piano Concerto I realized new concepts of harmony and rhythm. .
The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. .
In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. .
The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. .
In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. .
Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). .
The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). .
Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. .
These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. .
The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). .
The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. .
Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. .
Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. .
This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. .
The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. .
I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. .
(Gyorgy Ligeti)
$23.99 ≈
22.16€
Americana Collection For Band - 1st Alto Saxophone
Americana Collection For Band - 1st Alto Saxophone
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Concert band
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Various
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Americana Collection For Band
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Rubank Publications
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SheetMusicPlus
Concert Band - Difficulty: medium SKU: HL.4476008 1st Alto Saxophone. Composed by Various. Band Folio. Americana. Alto saxophone songbook. 32 page...
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Concert Band - Difficulty: medium SKU: HL.4476008 1st Alto Saxophone. Composed by Various. Band Folio. Americana. Alto saxophone songbook. 32 pages. Rubank Publications #3. Published by Rubank Publications (HL.4476008). UPC: 073999760088. 5.3x6.8 inches.Rubank (with optional Strings) Grades 2-3. Can be played solo or with other books in the series.
Song List
: Abide with Me All Through The Night Alma Mater Aloha Oe My Country, 'Tis Of Thee (America) America, the Beautiful The Band Played On Battle Hymn Of The Republic Beautiful Dreamer A Bicycle Built for Two (Daisy Bell) Blow the Man Down Carry Me Back To Old Virginny Columbia, The Gem Of The Ocean (The Red, White And Blue) Come, Ye Thankful People, Come Cradle Song Deck the Hall (I Wish I Was In) Dixie Fairest Lord Jesus Farewell To Thee Finlandia The First Noel For He's a Jolly Good Fellow God Of Our Fathers Good Night Ladies Hail, Columbia Hail, Hail, The Gang's All Here Hail To The Chief Hark! The Herald Angels Sing HOme Sweet Home In the Gloaming It Came Upon the Midnight Clear Jeanie With The Light Brown Hair Jingle Bells Jolly Old St. Nicholas Joy To The World The Last Rose Of Summer Lead, Kindly Light Little Brown Jug Loch Lomond (Deis) Love's Old Sweet Song The Man On The Flying Trapeze Marine's Hymn Maryland, My Maryland A Mighty Fortress Is Our God My Faith Looks Up To Thee My Old Kentucky Home Nearer, My God, to Thee Nobody Knows The Trouble I've Seen Now The Day Is Over O Come, All Ye Faithful (Adeste Fideles) O Little Town of Bethlehem Oh! Susanna Old Black Joe Old Folks At Home (Swanee River) Old Hundred Onward, Christian Soldiers Praise God, from Whom All Blessings Flow Rock Of Ages Sailing Short'nin' Bread Silent Night Silver Threads Among The Gold Sweet and Low Swing Low, Sweet Chariot Tramp! Tramp! Tramp! Viennese Refrain When Johnny Comes Marching Home While Shepherds Watched Their Flocks Yankee Doodle Taps Crusaders' Hymn Forgotten Yesterdays The Star Spangled Banner Camptown Races Auld Lang Syne Home on the Range
$3.99 ≈
3.69€
Americana Collection for Band
Americana Collection for Band
#
Concert band
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Various
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Americana Collection for Band
#
Rubank Publications
#
SheetMusicPlus
Concert Band SKU: HL.4476001 1st Bb Clarinet. Composed by Various. Band Folio. Carol, Christmas/Advent Sacred, General Worship, Hymns, Patriotic, ...
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Concert Band SKU: HL.4476001 1st Bb Clarinet. Composed by Various. Band Folio. Carol, Christmas/Advent Sacred, General Worship, Hymns, Patriotic, Spirituals. 32 pages. Published by Rubank Publications (HL.4476001). UPC: 073999760019. 6.75x5.25x0.091 inches.
Song List
: All Through The Night Alma Mater Aloha Oe My Country, 'Tis Of Thee (America) The Band Played On Beautiful Dreamer Carry Me Back To Old Virginny Come, Ye Thankful People, Come Fairest Lord Jesus Farewell To Thee Finlandia The First Noel Hail, Columbia Hail To The Chief Hark! The Herald Angels Sing Jeanie With The Light Brown Hair Joy To The World 'Tis The Last Rose Of Summer Love's Old Sweet Song Marine's Hymn A Mighty Fortress Is Our God My Old Kentucky Home Now The Day Is Over O Christmas Tree Oh! Susanna Old Black Joe Old Folks At Home (Swanee River) Onward, Christian Soldiers Silent Night Silver Threads Among The Gold Swing Low, Sweet Chariot Viennese Refrain Crusaders' Hymn Forgotten Yesterdays The Star Spangled Banner Camptown Races Nobody Knows The Trouble I've Seen Battle Hymn Of The Republic Taps Yankee Doodle My Faith Looks Up To Thee Jolly Old St. Nicholas Cradle Song Little Brown Jug Rock Of Ages Lead, Kindly Light Sailing (I Wish I Was In) Dixie The Man On The Flying Trapeze Maryland, My Maryland Old Hundred Short'nin' Bread Tramp! Tramp! Tramp! When Johnny Comes Marching Home Loch Lomond God Of Our Fathers Good Night Ladies Columbia, The Gem Of The Ocean (The Red, White And Blue) Hail, Hail, The Gang's All Here Abide With Me O Little Town Of Bethlehem It Came Upon The Midnight Clear While Shepherds Watched Their Flocks Auld Lang Syne America, The Beautiful Home On The Range For He's A Jolly Good Fellow A Bicycle Built For Two (Daisy Bell) Praise God, From Whom All Blessings Flow Blow The Man Down In The Gloaming Sweet And Low Jingle Bells Home Sweet Home Deck The Hall Nearer, My God, To Thee O Come, All Ye Faithful The Star-Spangled Banner
$4.99 ≈
4.61€
Americana Collection for Band
Americana Collection for Band
#
Concert band
#
Various
#
Americana Collection for Band
#
Rubank Publications
#
SheetMusicPlus
Concert Band SKU: HL.4476012 1st Trumpet/Cornet Solo. Composed by Various. Band Folio. Carol, Christmas/Advent Sacred, General Worship, Hymns, Pat...
