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We Two Boys
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You've selected:
We Two Boys
SheetMusicPlus
Sheetmusic to print
18 sheet music found
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1
We Two Boys
We Two Boys
#
Baritone voice, Piano
#
INTERMEDIATE/ADVANCED
#
Cooper Minnis
#
We Two Boys
#
Cooper Minnis
#
SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.962776 Composed by Cooper Minnis. Concert,Contemporary,Standards. 13 pages. Cooper...
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Baritone Horn TC,Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.962776 Composed by Cooper Minnis. Concert,Contemporary,Standards. 13 pages. Cooper Minnis #3096561. Published by Cooper Minnis (A0.962776). Baritone voice and piano. We Two Boys is a song based on the poem We Two Boys Together Clinging by Walt Whitman.
$10.00 ≈
$13.56
We Two Boys
We Two Boys
#
Alto voice, Piano
#
INTERMEDIATE
#
Cooper Minnis
#
We Two Boys
#
Cooper Minnis
#
SheetMusicPlus
Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.962785 Composed by Cooper Minnis. Concert,Contemporary,Standards. 13 pages. Cooper Minnis #357...
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Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.962785 Composed by Cooper Minnis. Concert,Contemporary,Standards. 13 pages. Cooper Minnis #3574691. Published by Cooper Minnis (A0.962785). We Two Boys is a song based on the poem We Two Boys Together Clinging by Walt Whitman.
$10.00 ≈
$13.56
We Two Boys
We Two Boys
#
Tenor voice, Piano
#
INTERMEDIATE
#
Cooper Minnis
#
We Two Boys
#
Cooper Minnis
#
SheetMusicPlus
Tenor Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.962784 Composed by Cooper Minnis. Concert,Contemporary,Standards. 13 pages. Cooper Minnis #35...
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Tenor Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.962784 Composed by Cooper Minnis. Concert,Contemporary,Standards. 13 pages. Cooper Minnis #3574695. Published by Cooper Minnis (A0.962784). We Two Boys is a song based on the poem We Two Boys Together Clinging by Walt Whitman.
$10.00 ≈
$13.56
When We Were Two Little Boys
When We Were Two Little Boys
#
Choral SATB
#
EASY
#
Theodore F
#
Stephen DeCesare
#
When We Were Two Little Boys
#
Exultet Music
#
SheetMusicPlus
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.620203 Composed by Theodore F. Morse. Arranged by Stephen DeCesare. Folk,Instructional,Standards...
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.620203 Composed by Theodore F. Morse. Arranged by Stephen DeCesare. Folk,Instructional,Standards,Traditional. Octavo. 10 pages. Exultet Music #3218841. Published by Exultet Music (A0.620203). One of the popular songs by American composer Theodore Morse which describes the story of two boys who grow up to fight for the North in the American Civil War has been freshly arranged for Soprano Solo, Tenor Solo, Boy Solo, SATB and Piano accompaniment. Featured in the musical: The American Civil War which is also available on this site. Accessible and appropriate for any school or concert setting. .
$3.99 ≈
$5.41
WE TWO BOYS TOGETHER
WE TWO BOYS TOGETHER
#
Voice solo
#
Contemporary
#
Craig Urquhart
#
WE TWO BOYS TOGETHER
#
Craig URQUHART
#
SheetMusicPlus
Vocal Solo,Voice - Digital Download SKU: A0.891389 Composed by Craig Urquhart. 20th Century. 4 pages. Craig URQUHART #3142973. Published by Craig URQUHAR...
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Vocal Solo,Voice - Digital Download SKU: A0.891389 Composed by Craig Urquhart. 20th Century. 4 pages. Craig URQUHART #3142973. Published by Craig URQUHART (A0.891389). From the collection LEAVES, words by Walt Whitman.
$10.00 ≈
$13.56
We Two Boys
We Two Boys
#
Contemporary
#
David Wallace
#
We Two Boys
#
David Wallace
#
SheetMusicPlus
Small Ensemble Low Voice,Medium Voice,Piano - Level 5 - Digital Download SKU: A0.923748 Composed by David Wallace. 20th Century,Concert,Contemporary. Sco...
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Small Ensemble Low Voice,Medium Voice,Piano - Level 5 - Digital Download SKU: A0.923748 Composed by David Wallace. 20th Century,Concert,Contemporary. Score and parts. 4 pages. David Wallace #2523787. Published by David Wallace (A0.923748). The first song in the cycle Love's Recall for Counter-Tenor and Piano. These songs are settings of the poetry of Walt Whitman.
