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When I Get There Viola
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You've selected:
When I Get There Viola
Sheetmusic to print
65 sheet music found
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1
26
51
When I Get There
When I Get There
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Viola, Piano
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INTERMEDIATE
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Pink
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Samuel Sequeira
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When I Get There
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Samuel Sequeira
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SheetMusicPlus
Piano,Viola - Level 3 - Digital Download SKU: A0.1196753 By Pink. By Amy Wadge and David Hodges. Arranged by Samuel Sequeira. Pop,Singer/Songwriter. Scor...
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Piano,Viola - Level 3 - Digital Download SKU: A0.1196753 By Pink. By Amy Wadge and David Hodges. Arranged by Samuel Sequeira. Pop,Singer/Songwriter. Score and part. 18 pages. Samuel Sequeira #795915. Published by Samuel Sequeira (A0.1196753). When I Get There - Pink - ViolaPlay it at home, with friends, on class, for your teacher or studentPlay it on a public presentation.This arrangement of When I Get There by Pink for viola with piano accompaniment features the key of D Major and captures the emotional depth of the song. The viola part has been expertly crafted to include the vocal melody while also incorporating beautiful viola techniques, making it a joy to play for intermediate and advanced players. The piano accompaniment provides a rich harmonic texture. Whether you're a violist looking to perform the song or a fan of Pink's music, this arrangement is sure to enchant. So come along for the journey and experience the power of When I Get There by Pink in a whole new way with this viola arrangement with piano accompaniment in the key of D Major.You can find me on:Instagram: @SamuelseqYouTube: @SamuelSeqMore arrangements on: Sam'S arrangementsThanks for listening, and happy playing!
$4.99 ≈
4.61€
When I Get There
When I Get There
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Viola
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INTERMEDIATE
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Pink
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Samuel Sequeira
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When I Get There
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Samuel Sequeira
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SheetMusicPlus
Viola Solo - Level 3 - Digital Download SKU: A0.1196755 By Pink. By Amy Wadge and David Hodges. Arranged by Samuel Sequeira. Pop,Singer/Songwriter. Indiv...
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Viola Solo - Level 3 - Digital Download SKU: A0.1196755 By Pink. By Amy Wadge and David Hodges. Arranged by Samuel Sequeira. Pop,Singer/Songwriter. Individual part. 4 pages. Samuel Sequeira #795917. Published by Samuel Sequeira (A0.1196755). When I Get There - Pink - ViolaPlay it at home, with friends, on class, for your teacher or studentPlay it on a public presentation.This arrangement of When I Get There by Pink for viola with chords features the key of D Major and captures the emotional depth of the song. The viola part has been expertly crafted to include the vocal melody while also incorporating beautiful viola techniques, making it a joy to play for intermediate and advanced players. The guitar chords provide a deeper understanding of the underlying harmony, creating a beautiful and engaging musical experience. Whether you're a violist looking to perform the song or a fan of Pink's music, this arrangement is sure to enchant. So come along for the journey and experience the power of When I Get There by Pink in a whole new way with this viola arrangement with chords in the key of D Major.You can find me on:Instagram: @SamuelseqYouTube: @SamuelSeqMore arrangements on: Sam'S arrangementsThanks for listening, and happy playing!
$4.99 ≈
4.61€
When I Get There
When I Get There
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Viola, Piano
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INTERMEDIATE
#
Pink
#
Samuel Sequeira
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When I Get There
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Samuel Sequeira
#
SheetMusicPlus
Piano,Viola - Level 3 - Digital Download SKU: A0.1196754 By Pink. By Amy Wadge and David Hodges. Arranged by Samuel Sequeira. Pop,Singer/Songwriter. Scor...
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Piano,Viola - Level 3 - Digital Download SKU: A0.1196754 By Pink. By Amy Wadge and David Hodges. Arranged by Samuel Sequeira. Pop,Singer/Songwriter. Score and part. 4 pages. Samuel Sequeira #795916. Published by Samuel Sequeira (A0.1196754). When I Get There - Pink - ViolaPlay it at home, with friends, on class, for your teacher or studentPlay it on a public presentation.This solo viola arrangement of When I Get There by Pink features the key of D Major and captures the emotional depth of the song. The viola part has been expertly crafted to include the vocal melody while also incorporating beautiful violist techniques, making it a joy to play for intermediate and advanced players. The absence of piano accompaniment puts the focus solely on the viola's ability to evoke the emotions of the song, providing a beautiful and engaging musical experience. Whether you're a violist looking to perform the song or a fan of Pink's music, this arrangement is sure to enchant. So come along for the journey and experience the power of When I Get There by Pink in a whole new way with this solo viola arrangement in the key of D Major.You can find me on:Instagram: @SamuelseqYouTube: @SamuelSeqMore arrangements on: Sam'S arrangementsThanks for listening, and happy playing!
