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When I Was Older
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You've selected:
When I Was Older
Sheetmusic to print
56 sheet music found
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1
26
51
When I Was Older
When I Was Older
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Cello, Piano
#
INTERMEDIATE
#
Pop music
#
Billie Eilish
#
Genti Guxholli
#
When I Was Older
#
Genti Guxholli
#
SheetMusicPlus
Cello,Piano - Level 3 - Digital Download SKU: A0.729853 By Billie Eilish. By Billie O Connell, Billie O'Connell, Finneas O Connell, and Finneas O'Connell...
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Cello,Piano - Level 3 - Digital Download SKU: A0.729853 By Billie Eilish. By Billie O Connell, Billie O'Connell, Finneas O Connell, and Finneas O'Connell. Arranged by Genti Guxholli. Film/TV,Pop. Score and part. 12 pages. Genti Guxholli #4777231. Published by Genti Guxholli (A0.729853). Website: www.littlesheetmusic.comEmail: littlesheetmusic@gmail.com.
$6.99 ≈
6.33€
WHEN I WAS OLDER (Music Inspired by Roma)
WHEN I WAS OLDER (Music Inspired by Roma)
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Piano, Vocal and Guitar
#
Pop music
#
Billie Eilish
#
WHEN I WAS OLDER
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Hal Leonard - Digital
#
SheetMusicPlus
By Billie Eilish. This edition: Interactive Download. Pop. Piano/Vocal/Guitar. 8 pages. Published by Hal Leonard - Digital...
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By Billie Eilish. This edition: Interactive Download. Pop. Piano/Vocal/Guitar. 8 pages. Published by Hal Leonard - Digital
$4.99 ≈
4.52€
When I Was Older (Piano Solo)
When I Was Older (Piano Solo)
#
Piano solo
#
INTERMEDIATE
#
Pop music
#
Billie Eilish
#
Genti Guxholli
#
When I Was Older
#
Genti Guxholli
#
SheetMusicPlus
Piano Solo, Piano/Vocal/Chords - Intermediate - Digital Download By Billie Eilish. Arranged by Genti Guxholli. Individual Part, Lead Sheet, Score. 6 ...
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Piano Solo, Piano/Vocal/Chords - Intermediate - Digital Download By Billie Eilish. Arranged by Genti Guxholli. Individual Part, Lead Sheet, Score. 6 pages. Published by Genti Guxholli
$5.99 ≈
5.43€
WHEN I WAS OLDER by LittleTranscriber - Piano Solo
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Piano solo
#
LittleTranscriber
#
WHEN I WAS OLDER
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Musicnotes
Sheet Music for WHEN I WAS OLDER by LittleTranscriber arranged for Instrumental Solo;Piano/Chords in B Minor. Digital sheet music from Musicnotes. ...
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Sheet Music for WHEN I WAS OLDER by LittleTranscriber arranged for Instrumental Solo;Piano/Chords in B Minor. Digital sheet music from Musicnotes.
$5.79 ≈
5.25€
WHEN I WAS OLDER by GnuS Cello - Solo & Accompaniment
Sheet Music
#
GnuS Cello
#
WHEN I WAS OLDER
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Musicnotes
Sheet Music for WHEN I WAS OLDER by GnuS Cello arranged for Solo & Accompaniment;Instrumental Parts in B Minor. Digital sheet music from Musicnotes. ...
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Sheet Music for WHEN I WAS OLDER by GnuS Cello arranged for Solo & Accompaniment;Instrumental Parts in B Minor. Digital sheet music from Musicnotes.
$4.99 ≈
4.52€
WHEN I WAS OLDER by KimBo - Piano Solo
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Piano solo
#
KimBo
#
WHEN I WAS OLDER
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Musicnotes
Sheet Music for WHEN I WAS OLDER by KimBo arranged for Instrumental Solo;Piano/Chords in B Minor. Digital sheet music from Musicnotes. ...
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Sheet Music for WHEN I WAS OLDER by KimBo arranged for Instrumental Solo;Piano/Chords in B Minor. Digital sheet music from Musicnotes.
$4.99 ≈
4.52€
WHEN I WAS OLDER by Christian Pearl - Piano Solo
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Piano solo
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Christian Pearl
#
WHEN I WAS OLDER
#
Musicnotes
Sheet Music for WHEN I WAS OLDER by Christian Pearl arranged for Instrumental Solo in B Minor. Digital sheet music from Musicnotes. ...
