All site ▾
All site▾
Free sheet music
Sheet music books
Digital sheet music
Musical equipment
My account
(log-in)
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
Français
Free Sheet Music ▾
▽ INSTRUMENTS
ACCORDION
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET M…
BOOKS
BOUZOUKI
CELLO - VIOLO…
CHARANGO
CHOIR - VOCAL
CLARINET
CORNET
DOBRO - GUIT.…
DOUBLE BASS
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEORB
MANDOLIN
MARCHING BAND
MARIMBA
OBOE
ORCHESTRA - B…
ORGAN - ORGAO
OTHER INSTRUM…
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLA DA GAMB…
VIOLIN - FIDD…
XYLOPHONE
ZITHER
NEW ADDITIONS
|
GENRES
|
20th century
Afro-americans
Ballad
Baroque
Bluegrass
Blues
Brazilian/Choro
Celtic
Celebrations
Classical
Classical modern
Contemporary
National Anthems
Jazz
New age
Opera
Ragtime
Renaissance
Romantic
Sonata
Tango
Traditional
Waltz
Occitan song
Song
Chinese traditional
Ethnic
Klezmer
Flamenco
Folk
Japanese traditional
March
Medieval
Musette
Orientale
Pasodoble
French popular
Popular Dance
Reggae
Swing
Latin/World
INSTRUCTIONAL
:
Blank sheet music
Children
Dictionaries
Instructional methods
Music theory
Musicology
Rhythmic Solfege
Solfeges
Studies
SACRED
:
African Hymns
Chassidic
Christian
Christmas
Gospel
Gregorian
Israeli
Sacred Hymns
Wedding
DIFFICULTY
|
Beginner
Easy
Intermediate
Intermediate/advanced
Advanced
TOP DOWNLOADS
|
TOP DOWNLOADS
TOP 100 SOCIAL RANKING
COMPOSERS
|
Member composers
Historical composers
All composers
INSTRUMENTATIONS
|
SOLO
DUET
TRIO
QUARTET
QUINTET
ENSEMBLE
ALL
ADVANCED SEARCH
|
Digital Sheet Music
HOME
|
NEW ADDITIONS
|
PIANO
|
Piano sheet music
Piano solo
Piano, Voice, Guitar
Piano duet
Easy Piano
Piano Method
Methods
Studies
Organ sheet music
Organ solo
Organ duet
INSTRUMENTAL
|
Strings
Violin
Viola
Cello
Doublebass
Harp
Woodwinds
Flute
Clarinet
Oboe
Saxophone
Bassoon
Brass
Trumpet
Horn
Trombone
Tuba
Guitar
Guitar Tabs
Piano, Voice, Guitar
Bass
Folk
Accordion
Banjo
Dulcimer
Ukulele
Mandolin
Chamber music
String quartet
Wind quintet
Brass quintet
Handbells
ORCHESTRA
|
Concert Band
Jazz Ensemble
Jazz combo
Brass band
Marching band
Methods
Orchestra
String orchestra
CHOIR / VOICE
|
Choir
SATB
TTBB
SSAA
3-parts
2-parts
Voice
Piano, Voice, Guitar
Piano, Voice
Voice solo
Voice duet
GENRES
|
20th century
Asian
Bluegrass
Blues
Broadway / Musicals
Celtic
Christmas
Classical
Children
Country
Fingerpicking
Flamenco
Folk Rock
French songs
Funk
Gospel
Halloween
Instructional
Instructional - Studies
Jazz
Klezmer
Latin / World
Latin Pop
Medieval / Renaissance
Metal / Hard
Movie / TV
Movie Walt Disney
New Age
Patriotic
Pop
Reggae
Rock
Rock Alt.
Sacred / Church
Soul / Rap
Tango
Traditional
Video Game
Wedding / Love
CHRISTMAS
|
All Christmas
Christmas Piano
Christmas Guitar
Christmas Voice/Choir
Halloween
DIFFICULTY
|
Beginner
Easy
Intermediate
Intermediate/advanced
Advanced
Music Sheet Library ▾
HOME
|
NEW ADDITIONS
|
PIANO
|
Piano (all)
Beginner Piano
Easy Piano
Piano Solo
PVG
Best Sellers
New additions
GUITAR
|
Guitar (all)
Beginner Guitar
Easy Guitar
Guitar TAB
Guitar (without TAB)
Best Sellers
New additions
VOICE/CHORAL
|
Choral & Voice (all)
Solo voice
Choral 2-Part
Choral 3-Part
Choral SATB
Choral TTBB
Choral SSAA
Choral UNISON
Best Sellers
New additions
INSTRUMENTATIONS
|
BEST SELLERS
|
CHRISTMAS
|
GENRES
|
20th century
African
Asian
Bluegrass
Blues
Broadway / Musical
Celtic
Christmas
Classical
Country
Children
Eastern Europe
Exams
Fingerpicking
Flamenco
Folk Rock
French songs
Funk
Gypsy jazz
Gospel
Halloween
Instructional
Instructional - Studies
Instructional - Chords/Scales
Jazz
Klezmer
Latin / World
Latin Pop
Medieval / Renaissance
Metal
Movie / TV
Movie Walt Disney
New Age
Patriotic
Pop
Reggae
Rock
Rock Alternative
Sacred / Church
Soul / Rap
Tango
Traditional
Video Games
Wedding / Love
SECTIONS
|
ARTISTS
PUBLISHERS
CLASSROOM
GIFT IDEAS
BOOKS ABOUT MUSIC
PLAY-ALONG
ADV.SEARCH
Musical Equipment ▾
GUITAR
|
KEYBOARD
|
PERCU.