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Concert Band SKU: HL.4476012 1st Trumpet/Cornet Solo. Composed by Various. Band Folio. Carol, Christmas/Advent Sacred, General Worship, Hymns, Patriotic, Spirituals. 32 pages. Published by Rubank Publications (HL.4476012). UPC: 073999760125. 6.75x5.25x0.091 inches.
Song List
: All Through The Night Alma Mater Aloha Oe My Country, 'Tis Of Thee (America) The Band Played On Beautiful Dreamer Carry Me Back To Old Virginny Come, Ye Thankful People, Come Fairest Lord Jesus Farewell To Thee Finlandia The First Noel Hail, Columbia Hail To The Chief Hark! The Herald Angels Sing Jeanie With The Light Brown Hair Joy To The World 'Tis The Last Rose Of Summer Love's Old Sweet Song Marine's Hymn A Mighty Fortress Is Our God My Old Kentucky Home Now The Day Is Over O Christmas Tree Oh! Susanna Old Black Joe Old Folks At Home (Swanee River) Onward, Christian Soldiers Silent Night Silver Threads Among The Gold Swing Low, Sweet Chariot Viennese Refrain Crusaders' Hymn Forgotten Yesterdays The Star Spangled Banner Camptown Races Nobody Knows The Trouble I've Seen Battle Hymn Of The Republic Taps Yankee Doodle My Faith Looks Up To Thee Jolly Old St. Nicholas Cradle Song Little Brown Jug Rock Of Ages Lead, Kindly Light Sailing (I Wish I Was In) Dixie The Man On The Flying Trapeze Maryland, My Maryland Old Hundred Short'nin' Bread Tramp! Tramp! Tramp! When Johnny Comes Marching Home Loch Lomond God Of Our Fathers Good Night Ladies Columbia, The Gem Of The Ocean (The Red, White And Blue) Hail, Hail, The Gang's All Here Abide With Me O Little Town Of Bethlehem It Came Upon The Midnight Clear While Shepherds Watched Their Flocks Auld Lang Syne America, The Beautiful Home On The Range For He's A Jolly Good Fellow A Bicycle Built For Two (Daisy Bell) Praise God, From Whom All Blessings Flow Blow The Man Down In The Gloaming Sweet And Low Jingle Bells Home Sweet Home Deck The Hall Nearer, My God, To Thee O Come, All Ye Faithful The Star-Spangled Banner
$4.99 ≈
4.61€
Americana Collection for Band
Americana Collection for Band
#
Concert band
#
Various
#
Americana Collection for Band
#
Rubank Publications
#
SheetMusicPlus
Concert Band SKU: HL.4476006 Oboe. Composed by Various. Band Folio. Carol, Christmas/Advent Sacred, General Worship, Hymns, Patriotic, Spirituals....
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Concert Band SKU: HL.4476006 Oboe. Composed by Various. Band Folio. Carol, Christmas/Advent Sacred, General Worship, Hymns, Patriotic, Spirituals. 32 pages. Published by Rubank Publications (HL.4476006). UPC: 073999365306. 6.75x5.25x0.091 inches.
Song List
: All Through The Night Alma Mater Aloha Oe My Country, 'Tis Of Thee (America) The Band Played On Beautiful Dreamer Carry Me Back To Old Virginny Come, Ye Thankful People, Come Fairest Lord Jesus Farewell To Thee Finlandia The First Noel Hail, Columbia Hail To The Chief Hark! The Herald Angels Sing Jeanie With The Light Brown Hair Joy To The World 'Tis The Last Rose Of Summer Love's Old Sweet Song Marine's Hymn A Mighty Fortress Is Our God My Old Kentucky Home Now The Day Is Over O Christmas Tree Oh! Susanna Old Black Joe Old Folks At Home (Swanee River) Onward, Christian Soldiers Silent Night Silver Threads Among The Gold Swing Low, Sweet Chariot Viennese Refrain Crusaders' Hymn Forgotten Yesterdays The Star Spangled Banner Camptown Races Nobody Knows The Trouble I've Seen Battle Hymn Of The Republic Taps Yankee Doodle My Faith Looks Up To Thee Jolly Old St. Nicholas Cradle Song Little Brown Jug Rock Of Ages Lead, Kindly Light Sailing (I Wish I Was In) Dixie The Man On The Flying Trapeze Maryland, My Maryland Old Hundred Short'nin' Bread Tramp! Tramp! Tramp! When Johnny Comes Marching Home Loch Lomond God Of Our Fathers Good Night Ladies Columbia, The Gem Of The Ocean (The Red, White And Blue) Hail, Hail, The Gang's All Here Abide With Me O Little Town Of Bethlehem It Came Upon The Midnight Clear While Shepherds Watched Their Flocks Auld Lang Syne America, The Beautiful Home On The Range For He's A Jolly Good Fellow A Bicycle Built For Two (Daisy Bell) Praise God, From Whom All Blessings Flow Blow The Man Down In The Gloaming Sweet And Low Jingle Bells Home Sweet Home Deck The Hall Nearer, My God, To Thee O Come, All Ye Faithful The Star-Spangled Banner
$4.99 ≈
4.61€
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Watch Me Fly
