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1
Notenbuch für Wolfgang Amadeus Mozart - Music book for W.A. Mozart Tenor/Bass
Notenbuch für Wolfgang Amadeus Mozart - Music book for W.A. Mozart Tenor/Bass
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2 Recorders (duet)
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EASY
#
Leopold Mozart
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B
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Notenbuch für Wolfgang Amadeu
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bl_music
#
SheetMusicPlus
Recorder Duet Recorder - Level 2 - Digital Download SKU: A0.842550 Composed by Leopold Mozart. Arranged by B. Brennan. Classical,Concert,Instructional,St...
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Recorder Duet Recorder - Level 2 - Digital Download SKU: A0.842550 Composed by Leopold Mozart. Arranged by B. Brennan. Classical,Concert,Instructional,Standards. Score. 24 pages. Bl_music #5298653. Published by bl_music (A0.842550). Music book for W.A. Mozart by Leopold Mozart, for Tenor and Bass Recorder (notation: treble/bass clef)The Notenbuch für Wolfgang Amadeus Mozart contains 32 easy to medium duos1. Menuet 2. Menuet de Sigr. Bach 3. Bourlesq 4. Polonaise 5. Menuet 6. Polonaise 7. Menuet 8. Menuet 9. Waldhorn ~ Stück10. Entrée 11. Bourrée 12. Schwaben ~ Tanz 13. Menuet 14. Musette 15. Polonaise 16. Menuet 17. Sarabande 18. Menuet 19. Angloise 20. Passepied 21. Aria 22. Menuet 23. Gavotte 24. March di Sigr. Bach 25. Polonaise 26. Menuet 27. Fantasia del Sigr. Telemann 28. Jägerlied 29. March30. Bourrée 31. Menuet 32. MenuetThis edition for tenor and bass recorder is suitable for both experienced players (e.g. as encores) and advanced students who may find the pieces useful regarding technique.About Notenbuch für Wolfgang Amadeus MozartMeinem lieben Sohn Wolfgang Amadee zu seinem sechsten Namenstag von seinem Vater Leopold Mozart. Salzburg, den 31. Oktober 1762 (To my beloved son Wolfgang Amadeus for his sixth Name Day from his father Leopold Mozart.Salzburg,October 31st, 1962)This book had an important influence on Mozart’s early compositions.The pieces fall into three categories:The first category includes songs and dances of a folk nature such as Jägerlied, Schwabentanz Schmiedecourante, Waldhornstück. The second category provides examples of compositions by Scarlatti, Bach, Händel, e.g. Fantasias, Allegros, Arias. The third group presents contemporary dance movements in the French style like Minuets, Courantes, Polonaises and Rondi.Father Mozart included pieces in a variety of styles with the intention of helping Mozart not only to learn piano technique, but also elements of composition. The works are intentionally simple, one task for the boy being to fill out the incomplete harmonies. Overall, the technical standard is appropriate to the age and abilities of the player. Apart from its historical significance, the Notenbuch for Wolfgang Amadeus is a colourful collection of charming little pieces.
$12.99 ≈
11.64€
Notenbuch für Wolfgang Amadeus Mozart - Music book for W.A. Mozart Soprano/Alto
Notenbuch für Wolfgang Amadeus Mozart - Music book for W.A. Mozart Soprano/Alto
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Leopold Mozart
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B
#
Notenbuch für Wolfgang Amadeu
#
bl_music
#
SheetMusicPlus
Woodwind Ensemble - Level 2 - Digital Download SKU: A0.842552 Composed by Leopold Mozart. Arranged by B. Brennan. Classical,Concert,Instructional,Standar...
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Woodwind Ensemble - Level 2 - Digital Download SKU: A0.842552 Composed by Leopold Mozart. Arranged by B. Brennan. Classical,Concert,Instructional,Standards. 23 pages. Bl_music #5298655. Published by bl_music (A0.842552). Music book for W.A. Mozart by Leopold Mozart, for Descant and Treble Recorder (notation: treble/treble clef)The Notenbuch für Wolfgang Amadeus Mozart contains 32 easy to medium duos1. Menuet 2. Menuet de Sigr. Bach 3. Bourlesq 4. Polonaise 5. Menuet 6. Polonaise 7. Menuet 8. Menuet 9. Waldhorn ~ Stück10. Entrée 11. Bourrée 12. Schwaben ~ Tanz 13. Menuet 14. Musette 15. Polonaise 16. Menuet 17. Sarabande 18. Menuet 19. Angloise 20. Passepied 21. Aria 22. Menuet 23. Gavotte 24. March di Sigr. Bach 25. Polonaise 26. Menuet 27. Fantasia del Sigr. Telemann 28. Jägerlied 29. March30. Bourrée 31. Menuet 32. MenuetThis edition for descant and treble recorder is suitable for both experienced players (e.g. as encores) and advanced students who may find the pieces useful regarding technique.About Notenbuch für Wolfgang Amadeus MozartMeinem lieben Sohn Wolfgang Amadee zu seinem sechsten Namenstag von seinem Vater Leopold Mozart. Salzburg, den 31. Oktober 1762 (To my beloved son Wolfgang Amadeus for his sixth Name Day from his father Leopold Mozart.Salzburg,October 31st, 1962)This book had an important influence on Mozart’s early compositions.The pieces fall into three categories:The first category includes songs and dances of a folk nature such as Jägerlied, Schwabentanz Schmiedecourante, Waldhornstück. The second category provides examples of compositions by Scarlatti, Bach, Händel, e.g. Fantasias, Allegros, Arias. The third group presents contemporary dance movements in the French style like Minuets, Courantes, Polonaises and Rondi.Father Mozart included pieces in a variety of styles with the intention of helping Mozart not only to learn piano technique, but also elements of composition. The works are intentionally simple, one task for the boy being to fill out the incomplete harmonies. Overall, the technical standard is appropriate to the age and abilities of the player. Apart from its historical significance, the Notenbuch for Wolfgang Amadeus is a colourful collection of charming little pieces.