$4.99 ≈
4.61€
When I Get There
When I Get There
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Viola, Piano
#
INTERMEDIATE
#
Pink
#
Samuel Sequeira
#
When I Get There
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Samuel Sequeira
#
SheetMusicPlus
Piano,Viola - Level 3 - Digital Download SKU: A0.1196751 By Pink. By Amy Wadge and David Hodges. Arranged by Samuel Sequeira. Pop,Singer/Songwriter. Scor...
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Piano,Viola - Level 3 - Digital Download SKU: A0.1196751 By Pink. By Amy Wadge and David Hodges. Arranged by Samuel Sequeira. Pop,Singer/Songwriter. Score and part. 18 pages. Samuel Sequeira #795913. Published by Samuel Sequeira (A0.1196751). When I Get There - Pink - ViolaPlay it at home, with friends, on class, for your teacher or studentPlay it on a public presentation.This arrangement of When I Get There by Pink for viola with piano accompaniment and chords features the key of D Major and captures the emotional depth of the song. The viola part has been expertly crafted to include the vocal melody while also incorporating beautiful viola techniques, making it a joy to play for intermediate and advanced players. The piano accompaniment provides a rich harmonic texture, while the guitar chords offer a deeper understanding of the underlying harmony. Whether you're a violist looking to perform the song or a fan of Pink's music, this arrangement is sure to enchant. So come along for the journey and experience the power of When I Get There by Pink in a whole new way with this viola arrangement with piano accompaniment and chords in the key of D Major.You can find me on:Instagram: @SamuelseqYouTube: @SamuelSeqMore arrangements on: Sam'S arrangementsThanks for listening, and happy playing!
$4.99 ≈
4.61€
Canon - Pachelbel, arranged for string quartet with adapted viola part
Canon - Pachelbel, - string quartet with adapted viola part
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE
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Classical
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Johann Pachelbel
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Dan Edwards
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Canon - Pachelbel, - string qu
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arr. Dan Edwards
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SheetMusicPlus
String Quintet - Level 3 - Digital Download SKU: A0.901334 Composed by Johann Pachelbel. Arranged by Dan Edwards. Baroque,Holiday,Standards,Wedding. 17 p...
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String Quintet - Level 3 - Digital Download SKU: A0.901334 Composed by Johann Pachelbel. Arranged by Dan Edwards. Baroque,Holiday,Standards,Wedding. 17 pages. Arr. Dan Edwards #6590467. Published by arr. Dan Edwards (A0.901334). Canon in D by Johann Pachelbel, arranged for string quartet, string quintet, or string orchestra by Dan Edwards. Dan is a prize-winning composer and arranger, and was the staff arranger for the Countess of Wessex's String Orchestra for many years. danedwardscreative.com This is an arrangement like no other!Pachelbel's Canon is a hugely popular piece, but unfortunately it was not written for the string quartet. The original is for three violins and basso continuo, so this presents quite a few problems when string quartets attempt to play it. - Firstly, the 'viola' part is extraordinarily high, not only making it very difficult to play, but making that one voice stick out much more than the other three in the highest parts of the piece. Usually the high bits are just transposed down an octave but this isn't very satisfying. My solution in this arrangement is to swap the voices of the canon around so that the viola always plays the lowest part. Have a look at the score to see what I mean - the viola part isn't transposed, but it never goes above an E on the A string. - Secondly, the first two bars should have harmony, as there should be a keyboard instrument accompanying the cello. To compensate for this I've added some simple harmony in small note heads at the start, before each canon entry. - Thirdly, the cellist always gets lost in this piece. I know because I am a cellist and I always get stressed out towards the end of this piece. So I've added a reduced-size violin 1 part to the cello part so the cellist can follow along and know exactly when the piece is going to end! Includes a full score (6 pages), and complete set of parts. Violin 1 - 3 pages. Violin 2 - 3 pages. Viola - 2 pages. Cello/ bass - 3 pages.
$14.99 ≈
13.85€
Were You There (with "When I Survey The Wondrous Cross") (Viola solo and Piano)
Were You There (with "When I Survey The Wondrous Cross") (Viola solo and Piano)
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Viola, Piano
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EASY
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Sacred music
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Spiritual, Lowell Mason
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Stephen DeCesare
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Were You There
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Exultet Music
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SheetMusicPlus
Piano,Viola - Level 2 - Digital Download SKU: A0.629365 Composed by Spiritual, Lowell Mason. Arranged by Stephen DeCesare. Christian,Easter,Praise & Wors...
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Piano,Viola - Level 2 - Digital Download SKU: A0.629365 Composed by Spiritual, Lowell Mason. Arranged by Stephen DeCesare. Christian,Easter,Praise & Worship,Religious,Sacred. Score and part. 11 pages. Exultet Music #6328925. Published by Exultet Music (A0.629365). Two of the most played hymns during Lent and Holy Week have now been freshly arranged and joined together and arranged for a Viola solo with Piano accompaniment. Accessible and appropriate for any church or concert setting.
$4.99 ≈
4.61€
When I Get There - Viola by Pink - Instrumental Solo
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Viola
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Pink
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When I Get There - Viola
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Musicnotes
Sheet Music for When I Get There - Viola by Pink arranged for Instrumental Solo;Instrumental Part in F Major. Digital sheet music from Musicnotes. ...
