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Words by Mary Brown
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You've selected:
Words by Mary Brown
Sheetmusic to print
6 sheet music found
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1
I'll Go Where You Want Me to Go
I'll Go Where You Want Me to Go
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Piano solo
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INTERMEDIATE/ADVANCED
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Gospel/Spiritual
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Sacred music
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Words by Mary Brown & Char
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Charles E
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I'll Go Where You Want Me to G
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Jenifer Lynn Cook
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SheetMusicPlus
Composed by Words by Mary Brown & Charles E. Prior and Music by Carrie E. Rounsefell. Arranged by Arranged by Jenifer Cook. For Piano, Piano Solo. Christian...
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Composed by Words by Mary Brown & Charles E. Prior and Music by Carrie E. Rounsefell. Arranged by Arranged by Jenifer Cook. For Piano, Piano Solo. Christian, Gospel, Sacred. Advanced Intermediate. Sheet Music Single. Published by Jenifer Lynn Cook
$3.99 ≈
3.59€
I’ll Go Where You Want Me to Go
I’ll Go Where You Want Me to Go
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Piano, Vocal and Guitar
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INTERMEDIATE
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Sacred music
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The Tabernacle Choir at Temple
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Lyndell Leatherman
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some were not
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I’ll Go Where You Want Me to
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Leatherman Music Services
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1377000 By The Tabernacle Choir at Temple Square. By Words: Mary Brown, Charles E. Prior / ...
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1377000 By The Tabernacle Choir at Temple Square. By Words: Mary Brown, Charles E. Prior / Music: Carrie E. Rounsefell. Arranged by Lyndell Leatherman. Christian,Religious,Sacred. Score. 2 pages. Leatherman Music Services #961634. Published by Leatherman Music Services (A0.1377000). Welcome to this entry in the Leatherman Library of Hymnody (LLOH).Features of the series include:•Intermediate 2-page arrangements suitable as either piano, electronic keyboard, or organ solos or duets.•Chord symbols included as a service to classical guitarists.•Smooth voice-leadings, making the arrangements ideal for solo/prelude use on electronic keyboards–for example, using the piano/strings setting•Lyrics included (and occasionally updated) to facilitate congregational singing or vocal solo.•Hymn background information included for personal edification or use as printed program notes.•Optional repeats which allow you to fit into the allotted time available in a service.•An introduction and/or tag in many cases, often incorporating a classical excerpt or related hymn fragment.If you like this format, you may be interested in a published volume of 75 similar arrangements: BEST-LOVED HYMNS I, available here: https://www.alfred.com/best-loved-hymns-i/p/98-FJH2023/************It has long been my passion and privilege to create customized arrangements for the churches and schools with whom I have been associated. Many were published; some were not. During the 2020 slowdown caused by Covid-19, I finally had the time to start posting the unpublished resources on Sheet Music Plus. If you are curious about what else is available, please navigate to my publisher page here on SMP < https://www.sheetmusicplus.com/publishers/leatherman-music-services/16718 >  or slip over to Facebook < https://www.facebook.com/leathermanmusicservices >, where you can see and hear many of my published works. Thanks for your interest!   God bless!Lyndell Leatherman, ASCAP.
$3.99 ≈
3.59€
I Am
I Am
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Choral SATB
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INTERMEDIATE
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Stanley M
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I Am
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stanleymhoffman.com
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.924873 Composed by Stanley M. Hoffman. 20th Century,Contemporary,Jewish. Octavo. 8 pages. Stanle...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.924873 Composed by Stanley M. Hoffman. 20th Century,Contemporary,Jewish. Octavo. 8 pages. Stanleymhoffman.com #4784655. Published by stanleymhoffman.com (A0.924873). The poem sometimes called I Am due to its repetition of the phrase, hence the title of the present composition. Is the poem inspired? The tetragrammaton Hebrew name for God, which transliterates roughly to YHWH, means I am that I am. There is something almost mystical about this poem as it was poet’s first one. Mary Elizabeth Frye was an orphan who had never received a formal education. In 1932, she and her spouse offered shelter from the Holocaust to a young Jewish woman named Margaret Schwarzkopf. When Margaret received news that her mother had died in Germany, the distressed houseguest told Mary in all hopelessness that she had never had the chance to stand by my mother’s grave and shed a tear. Mary then wrote the poem on a torn-off section of a brown paper bag. She said the words just came to her..