$3.99 ≈
$5.41
A-Fishin' We Will Go
A-Fishin' We Will Go
#
Choral 2-part
#
EASY
#
George L
#
A-Fishin' We Will Go
#
Chorister's Guild - Digital
#
SheetMusicPlus
Two-part chorus - early intermediate - Digital Download SKU: C7.CGE333 Composed by George L.O. Strid and Mary Donnelly. General. Sing! With Violin. Octav...
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Two-part chorus - early intermediate - Digital Download SKU: C7.CGE333 Composed by George L.O. Strid and Mary Donnelly. General. Sing! With Violin. Octavo. 16 pages. Chorister's Guild - Digital #CGE333. Published by Chorister's Guild - Digital (C7.CGE333). Featuring two Canadian folk songs: I's the B'y from Newfoundland and Going Over the Sea from Nova Scotia, this spirited setting spins the tale of a boy growing up to become a fisherman like his father. Incorporating the violin (fiddle) part enhances the rollicking, dance-like mood of the piece that is offset by a slower, reflective middle section. A rousing accelerando at the end brings the song to a boisterous, fun conclusion. Boys will especially enjoy performing this work. A Learning Resource Page is included.
$2.60 ≈
$3.52
Everytime We Touch
Everytime We Touch
#
String Trio: 2 violins, cello
#
INTERMEDIATE
#
Cascada
#
Sarah Cellobat Chaffee
#
Everytime We Touch
#
Sarah Cellobat Chaffee
#
SheetMusicPlus
String Ensemble,String Trio Cello,Violin - Level 3 - Digital Download SKU: A0.1496585 By Cascada. By Maggie Reilly, Peter Risavy, and Stuart Mackillop. A...
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String Ensemble,String Trio Cello,Violin - Level 3 - Digital Download SKU: A0.1496585 By Cascada. By Maggie Reilly, Peter Risavy, and Stuart Mackillop. Arranged by Sarah Cellobat Chaffee. Contemporary,Pop,Wedding. 18 pages. Sarah Cellobat Chaffee #1073106. Published by Sarah Cellobat Chaffee (A0.1496585). *INSTRUMENTATION: 2 VIOLINS & CELLO*Originally released by Cascada in 2005, Everytime We Touch quickly became the Europop song heard round the world! As techno music gained more and more mainstream popularity, this catchy song quickly rose to the top of the charts in many countries, and cemented itself in the cultural zeitgeist of the time. Its sing-along-able vocal line and hard-hitting synth hooks made it an instant staple in every club -- and for millennials, this was definitely on the playlist at every school dance! This Cellobat arrangement for your two-violin and cello trio was originally written for a wedding, but with early aughts nostalgia making a comeback, this one is sure to be a success at any of your gigs. Featuring the catchy melodies, layered harmonies, and hard-hitting beat of the original, this translates surprisingly well to strings, and it will definitely be as much fun to play as it is to listen to! Rated intermediate; this will be playable for students and sightreadable for professionals.Sarah “Cellobat” Chaffee is an in-demand acoustic & electric cellist and string arranger. You may have seen her onstage with legendary rock band Aerosmith as the cellist for their “Deuces Are Wild” residency, playing more than 50 sold-out shows with the Bad Boys from Boston; she is also the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays and tours with many other world-renowned groups including the Femmes of Rock, Premiere Wedding Music, Bella Electric Strings, and David Perrico’s Pop Strings Orchestra. Sarah has made a number of TV appearances including the Billboard Music Awards, the Latin Grammy Awards, the iHeartRadio Music Festival, and the CBS reality show “Love Island”; she also played with Michael Bublé for his sold-out Resorts World residency and appeared with him on the Kelly Clarkson Show. Sarah has performed and recorded with a number of other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Dionne Warwick, Sarah Brightman, and Sammy Hagar.Sarah is also an acclaimed string arranger with hundreds of arrangements published on Sheet Music Plus under her own label, Cellobat Charts. She is the exclusive arranger for several award-winning wedding and event companies across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles worldwide. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobathttp://www.facebook.com/SarahCellobatChaffee
$14.99 ≈
$20.32
Brethren We Have Met to Worship
Brethren We Have Met to Worship
#
Choral Unison
#
Sacred music
#
Randolph Currie
#
the text is by George Atkins
#
Brethren We Have Met to Worshi
#
Chorister's Guild - Digital
#
SheetMusicPlus
Unison/Two-part chorus - Digital Download SKU: C7.CGA130 Composed by Randolph Currie. General. With Handbells 2 octaves, Glockenspiel. Sacred Anthem. Oct...