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Sheet Music for When I Get There - Viola by Pink arranged for Instrumental Solo;Instrumental Part in F Major. Digital sheet music from Musicnotes.
$3.99 ≈
3.69€
"Quincie", Quintet For Two Violins, Viola, Cello And Piano
"Quincie", Quintet For Two Violins, Viola, Cello And Piano
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Piano Quintet: piano, 2 violins, viola, cello
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ADVANCED
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Cello - Will Mace, Robert Asto
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"Quincie", Quintet For Two Vio
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Geraldine
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SheetMusicPlus
Piano Quintet Cello,Piano,Viola,Violin - Level 5 - Digital Download SKU: A0.1312666 By Cello - Will Mace, Robert Aston - Piano, Viola - Zoe Greenhalgh, a...
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Piano Quintet Cello,Piano,Viola,Violin - Level 5 - Digital Download SKU: A0.1312666 By Cello - Will Mace, Robert Aston - Piano, Viola - Zoe Greenhalgh, and Violins - Matthew Chadbond and James Warburton. By Geraldine (Denny) Green. 21st Century,Chamber,Classical,Contemporary. 222 pages. Geraldine (Denny) Green at Oakmountmusic #901515. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1312666). ALL PURCHASES COME WITH SCORE AND PARTSIn 4 movements – total duration 35 minutes.Quincie was written between July 2018 and January 2019. I had just begun receiving the main ideas for it when a pianist I know locally, Robert Aston, happened to ask me if I had written anything for piano and string quartet. I believe that Quincie “heard†this and that was the trigger and the door unlocking. Because the next thing I knew I was absolutely engulfed in the writing of this work for the next six months.Like all my works, this one is an emotional journey, and my own nickname for it is Quincie, The Comic Healer. Each movement tells a progressive story of the different stages of a journey through a long period of grief, illness, depression and chronic anxiety. The overall mood of the whole piece is extremely energetic, loving, warm, compassionate and audience friendly, and while there is some heart ache in the middle of the first movement, the work is also extremely comical and hilarious in its third and fourth movements. It has a great sense of slapstick humour alongside the deep ache of grief and unfathomable sadness. It is completely tonal and in a highly Romantic style.It has enjoyed the following performances:April 27th 2019 at the Triangle Church, Bolton BL1 5QP 7.30pm by the Pennine QuintetJune 1st 2019 at the Victoria Hall, Knowsley St. Bolton BL1 2AS at 1pm Lunchtime concert, by the Pennine QuintetJuly 7th 2019 at the Horwich Community Centre, Beaumont Rd, BL6 7BG at 2.45pm as part of the Horwich Music Festival.A great start for a brand new work! My gratitude to the Pennine Quintet and concert organizers is immense and not something I will ever forget. Thank you. The following performance was recorded and filmed at the Horwich Music Festival on July 7th 2019 and added to YouTube with permission of the Pennine Ensemble. Many many thanks.Very sadly, in June 2020, the pianist, Robert Aston, passed away from cancer. Without his wonderful support and encouragement this work never would have had even one performance let alone FOUR! Therefore, I have now fully dedicated this piece to Robert as the least I could do to thank him for all the wonderful music he gave so freely to Bolton, UK, over his lifetime. Thank you, Robert. You were FAB!!!
$75.00 ≈
69.29€
Three selections based on "Christ lag in Todesbanden" (String Quintet - 3 Violin, 1 Viola, 1 Cello)
Three selections based on "Christ lag in Todesbanden" (String Quintet - 3 Violin, 1 Viola, 1 Cello)
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String Quintet: 2 violins, 2 violas, cello
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INTERMEDIATE/ADVANCED
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Classical
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Johann Sebastian Bach
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Regis Bookshar
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Three selections based on "Chr
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Regis Bookshar
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SheetMusicPlus
String Quintet Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.1257229 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Cha...