$12.99 ≈
11.64€
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
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Piano solo
#
INTERMEDIATE/ADVANCED
#
Classical
#
Claude Debussy/Robert Orledg
#
Debussy Inconnu: Album of work
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire. Score. 76...
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire. Score. 76 pages. Published by Musik Fabrik Music Publishing
Contains Le Roi Lear: Prélude,Première Fanfare, and La Mort de Cordélia,Toomai des éléphants, Rodrigue et Chimène: Prélude à l’acte 1p. Le Martyre de Saint Sébastien: La Passion , and No-ja-li ou Le Palais du Silence
From Robert Orledge's notes:
My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).
For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.
It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.
So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95 ≈
34.91€
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
#
Piano solo
#
INTERMEDIATE/ADVANCED
#
Classical
#
Claude Debussy/Robert Orledg
#
Debussy Inconnu: Album of work
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire, Recital. ...
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire, Recital. Score. 71 pages. Published by Musik Fabrik Music Publishing
Contains A Night in the House of Usher Un Jour affreux avec Le Diable dans le beffroi, Les accords de septième regrettent!!!, Petite Valse,Fêtes galantes, and Prélude à ‘L’Histoire de Tristan’
From Robert Orledge's notes:
My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).
For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.
It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.
So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95 ≈
34.91€
Coloratura
Coloratura
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C Instruments
#
INTERMEDIATE/ADVANCED
#
The Candlelight Guitarist
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Coloratura
#
Geofonica Artistworks
#
SheetMusicPlus
C Instrument - Level 4 - Digital Download SKU: A0.1444683 By The Candlelight Guitarist. By Bradley Powell. Jazz,Latin,Multicultural,World. Lead Sheet / F...
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C Instrument - Level 4 - Digital Download SKU: A0.1444683 By The Candlelight Guitarist. By Bradley Powell. Jazz,Latin,Multicultural,World. Lead Sheet / Fake Book. 4 pages. Geofonica Artistworks #1024573. Published by Geofonica Artistworks (A0.1444683). A relaxed Bossa-Nova (about 120 bpm), great for solo guitar, piano, or jazz combos in any combination, with a fresh chord progression combining Great American Songbook style chord sequences with Brazilian and even modern rock and fusion chord combinations! This is a guitar lead sheet (written in guitar register-sounding down an octave, also good for flute). Listen to it and check out the video link! Great for JAZZ IMPROVISATION! (intermediate to advanced level). Recorded by The Candlelight Guitar (aka Brad Powell, who composed it). NOTE: the musicians featured in the video made the audio recording, but the video images are from a prior live performance.)ABOUT the composer: Brad Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso, and at California State University, Northridge under Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl, with the composer conducting. Brad was mentored in composition by David Rose (composer for Little House on the Prairie). Brad has composed music for TV, including Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. When not making music, Brad is often out hiking with his four dogs. Brad also played as the solo guitarist for Disney's Princess Breakfast Adventure at Disney's Grand Californian Resort by Disneyland (March 2019-January 2024), providing music for the Disney Princesses (Belle, Tiana, Jasmine, Rapunzel, Mulan, Aurora, Ariel, Pocahontas, Cinderella, and their friends and guests).COMMENTS FROM LONG-ESTABLISHED REVIEWERS (for this and other Candlelight Guitarist recordings)...Bill Binkelman - Music Reviewer for Zone Music Reporter and New Age RetailerThe Candleight Guitarist is your tour guide to a land of easy-going, warm, and inviting instrumentals.Rebecca of Amazon - Amazon.com HALL OF FAME TOP 500 REVIEWERBradley Powell's flawless playing allows you to completely relax into sleep or relax into an evening of candlelight and romance. I've fallen into a peaceful sleep while listening to this music and have also spent relaxing afternoons reading while The Candlelight Guitarist wove an intricate tapestry of sounds to nurture my heart. ... Bradley Powell's music is infused with natural ambience. As rich sounds renew your spirit, you can relax into a deep sigh of the heart. His style is artistic, heart healing and filled with romantic and cultural influences.Vicki Blizzard (Editor, PaperWorks and Crazy for Cross-Stitch! magazines) in CREATIVITY e-Letter: Music to filter into my dreams. My new favorite to listen to is classical guitar music by Bradley Powell.Bob McKillop, founder and publisher, MaineFolkMusic.com...perfect for situations in which candlelight figures prominently. Quiet meditation, romance, intellectual stimulation – the soft, pure tones of his Spanish and classic instrumental style open up your heart and render it more receptive to the spiritual messages that these pursuits engender.