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Unison/Two-part chorus - Digital Download SKU: C7.CGA130 Composed by Randolph Currie. General. With Handbells 2 octaves, Glockenspiel. Sacred Anthem. Octavo. 8 pages. Chorister's Guild - Digital #CGA130. Published by Chorister's Guild - Digital (C7.CGA130). UPC: 749193003176.Brethren, We Have Met to Worship' is an arrangement of an American folk hymn with a pentatonic melody; the text is by George Atkins. Although quite within the realm of Junior-age choirs, the words would seem to indicate performance by high school or even adult singers. The first stanza, though in unison, could alternate men and women as long as the sturdiness of the tune is maintained. The second, in canon, has the boys posing questions with the girls answers overlapping. This section should be unusually animated so that the listener is swept along with the dialogue. The final stanza, unison with descant, probably would be best with first sopranos on the obbligato, all other voices on the tune. Having the lower women's voices join the men on the melody will fill in the extremes of the part writing and give more possibilities for the divisi in the last few measures. The composer has given some general registration suggestions for performance on the organ. Light, clear sounds should be used that will support the voices as well as emphasize the rhythmic nature of the piece.
$1.95 ≈
$2.64
Countertenor: To Lie With You (full song cycle)
Countertenor: To Lie With You (full song cycle)
#
Piano, Voice
#
INTERMEDIATE/ADVANCED
#
Clint Borzoni
#
Countertenor: To Lie With You
#
Clint Borzoni
#
SheetMusicPlus
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1390783 Composed by Clint Borzoni. 21st Century,Classical,Contemporary,Opera,Romantic Period. Scor...
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1390783 Composed by Clint Borzoni. 21st Century,Classical,Contemporary,Opera,Romantic Period. Score. 44 pages. Clint Borzoni #974318. Published by Clint Borzoni (A0.1390783). To Lie With You A song cycle for countertenor1. Earth! My Likeness! 2. Hours Continuing Long 3. We Two Boys 4. In Despair 5. The Stars Don't Move 6. Neither Wanting More 7. I Give You My Hand.
$23.00 ≈
$31.18
Craig Urquhart - LEAVES (Songs on poems of Walt Whitman)
Craig Urquhart - LEAVES (Songs on poems of Walt Whitman)
#
Piano, Voice
#
INTERMEDIATE
#
Craig Urquhart
#
Craig Urquhart - LEAVES
#
Craig URQUHART
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1047174 Composed by Craig Urquhart. Classical,Contemporary,Traditional. Score. 13 pages. Craig URQ...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1047174 Composed by Craig Urquhart. Classical,Contemporary,Traditional. Score. 13 pages. Craig URQUHART #651709. Published by Craig URQUHART (A0.1047174). A song cycle on poems of Walt Whitman. Contents, Here The Frailest Leaves of Me, O You Whom I Often and Silently Come, We Two Boys Together Clinging, Sometimes With One I Love, Among The Multitude.
$25.00 ≈
$33.89
The Story Of Reuben Clamzo & His Strange Daughter
The Story Of Reuben Clamzo & His Strange Daughter
#
Choral TTBB
#
EASY
#
Arlo Guthrie
#
Craig Hanson
#
The Story Of Reuben Clamzo & H
#
Edition Craig Hanson
#
SheetMusicPlus
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octa...
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99 ≈
$5.41
Dog Food
Dog Food
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Easy Piano
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BEGINNER
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Lori Cummings
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Dog Food
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Lori Cummings
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SheetMusicPlus
Easy Piano - Level 1 - Digital Download SKU: A0.762291 Composed by Lori Cummings. Children,Instructional. Score. 2 pages. Lori Cummings #3530755. Publish...
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Easy Piano - Level 1 - Digital Download SKU: A0.762291 Composed by Lori Cummings. Children,Instructional. Score. 2 pages. Lori Cummings #3530755. Published by Lori Cummings (A0.762291). Dog Food... I hope that caught your attention! Just like the Cows Eat Grass song was to help beginner students to learn the spaces of C Position in the bass clef, Dog Food is designed to help remember the two lines in that position: D and F! I found that teaching the lines of the bass clef as Good Boys Deserve Fudge Always was always being confused with Every Good Boy Deserves Fudge. So with the help of some of my first students, we came up with the saying, Grandma Buys Dog Food Always because Grandma's puppy needs to be fed and Grandpa is out tending the cows (who eat grass!). So the lines we use in C Position are Dog and Food. Just as in Cows Eat Grass we had visual cues in each space, Dog Food uses a picture of a dog and a picture of his food for each note. Students have great fun with the different combination of notes and rhythms and will have an easy time remembering the names of these two lines.