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String Quintet Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.1257229 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian,Easter,Historic. 29 pages. Regis Bookshar #850560. Published by Regis Bookshar (A0.1257229). Three selections based on Christ lag in Todesbanden (Christ lay in death's bonds) (from Cantata No.  4, BMV  4) - Johann Sebastian Bach - String Quintet (3 Violins, 1 Viola, 1 Violoncello) - Advanced/Intermediate - Digital Download.Cantata No.  4, BMV  4, Christ lag in Todesbanden (also spelled Todes Banden) (Christ lay in death's bonds) is a cantata for Easter written by Johann Sebastian Bach and is his earliest surviving Church Cantata. It was probably written in 1707 when he was 22 years old. It is a Chorale Cantata, a style in which both the text and music are based on a hymn. In this instance, the source was Martin Luther's hymn of the same name which became a main Easter hymn in German Lutheranism.Regis Bookshar has transcribed and arranged three selections based on this hymn tune, two from Bach's Cantata No.  4, BMV  4, and also his Chorale Prelude, BMV 625. They may be played individually or as a trilogy and each movement gets more complex than the previous one. The first selection in this trilogy is the Chorale Christ lag in Todesbanden, the final chorus from his Cantata No.  4, a straightforward four-part chorale setting of the hymn (Regis has also added a fifth part). This is followed by Bach's Chorale Prelude, BMV 625, a piece from his Orgelbuchlein (Little Organ Book), a collection of 46 Preludes for organ, written almost exclusively during the 1708-1717 period, while Bach was court oganist at Weimar. For the final selection, Regis has placed the polyphonic and imitative chorus, Es war ein wunderlicher Krieg, da Tod und Leben rungen) (It was a strange battle that death and life waged), which Bach had placed in the middle of his Cantata No.  4.This arrangement is for a String Quintet, consisting of 3 Violins, 1 Viola and 1 Violoncello. Included are a score and a complete set of parts (29 pages).I hope you will enjoy playing these selections and please search for other arrangements by Regis Bookshar. There are numerous selections in a variety of styles, also available for purchase. I think you will be pleased with what you may find.
$30.00 ≈
27.72€
The Water is Wide for Viola & Piano
The Water is Wide for Viola & Piano
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Viola, Piano
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EASY
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Contemporary
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Traditional Scottish
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James M
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The Water is Wide for Viola &
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jmsgu3
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SheetMusicPlus
Composed by Traditional Scottish. Arranged by James M. Guthrie. Christian, Repertoire, Technique Training, Easter, Lent. Score, Set of Parts. 17 pag...
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Composed by Traditional Scottish. Arranged by James M. Guthrie. Christian, Repertoire, Technique Training, Easter, Lent. Score, Set of Parts. 17 pages. Published by jmsgu3
The Water Is Wide (O Waly Waly)
Duration: 5:24
Score: 10 pg. 121 ms., MM quarter = 94, final verse MM quarter = 80, common time
Solo part: 3 pg.
Piano part: 4 pg.
A thought-provoking arrangement of a Traditional Scottish Folksong. Probably most widely known as "The Water Is Wide,"
it is also well known by it's more ancient title: "O Waly Waly." The tune is also known as " When I Survey the Wondrous Cross," and "The Gift of Love."
This is an original arrangement from the ground up.
Programming:
If you are looking for something with new contrapuntal and harmonic adventures for a Lenten prelude or a meditation during Holy Week, this will fit the bill.
It could also work well in a recital setting because it fits well on the instrument, and provides a chance to show off long, sensitive musical phrases.
Some of the figures in the descant verse are a wee-bit more advanced so, this is for intermediate players rather than beginners.
Keep in mind these performance ideas:
1. It's a simple tune that needs to unfold in the due course of time, so don't rush it. A slight ritardando at the end of each verse may help if you want to further delineate the verses.
2. There is a lot of interesting counterpoint here, so be prepared to give-and-take on the dynamics more than what I have indicated.
3. The final verse is much slower and more mysterious, and the dynamics are crucial - the quieter the better. Piano - the last chord: take your time on the roll, make it nice and slow.
Synopsis of the arrangement:
verse 1: Simple quiet duet with the melody in the solo instrument.
verse 2: Melody in the solo instrument accompanied by a 2-part canon in the piano.
verse 3: Melody in the piano in 4-part harmony.
verse 4: 3-part canon on the melody (with a free accompaniment voice).
verse 5: 2-part canon with a free accompaniment in the solo part
verse 6: Melody in octaves with free bass in octaves; descant in the solo part - loudest verse.
verse 7: Very quiet ending verse - Modulates down a fourth, melody in the solo part accompanied by simple quartal/quintal
piano clusters over bass chords that suggest submerged church bells.
For better insight into the performance of this music: express the emotion indicated by the lyrics:
The Water Is Wide:
The water is wide, I cannot get over
Neither have I wings to fly
Give me a boat that can carry two
And both shall row, my love and I
A ship there is and she sails the sea
She's loaded deep as deep can be
But not so deep as the love I'm in
I know not if I sink or swim
I leaned my back against an oak
Thinking it was a trusty tree
But first it bent and then it broke
So did my love prove false to me
I reached my finger into some soft bush
Thinking the fairest flower to find
I pricked my finger to the bone
And left the fairest flower behind
Oh love be handsome and love be kind
Gay as a jewel when first it is new
But love grows old and waxes cold
And fades away like the morning dew
Must I go bound while you go free
Must I love a man who doesn't love me
Must I be born with so little art
As to love a man who'll break my heart
When cockle shells turn silver bells
Then will my love come back to me
When roses bloom in winter's gloom
Then will my love return to me
The lyrics for "Waly, Waly, Gin Love Be Bonny" from Ramsay's Tea Table Miscellany (1724).
O Waly, waly (a lament – "woe is me") up the bank,
And waly, waly doun the brae (hill),
And waly, waly, yon burn-side (riverside),
Where I and my love wont to gae.