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Sheet Music for WHEN I WAS OLDER by Christian Pearl arranged for Instrumental Solo in B Minor. Digital sheet music from Musicnotes.
$4.99 ≈
4.52€
WHEN I WAS OLDER by Billie Eilish - Piano/Vocal/Chords, Singer Pro
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Piano, Voice
#
Billie Eilish
#
WHEN I WAS OLDER
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Musicnotes
Sheet Music for WHEN I WAS OLDER by Billie Eilish arranged for Piano/Vocal/Chords;Singer Pro in B Minor (Transposable). Digital sheet music from Musicnotes. ...
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Sheet Music for WHEN I WAS OLDER by Billie Eilish arranged for Piano/Vocal/Chords;Singer Pro in B Minor (Transposable). Digital sheet music from Musicnotes.
$5.99 ≈
5.43€
WHEN I WAS OLDER by Billie Eilish - Piano/Vocal/Guitar
#
Piano, Vocal and Guitar
#
Billie Eilish
#
WHEN I WAS OLDER
#
Musicnotes
Performed by: Billie Eilish: WHEN I WAS OLDER - (Inspired by the film Roma) Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloa...
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Performed by: Billie Eilish: WHEN I WAS OLDER - (Inspired by the film Roma) Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Piano/Vocal/Guitar, instruments: Voice;Piano;Guitar; 8 pages -- Indie Electronic~~Indie Pop~~Electronica
$5.79 ≈
5.25€
WHEN I WAS OLDER by Wei Nin - Violin Solo
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Violin
#
Wei Nin
#
WHEN I WAS OLDER
#
Musicnotes
Performed by: Wei Nin: WHEN I WAS OLDER Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scor...
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Performed by: Wei Nin: WHEN I WAS OLDER Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Violin; 2 pages -- Instrumental Pop~~Solo Instrumental~~Indie Pop~~Electronica~~Indie Electronic
$4.99 ≈
4.52€
I Wanna Dance With Somebody
I Wanna Dance With Somebody
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Marching band
#
INTERMEDIATE/ADVANCED
#
Rock
#
Whitney Houston
#
Ward Miller
#
I Wanna Dance With Somebody
#
Dr. Ward Miller, LLC
#
SheetMusicPlus
Marching Band - Level 4 - Digital Download SKU: A0.1348338 By Whitney Houston. By George Merrill and Shannon Rubicam. Arranged by Ward Miller. Pop,Rock. ...
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Marching Band - Level 4 - Digital Download SKU: A0.1348338 By Whitney Houston. By George Merrill and Shannon Rubicam. Arranged by Ward Miller. Pop,Rock. 32 pages. Dr. Ward Miller, LLC #933108. Published by Dr. Ward Miller, LLC (A0.1348338). Whitney Houston's signature anthem, I Wanna Dance with Somebody is just as popular today as it was when released. Â This arranged faithfully recreates the magic of the original, and the step up toa. new key provides the lift that will have your audience singing and clapping in their seats! Like all arrangements in this series, this publication includes: Score (8.5x11 landscape) Parts (flip folder sized) Flute/Piccolo Clarinet 1-2 Bass Clarinet Alto Sax 1-2 Tenor Sax Bari Sax Trumpet 1-3 Mellophone 1-2 Trombone 1-2 Baritone (BC and TC) Tuba Electric Bass Snare Tenors Bass Drums (5-line) Cymbals
$99.99 ≈
90.58€
Fuga a tre (3 part fugue) for keyboard
Fuga a tre (3 part fugue) for keyboard
#
Piano solo
#
INTERMEDIATE
#
Contemporary
#
Joseph Dillon Ford
#
Fuga a tre
#
David Warin Solomons2
#
SheetMusicPlus
Instrumental Duet Harpsichord,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.958468 Composed by Joseph Dillon Ford. 20th Century. Score and...
