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We Three Kings, for Trombone Trio
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You've selected:
We Three Kings, for Trombone Trio
Sheetmusic to print
16 sheet music found
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1
We Three Kings, for Trombone Trio
We Three Kings, for Trombone Trio
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3 Trombones (trio)
#
INTERMEDIATE
#
Christmas
#
John Henry Hopkins Jr
#
Cindy Blevins
#
We Three Kings, for Trombone T
#
Cindy Blevins
#
SheetMusicPlus
Trombone - Level 3 - Digital Download SKU: A0.1413130 Composed by John Henry Hopkins Jr. Arranged by Cindy Blevins. Christmas. 7 pages. Cindy Blevins #99...
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Trombone - Level 3 - Digital Download SKU: A0.1413130 Composed by John Henry Hopkins Jr. Arranged by Cindy Blevins. Christmas. 7 pages. Cindy Blevins #995123. Published by Cindy Blevins (A0.1413130). This is a beautiful, playable arrangement for three trombones. You receive the score and the separate parts.
$5.99 ≈
5.57€
We Three Kings (Trio for Two Trombones and Piano)
We Three Kings (Trio for Two Trombones and Piano)
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Trombone and Piano
#
INTERMEDIATE
#
Christmas
#
John Henry Hopkins, Jr
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John A
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We Three Kings
#
John A. Dempsey
#
SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Trombone - Level 3 - Digital Download SKU: A0.1339799 Composed by John Henry Hopkins, Jr. and Enrique Gra...
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Instrumental Duet,Piano Instrumental Duet,Piano,Trombone - Level 3 - Digital Download SKU: A0.1339799 Composed by John Henry Hopkins, Jr. and Enrique Granados. Arranged by John A. Dempsey. Christian,Christmas,Holiday,Sacred,Traditional. 21 pages. John A. Dempsey #925456. Published by John A. Dempsey (A0.1339799). Arranged here as a trio for two trombones and piano, the warm, evocative Christmas carol We Three Kings of Orient Are follows a musical path that merges with the wintry road leading to Enrique Granados' delicately beautiful Oriental.  A bit of holiday serendipity!  Recommended for Christmas plays, pageants and programs, holiday recitals and Christmas concerts as well as traditional Christmas church services and other seasonal worship events. Suggested worship uses: a prelude, postlude, an offertory, interlude, Christmas play overture, silent prayer accompaniment and special music.  17 pages of music (that includes separate two-page parts for trombone 1 and trombone 2).  Key: G minor   We three kings of Orient are: bearing gifts we traverse afar   Field and fountain, moor and mountain - following yonder star.   O star of wonder, star of night; star with royal beauty bright,   Westward leading, still proceeding, guide us to Thy perfect light.
$11.99 ≈
11.15€
We Three Kings for Brass Trio
We Three Kings for Brass Trio
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Christmas
#
Traditional
#
James M
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We Three Kings for Brass Trio
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jmsgu3
#
SheetMusicPlus
Bass Trombone,Cornet,Horn - Level 3 - Digital Download SKU: A0.1328835 Composed by Traditional. Arranged by James M.. Guthrie. Chamber,Christian,Christma...
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Bass Trombone,Cornet,Horn - Level 3 - Digital Download SKU: A0.1328835 Composed by Traditional. Arranged by James M.. Guthrie. Chamber,Christian,Christmas,Holiday,Traditional. 6 pages. Jmsgu3 #916856. Published by jmsgu3 (A0.1328835). We Three Kings is a Christmas hymn John Henry Hopkins Jr. penned in 1857. It describes the journey of the Wise Men, also known as the Magi, to see the baby Jesus. The names of the kings passed down through tradition are Melchior, Caspar, and Balthazar. The number three in the title stems from the fact that there were three separate gifts given to Jesus: gold, frankincense, and myrrh. The hymn was composed for a Christmas pageant at the General Theological Seminary in New York City, where Hopkins taught music. It was the first Christmas carol to achieve widespread popularity originating from the United States. The song is known for its lilting tune in triple meter and its distinctive contribution to the Christmas carol repertoire, with a narrative-ballad style and a straightforward, child-friendly narrative. The hymn was also included in The Oxford Book of Carols and has been recorded by various musicians in different music genres, including jazz, rock, and reggae.
