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You Never Even Call Me By My Name
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You've selected:
You Never Even Call Me By My Name
Sheetmusic to print
14 sheet music found
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1
You Never Even Call Me By My Name
You Never Even Call Me By My Name
#
Choral TTBB
#
INTERMEDIATE
#
Contemporary
#
Steve Goodman
#
Craig Brown
#
You Never Even Call Me By My N
#
Craig Brown
#
SheetMusicPlus
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1026438 Composed by Steve Goodman. Arranged by Craig Brown. Contemporary. Octavo. 17 pages. Crai...
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1026438 Composed by Steve Goodman. Arranged by Craig Brown. Contemporary. Octavo. 17 pages. Craig Brown #6104389. Published by Craig Brown (A0.1026438). A popular country-western tune turned Barbershop! Great for shows, or contest. Immediate audience recognition with this song! .
$39.99 ≈
36.82€
You Never Even Call Me By My Name
You Never Even Call Me By My Name
#
Contemporary
#
Steve Goodman
#
Craig Brown
#
You Never Even Call Me By My N
#
Craig Brown
#
SheetMusicPlus
Small Ensemble - Digital Download SKU: A0.1026435 Composed by Steve Goodman. Arranged by Craig Brown. Contemporary. Score and parts. 17 pages. Craig Brow...
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Small Ensemble - Digital Download SKU: A0.1026435 Composed by Steve Goodman. Arranged by Craig Brown. Contemporary. Score and parts. 17 pages. Craig Brown #6104371. Published by Craig Brown (A0.1026435).
$39.99 ≈
36.82€
You Never Even Call Me By My Name
You Never Even Call Me By My Name
#
Contemporary
#
Steve Goodman
#
Craig Brown
#
You Never Even Call Me By My N
#
Craig Brown
#
SheetMusicPlus
Small Ensemble - Digital Download SKU: A0.1026436 Composed by Steve Goodman. Arranged by Craig Brown. Contemporary. Score and parts. 17 pages. Craig Brow...
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Small Ensemble - Digital Download SKU: A0.1026436 Composed by Steve Goodman. Arranged by Craig Brown. Contemporary. Score and parts. 17 pages. Craig Brown #6104373. Published by Craig Brown (A0.1026436).
$39.99 ≈
36.82€
You Never Even Call Me By My Name
You Never Even Call Me By My Name
#
Guitar
#
Country
#
Steve Goodman
#
You Never Even Call Me By My N
#
Hal Leonard - Digital
#
SheetMusicPlus
Solo Guitar - Digital Download SKU: HX.1419521 By Steve Goodman. This edition: scorch. Country. Individual part. 2 pages. Hal Leonard - Digital #114228. ...
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Solo Guitar - Digital Download SKU: HX.1419521 By Steve Goodman. This edition: scorch. Country. Individual part. 2 pages. Hal Leonard - Digital #114228. Published by Hal Leonard - Digital (HX.1419521).
$4.99 ≈
4.59€
You Never Even Call Me By My Name
You Never Even Call Me By My Name
#
Melody line, (Lyrics) and Chords
#
Country
#
Steve Goodman
#
You Never Even Call Me By My N
#
Hal Leonard - Digital
#
SheetMusicPlus
C Instrument,Voice - Digital Download SKU: HX.782976 By Steve Goodman. This edition: scorch. Country. Real Book - Melody/Chords/Lyrics. 2 pages. Hal Leon...
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C Instrument,Voice - Digital Download SKU: HX.782976 By Steve Goodman. This edition: scorch. Country. Real Book - Melody/Chords/Lyrics. 2 pages. Hal Leonard - Digital #114228. Published by Hal Leonard - Digital (HX.782976).
$1.99 ≈
1.83€
You Never Even Call Me By My Name
You Never Even Call Me By My Name
#
Piano, Vocal and Guitar
#
Country
#
David Allan Coe
#
You Never Even Call Me By My N
#
Hal Leonard - Digital Sheet Music
#
SheetMusicPlus
By David Allan Coe. Country. Piano/Vocal/Guitar (chords only). 6 pages. Published by Hal Leonard - Digital Sheet Music (HX.337988). - Piano/Vocal/Guitar (chords...