I lean'd my back into an aik (oak),
I thocht it was a trusty tree;
But first it bow'd, and syne (soon) it brak (broke),
Sae my true love did lightly me.
O waly, waly, but love be bonnie (beautiful),
A little time while it is new,
But when 'tis auld (old), it waxeth cauld (cold),
And fades away like the morning dew.
O wherefore should I busk my heid (adorn my head)?
Or wherefore should I kame (comb) my hair?
For my true love has me forsook,
And says he'll never love me mair (more).
Now Arthur Seat shall be my bed,
The sheets shall ne'er be fyl'd by me,
Saint Anton's well shall be my drink,
Since my true love has forsaken me.
Martinmas wind, when wilt thou blaw (blow),
And shake the green leaves off the tree?
O gentle death, when wilt thou come?
For of my life I am weary.
'Tis not the frost, that freezes fell,
Nor blawing snaws (snow) inclemency,
'Tis not sic cauld (such cold) that makes me cry,
But my love's heart grown cauld to me.
When we cam in by Glasgow town,
We were a comely sight to see;
My love was clad in the black velvet,
And I my sell in cramasie (crimson).
But had I wist (known), before I kiss'd,
That love had been sae ill to win,
I'd lock my heart in a case of gold,
And pin'd it with a silver pin.
Oh, oh! if my young babe were born,
And set upon the nurse's knee,
And I my sell were dead and gane,
For a maid again I'll never be.[4]
(Lyrics courtesy of Wikipedia)
For more information, please feel free to contact me at: jmsgu3 "at" gmail.com
James M. Guthrie, ASCAP
jmsgu3 publications
$32.95 ≈
30.44€
Out There
Out There
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE/ADVANCED
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Alan Menken and Stephen Schwar
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James Warburton
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Out There
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James Warburton
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1271513 Composed by Alan Menken and Stephen Schwartz. Arranged by J...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1271513 Composed by Alan Menken and Stephen Schwartz. Arranged by James Warburton. 20th Century,Broadway,Film/TV,Musical/Show,Pop,Wedding. 15 pages. James Warburton #863912. Published by James Warburton (A0.1271513). You Raise Me Up as sung by Westlife, arranged for String Quartet (2 violins, viola, cello) by James Warburton. Score and parts included. As a string player, I endeavour to make all of my arrangements comfortable and suitable for other string players, as well as including well-spaced rehearsal marks for the times when things can get a little un-stuck! Perfect for weddings or events! Hope you enjoy.
$12.99 ≈
12.00€
Rock-a-my-Soul -Viola Trio
Rock-a-my-Soul -Viola Trio
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String Trio: 3 violas
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BEGINNER
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Anon
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Phil Beaman
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Rock-a-my-Soul -Viola Trio
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Phil Beaman
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SheetMusicPlus
String Ensemble,String Trio Viola - Level 1 - Digital Download SKU: A0.844438 Composed by Anon. Arranged by Phil Beaman. Folk,Gospel,Instructional,Jazz,S...
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String Ensemble,String Trio Viola - Level 1 - Digital Download SKU: A0.844438 Composed by Anon. Arranged by Phil Beaman. Folk,Gospel,Instructional,Jazz,Spiritual. Score and parts. 7 pages. Phil Beaman #3363129. Published by Phil Beaman (A0.844438). Rock-a-my-Soul is a Traditional song that is equal parts folk, gospel, spiritual, and camp song. Therefore, it is great for school, church, lessons, or with friends in a room.This easy, lively arrangement is divided into five 8-bar sections: Intro, Verse 1 with accented rhythm, Chorus with a jazzy walking bass line, Verse 2 with fuller harmonies, (all sections repeated) then Coda.The Melody goes back and forth between Parts I and II and stays within the range of 1 octave. Part III is super easy and just gently rocks back and forth between 4 repeated half notes (minims) to help anchor the beat and maintain the harmony and key while the other parts move around and syncopate.This song teaches light syncopation with a tie into Beat 3. Great harmonies are created when all 3 parts are together. But you won't think about that because this version is so much fun to play!
$5.99 ≈
5.53€
Corrente Op. 1 #1 for Viola and Cello
Corrente Op. 1 #1 for Viola and Cello
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Viola, Cello (duet)
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INTERMEDIATE
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Aubert, Jacques
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Nick Lacanski
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Corrente Op. 1 #1 for Viola an
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theupperstaff
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SheetMusicPlus
Instrumental Duet Cello,Instrumental Duet,Viola - Level 3 - Digital Download SKU: A0.648639 Composed by Aubert, Jacques. Arranged by Nick Lacanski. Baroq...
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Instrumental Duet Cello,Instrumental Duet,Viola - Level 3 - Digital Download SKU: A0.648639 Composed by Aubert, Jacques. Arranged by Nick Lacanski. Baroque,Instructional,Standards. Score and parts. 8 pages. Theupperstaff #4794159. Published by theupperstaff (A0.648639). This is the second of four movements of this violin sonata. I have named this series of publications – Just the Notes, simply because that’s all you get. No dynamics, bowings, phrasings, fingerings, etc. This simplifies your editing. There is not a need to erase from the original, or even worse, try to write over the original print. Also, to save you money, movements are sold individually. No need to purchase a multi-movement work when your desire is to perform only one. Thank you for looking.