$24.95 ≈
23.19€
We Three Kings (Trio for Trumpet, Trombone and Piano)
We Three Kings (Trio for Trumpet, Trombone and Piano)
#
Trombone and Piano
#
INTERMEDIATE
#
Christmas
#
John Henry Hopkins, Jr
#
John A
#
We Three Kings
#
John A. Dempsey
#
SheetMusicPlus
Small Ensemble B-Flat Trumpet,Piano,Trombone - Level 3 - Digital Download SKU: A0.1083491 Composed by John Henry Hopkins, Jr. and Enrique Granados. Arran...
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Small Ensemble B-Flat Trumpet,Piano,Trombone - Level 3 - Digital Download SKU: A0.1083491 Composed by John Henry Hopkins, Jr. and Enrique Granados. Arranged by John A. Dempsey. Christian,Christmas,Holiday,Sacred,Traditional. Score and parts. 21 pages. John A. Dempsey #687700. Published by John A. Dempsey (A0.1083491). Arranged as a trio for Bb trumpet, trombone and piano, the warm, evocative Christmas carol We Three Kings of Orient Are follows a musical path that merges with the wintry road leading to Enrique Granados' delicately beautiful piece Oriental.  A bit of holiday serendipity!  Recommended for Christmas pageants, plays and programs, holiday recitals and Christmas concerts as well as traditional Christmas church services and other seasonal worship events, as a prelude, postlude, an offertory, interlude, Christmas play overture, silent prayer accompaniment and special music.  17 pages of music (that includes separate two-page parts for trumpet and trombone).  Key: G minor   We three kings of Orient are: bearing gifts we traverse afar   Field and fountain, moor and mountain - following yonder star.   O star of wonder, star of night; star with royal beauty bright,   Westward leading, still proceeding, guide us to Thy perfect light.
$11.99 ≈
11.15€
We Three Kings (Brass Trio): Trumpet, Horn in F and Trombone
We Three Kings (Brass Trio): Trumpet, Horn in F and Trombone
#
Brass Quartet: 2 trumpets, horn, trombone
#
INTERMEDIATE
#
Christmas
#
John Henry Hopkins, Jr
#
John A
#
We Three Kings
#
John A. Dempsey
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.524092 Composed by John Henry Hopkins, Jr., Enrique Granados. Arranged by John ...
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Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.524092 Composed by John Henry Hopkins, Jr., Enrique Granados. Arranged by John A. Dempsey. Christian,Christmas,Holiday,Sacred,Traditional. Score and parts. 18 pages. John A. Dempsey #4755307. Published by John A. Dempsey (A0.524092). In this festive brass trio for Bb trumpet, French horn and trombone, the warm, evocative Christmas carol We Three Kings of Orient Are follows a musical path that merges with the wintry road leading to Enrique Granados' delicately beautiful piece Oriental.  A bit of holiday serendipity!  Recommended for traditional Christmas church services and other seasonal worship events, including Christmas plays, pageants and programs as well as holiday recitals and Christmas concerts.  Suggested worship uses: a prelude, postlude, an offertory, interlude, Christmas play overture, special music and silent prayer accompaniment.  14 pages of music (that includes the score and separate two-page parts for each instrument).  Concert Key: F major.  Trumpet Key: G major.  Horn Key: C major.  Trombone Key: F major      We three kings of Orient are: bearing gifts we traverse afar   Field and fountain, moor and mountain - following yonder star.   O star of wonder, star of night; star with royal beauty bright,   Westward leading, still proceeding, guide us to Thy perfect light.
$9.99 ≈
9.29€
Trombone Trios for Christmas, Vol. II
Trombone Trios for Christmas, Vol. II
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3 Trombones (trio)
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INTERMEDIATE/ADVANCED
#
Christmas
#
Various
#
Cindy Blevins
#
Trombone Trios for Christmas,
#
Cindy Blevins
#
SheetMusicPlus
Trombone - Level 4 - Digital Download SKU: A0.1413200 Composed by Various. Arranged by Cindy Blevins. Christmas. 83 pages. Cindy Blevins #995158. Publish...
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Trombone - Level 4 - Digital Download SKU: A0.1413200 Composed by Various. Arranged by Cindy Blevins. Christmas. 83 pages. Cindy Blevins #995158. Published by Cindy Blevins (A0.1413200). Trombone Trios for Christmas, Vol. II contains 12 beautiful arrangements for three trombones. You receive the scores and the separate parts. The audio sample is We Three Kings. The songs included in this book are: Angels We Have Heard On High, Bring a Torch, Jeannette, Isabella, Deck the Halls, God Rest Ye Merry, Gentlemen, Greensleeves, In the Bleak Midwinter, Jesu, Joy of Man's Desiring, Joy to the World, Silent Night, Sussex Carol, The Son of Mary and We Three Kings.