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Instrumental Duet Harpsichord,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.958468 Composed by Joseph Dillon Ford. 20th Century. Score and parts. 3 pages. David Warin Solomons2 #3691563. Published by David Warin Solomons2 (A0.958468). The Fuga a tre voci was composed on 28 March 1976 not long before I moved from Miami to Cambridge to begin graduate study in music at Harvard. It remained an imperfect sketch in need of extensive revisions, and languished for a quarter-century in a manila file folder until I rediscovered it late in 2001 and was pleased to find that it was worth the trouble of resurrecting. This was no easy task, as it was my original intention to comply closely with eighteenth-century contrapuntal practices. Although I had written numerous polyphonic pieces in a similar style since 1976, none of these was a fugue. There was also the challenge of reconnecting with musical ideas I had originated at the age of twenty-four at a time in my life when I was rapidly approaching the age of fifty. Still, I persevered in my efforts to revive and improve this early polyphonic essay, and hope the performer and listener will be as pleased with the results as I am. This three-voice fugue can be performed by any instrument or combination of instruments, including the harpsichord.
$7.00 ≈
6.34€
Fuga a tre (3 part fugue) for wind trio
Fuga a tre (3 part fugue) for wind trio
#
Contemporary
#
Joseph Dillon Ford
#
Fuga a tre
#
David Warin Solomons2
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Trio - Level 3 - Digital Download SKU: A0.958470 Composed by Joseph Dillon Ford. 20th Century. 7 pages. David Warin Solomons2 ...
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Woodwind Ensemble,Woodwind Trio - Level 3 - Digital Download SKU: A0.958470 Composed by Joseph Dillon Ford. 20th Century. 7 pages. David Warin Solomons2 #3691569. Published by David Warin Solomons2 (A0.958470). The Fuga a tre voci was composed on 28 March 1976 not long before I moved from Miami to Cambridge to begin graduate study in music at Harvard. It remained an imperfect sketch in need of extensive revisions, and languished for a quarter-century in a manila file folder until I rediscovered it late in 2001 and was pleased to find that it was worth the trouble of resurrecting. This was no easy task, as it was my original intention to comply closely with eighteenth-century contrapuntal practices. Although I had written numerous polyphonic pieces in a similar style since 1976, none of these was a fugue. There was also the challenge of reconnecting with musical ideas I had originated at the age of twenty-four at a time in my life when I was rapidly approaching the age of fifty. Still, I persevered in my efforts to revive and improve this early polyphonic essay, and hope the performer and listener will be as pleased with the results as I am. This three-voice fugue can be performed by any instrument or combination of instruments, including the harpsichord.
$7.00 ≈
6.34€
Fuga a tre (3 part fugue) for string trio
Fuga a tre (3 part fugue) for string trio
#
String Trio: violin, viola, cello
#
INTERMEDIATE
#
Contemporary
#
Joseph Dillon Ford
#
Fuga a tre
#
David Warin Solomons2
#
SheetMusicPlus
String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.958467 Composed by Joseph Dillon Ford. 20th Century. Score and parts. 7 pages. David War...
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String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.958467 Composed by Joseph Dillon Ford. 20th Century. Score and parts. 7 pages. David Warin Solomons2 #3691565. Published by David Warin Solomons2 (A0.958467). The Fuga a tre voci was composed on 28 March 1976 not long before I moved from Miami to Cambridge to begin graduate study in music at Harvard. It remained an imperfect sketch in need of extensive revisions, and languished for a quarter-century in a manila file folder until I rediscovered it late in 2001 and was pleased to find that it was worth the trouble of resurrecting. This was no easy task, as it was my original intention to comply closely with eighteenth-century contrapuntal practices. Although I had written numerous polyphonic pieces in a similar style since 1976, none of these was a fugue. There was also the challenge of reconnecting with musical ideas I had originated at the age of twenty-four at a time in my life when I was rapidly approaching the age of fifty. Still, I persevered in my efforts to revive and improve this early polyphonic essay, and hope the performer and listener will be as pleased with the results as I am. This three-voice fugue can be performed by any instrument or combination of instruments, including the harpsichord.