$4.99 ≈
4.61€
Three selections based on "Christ lag in Todesbanden" (Viola Quintet)
Three selections based on "Christ lag in Todesbanden" (Viola Quintet)
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Viola ensemble
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INTERMEDIATE/ADVANCED
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Classical
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Johann Sebastian Bach
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Regis Bookshar
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Three selections based on "Chr
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Regis Bookshar
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SheetMusicPlus
String Quintet Viola - Level 4 - Digital Download SKU: A0.1257408 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christia...
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String Quintet Viola - Level 4 - Digital Download SKU: A0.1257408 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian,Easter,Historic. 30 pages. Regis Bookshar #850730. Published by Regis Bookshar (A0.1257408). Three selections based on Christ lag in Todesbanden (Christ lay in death's bonds) (from Cantata No.  4, BMV  4) - Johann Sebastian Bach - Viola Quintet - Advanced/Intermediate - Digital Download.Cantata No.  4, BMV  4, Christ lag in Todesbanden (also spelled Todes Banden) (Christ lay in death's bonds) is a cantata for Easter written by Johann Sebastian Bach and is his earliest surviving Church Cantata. It was probably written in 1707 when he was 22 years old. It is a Chorale Cantata, a style in which both the text and music are based on a hymn. In this instance, the source was Martin Luther's hymn of the same name which became a main Easter hymn in German Lutheranism.Regis Bookshar has transcribed and arranged three selections based on this hymn tune, two from Bach's Cantata No.  4, BMV  4, and also his Chorale Prelude, BMV 625. They may be played individually or as a trilogy and each movement gets more complex than the previous one. The first selection in this trilogy is he Chorale, Christ lag in Todesbanden, the final chorus from his Cantata No.  4, a straightforward four-part chorale setting of the hymn (Regis has also added a fifth part). This is followed by Bach's Chorale Prelude, BMV 625, a piece from his Orgelbuchlein (Little Organ Book), a collection of 46 Preludes for organ, written almost exclusively during the 1708-1717 period, while Bach was court organist at Weimar. For the final selection, Regis has placed the polyphonic and imitative chorus, Es war ein wunderlichen Krieg, da Tod und Leben rungen (It was a strange battle, that death and life waged), which Bach had placed in the middle of his Cantata No.  4.This arrangement is for a Viola Quintet. Included are a score and a complete set of parts (30 pages).I hope you will enjoy playing these selections and please search for other arrangements by Regis Bookshar. There are numerous selections in a variety of styles, also available for purchase. I think you will be pleased with what you may find.
$30.00 ≈
27.72€
I Want It That Way - String Quartet - Backstreet Boys arr. Cellobat - Recording Available!
I Want It That Way - String Quartet - Backstreet Boys arr. Cellobat - Recording Available!
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String Quartet: 2 violins, viola, cello
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Rock
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The Backstreet Boys
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Sarah Cellobat Chaffee
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I Want It That Way - String Qu
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Sarah Chaffee
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SheetMusicPlus
String Quartet - Intermediate - Digital Download By The Backstreet Boys. Arranged by Sarah Cellobat Chaffee. Score, Set of Parts. 18 pages. Publishe...
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String Quartet - Intermediate - Digital Download By The Backstreet Boys. Arranged by Sarah Cellobat Chaffee. Score, Set of Parts. 18 pages. Published by Sarah Chaffee
"I Want It That Way" is one of the Backstreet Boys' biggest hits, and anyone who grew up in the 90's and early 2000's probably knows this one by heart! This version for string quartet will be perfect for pop concerts, solo & ensemble concerts, weddings, receptions, and any other occasion that needs some boy band throwback nostalgia - you're sure to get everyone singing along! Full of catchy melodies, beautiful layered harmonies, and a danceable groove held down by the viola and cello, this arrangement is just as much fun to listen to as it is to play. Rated intermediate - there's nothing very difficult in this chart (except possibly intonation when the key changes to B major at the end!), and it will definitely be playable for students and easily sightreadable for professionals.
Why choose Cellobat Charts arrangements? For any musician who knows what they're doing, the answer is easy: just listen to them. Every freelance musician has thrown hard-earned money away on questionable, error-filled charts by unknown arrangers from weird corners of the Internet. But watch out -- inferior arrangements not only make gigs less enjoyable to play, but they also make your group sound bad to your client and audience, no matter how great your players really are. That's why Cellobat Charts is here: to provide students and working string players alike with high-quality versions of highly requested music. My arrangements are guaranteed to be energetic, fun to play, and enjoyable to listen to, whether or not you're familiar with the original songs. Hear the difference for yourself! Full videos of many Cellobat Charts arrangements are available on YouTube so you know exactly what you're getting. Click "Watch" near the item details at the top of the page for full video of "I Want It That Way." Crowd pleasing guaranteed.