$18.95 ≈
17.61€
More Carols for Three - Brass Trio
More Carols for Three - Brass Trio
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Brass Quartet: 2 trumpets, horn, trombone
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EASY
#
Christmas
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Traditional Christmas
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Kate Agioritis
#
Coventry Carol
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More Carols for Three - Brass
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Musika Publishing Australia
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet - Level 2 - Digital Download SKU: A0.513200 Composed by Traditional Christmas. Arranged by Kate Agioritis. Christmas...
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Brass Ensemble Horn,Trombone,Trumpet - Level 2 - Digital Download SKU: A0.513200 Composed by Traditional Christmas. Arranged by Kate Agioritis. Christmas,Holiday,Praise & Worship,Traditional. Score and parts. 51 pages. Musika Publishing Australia #123956. Published by Musika Publishing Australia (A0.513200). More Carols for Three - Brass Trio (Trumpet, Trumpet/Horn, Trombone) Here it is - the next edition! Ten more well-loved Christmas Carols. Add them to your Christmas stash now! It Came Upon a Midnight Clear, While Shepherds Watched their Flocks by Night; Coventry Carol; Carol of the Bells (Ukrainian Bell Carol); God Rest Ye Merry Gentlemen; We Three Kings of Orient Are; Carol of the Drum; Here We Come A-Wassailing; Angels from the Realms of Glory; Jingle Bells. Visit our website: www.musikapublishing.com.
$19.99 ≈
18.58€
We Three Kings (Brass Quartet)
We Three Kings (Brass Quartet)
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Brass Trio
#
Christmas
#
John Henry Hopkins, Jr
#
Jordan Grigg
#
We Three Kings
#
Jordan Grigg
#
SheetMusicPlus
Trombone,Trumpet,Tuba - Digital Download SKU: A0.1057876 Composed by John Henry Hopkins, Jr. Arranged by Jordan Grigg. Christmas,Instructional,Standards....
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Trombone,Trumpet,Tuba - Digital Download SKU: A0.1057876 Composed by John Henry Hopkins, Jr. Arranged by Jordan Grigg. Christmas,Instructional,Standards. Full Performance. Duration 104. Jordan Grigg #3467506. Published by Jordan Grigg (A0.1057876).
$1.99 ≈
1.85€
We Three Kings (Trombone Trio)
We Three Kings (Trombone Trio)
#
Christmas
#
John Henry Hopkins, Jr
#
John A
#
We Three Kings
#
John A. Dempsey
#
SheetMusicPlus
Brass Ensemble,Trombone Trio - Level 3 - Digital Download SKU: A0.523783 Composed by John Henry Hopkins, Jr., Enrique Granados. Arranged by John A. Demps...
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Brass Ensemble,Trombone Trio - Level 3 - Digital Download SKU: A0.523783 Composed by John Henry Hopkins, Jr., Enrique Granados. Arranged by John A. Dempsey. Christian,Christmas,Holiday,Sacred,Traditional. Score and parts. 19 pages. John A. Dempsey #3895691. Published by John A. Dempsey (A0.523783). In this festive trombone trio, the warm, evocative Christmas carol We Three Kings of Orient Are follows a musical path that merges with the wintry road leading to Enrique Granados' delicately beautiful piece Oriental.  A bit of holiday serendipity!  Recommended for Christmas plays, pageants and programs, holiday recitals and Christmas concerts as well as traditional Christmas church services and other seasonal worship events, as a prelude, postlude, an offertory, interlude, Christmas play overture, silent prayer accompaniment and special music.  15 pages of music (that includes the score and separate two-page parts for trombone 1, trombone 2 and trombone 3).  Key:  D minor   We three kings of Orient are: bearing gifts we traverse afar   Field and fountain, moor and mountain - following yonder star.   O star of wonder, star of night; star with royal beauty bright,   Westward leading, still proceeding, guide us to Thy perfect light.
$9.99 ≈
9.29€
We Three Kings (Brass Trio): Two Trumpets and Trombone
We Three Kings (Brass Trio): Two Trumpets and Trombone
#
Christmas
#
John Henry Hopkins Jr
#
John A
#
We Three Kings
#
John A. Dempsey
#
SheetMusicPlus
Brass Ensemble Trombone,Trumpet - Level 3 - Digital Download SKU: A0.524571 Composed by John Henry Hopkins Jr., Enrique Granados. Arranged by John A. Dem...