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By David Allan Coe. Country. Piano/Vocal/Guitar (chords only). 6 pages. Published by Hal Leonard - Digital Sheet Music (HX.337988). - Piano/Vocal/Guitar (chords only) - Country - Hal Leonard - Digital Sheet Music
$4.99 ≈
4.59€
Steve Goodman: You Never Even Call Me By My Name - voice & other instruments (real book with lyrics)
#
Melody line, (Lyrics) and Chords
#
INTERMEDIATE
#
Country
#
Steve Goodman
#
Virtualsheetmusic
Instantly printable sheet music by Steve Goodman for voice & other instruments (real book with lyrics) of MEDIUM skill level. / country
Instantly printable sheet music by Steve Goodman for voice & other instruments (real book with lyrics) of MEDIUM skill level. / country
$3.97 ≈
3.66€
David Allan Coe: You Never Even Call Me By My Name - voice, piano or guitar
#
Piano, Vocal and Guitar
#
INTERMEDIATE
#
Country
#
David Allan Coe
#
Virtualsheetmusic
Instantly printable sheet music by David Allan Coe for voice, piano or guitar of MEDIUM skill level. / country
Instantly printable sheet music by David Allan Coe for voice, piano or guitar of MEDIUM skill level. / country
$6.97 ≈
6.42€
You Never Even Called Me By My Name by David Allan Coe - Piano/Vocal/Guitar
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Piano, Vocal and Guitar
#
David Allan Coe
#
You Never Even Called Me By My
#
Musicnotes
Sheet Music for You Never Even Called Me By My Name by David Allan Coe arranged for Piano/Vocal/Guitar in C Major. Digital sheet music from Musicnotes. ...
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Sheet Music for You Never Even Called Me By My Name by David Allan Coe arranged for Piano/Vocal/Guitar in C Major. Digital sheet music from Musicnotes.
$5.79 ≈
5.33€
You Never Even Called Me By My Name by David Allan Coe - Piano/Vocal/Chords, Singer Pro
#
Piano, Vocal and Guitar
#
David Allan Coe
#
You Never Even Called Me By My
#
Musicnotes
Performed by: David Allan Coe: You Never Even Called Me By My Name Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable dig...
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Performed by: David Allan Coe: You Never Even Called Me By My Name Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Chords;Singer Pro, instruments: Voice;Piano;Backup Vocals; 9 pages -- Country~~Country Folk~~Outlaw Country~~Progressive Country~~Traditional Country
$5.99 ≈
5.52€
Steve Goodman: You Never Even Call Me By My Name - guitar solo
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Steve Goodman
#
Virtualsheetmusic
Instantly printable sheet music by Steve Goodman for guitar solo of MEDIUM skill level.
Instantly printable sheet music by Steve Goodman for guitar solo of MEDIUM skill level.
$6.97 ≈
6.42€
The Story Of Reuben Clamzo & His Strange Daughter
The Story Of Reuben Clamzo & His Strange Daughter
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Choral TTBB
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EASY
#
Arlo Guthrie
#
Craig Hanson
#
The Story Of Reuben Clamzo & H
#
Edition Craig Hanson
#
SheetMusicPlus
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octa...
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99 ≈
3.67€
Three Latin Elegies to Lesbia
Three Latin Elegies to Lesbia
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Choral SATB
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INTERMEDIATE
#
Contemporary
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Mark D
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Three Latin Elegies to Lesbia
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Mark Templeton Choral Music
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SheetMusicPlus
Choir, SATB - Intermediate - Digital Download Composed by Mark D. Templeton. 21st Century, Contemporary Classical, Modern, Neo-Classical. Sheet Music...
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Choir, SATB - Intermediate - Digital Download Composed by Mark D. Templeton. 21st Century, Contemporary Classical, Modern, Neo-Classical. Sheet Music Single. 20 pages. Published by Mark Templeton Choral Music
Three LatinElegies to Lesbiais a setting of three poems written by the ancient Roman poet, Gaius ValeriusCatullus (84-54 B.C.E.). His muse in these poems is understood to beLesbia, the name believed to have been given by Catullus to his mistress.Lesbia was really Clodia, the sexually promiscuous wife of proconsul QuintusCaecilius Metellus Celer. Clodia was said to have many lovers, and Catullus’torment and obsession for her is well documented in 13 of his poems where thename, Lesbia, is used. His first poem addressed to Lesbia (Catullus 51) is a freetranslation of a poem by the ancient Greek poet, Sappho. Scholars havesuggested that Catullus chose the name, Lesbia, because of his affinity forSappho, who it is believed was a lesbian.
Odie et Amo (Catullus 85), one of the mostcelebrated elegiac couplets composed by Catullus, has inspired many composers withits duality of emotions. The most well-known setting is from Carl Orff’s Catulli Carmina, part of Trionfi, themusical triptych that also includes the Carmina Burana andTrionfo di Afrodite. Unlike Orff’s driving rhythms of outwardlyexpressive anguish, my setting is a more introspective interpretation. It is asif the music is surrendering to the mercurial personalities that Catullus andall humans possess, the tortured ability to hate and love at the same time.