$2.00 ≈
1.80€
Carson Cooman: The Revelations of Divine Love (Metaphors from Sea and Sky) (2009) oratorio for sopra
Carson Cooman: The Revelations of Divine Love (Metaphors from Sea and Sky) (2009) oratorio for sopra
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Christian contemporary
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Sacred music
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Carson Cooman
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Carson Cooman: The Revelations
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Musik Fabrik Music Publishing
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SheetMusicPlus
Choral Choir (4-Part) - Level 5 - Digital Download SKU: A0.535382 Composed by Carson Cooman. Contemporary,Sacred. Octavo. 187 pages. Musik Fabrik Music P...
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Choral Choir (4-Part) - Level 5 - Digital Download SKU: A0.535382 Composed by Carson Cooman. Contemporary,Sacred. Octavo. 187 pages. Musik Fabrik Music Publishing #3025403. Published by Musik Fabrik Music Publishing (A0.535382). The Revelations of Divine Love (Metaphors from Sea and Sky) (2009), an oratorio for soprano,baritone, chorus, and chamber orchestra (0000.1100.1perc.strings), was commissioned for and is dedicated to the choir ofRoyal Holloway, University of London and Rupert Gough, director of choral music.The texts of the work are adapted primarily from the writings of Julian of Norwich (c. 1342–1416).Julian is best-known for her Sixteen Revelations of Divine Love (c. 1393), believed to be the first Englishlanguagebook written by a woman. Considered one of the most significant English mystics of alltime, Julian lived a reclusive life as an anchoress at the Church of St. Julian in Norwich, England (hertrue name is unknown). Regarded even during her lifetime as a spiritual authority, her optimisticvisions have been very influential in the years that have followed.Texts are also drawn from three additional sources: an excerpt from the Book of Margery Kempe(translated by Christopher M. Brunelle), two poems by English poet Robert Herrick (1591–1674),and a poem by the American writer Elizabeth Kirschner (b. 1955).The primary concept underlying this oratorio is the presence of two distinct discourses. One is asequence taken from Julian’s religious visions. The other is a sonic geography of Nantucket Island(located 30 miles off the coast of Massachusetts in the United States). This interconnected conceptwas inspired by the writings of the great Scottish poet George Mackay Brown (1921–1996). Livinghis entire life on Scotland’s Orkney Islands, Mackay Brown consistently explored the transpositionof religious imagery and events to his native landscape. (For example, the poem Apple-Basket, Apple-Blossom takes the story and structure of the Stations of the Cross, and maps them onto imagery ofdistinctly Orcadian character.)The landscape of Nantucket Island has been the driving force behind a large number of mycompositions for many years. In this oratorio, Julian’s visions are transposed from Norwich andmapped onto the Nantucket landscape. Each movement of the work thus has two parallel purposes:a setting of the visionary words, and a portrayal of a specific place in Nantucket’s geography. Muchof the music was planned in the actual locations. Since the soloists and choir must, by necessity, singthe words, a great deal of the landscape is left to the orchestra. Thus, the orchestra’s role issubstantially greater than simply accompaniment.Because of these two discourses, the oratorio is not intended as comprehensive working out of allaspects of Julian’s visions, nor does it use her own structure and sequence. Rather, it takes herbeautiful words, and the fundamentals of her visions, and attempts to create a new narrative andspiritual experience from them.This is the full score. The vocal score is available for sale. The parts are available on rental from the publisher.
$32.95 ≈
29.68€
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1
Words by Mary Brown 
