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We Have Been Called lead sheet
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You've selected:
We Have Been Called lead sheet
Sheetmusic to print
4 sheet music found
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1
We Have Been Called - lead sheet
We Have Been Called - lead sheet
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Lyrics and Chords
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EASY
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Elizabeth Vecchione
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We Have Been Called - lead she
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Elizabeth Vecchione
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SheetMusicPlus
Guitar - Level 2 - Digital Download SKU: A0.1004260 Composed by Elizabeth Vecchione. Christian. Chords/Lyrics. 11 pages. Elizabeth Vecchione #6353523. Pu...
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Guitar - Level 2 - Digital Download SKU: A0.1004260 Composed by Elizabeth Vecchione. Christian. Chords/Lyrics. 11 pages. Elizabeth Vecchione #6353523. Published by Elizabeth Vecchione (A0.1004260). Scripture Song.
$4.99 ≈
4.52€
The Unquiet Grave from American Death Ballads (Downloadable)
The Unquiet Grave from American Death Ballads (Downloadable)
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High voice
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David Conte
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The Unquiet Grave from America
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. ...
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High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50 ≈
3.17€
Anna's Song -MP3 Accompaniment track
Anna's Song -MP3 Accompaniment track
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Deborah Johnson
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info
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Anna's Song -MP3 Accompaniment
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Deborah Johnson
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SheetMusicPlus
Level 2 - Digital Download SKU: A0.1110614 By Deborah Johnson. By Deborah Johnson. Christian,Christmas,Contemporary,Holiday,Praise & Worship. Accompanime...
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Level 2 - Digital Download SKU: A0.1110614 By Deborah Johnson. By Deborah Johnson. Christian,Christmas,Contemporary,Holiday,Praise & Worship. Accompaniment. Duration 293. Deborah Johnson #712916. Published by Deborah Johnson (A0.1110614). Annas Song is a captivating contemporary inspirational piece written by Deborah Johnson. It features a solo vocalist, a chorus, and a string ensemble, resulting in a harmonious and emotionally resonant composition. This enchanting piece can be found on the album Merry Christmas Too, which is a collection of holiday-themed music. This MP3 accompaniment track is in the higher key of Bb-B only.The sheet music of the song is in 2 different keys for low and high versions:Â Bb-B (high), spanning from B below middle C to high B, and G-Ab (low) spanning from G below middle C to high G. These ranges allow for a wide vocal expression, making it suitable for various singers. Annas Song carries a powerful message, drawing inspiration from the biblical account found in Luke 2:36-38. It serves as a reminder that we are never beyond the reach of God's redemption, and He can work His miraculous ways in our lives, no matter how long we may have waited. This message of hope and redemption makes the song particularly meaningful for church and worship celebrations, where it can be used to inspire and uplift congregations. The arrangement of Annas Song includes a full score, encompassing the piano, chorus, strings, and rhythm parts, making it comprehensive and adaptable for different musical settings. Additionally, it provides separate vocal lead sheets, chorus parts, and string parts, allowing for flexibility in performance and accommodating a range of musical talents. Annas Song is a beautiful and spiritually moving composition that combines a contemporary sound with a profound message of redemption. Deborah Johnson's arrangement offers a versatile musical experience suitable for church and worship gatherings, helping to create a spiritually uplifting atmosphere for all who listen. The sheet music is also available for download. Full song download on Spotify: https://open.spotify.com/track/4l5svO76D7GLwaxPSA7gOF More information here: https://djworksmusic.com/annas-song/ https://djworksmusic.com/products/ for physical albums & info. Twitter: @DJWorksMusic; Instagram: Deborah_johnsonmusic Like our Facebook page: https://www.facebook.com/deborah.johnson For updates and weekly articles: https://goalsforyourlife.com/newsletter Anna's Song is written and arranged by Deborah Johnson and included on the full album called Merry Christmas Too. DEBORAH JOHNSON, is a National Recording Artist, Composer, Speaker and published Author. She has recorded over a dozen albums, written 3 original musicals and has appeared on many stages around the country and world. She has also appeared with the headliner piano/vocal duo Double Grande. Also the author of multiple books, her music has been up for multiple Grammy Awards. Production, Music and Lyrics by Deborah Johnson. Keyboards: Deborah Johnson and Tom Keene; Bass Guitar: David Coy; Drums: Dave Spurr; Guitars: John Hunt; Flute: John Reilly; Strings: Living Strings. Recorded at: Tor-Wood-Lea Recording Studios, Engineered by Tom Keene. Bass/Strings Recorded at: A to Z Studios, Engineered by Tim Jaquette. Mixed at: ETC Studio A, Tim Jaquette; Album Mastering: Bernie Grundman.
$8.99 ≈
8.14€
For Way Too Long
For Way Too Long
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Jazz combo
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INTERMEDIATE/ADVANCED
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Mike Strand, ASCAP
H
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Mike Strand
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For Way Too Long
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Michael M. Strand
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SheetMusicPlus
Jazz Combo - Level 4 - Digital Download SKU: A0.970760 Composed by Mike Strand. Concert,Jazz. Score and parts. 4 pages. Michael M. Strand #5795683. Publi...
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Jazz Combo - Level 4 - Digital Download SKU: A0.970760 Composed by Mike Strand. Concert,Jazz. Score and parts. 4 pages. Michael M. Strand #5795683. Published by Michael M. Strand (A0.970760). By Mike Strand, ASCAPHere’s a swing tune lead sheet, with lyrics, chord symbols, and guitar fret boards, for a jazz group, large or small, with a singer. It’s a solid foundation for a variety of arrangements, contra facts, and improvisations. The audio file is a swing accompaniment from iReal Pro, combined with the melody from Finale PrintMusic. In this sample, you hear a baritone saxophone in place of the singer, and an electric guitar for the instrumental sections. The lyrics express frustration with white bigotry toward people with dark skin, and how that brand of racism surfaces in acts of police brutality. The lyrics pose both practical and ideal solutions. Here are the lyrics: For Way Too LongFor way too long, dark skin has been called blight, And just to breathe, black folks have had to fight. Civil rights laws are there; it’s only fair, we give them real bite. (Instrumental) Civil rights laws are there; it’s only fair, we give them real bite. For way too long, bad cops have broken rules, While their good partners get put down by them as fools. But now we all may see the fall of bigots using blacks as tools. (Instrumental) But now we all may see the fall of bigots using blacks as tools. For way too long, cold hearts remain unchanged. But with strong rules, constraints can be arranged. Enforcing laws need not be cause for folks to be estranged.Lord, may our hearts be changed!
$3.00 ≈
2.71€
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We Have Been Called lead sheet
