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1
Missa pro Pace
Missa pro Pace
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Feliks Nowowiejski
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Fredrik Schwenk
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Missa pro Pace
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Fredrik Schwenk
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SheetMusicPlus
Large Ensemble Choir - Level 3 - Digital Download SKU: A0.1022033 Composed by Feliks Nowowiejski. Arranged by Fredrik Schwenk. 20th Century,Christian,Sac...
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Large Ensemble Choir - Level 3 - Digital Download SKU: A0.1022033 Composed by Feliks Nowowiejski. Arranged by Fredrik Schwenk. 20th Century,Christian,Sacred. Score and parts. 96 pages. Fredrik Schwenk #6304771. Published by Fredrik Schwenk (A0.1022033). This edition contains all movements of the Missa pro Pace by Felix Nowowiejski (1877-1946), composed in 1935 for choir and organ, in the new version for four-part choir and symphony orchestra by Fredrik Schwenk. The basis of the arrangement is the edition published by the Societas de Polonorum Musicae Operibus Publicandis (Towarzystwo Wydawnicze Muzyki Polskiej) in Warsaw in 1936. The premiere of the new orchestral version of the Missa pro Pace took place in Szczecin in the fall of 2018. Further performances followed in Police (Poland), Itzehoe and Hamburg (Germany)Alle Stimmen sind auf Anfrage erhältlich / All parts are available on request / Wszystkie częsÌci są dostępne na zamoÌwienie© Copyright 2021Alle Rechte vorbehalten / all rights reserved / Wszelkie prawa zastrzeżone Musikverlag 20Zehn, Eppendorfer Stieg 4, D-22299 Hamburg mailto:fredrikschwenk@gmail.comInternational Standard Musical Work Code ISWC T-804.257.364-9
$35.00 ≈
31.57€
Love Will Forgive You Everything
Love Will Forgive You Everything
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Orchestra
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EASY
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Hanka Ordonowna
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Marek Czekala
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Love Will Forgive You Everythi
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Marek Czekala
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SheetMusicPlus
Full Orchestra - Level 2 - Digital Download SKU: A0.1194600 By Hanka Ordonowna. By Henry Vars. Arranged by Marek Czekala. 20th Century,Film/TV. Score and...
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Full Orchestra - Level 2 - Digital Download SKU: A0.1194600 By Hanka Ordonowna. By Henry Vars. Arranged by Marek Czekala. 20th Century,Film/TV. Score and parts. 29 pages. Marek Czekala #793907. Published by Marek Czekala (A0.1194600). Love will forgive you everything - the song was written in 1933, the music was composed by Henryk Wars, and the words were written by Julian Tuwim (under the pseudonym Oldlen). The song was a hit in interwar Poland and remains so to this day. The song was written especially for the film The Spy in the Mask, which enjoyed a record attendance in cinemas. It was sung by Hanka Ordonówna and soon the song became her artistic showcase. Later, Ordonówna often resembled a song in the MaÅ‚e Qui Pro Quo theater. The piece performed by Ordonówna was recorded on the Syrena-Electro label, which was very popular at the time. The publisher's circulation reached tens of thousands of copies, and the discs with this recording were pressed for almost six years due to the constant interest in the song.MiÅ‚ość ci wszystko wybaczy – piosenka powstaÅ‚a w 1933 roku, do której muzykÄ™ skomponowaÅ‚ Henryk Wars, a sÅ‚owa napisaÅ‚ Julian Tuwim (pod ps. „Oldlenâ€). Piosenka byÅ‚a przebojem w miÄ™dzywojennej Polsce i pozostaje nim do dziÅ›. Utwór zostaÅ‚ napisany specjalnie na potrzeby filmu Szpieg w masce, cieszÄ…cego siÄ™ rekordowÄ… frekwencjÄ… w kinach. ZaÅ›piewaÅ‚a go w nim Hanka Ordonówna i wkrótce piosenka staÅ‚a siÄ™ jej artystycznÄ… wizytówkÄ…. W późniejszym czasie Ordonówna czÄ™sto przypominaÅ‚a piosenkÄ™ w teatrzyku MaÅ‚e Qui Pro Quo. Utwór w wykonaniu Ordonówny nagrany zostaÅ‚ na pÅ‚ytach bardzo popularnej wówczas wytwórni Syrena-Electro. NakÅ‚ad wydawnictwa osiÄ…gnÄ…Å‚ kilkadziesiÄ…t tysiÄ™cy egzemplarzy, a pÅ‚yty z tym nagraniem tÅ‚oczono przez blisko sześć lat z uwagi na niezmienne zainteresowanie piosenkÄ….Wikipedia.
$50.00 ≈
45.10€
Suite for Piano
Suite for Piano
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Piano solo
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ADVANCED
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Contemporary
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Francis Kayali
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Suite for Piano
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Francis Kayali
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.973026 Composed by Francis Kayali. 20th Century,Concert,Contemporary. Score. 26 pages. Francis Kayali #57...
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Piano Solo - Level 5 - Digital Download SKU: A0.973026 Composed by Francis Kayali. 20th Century,Concert,Contemporary. Score. 26 pages. Francis Kayali #5718759. Published by Francis Kayali (A0.973026). Composed between January and March 2003, the Suite for Piano was written for a recital by pianist Qi Liu (1976-2017), at Stony Brook University, in March of 2003.The opening of the first movement evokes bells, not unlike those in Rachmaninoff’s RusÂsian Easter (the finale of his First Suite for Two Pianos). This is contrasted with a short and murky rising gesture. The middle section incorporates pianistic patterns (some reminiscent of Debussy), a yearning IbeÂrian melody, and a barely-recognizÂable snippet of Chopin used for a climax. The murky gesture eventually returns, introducing a triumphant stateÂment of the opening bells.Early on, I had decided the piece should include references to the other pieces on the reÂcital’s program: Beethoven’s Piano Sonata No. 18 (op. 31, No. 3) and Brahms’s F minor SoÂnata (op. 5). As soon as I had word from Qi that she was going to play the Beethoven, I immediÂately wanted to hear it. I wasn’t familiar with the piece, and since I didn’t have a score or a reÂcording of it at home, I decided to download it in MIDI format from the internet. Unbeknownst to me, the computer’s rendition transformed the lively secÂond movement scherzo into a slow-moving hymn which reminded me of the Ode to Joy. I was quite surÂprised the next mornÂing when I went to the muÂsic library and listened to a reÂcording played by a human. Nonetheless, I was drawn to the melody, and I found the slow effect interesting, so I deÂcided to base my middle movement (the slow movement) around the theme of BeethoÂven’s scherzo, making it the hidÂden theme for a short set of variations. The end of the movement also contains less direct referÂences to the music of Brahms (very short alluÂsions to the Sonata and to the Variations on a Theme by Haydn).The last movement explores fast and light fingerwork, in a sort of toccata or capriccio, proÂviding a flashy ending to the piece. As in the first movement, the form is A-B-A. Before the return of the first section, a little dance evokes the opening of the piece. (The murky gesture from the first movement also finds its way into this last movement).Each of the three movements experiments at one point with using the sustain pedal in order to create a wash of sound. This effect is used most prominently in the second movement.Movement I: https://www.youtube.com/watch?v=n-NKcs076UIMovement II: https://www.youtube.com/watch?v=XSxkOcdlpiYMovement III: https://www.youtube.com/watch?v=CntmWYdOA9Y
$12.00 ≈
10.82€
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