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We Are Not Alone Percussion 1
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You've selected:
We Are Not Alone Percussion 1
Sheetmusic to print
5 sheet music found
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1
We Are Not Alone - Percussion 1 & 2
We Are Not Alone - Percussion 1 & 2
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Percussion (band part)
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Sacred music
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Pepper Choplin
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We Are Not Alone - Percussion
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Hal Leonard - Digital
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SheetMusicPlus
Choral - Digital Download SKU: HX.472646 Composed by Pepper Choplin. This edition: scorch. Sacred. Choral Instrumental Pak. 2 pages. Duration 150. Hal Le...
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Choral - Digital Download SKU: HX.472646 Composed by Pepper Choplin. This edition: scorch. Sacred. Choral Instrumental Pak. 2 pages. Duration 150. Hal Leonard - Digital #215688. Published by Hal Leonard - Digital (HX.472646).
$7.00
Chording to the Dance Masters Full Score Version with chords Book 1 - Score Only
Chording to the Dance Masters Full Score Version with chords Book 1 - Score Only
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Various
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Alastair Lodge
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Chording to the Dance Masters
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Wold Meridian
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SheetMusicPlus
Level 3 - Digital Download SKU: A0.1133711 By Various. By Anonymous, Giorgio Mainerio, Michael Praetorius, Pierre Attaignant, Pierre Certon, Pierre Phale...
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Level 3 - Digital Download SKU: A0.1133711 By Various. By Anonymous, Giorgio Mainerio, Michael Praetorius, Pierre Attaignant, Pierre Certon, Pierre Phalese, and Tielman Susato. Arranged by Alastair Lodge. Early Music,Folk,Historic,Medieval,Renaissance. 50 pages. Wold Meridian #733808. Published by Wold Meridian (A0.1133711). This is a companion to my earlier volume Chording to the Dance Masters which presented 44 of my favourite Renaissance Dance band tunes and arranged them as a single melody line with chords derived from the original harmony lines. In this volume I have reunited 22 of the pieces with the lower parts in the score, so that with more collaborators, the fullness of the original arrangement can be heard. The chords are still present, so if the ensemble is short handed, and lines are missing, the arrangements will still work. What is more, by contrasting the melody and chords with the full scoring, it should be possible to work some light and shade into performances. You can hear all the pieces and their chords on YouTube together with contemporary art and historical background material:https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNSAs a help to those less confident in playing harmony lines, I have provided links to playlists of videos online for each part of each piece. You will hear the selected line on its own with chords and percussion, with the melody line added on repeats. The final repeat includes the other harmony lines, but the featured line is slightly louder in the mix. The performance starts with a percussion beat introduction to set the tempo.Who were the Publishers and the Dance Masters? What did they do? Sometime around the 1500s, the popularity of dance music exploded in Europe. Dance Masters were collecting chansons and dance tunes from courts and rural parts and were teaching these to new audiences, spreading their arrangements and reflecting the performance styles of the areas from which they had collected the tunes. Publishers were able to take these tunes that were becoming known across the regions and nations and spread them even more widely, thanks to technological innovations in music printing which made it quicker and therefore cheaper to produce collections of these dances in four or more parts. These publishers were often highly accomplished composers in their own right, who were both able to provide distinctive harmony lines and compose new tunes in the style of their sources, feeding the courts with enduring tunes. Composers and printers of this time would often use note values that are double the length of those we would be used to seeing today, and so to make this version more readable, breves have become semibreves or whole notes, semibreves have become minims or half notes and so on. Working with this publication For those just starting out in Early Music, the volume is an ideal introduction, since the ensemble can build from a soloist with accompaniment with the chords alone, and parts can be added in as additional musicians become available. Instrumentation for these pieces was not specified in the original prints. The range of each part is quite limited, and though the harmonies may seem strange at times, key signatures are kind to the less experienced musician. If enthusiasm takes hold, then reproductions of early music instruments are sold by some very talented makers, as well as coming up on auction sites. Otherwise, it is possible to put together a fairly convincing ensemble with recorders, violins, a cello and mandolins, bouzoukis, flutes or guitars and gradually introduce the authentic instruments as they become available.
$12.00
The Sense of a Place Will Remain
The Sense of a Place Will Remain
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Choral SATB
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Contemporary
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Paul Burnell
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The Sense of a Place Will Rema
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Paul Burnell
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SheetMusicPlus
Choral Choir (SATB) - Digital Download SKU: A0.835786 Composed by Paul Burnell. Contemporary. Octavo. 124 pages. Paul Burnell #3405305. Published by Paul...