$3.99 ≈
3.58€
Three Pieces for Euphonium and Piano
Three Pieces for Euphonium and Piano
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Euphonium, Piano (duet)
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ADVANCED
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Gabriel Pierne
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Ralph Sauer
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2. Piece in F minor
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Three Pieces for Euphonium and
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Gordon Cherry
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SheetMusicPlus
Euphonium,Piano - Level 5 - Digital Download SKU: A0.792459 Composed by Gabriel Pierne. Arranged by Ralph Sauer. 20th Century,Romantic Period. Score and ...
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Euphonium,Piano - Level 5 - Digital Download SKU: A0.792459 Composed by Gabriel Pierne. Arranged by Ralph Sauer. 20th Century,Romantic Period. Score and part. 24 pages. Gordon Cherry #4988133. Published by Gordon Cherry (A0.792459). Gabriel Pierné was a composer and conductor who studied with Franck and Massenet. His music is typically in the French style, exhibiting charm, clear technique and beauty of melodic line.The Three Pieces are titled: 1. Serenade, Opus 7; 2. Piece in F minor; 3. March of the Tin Soldiers.This suite is suitable for advanced performers and will add a lovely charm to your recital or concert. Mr. Sauer has produced a very fine suite made up of exquisite gems from Monsieur Piernés pen.
$20.00 ≈
17.92€
Echo Taps for Solo Trumpet
Echo Taps for Solo Trumpet
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Trumpet
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INTERMEDIATE
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Daniel Butterfield
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Zack Richards
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Echo Taps for Solo Trumpet
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Zack Richards
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SheetMusicPlus
B-Flat Trumpet Solo - Level 3 - Digital Download SKU: A0.894419 Composed by Daniel Butterfield. Arranged by Zack Richards. Contemporary,Folk,Holiday,Patr...
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B-Flat Trumpet Solo - Level 3 - Digital Download SKU: A0.894419 Composed by Daniel Butterfield. Arranged by Zack Richards. Contemporary,Folk,Holiday,Patriotic. Individual part. 4 pages. Zack Richards #6426687. Published by Zack Richards (A0.894419). Taps has always been near and dear to me for almost as long as I've played the Trumpet. I have played it more times than I can count. I was the Bugler for our local Boy Scout troop, playing Taps at many campouts and events to signal the end of the day. I also played it with our High School Marching Band for Memorial Day services, including an incredibly special one at my grandfather's gravesite shortly after his passing. He had served in the Army during World War II. I also played it for several funerals, including my Uncle's, who had served in the Marines. For some time, I had volunteered for our local VFW to play for Veteran's funerals. My High School Trumpet teacher and numerous other people in my life are Veterans and have made a huge impact on me. I decided to write this arrangement to give tribute to all Veterans and Service Members and to help the Echo Taps Worldwide cause. Echo Taps Worldwide was first done on May 19, 2007, in recognition of Armed Forces Day at National Cemeteries, State Veterans Cemeteries and American Battle Monuments Cemeteries overseas. The idea is that at gatherings across the world on Armed Forces Day, Buglers play Taps in succession, with one beginning as the previous ends, to honor those who have sacrificed so much. The intention is also to bring attention to the dire need for buglers to play for Veteran's funerals across the world. If you can, please look into volunteering for your local organizations to play Taps. From Thomas Day, a Marine veteran who founded Bugles Across America in 2000, A live bugler performing Taps is an expression of the Nation’s appreciation for the service of each veteran...With more than 600,000 veterans dying each year, we are always looking for new volunteers to perform this valuable service. Performance and Rehearsal mp3 Tracks available!S0.1059653 Echo Taps Rehearsal TrackS0.1059683 Echo Taps Performance Track All of these works are available individually or all together in my United We Stand Collection. S0.1059689 United We Stand Collection Zack Richards Music Minus One Series Each of these works for Solo Trumpet with mp3 accompaniment track also have a corresponding arrangement for Trumpet Ensemble.S0.792173 Echo Taps for Trumpet EnsembleS0.1059707 United We Stand Collection for Trumpet Ensemble Solo B-flat Trumpet Intermediate- Advanced Intermediate Approx. 2:30  Visit zackrichards.com for more from this composer!
$5.99 ≈
5.37€
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Who Made Who March advanced