$7.00 ≈
6.34€
Six Welsh Folk Songs for Voice and Piano
Six Welsh Folk Songs for Voice and Piano
#
Piano, Voice
#
INTERMEDIATE
#
Traditional
#
Colin Kirkpatrick
#
Six Welsh Folk Songs for Voice
#
Colin Kirkpatrick Publications
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.522222 Composed by Traditional. Arranged by Colin Kirkpatrick. Folk,Holiday. Score. 21 pages. Coli...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.522222 Composed by Traditional. Arranged by Colin Kirkpatrick. Folk,Holiday. Score. 21 pages. Colin Kirkpatrick Publications #3913261. Published by Colin Kirkpatrick Publications (A0.522222). These folk song arrangements are written in the Welsh language. The vocal range is from Middle C to F on the top line of the staff. They are suitable for mezzo soprano and could also be sung by tenor voice an octave lower. They are among some of the most popular folk songs of Wales and sure to be well received at a vocal recital. They would also make excellent encore pieces. For copyright reasons, English translations are not provided, although some are to be found on various web pages. 1. Y Ddau Farch (The Two Mares) The song tells the story of two horses. The older one tells the younger, “In my day I was as good a horse as youâ€. But when I became too old to work, I was sent away to the mountains. She vows never to return to her cruel owners. This is an example of a macaronic song in which the lyrics use more than one language. 2. Si Hei Lwli, ’Mabi (Sleep, my Lovely Baby) In this pentatonic lullaby, a mother tells her child that their ship is moving away, the captain is on board, the eastern wind is blowing and the seagull is on its nest. 3. Canu Cwnsela (Wassail Song) The singers ask permission to come in and sing for their dinner. But they seem to have chosen the wrong house because the reply is: “I have no dinner or money to spend, to give you a welcome tonight.†The melody is in the Dorian Mode. 4. Robin Ddiog (Lazy Robin) The song, also in the Aeolian mode is about a robin whose little house is always tidy. “Open the door a little bit, so that I can see the sea and the waves†he asks. When the door is opened, the breeze sweeps away all the leaves from the floor. 5. Migildi Magildi “When the smithy’s door is open, we can see the blacksmith working.†The song describes the sights and sounds of the blacksmith’s workshop.You can hear all the songs in the audio demo, though they are played by an oboe rather than sung.
$9.95 ≈
9.01€
The Story Of Reuben Clamzo & His Strange Daughter
The Story Of Reuben Clamzo & His Strange Daughter
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Choral TTBB
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EASY
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & H
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octa...
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99 ≈
3.61€
Trapped
Trapped
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Concert band
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INTERMEDIATE/ADVANCED
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Contemporary
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Scott Custer Jr
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being used for my kindness
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Trapped
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Scott Custer Jr
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.1153691 By Scott Custer Jr. By Scott Custer Jr. Contemporary. Score and parts. 101 pages. Scott Custer ...
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Concert Band - Level 4 - Digital Download SKU: A0.1153691 By Scott Custer Jr. By Scott Custer Jr. Contemporary. Score and parts. 101 pages. Scott Custer Jr #753948. Published by Scott Custer Jr (A0.1153691). My first complete concert band piece. It's been in the works for about 3 months. The early drafts of this piece were written in April/May and were then left to collect dust for months. I wrote it to experiment with melodic/harmonic minor scales and did not intend to finish the piece. Around the same time I wrote the early drafts of the piece, my high school band director asked if I wanted to write a piece for the concert band. I agreed and spent months working on different pieces of music, completing none of them. Around late October I stumbled across this looking through old pieces of music for some new ideas. I listened through it 3 or 4 times and decided to continue the piece. After spending roughly two months finishing the draft, and another month revising and adding parts, I had finally finished Trapped. When I started working on this piece with the intention of finishing it, I was at a difficult point in my life. I had recently come home from my rookie season of drum corps and was still transitioning back to the real world. The freedom of tour had been taken away from me, I had mentally matured a lot during the summer. While only 17 I felt like I was stuck with a bunch of kids. I had spent all summer with friends much older than me, learning a lot from them and taking inspiration from them in many ways. When I started this piece, I was conflicted with many thoughts and emotions. I was still under the impression that my peers in the music program hated me because of some of my actions last year. The girl from home I had been talking with all summer while I was gone, and hoped to start a relationship with, lied to me while I was gone about many things, causing me to remove them from my life. The last year and a half have involved many events like losing my best friend of 5 years because of, what I consider, an overreaction on my part; being used for my kindness; lied to; having secrets about me revealed behind my back by those I trusted; being a therapy friend; constant overthinking; as well as toxic friendships I didn’t want to leave because I gave them the benefit of the doubt. I felt trapped. I had spent so long trying to improve myself to become who I am today, and I still felt like crap. Even though I knew and promised myself I wouldn’t follow through, I was battling suicidal thoughts and I was in a severely depressive episode of my life. I wrote this piece to express the feeling of overthinking, being trapped in your mind, and the road to recovery. The constant back-and-forth battles with yourself, unsure of where to go and what to do next; feeling trapped. I hope that this piece connects and resonates with those of you in a similar position to what I was in, and I promise there is a way out and that life does get better. And with that, I present to you, Trapped.