Sarah "Cellobat" Chaffee earned her bachelor's degree in cello performance from the Cleveland Institute of Music and is now based in Las Vegas. She currently performs with Aerosmith in their "Deuces Are Wild" residency at The Park MGM Theater on the Las Vegas Strip. Sarah is also the principal cellist in David Perrico's Pop Strings Orchestra, a 14-piece band that performs every Friday and Saturday at Caesars Palace, and she plays regularly for Premiere Wedding Music and Bella Electric Strings. Sarah has performed and recorded with many other artists including Halsey, Disturbed, Mötley Crüe, Celine Dion, Kygo, Ricky Martin, Sarah Brightman, Il Divo, and Lady Antebellum. She can be found at:
http://www.cellobat.com
http://www.instagram.com/cellobat
http://www.youtube.com/c/SarahCellobatChaffee
$16.99 ≈
15.70€
String Quartet - William and Mary
String Quartet - William and Mary
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String Quartet: 2 violins, viola, cello
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ADVANCED
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Mike Strand, ASCAP <
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Mike Strand
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String Quartet - William and M
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Michael M. Strand
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SheetMusicPlus
String Quartet String Quartet - Level 5 - Digital Download SKU: A0.970731 Composed by Mike Strand. Contemporary,Jazz,World. Score and parts. 36 pages. Mi...
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String Quartet String Quartet - Level 5 - Digital Download SKU: A0.970731 Composed by Mike Strand. Contemporary,Jazz,World. Score and parts. 36 pages. Michael M. Strand #4837117. Published by Michael M. Strand (A0.970731). By Mike Strand, ASCAP I wrote this String Quartet in a composition class at the College of William and Mary in 2010. It is brief and rich with variety, and it involves a technique of mine called fracturing (see note* below). This causes the dissonance you'll hear in parts of this work.On one occasion, when I felt stressed, I enjoyed listening to Morton Feldman's String Quartet II (1983), which lasts about 6 hours. This quiet but lovely music soothed and pacified me. On the other hand, if you want something to energize and alert you in less than 11 minutes, this quartet may be for you -- whenever you acquire a recording of it by some lucky quartet ensemble. Have a cup of coffee with it, for insurance!In the meantime, enjoy the audio sample, Movement I of my quartet. This alone may suffice to get you going, in only two and a half minutes. String Quartet - William and Mary: Four movements, total time 10:45: I. Allegro moderato (2:32) A tango-like dance movement: Preface, Introduction, A, B, A’, C, Coda (two variations). II. Lento (2:44) Counting to twenty in 5-4, 4-4, and 12-8 time. 5-4 time predominates (five groups of four measures each), then 4-4 (two groups of five measures each) and 12-8 (one group of five measures). Throughout there are 72 counts per minute, with quarter notes counted in the 5-4 and 4-4 time signatures, and with dotted quarter notes counted in the 12-8 time signature. The five measures of 12-8 also introduce the theme for movement III.Fun with three different time signatures! III. Allegro (2:11) Variations on a Scottish-like folk tune and fragments of it. One variation is an example of tonal pointillism. The closing measures are an extended coda based on a transformed version of the original tune. IV. Swing (3:18) West Coast swing tempo for the Introduction and Part A; triple swing tempo for Part B. Note* on the fracturing technique This is my method to produce systematically new types of dissonance and corresponding modifications and resolutions. Fracturing consists of changing pitches in a melody or chord as follows: (a) Decide on the root note position within the staff or line of music. (b) Represent the applicable chord in half-step notation, with the root given the value 0. (c) Alternatively subtract and add a prescribed number of half steps from, and to, each successive number in the annotated chord (except for the root). (d) Use the new fractured annotation to define the new pitches. The actual or implied root of the chord (tonal center) remains unchanged. The resulting new chord or melody is thus related or resolvable to the parent tonal harmony or chord. Fracturing appears mainly in the first and third movements, with spare use in the second and fourth movements.
$7.00 ≈
6.47€
Better Days
Better Days
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String Quartet: 2 violins, viola, cello
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ADVANCED
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OneRepublic
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Kyle Pudenz
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Better Days
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ViolinVagabond Music
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.845979 By OneRepublic. By Brent Kutzle, John Nathaniel, and Ryan Te...