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Brass Ensemble Trombone,Trumpet - Level 3 - Digital Download SKU: A0.524571 Composed by John Henry Hopkins Jr., Enrique Granados. Arranged by John A. Dempsey. Christian,Christmas,Holiday,Sacred,Traditional. Score and parts. 17 pages. John A. Dempsey #6021473. Published by John A. Dempsey (A0.524571). In this festive brass trio for two Bb trumpets and trombone, the warm, evocative Christmas carol We Three Kings of Orient Are follows a musical path that merges with the wintry road leading to Enrique Granados' delicately beautiful Oriental.  A bit of holiday serendipity!  Recommended as a prelude, postlude, an offertory, interlude, Christmas play overture, silent prayer accompaniment or special music for traditional Christmas church services and other worship events, including Christmas plays, pageants and programs.  13 pages of music (that includes the score and separate two-page parts for trumpet 1, trumpet 2 and trombone).  Concert Key: D minor.  Trumpet Key: E minor.  Trombone Key: D minor      We three kings of Orient are: bearing gifts we traverse afar   Field and fountain, moor and mountain - following yonder star.   O star of wonder, star of night; star with royal beauty bright,   Westward leading, still proceeding, guide us to Thy perfect light.
$9.99 ≈
9.29€
WE THREE KINGS - BRASS TRIO (unaccompanied)
WE THREE KINGS - BRASS TRIO (unaccompanied)
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Brass ensemble
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INTERMEDIATE
#
Christmas
#
Christmas
#
John Henry Hopkins Jr
#
Glen Poehlmann
#
WE THREE KINGS - BRASS TRIO
#
arrangements by GPoehlmann
#
SheetMusicPlus
Brass Ensemble - Level 3 - Digital Download SKU: A0.807165 Composed by John Henry Hopkins Jr. Arranged by Glen Poehlmann. Christian,Christmas,Sacred. Sco...
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Brass Ensemble - Level 3 - Digital Download SKU: A0.807165 Composed by John Henry Hopkins Jr. Arranged by Glen Poehlmann. Christian,Christmas,Sacred. Score and parts. 7 pages. Arrangements by GPoehlmann #6461547. Published by arrangements by GPoehlmann (A0.807165). WE THREE KINGS - BRASS TRIO (unaccompanied)Trumpet, Horn (or Trumpet 2 or Trombone 2) and Trombone69 measures. Performance Time approx 2:10. Medium in Difficulty (Grade 3)Key: D minor - E minor. Key: 4/4 - 3/4. Instrument Ranges (C4=middle C):Trumpet D4 - F#5 (written). Horn in F D4 - E5 (written). Trombone Bb2 - F4PDF parts included: Score, Trumpet, Horn, Trumpet 2 (Horn), Trombone 2 (Horn, Trombone.
$5.00 ≈
4.65€
Your Favorite Christmas Hymns and Carols for Brass, Book 2
Your Favorite Christmas Hymns and Carols for Brass, Book 2
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Brass ensemble
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EASY
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Sacred music
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Various
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Colin Kirkpatrick
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Your Favorite Christmas Hymns
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Colin Kirkpatrick Publications
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SheetMusicPlus
Brass Ensemble - Level 2 - Digital Download SKU: A0.522155 Composed by Various. Arranged by Colin Kirkpatrick. Christmas,Praise & Worship,Sacred. Score a...