$25.00 ≈
22.65€
Billie Eilish: WHEN I WAS OLDER (Music Inspired by Roma) - voice, piano or guitar
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Piano, Vocal and Guitar
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INTERMEDIATE
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Pop music
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Billie Eilish
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Virtualsheetmusic
Instantly printable sheet music by Billie Eilish for voice, piano or guitar of MEDIUM skill level. / pop
Instantly printable sheet music by Billie Eilish for voice, piano or guitar of MEDIUM skill level. / pop
$8.97 ≈
8.13€
A Child’s Garden of Jazz for Brass Quintet
A Child’s Garden of Jazz for Brass Quintet
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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ADVANCED
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Wolking, Henryenry
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A Child’s Garden of Jazz for
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Gordon Cherry
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SheetMusicPlus
Brass Ensemble - Level 5 - Digital Download SKU: A0.792338 Composed by Wolking, Henryenry. 20th Century,Contemporary,Jazz,Ragtime. Score and parts. 56 pa...
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Brass Ensemble - Level 5 - Digital Download SKU: A0.792338 Composed by Wolking, Henryenry. 20th Century,Contemporary,Jazz,Ragtime. Score and parts. 56 pages. Gordon Cherry #4804655. Published by Gordon Cherry (A0.792338). As an adult I occasionally try to remember and or capture child-like experiences-maybe not so much the actual event, but the emotive atmosphere left from impressions long ago embedded in the psyche.Each movement of this work is based on spontaneous and uncalculated musical imagery of dreams and childhood reflections. I have deliberately avoided the professional composer’s bag of developmental tricks and worked for a more free flow of simple melodic ideas: they go wherever they want.Movement IInspired by the feelings I had growing up on Merritt Island Florida with my older sister Barbara. This music was a gift to her on the occasion of her 2004 marriage in Flemington New Jersey. It was originally scored for a brass quartet with which I performed. I have written three other brass quintets, and when I started thinking about this one (my fourth) this seemed like a logical choice for a first movement.Movement IIBased on a tune that came to me in a dream. It is dedicated to my wife Lois (we also married in 2004) and has a formal title of Wake Up To A Melody. I originally scored it for jazz band-more specifically for the excellent Salt Lake Alternative Jazz Orchestra, and it has recently been recorded by that group. I like the simplicity of this melody, and felt it would make a natural second movement for this brass quintet.Movement IIIThe third and most difficult movement is Tangoragrondo. It is literally a rondo with a turn-of-the century (19th-20th) ragtime melody/gallop occupying the A theme followed by a Tango (inspired by trips to Santiago Chile) for the B theme. The return to the rag (A theme) is then followed by a fantasy development (C area) with a return to to the rag (A theme) followed by a coda that recalls material from the first movement. The form is quite simple- ABACA-Coda.The material was originally developed as a movement for my double concerto Letting Midnight Out On Bail written for the Duehlmeier-Gritton piano duo and orchestra. It was recorded by the Warsaw Philharmonic and has been released on CD. A second version for two pianos has also been recorded and released by the Duehlmeier-Gritton piano duo. This orchestration for brass quintet will be the final resting place for this chaotic rondo.
$27.50 ≈
24.91€
909 Bryce (Nostalgia)
909 Bryce (Nostalgia)
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Orchestra
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ADVANCED
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Contemporary
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Juan C
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909 Bryce
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Juan C. Davila
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.890935 Composed by Juan C. Davila. Contemporary. Score and parts. 63 pages. Juan C. Davila #3047891. ...
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Full Orchestra - Level 5 - Digital Download SKU: A0.890935 Composed by Juan C. Davila. Contemporary. Score and parts. 63 pages. Juan C. Davila #3047891. Published by Juan C. Davila (A0.890935). This composition was written for full orchestra. It's based on my childhood home. I'm pretending to go back in time through a portal to relieve happy memories with my family at 909 Bryce. My adventures are relived vividly throughout the piece until the end when I have to return back home to the present through the same portal. In real life, my family was forced out of this house for falling behind in payments. The house still stands at 909 Bryce much older and worn out but my memories remain happy and nostalgic.
$14.99 ≈
13.58€
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When I Was Older