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String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.845979 By OneRepublic. By Brent Kutzle, John Nathaniel, and Ryan Tedder. Arranged by Kyle Pudenz. Contemporary,Pop,Rock. Score and parts. 29 pages. ViolinVagabond Music #5739335. Published by ViolinVagabond Music (A0.845979). Whether you are a tried and true OneRepublic fan looking to add to your ensemble's catalog, a struggling musician hoping for Better Days, or simply want to create a little social media buzz by playing that song that you saw in a commercial about a Jeep, or ESPN, or NBC... THIS is the chart you are looking for!Check out Dallas String Quartet performing this chart in their latest music video: https://youtu.be/BBEdsXRELywWhat you have here, ladies & gentlemen, is no half-baked attempt at a transcription that you might find illegally floating around the internet for a few bucks. This meticulously-arranged instrumental reimagining of OneRepublic's new smash is much, MUCH more. Your journey through the pop-string realm starts out with a silky, cinematic intro that will filter out the commotion of your futile existence, opening the curtains to reveal a plane of pure musical ecstasy. When the groove finally drops, and OH, does it DROP... you will not be able to stop yourself from foot-tapping, head-banging, or otherwise moving one or more body parts in a definitively rhythmic fashion. Hip rhythmic chopping grooves, fingerboard slaps, and a healthy dose of syncopation will take this sick beat to another level! And if that isn't enough to pique your interest, be on the lookout for some sexy reharminizations throughout the tune that will make you honestly wonder why those chords weren't in the song to begin with...Just when you thought this couldn't get any better: THERE IS A SOLO SECTION!! I've included some written solos, but if you prefer to improvise your own, that is allowed and encouraged. You can also vamp it if you need to kill a little time, or just want to show off for a few more bars.**This score is also available with Rhythm Section Parts for guitar, bass & drum set, which your ensemble can use to perform with a full band. Visit https://www.sheetmusicplus.com/title/21765313?aff_id=655189 for more details**Having a great ensemble may be the first step to successfully landing the big gigs, but having repertoire that gives your musicians the chance to shine will make you stand out from the rest. So don't settle for reading off of a piano score or hacking through questionably-obtained transcriptions when you can have the real deal. Fresh tunes, arranged by a real string player who has been in your shoes and knows how to wow the crowd!Thanks for visiting, and I hope this chart brings us all to some Better DaysPerformance time - 4:00 as written, longer if you vamp the solo, shorter if you cut the intro. Because I get it; we all need flexibility when wedding parties and/or emcee's are involved.Questions? Feel free to contact me via my website, www.kylepudenz.com/ or on the 'Insta @theviolinvagabond
$19.99 ≈
18.47€
Songs for Worship (A collection of 5 hymns and spirituals for String Quartet)
Songs for Worship (A collection of 5 hymns and spirituals for String Quartet)
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String Quartet: 2 violins, viola, cello
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EASY
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Sharon Wilson
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Sharon Wilson
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Songs for Worship
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Sharon Wilson
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1433437 By Sharon Wilson. By African-American Spiritual, Charles H....
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1433437 By Sharon Wilson. By African-American Spiritual, Charles H. Gabriel, Charles Wesley, Emily D. Wilson, Isaac Watts, Joseph Parry, and Traditional Spiritual. Arranged by Sharon Wilson. Christian,Easter,Lent,Sacred,Spiritual. 43 pages. Sharon Wilson #1013688. Published by Sharon Wilson (A0.1433437). This collection contains five (5) sacred hymns arranged for a STRING QUARTET. These arrangements are straight-forward and suitable for late beginner to intermediate string groups since all notes for all instruments can be played in the first position. An optional repeat is provided for each song in case a longer selection is desired.The VIOLIN 3 part is the same as the VIOLA part in case a Viola player is not available. Violin 1 carries the melody throughout each song. For each of the five songs in this collection there is a 3-page grand staff score plus a 1-page, 1-staff score for each part (VIOLIN 1, VIOLIN 2, VIOLIN 3, VIOLA, and CELLO).Each string quartet arrangement is also available separately with accompanying preview pages and audio samples. Titles included in this collection: Jesus, Lover of My Soul (ABERYSTWYTH)Since Jesus Came into My HeartWayfaring StrangerWhen I Survey the Wondrous Cross (ROCKINGHAM)When We All Get to Heaven Visit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$20.00 ≈
18.48€
Falling
Falling
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE
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Harry Styles
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James Widden
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Falling
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James Widden
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1353032 By Harry Styles. By Harry Styles and Thomas Hull. Arranged ...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1353032 By Harry Styles. By Harry Styles and Thomas Hull. Arranged by James Widden. 21st Century,Pop,Singer/Songwriter,Wedding. 14 pages. James Widden #937858. Published by James Widden (A0.1353032). Harry Styles's gorgeous piano ballad, released as the third single from his album Fine Line. It was written in collaboration with Thomas Hull (better known as Kid Harpoon) - Styles commented on the writing of the song Tom had come up to my place to grab something, and he'd sat at the piano and I'd just got out of the shower. He started playing, and we wrote it there. So I was completely naked when I wrote that song. So there we go!  All James Widden's arrangements are beautifully made and carefully edited so that players and listeners alike will get maximum pleasure from the performance.
$14.99 ≈
13.85€
Mysterious Moment for alto flute and string trio
Mysterious Moment for alto flute and string trio
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String Trio: violin, viola, cello
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INTERMEDIATE
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Contemporary
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David Warin Solomons
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Mysterious Moment for alto flu
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David Warin Solomons
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SheetMusicPlus
String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.576736 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 p...
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String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.576736 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #119391. Published by David Warin Solomons (A0.576736). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
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When I Get There Viola