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Brass Ensemble - Level 2 - Digital Download SKU: A0.522155 Composed by Various. Arranged by Colin Kirkpatrick. Christmas,Praise & Worship,Sacred. Score and parts. 75 pages. Colin Kirkpatrick Publications #3580273. Published by Colin Kirkpatrick Publications (A0.522155). Your Favorite Christmas Hymns and Carols for Brass, Book 2Arranged for brass by Colin KirkpatrickThis is the second volume of the collection of best-loved Christmas hymns and carols arranged for brass, to brighten up your next Christmas event. This publication includes full four-part instrumental scores plus parts for 1st B flat trumpet, 2nd B flat trumpet, horn in F (with a separate optional part for horn in E flat), trombone and/or tuba. The tuba part is also optional because it either doubles the trombone part or plays an octave below. Both trombone and tuba parts appear on a single staff in the bass clef at concert pitch. The arrangements can be used with brass quartet, brass quintet or brass ensemble. There’s also an optional but useful simplified keyboard part intended for less experienced keyboard players. The left hand plays only the bass part most of the time, with the right hand part kept as simple as possible. It could be used as the basis of an accompaniment which means that you can use the arrangements as solos, duets or trios. The arrangements are intended either as stand-alone pieces that could be used as interludes in a concert or service, or they could be used to accompany solo, choral or congregational singing. The arrangements been written in brass-friendly keys as often as possible. While the hymns mostly use the traditional harmonies, the carols have been treated more freely. Book 2 contains the following 21 titles: As with Gladness Men of Old (Melody: Dix); Away in a Manger (Melody: Cradle Song); Ding! Dong! Merrily on High (Melody: Bransle de l'Officiel); God Rest You Merry, Gentlemen; A Great and Mighty Wonder (Melody: Es ist ein Ros); Hark! The Herald Angels Sing (Melody: Mendelssohn); Infant Holy, Infant Lowly (Melody: W. Zlobie Lezy); It Came Upon the Midnight Clear (Melody: Noel); Joseph Dearest, Joseph Mine (Melody: Resonet in Laudibus); Joy to the World (Melody: Antioch); O Come, O Come Emmanuel (Melody: Veni Emmanuel); O Little Town of Bethlehem (Melody: Forest Green) ; Once in Royal David's City (Melody: Irby); Quem Pastores Laudavere; Lully, lulla Thou Little Tiny Child (Melody: Coventry Carol); Hark! A Thrilling Voice is Calling (Melody: Merton); The First Nowell; The Wassail Song; We Three Kings (Melody: Kings of Orient), While Shepherds Watched their Flocks (Melody: Winchester Old) and While Shepherds Watched their Flocks (Melody: Christmas). The audio samples include Ding! Dong! Merrily on High, Infant Holy, Infant Lowly, Lully, lulla Thou Little Tiny Child and The First Nowell. Please note that the arrangements are usually not usually compatible with the string collection of the same name.
$25.99 ≈
24.16€
America's Favorite Christmas Carols arranged for Brass
America's Favorite Christmas Carols - Brass
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Brass ensemble
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EASY
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Sacred music
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Various
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Colin Kirkpatrick
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2nd trumpet in B flat
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America's Favorite Christmas C
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Colin Kirkpatrick Publications
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SheetMusicPlus
Brass Ensemble - Level 2 - Digital Download SKU: A0.522189 Composed by Various. Arranged by Colin Kirkpatrick. Christian,Christmas,Praise & Worship,Sacre...
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Brass Ensemble - Level 2 - Digital Download SKU: A0.522189 Composed by Various. Arranged by Colin Kirkpatrick. Christian,Christmas,Praise & Worship,Sacred. Score and parts. 129 pages. Colin Kirkpatrick Publications #6403993. Published by Colin Kirkpatrick Publications (A0.522189). These arrangements of favorite Christmas carols are sure to brighten up your next Christmas event. The publication consists of full scores for each hymn plus separate instrumental parts and an optional simplified keyboard part. All the arrangements are in four parts, reflecting the traditional SATB voicing. The parts include 1st trumpet in B flat; 2nd trumpet in B flat; horn in F; horn in E flat; trombone and optional tuba; optional bass in B flat and bass in E flat. There are also two optional baritone parts in B flat (TC) and C (BC) in case you need them. They are the same as the tenor part. In some carols, you might prefer to assign any baritones to doubling the bass or doubling the melody an octave lower. The baritone part in C is also playable by trombone. The trombone and tuba parts appear on a single staff. Of course, you can use any number of instruments to a particular part. The optional keyboard part has been simplified and whenever possible limited to single notes in the left hand part and no more than two-note chords in the right. Using the keyboard part, you can use the arrangements as solos, duets or trios. The scores and all the parts are contained in a single 129-page PDF file.Because the music has been set in brass-friendly keys, the arrangements are not necessarily with other Colin Kirkpatrick arrangements published by Glyn Joseph Editions. This collection includes the following favorite carols: Angels We Have Heard On High (Gloria); Lo, How a Rose E’er Blooming (Es ist ein Ros entsprungen); O Come, O Come Emmanuel (Veni Emmanuel); The First Noel; Ding Dong! Merrily on High (Bransle de l’Officiel); O Come All Ye Faithful (Adeste Fidelis); Hark! The Herald Angels Sing (Mendelssohn); Go Tell It on the Mountain; O Little Town of Bethlehem (St. Louis); O Holy Night (Cantique de Noël); Silent Night (Stille Nacht); Away in a Manger (Mueller); Joy to the World (Antioch); O Christmas Tree (Tannenbaum); We Three Kings (Kings of Orient); I Heard the Bells on Christmas Day (Waltham); What Child is This? (Greensleeves); God Rest You Merry, Gentlemen; Good King Wenceslas (Tempus Adest Floridum) and We Wish You a Merry Christmas.