Lesbia mi dicit semper male (Catullus 92) consists of two elegiaccouplets. Catullus’ earlier poem, 83,brings some context to 92. In thefirst part of 83, Catullus says:
Lesbia keeps insulting me in front of her husband:
thisfills the fatuous idiot with delight.
Mule, doyou perceive nothing? If she shut up and ignored me
that’dshow healthy indifference;…
In 92, Catullus expounds on the idea of whyLesbia insults him in front of her husband. Catullus reckons that he is alwayscursing her, and he loves her. She always curses him, so she must love him aswell. In his desperation, Catullus uses his wit and humor to reason that hisobsessive love for Lesbia is reciprocated. This setting of 92 uses incessant driving rhythms in the women’s voices to paint thewords, “Lesbia mi dicit semper male nec tacetumquam de me” (Lesbia always speaks ill of me, never shuts up about me). The repeating rhythmsreturn in the men’s voices when Catullus says he does the same, “quia sunt totidem mea: deprecor illamassidue” (…it’s the same with me: I’m continually complaining.) The piececomes to a final rest after Catullus realizes the he will always be cursed tolove her.
Mea Lesbia (Catullus 87) also consists of twoelegiac couplets. Catullus was only one of Lesbia’s many lovers, and he oftenwrote of his jealousy and disdain for her unfaithful actions. This elegy waswritten at a time when Lesbia had been particularly cruel toward Catullus.Despite being broken hearted, his obsession with her never waned. In hisdespair and desperation, he basically says, “My love for you is so great thatno other woman could possibly even know what love is.” This setting of 87 returns to a more introspectivenature where Catullus surrenders his love forever to Lesbia.
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4.59€
"Quincie", Quintet For Two Violins, Viola, Cello And Piano
"Quincie", Quintet For Two Violins, Viola, Cello And Piano
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Piano Quintet: piano, 2 violins, viola, cello
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ADVANCED
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Cello - Will Mace, Robert Asto
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"Quincie", Quintet For Two Vio
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Geraldine
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SheetMusicPlus
Piano Quintet Cello,Piano,Viola,Violin - Level 5 - Digital Download SKU: A0.1312666 By Cello - Will Mace, Robert Aston - Piano, Viola - Zoe Greenhalgh, a...
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Piano Quintet Cello,Piano,Viola,Violin - Level 5 - Digital Download SKU: A0.1312666 By Cello - Will Mace, Robert Aston - Piano, Viola - Zoe Greenhalgh, and Violins - Matthew Chadbond and James Warburton. By Geraldine (Denny) Green. 21st Century,Chamber,Classical,Contemporary. 222 pages. Geraldine (Denny) Green at Oakmountmusic #901515. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1312666). ALL PURCHASES COME WITH SCORE AND PARTSIn 4 movements – total duration 35 minutes.Quincie was written between July 2018 and January 2019. I had just begun receiving the main ideas for it when a pianist I know locally, Robert Aston, happened to ask me if I had written anything for piano and string quartet. I believe that Quincie “heard†this and that was the trigger and the door unlocking. Because the next thing I knew I was absolutely engulfed in the writing of this work for the next six months.Like all my works, this one is an emotional journey, and my own nickname for it is Quincie, The Comic Healer. Each movement tells a progressive story of the different stages of a journey through a long period of grief, illness, depression and chronic anxiety. The overall mood of the whole piece is extremely energetic, loving, warm, compassionate and audience friendly, and while there is some heart ache in the middle of the first movement, the work is also extremely comical and hilarious in its third and fourth movements. It has a great sense of slapstick humour alongside the deep ache of grief and unfathomable sadness. It is completely tonal and in a highly Romantic style.It has enjoyed the following performances:April 27th 2019 at the Triangle Church, Bolton BL1 5QP 7.30pm by the Pennine QuintetJune 1st 2019 at the Victoria Hall, Knowsley St. Bolton BL1 2AS at 1pm Lunchtime concert, by the Pennine QuintetJuly 7th 2019 at the Horwich Community Centre, Beaumont Rd, BL6 7BG at 2.45pm as part of the Horwich Music Festival.A great start for a brand new work! My gratitude to the Pennine Quintet and concert organizers is immense and not something I will ever forget. Thank you. The following performance was recorded and filmed at the Horwich Music Festival on July 7th 2019 and added to YouTube with permission of the Pennine Ensemble. Many many thanks.Very sadly, in June 2020, the pianist, Robert Aston, passed away from cancer. Without his wonderful support and encouragement this work never would have had even one performance let alone FOUR! Therefore, I have now fully dedicated this piece to Robert as the least I could do to thank him for all the wonderful music he gave so freely to Bolton, UK, over his lifetime. Thank you, Robert. You were FAB!!!
$75.00 ≈
69.06€
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