$3.25 ≈
$4.41
All Over the World
All Over the World
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Choral 3-part
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EASY
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Teresa O'Connell
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Teresa OConnell (BMI)
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All Over the World
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Teresa O'Connell
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SheetMusicPlus
Choral 3-Part Mixed Chorus,Choir,Choral - Level 2 - Digital Download SKU: A0.1489134 Composed by Teresa O'Connell (BMI). Arranged by Teresa OConnell (BMI...
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Choral 3-Part Mixed Chorus,Choir,Choral - Level 2 - Digital Download SKU: A0.1489134 Composed by Teresa O'Connell (BMI). Arranged by Teresa OConnell (BMI). Children,Contemporary,Contest,Festival,Instructional,Multicultural,World. 12 pages. Teresa O'Connell (BMI) #1065979. Published by Teresa O'Connell (BMI) (A0.1489134). All Over the World attests wholeheartedly to the power of music and how music is truly the universal language. Your singers will enjoy this upbeat, happy song with positive, relatable lyrics and a message with which all people can agree. Are you doing a program about Music Around the World? Use All Over the World for your theme song!All over the world, the people are singing. The people are dancing, all over the world.The power of music, the power of song. The world is much better when we sing along.The magic of music is felt by us all. Let's fill the world with song!All Over the World for three-part mixed voices is very singable, especially for your middle school boys' changing/unchanged voices. Parts one and two are easy to sing, as well, with simple harmonies. All Over the World will be your choir's favorite song! Be sure to use the beautiful backing track to greatly enhance your performances. (sold separately). Also available for two-part voices. (NOTE: THE MP3 DEMO SAMPLE IS THE TWO-PART VERSION).Part one range: Bb3-C4. Part two range: Bb3-C4. Part three range Ab3-E4.
$2.99 ≈
$4.05
Auld Lang Syne
Auld Lang Syne
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String Quartet: 2 violins, viola, cello
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EASY
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Guy Lombardo, The Beach Boys,
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Samantha Clemens
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Auld Lang Syne
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Samantha Clemens
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1358348 By Guy Lombardo, The Beach Boys, James Taylor, Barbra Strei...
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1358348 By Guy Lombardo, The Beach Boys, James Taylor, Barbra Streisand, Rod Stewart. By Robert Burns. Arranged by Samantha Clemens. 20th Century,Celtic,Chamber,Christmas,Folk,Irish. 14 pages. Samantha Clemens #942804. Published by Samantha Clemens (A0.1358348). ARRANGED FOR STRING QUARTET by Samantha Clemens (2 violins, viola, cello) A simple but rich rendition of the famous poem by Scottish poet Robert Burns written in 1788. The arrangement of the traditional folk song, loosely based on a pentatonic scale, explores interesting counterpoint figures for the Violin II and Viola. This arrangement is used by professional musicians at weddings and private events and is perfect for sightreading. Two minutes, 30 seconds long. Includes score and parts.It has an Easter egg! Listen for The Bonnie Banks of Loch Lomond woven into the middle of the arrangment. This is a great arrangment for the Christmas season, New Years Eve events, or combined with other Scottish or Celtic tunes.First verse:Should auld acquaintance be forgot,and never brought to mind?Should auld acquaintance be forgot,and auld lang syne?Chorus:For auld lang syne, my jo,for auld lang syne,we’ll tak’ a cup o’ kindness yet,for auld lang syne.Second verse:And surely ye’ll be your pint-stoup!and surely I’ll be mine!And we’ll tak’ a cup o’ kindness yet,for auld lang syne.Chorus
$14.99 ≈
$20.32
In Christ Alone
In Christ Alone
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The Newsboys
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Eve C
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In Christ Alone
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Zene Strings
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SheetMusicPlus
String Ensemble,String Trio - Level 2 - Digital Download SKU: A0.515772 By The Newsboys. By Keith Getty and Stuart Townend. Arranged by Eve C. Mailly. Co...
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String Ensemble,String Trio - Level 2 - Digital Download SKU: A0.515772 By The Newsboys. By Keith Getty and Stuart Townend. Arranged by Eve C. Mailly. Contemporary,Easter,Pop,Praise & Worship,Spiritual. Score and parts. 16 pages. Zene Strings #4628545. Published by Zene Strings (A0.515772). In Christ Alone is a popular modern Christian song written by Keith Getty and Stuart Townend, and features an Irish melody. Although it was written in 2001, it has been a favorite contemporary Christian hymn ever since. This arrangement was created for string trio, The beautiful melody is introduced by the cello, and it picked up by the middle part (viola or violin 2), followed by the first violin. As with all of our arrangements, the middle part is included in both treble and alto clef so that it can either be played by two violins and a cello or a violin, viola and cello -- giving you greater performance flexibility. Â From your friends at Zene Strings -- enjoy!To see our other great arrangements visit: Zene Strings. Â Questions or comments? Â Email us at Music@ZeneSheetMusic.com. Â We're here to help!