$19.99 ≈
18.58€
7 CHRISTMAS CAROLS arranged for BRASS TRIO (Trumpet - Horn/Trumpet/Trombone/Alto - Trombone
7 CHRISTMAS CAROLS - BRASS TRIO (Trumpet - Horn/Trumpet/Trombone/Alto - Trombone
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Brass ensemble
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INTERMEDIATE
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Christmas
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Glen Poehlmann
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7 CHRISTMAS CAROLS - BRASS TRI
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arrangements by GPoehlmann
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SheetMusicPlus
Brass Ensemble - Level 3 - Digital Download SKU: A0.806809 Arranged by Glen Poehlmann. Christian,Christmas,Sacred. Score and parts. 71 pages. Arrangement...
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Brass Ensemble - Level 3 - Digital Download SKU: A0.806809 Arranged by Glen Poehlmann. Christian,Christmas,Sacred. Score and parts. 71 pages. Arrangements by GPoehlmann #5896737. Published by arrangements by GPoehlmann (A0.806809). 7 CHRISTMAS CAROLS FOR BRASS TRIOPart 1 is Trumpet. Part 3 is Trombone. Part 2 can be Horn, Trumpet 2, Trombone 2 or Alto Saxophone. Written for a Brass Trio that wanted shorter pieces to use for caroling. Most are 1-2 minutes.1. Angels We Have Heard on High (Grade 4). 2. The First Noel (Grade 4-). 3. Good Christian Men, Rejoice (Grade 4). 4. It Came Upon the Midnight Clear (Grade 3). 5. Joy to the World (Grade 3). 6. Silent Night (Grade 3). 7. We Three Kings (Grade 3).
$7.00 ≈
6.51€
The Trumpet, Trombone & Tuba Christmas Trio Book
The Trumpet, Trombone & Tuba Christmas Trio Book
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Christmas
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Traditional
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James M
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The Trumpet, Trombone & Tuba C
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jmsgu3
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SheetMusicPlus
Small Ensemble Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.550827 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christmas,...
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Small Ensemble Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.550827 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christmas,Holiday,Instructional,Standards. Score and parts. 175 pages. Jmsgu3 #4834603. Published by jmsgu3 (A0.550827). 20 of the most popular Traditional Christmas songs arranged for Trumpet, Trombone & Tuba. Each song is arranged in three versions where each instrument has the melody in turn. Score: 60 pages, Duration: 40 min. Players read from the score.Contents Veni, veni Emannuel 1 Helmsley 4 Antioch 7 Carol 10 Es ist ein Ros 13 Gloria 16 God Rest You Merry 19 Greensleeves 22 In Dulci Jubilo 25 Mendelssohn 28 Personet hodie 31 The First Noel 34 Salzburg 37 Three Kings of Orient 40 Adeste Fidelis 43 St. Louis 46 Away in a Manger 49 Stille Nacht 52 Auld Lang Syne 55 We Wish You a Merry Christmas 58.
$42.95 ≈
39.92€
Concerto
Concerto
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Piano and Orchestra
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ADVANCED
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Contemporary
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Gyorgy Ligeti
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Concerto
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Schott Music - Digital
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SheetMusicPlus
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. D...
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. .
The markings of the movements are the following: .
1. Vivace molto ritmico e preciso .
2. Lento e deserto .
3. Vivace cantabile .
4. Allegro risoluto .
5. Presto luminoso.
The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. .
The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. .
In the Piano Concerto I realized new concepts of harmony and rhythm. .
The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. .
In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. .
The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. .
In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. .
Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). .
The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). .
Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. .
These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. .
The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). .
The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. .
Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. .
Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. .
This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. .
The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. .
I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. .
(Gyorgy Ligeti)
$23.99 ≈
22.30€
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We Three Kings, for Trombone Trio