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Choral Choir (SATB) - Digital Download SKU: A0.835786 Composed by Paul Burnell. Contemporary. Octavo. 124 pages. Paul Burnell #3405305. Published by Paul Burnell (A0.835786). Composed 2007, duration 8:30 approx. The music and text of ‘The Sense of a Place Will Remain’ was inspired by pictures of an early carved stone cross and a tenth-century Viking burial stone on the island of Inchcolm in Scotland. First performed by Inchcolm New Music Ensemble 29 June 2007, conductor Steve King. Instrumentation is flexible; the following is a guide: Part 1 - Violin 1, flute 1 (doubling piccolo if possible) oboe 1, Part 2 - Violin 2, flute 2, oboe 2 (doubling tenor recorder if possible), clarinet 1, trumpet Part 3 - Viola, clarinet 2, horn in F, Eb horn (2 players doubling harmonicas in C) Part 4 - Cello, bassoon Part 5 - Double bass, bass guitar (or Cello 2 - playing as if usual bass clef, but an octave lower where possible) SATB voices (doubling metal spoons and pitch pipes) Optional:Percussion (one player) - claves, glockenspiel (could be a child’s toy instrument such as an ‘Angel’ glockenspiel), mark tree, spring drum (thunder shaker), frame drum, musical jewelry box (or similar clockwork device).Should a glockenspiel not be available, a special part has been created which arranges the glockenspiel for two flutes, together with the other percussion music. This special part is not visible in the score. Keyboard instrument with sustaining capability - piano sound Instructions: Wind players can breathe ad lib. during any very long notes. From letter D onwards non-wind players who are not soloists blow across the top of small bottles. The pitches produced are not specified, but they should not be shrill. A soft breathy tone is preferred. About half of the voices play pairs of metal spoons (share printed part between two singers and anyone not holding the music holds metal spoons). Hold the spoons one in each hand, and strike the larger ends together. Spoons are struck together where shown with a large patterned note head. Strike rapidly where a tremolo sign is given. Four singers play pitch tuning pipes: 1 Soprano and 1 Alto play viola/cello pitch tuning pipes, 1 Tenor and 1 Bass play violin pitch tuning pipes Pitch pipe playing is indicated with square note heads - player should breathe ad lib. during very long notes. Where there are very long sung notes, the singers may stagger breathing ad lib. Spoken sounds are indicated with x note heads and with the text in italics. There are many pauses. These can be of varying duration, but on the whole they should not hold up the momentum of the piece, but be of sufficient duration to establish the solo and pitch pipe notes. Text: Carve stone Strike out Stay at home Or go far alone. Blocks of stone are laid Emblazoned with the signs of great deeds That signify our memory, Mem’ries of who we are. Careful carvings erode through time, Chiseled grooves smooth away. Families, they scatter and fade As generations age Descendants pass on memory time. Sense of our allegiance shifts when major faults are found, Feelings of belonging fall on shaky ground, But the sense of a place will remain.
$7.95
We Will Rock You
We Will Rock You
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Harp
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EASY
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Rock
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Queen
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Bridget Jackson
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We Will Rock You
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Bridget Jackson Harp
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SheetMusicPlus
Harp - Level 2 - Digital Download SKU: A0.1404007 By Queen. By Brian May. Arranged by Bridget Jackson. Pop,Rock. 12 pages. Bridget Jackson Harp #987176. ...
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Harp - Level 2 - Digital Download SKU: A0.1404007 By Queen. By Brian May. Arranged by Bridget Jackson. Pop,Rock. 12 pages. Bridget Jackson Harp #987176. Published by Bridget Jackson Harp (A0.1404007). Wow your audience with this ensemble arrangement of We Will Rock You for harp quartet! Complete with harp percussion, in lieu of the classic stomp-stomp-clap :)Key of G, playable on both lever and pedal harp. Includes score + parts. Each part is varied difficulty beginner through early intermediate, so it's the perfect arrangement for a studio concert where students are varied in level! Also great for those new to ensemble playing. Harp 1: simple rhythms and patterns, hands alone or same notes in both handsHarp 2: varied rhythms and patterns, mostly simpleHarp 3: more complex rhythms and quick placing hands alone, lever change during restHarp 4: more complex rhythms and quick placing hands together
$15.00
Twenty-Two Christmas Carols for Concert Band
Twenty-Two Christmas Carols for Concert Band
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Concert band
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EASY
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Christmas
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Steve Winstead
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Twenty-Two Christmas Carols fo
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Sigma Squared Music
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SheetMusicPlus
Arranged by Steve Winstead. Christian, Spiritual, Sacred, Christmas. Score, Set of Parts. 209 pages. Published by Sigma Squared Music (S0.270747). - Score,Set o...
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Arranged by Steve Winstead. Christian, Spiritual, Sacred, Christmas. Score, Set of Parts. 209 pages. Published by Sigma Squared Music (S0.270747). - Score,Set of Parts - Christian,Spiritual,Sacred,Christmas - Sigma Squared Music
Item Number: A0.723563 This incredibly versatile collection of Twenty-Two Christmas Carols is a fun-to-play book of well-known Christmas and holiday songs arranged with a traditional feel and just a dash of contemporary flavor. Each song is fairly short, but can be repeated as many times through the verses as desired. An optional introduction is notated for each song, which is useful for creating an audience sing-along or building your own medley. Parts are sufficiently doubled and cued that each song can be played by a stand-alone woodwind or brass choir, small band with limited instrumentation, or varied arrangement from one repetition to the next. Percussion parts are optional, but definitely add a special touch if the equipment and players are available. Whether you need a few tunes to round out your holiday concert, want a whole performance in one book, or lined up a gig to take the band caroling, you'll be reaching for this collection every holiday season! The following carols are included in the collection: 1. Angels We Have Heard on High 2. Away in a Manger 3. Carol of the Bells 4. Deck the Halls 5. The First Noel 6. God Rest Ye, Merry Gentlemen 7. Good King Wenceslas 8. Hallelujah Chorus from The Messiah 9. Hark! The Herald Angels Sing 10. Jingle Bells 11. Jolly Old Saint Nicholas 12. Joy to the World 13. O Come All Ye Faithful 14. O Come, O Come Emmanuel 15. O Holy Night 16. O Little Town of Bethlehem 17. O Tannenbaum 18. Silent Night 19. Up on the House Top 20. Wassail Song 21. We Three Kings 22. We Wish You a Merry Christmas
$295.00
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1
We Are Not Alone Percussion 1 