$12.99 ≈
$17.61
Take Me Out to the Ball Game for 2 to 5 harps
Take Me Out to the Ball Game for 2 to 5 harps
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2 Harps (duet)
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BEGINNER
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Classical
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Jack Norworth, Albert Von Ti
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Take Me Out to the Ball Game f
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Harpworld Music Co.
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SheetMusicPlus
Harp, Harp Ensemble - Easy/Beginner - Digital Download Composed by Jack Norworth, Albert Von Tilzer. Arranged by Stephanie Bennett. Fourth of July, F...
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Harp, Harp Ensemble - Easy/Beginner - Digital Download Composed by Jack Norworth, Albert Von Tilzer. Arranged by Stephanie Bennett. Fourth of July, Father's Day, Recital, Old-time, Americana. Score, Set of Parts. 26 pages. Published by Harpworld Music Co.
This All-American song in praise of baseball, “Take Me Out to the Ball Game,” is beloved by girls and boys, men and women, old and young. This easy-to-play arrangement is for two to five lever OR pedal harps. The set contains Score, Harp 1, Harp 2-3, and Harp 4-5. Harp 1 has the melody, and has five lever changes (only F sharp lever is needed). The Harp 2-3 part can be played by one person, or split into two even easier parts (treble clef / bass clef). The Harp 4-5 part is optional and can also be played by one person or split into two even easier parts. Bennett says: “My student ensemble plays this at a senior assisted-living home every summer, and the audience loves to sing along. We like to wear our baseball caps when we play it!”
$10.00 ≈
$13.56
Wellerman (Sea Shanty)
Wellerman (Sea Shanty)
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Easy Piano
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EASY
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Folkloric/Traditional
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Mario Stallbaumer
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Wellerman
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Mario Stallbaumer
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SheetMusicPlus
Piano Solo, Piano/Vocal/Chords - Intermediate - Digital Download Arranged by Mario Stallbaumer. Folk. 2 pages. Published by Mario Stallbaumer...
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Piano Solo, Piano/Vocal/Chords - Intermediate - Digital Download Arranged by Mario Stallbaumer. Folk. 2 pages. Published by Mario Stallbaumer
With this sheet music, you can play the sea shanty "Wellerman" on piano!
It's an accurate, playable piano arrangement of the traditional folk song.
This sheet music also includes the full lyrics (6 verses).
"Wellerman" is a sea shanty from New Zealand which dates back to the early 19th century.
Back then, the term "Wellerman" was used for employees of the Weller Brothers? shipping company in Sydney, which supplied whaling stations around New Zealand with essential provisions (including sugar, tea, and rum, as mentioned in the song).
In 2021, the song became an internet meme - TikTok users collaborated with the app's duet function to record virtual group performances of the song, which soon starting to go viral.
"Wellerman" also makes for a fantastic piano cover!
Here are the full lyrics to the traditional sea shanty "Wellerman":
There once was a ship that put to sea,
And the name of that ship was the Billy o' Tea
The winds blew hard, her bow dipped down,
Blow, me bully boys, blow!
Chorus:
Soon may the Wellerman come
to bring us sugar and tea and rum.
One day, when the tonguing' is done,
We'll take our leave and go.
She had not been two weeks from shore
When down on her a right whale bore.
The captain called all hands and swore
He'd take that whale in tow.
Soon may the Wellerman come...
Before the boat had hit the water
The whale's tail came up and caught her.
All hands to the side, harpooned and fought her,
When she dived down below.
Soon may the Wellerman come...
No line was cut, no whale was freed,
An' the captain's mind was not on greed!
But he belonged to the Whaleman's creed
She took that ship in tow
Soon may the Wellerman come...
For forty days or even more,
the line went slack then tight once more,
All boats were lost, there were only four
and still that whale did go.
Soon may the Wellerman come...
As far as I've heard, the fight's still on,
The line's not cut, and the whale's not gone!
The Wellerman makes his regular call
to encourage the captain, crew and all!
Soon may the Wellerman come...
$1.99 ≈
$2.70
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We Two Boys