|
STUDIO
|
SOFT
|
PA
|
LIGHT
|
DJ
|
MIC
|
EFFECTS
|
WINDS
|
TRAD.
|
FLIGHT
|
CABLES
|
ACC.
|
GIFT
|
BRANDS
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
a thoughtful, brief
Not classified
8
Piano & keyboards
Piano solo
4
Easy Piano
1
Organ
1
Piano Trio: piano, violin, cello
1
Guitars
Voice
Choral 3-part
5
Choral SATB
3
Choral 2-part
2
Choral TTBB
1
Woodwind
Alto Saxophone and Piano
1
Flute and Piano
1
Bass Clarinet
1
Oboe, Piano (duet)
1
Soprano Saxophone and Piano
1
Clarinet and Piano
1
Alto Saxophone
1
+ 2 instrumentations
-
Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
1
French Horn and Piano
1
Trombone and Piano
1
Strings
Viola, Piano
2
String Quartet: 2 violins, viola, cello
1
Cello, Piano
1
Violin and Piano
1
Percussion & orchestra
Orchestra
3
Handbells
1
Brass ensemble
1
Others
Home
Best Sellers
New releases
Methods
Studies
Sellers
Sellers
Americans
At Musicnotes
At Sheetmusicplus
At Virtualsheetmusic
Europeans
At Tomplay
At Prof-Editions
At Note4piano
At Noviscore
At Quickpartitions
International artists list
French artists list
Top artists
Top artists
POP
Adele
Daft Punk
Avicii
Pharrel Williams
Bruno Mars
Lily Allen
Birdy
John Legend
Passenger
Emeli Sand�
Beatles
NEW AGE / CLASSICAL
Yiruma
Ludovico Einaudi
John Williams
Piazzolla
John Rutter
Dmitri Shostakovich
Benjamin Britten
Ennio Morricone
Paul Mealor
John Rutter
Eric Whitacre
John Tavener
Christmas
Halloween
Easter
Wedding
Sacred
FREE SHEET MUSIC
187,000+ free sheet music
SHEET MUSIC LIBRARY
1,500,000+ buy and delivery
DIGITAL SHEET MUSIC
2,000,000+ buy and print
MUSICAL INSTRUMENTS
200,000+ buy and delivery
Sheet Music Membership ($37.75/year)
Digital sheet music, access after purchasing
Post mailing
Digital sheet music
Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
INSTRUCTIONAL : CHOR…
INSTRUCTIONAL : METH…
INSTRUCTIONAL : STUD…
JAZZ
JAZZ GYPSY - SWING
JEWISH - KLEZMER
LATIN - BOSSA - WORL…
LATIN POP ROCK
MEDIEVAL - RENAISSAN…
METAL - HARD
MOVIE (WALT DISNEY)
MOVIE - TV
MUSICALS - BROADWAYS…
OLD TIME - EARLY ROC…
OPERA
PATRIOTIC MUSIC
POLKA
POP ROCK - CLASSIC R…
POP ROCK - MODERN - …
POP ROCK - POP MUSIC
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
VIDEO GAMES
WEDDING - LOVE - BAL…
WORSHIP - PRAISE
Relevance
Best sellers
Prices - to +
Prices + to -
New releases
A-Z
skill (all)
beginner
easy
intermediate
avanced
expert
Sellers (all)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
with audio
with video
with play-along
You've selected:
a thoughtful, brief
Sheetmusic to print
46 sheet music found
<
1
26
I Gave My Love a Cherry
I Gave My Love a Cherry
#
Choral SATB
#
Victor C Johnson
#
I Gave My Love a Cherry
#
Heritage Music Press
#
SheetMusicPlus
SATB choir, Piano - Digital Download SKU: LX.15-3781H The Riddle Song. Arranged by Victor C Johnson. General. Octavo. 8 pages. Heritage Music Pres...
(+)
SATB choir, Piano - Digital Download SKU: LX.15-3781H The Riddle Song. Arranged by Victor C Johnson. General. Octavo. 8 pages. Heritage Music Press #e15/3781H. Published by Heritage Music Press (LX.15-3781H). ISBN 9780787770303.A cherry when it's blooming, it has no stone. A chicken when it’s pipping, it has no bone. The baby when it's sleeping has no cryin'. And when I say I love you, it has no end. The simple beauty of this Appalachian lullaby shines through Victor Johnson's sensitive setting. With lovely choral and piano writing throughout and a brief unaccompanied middle section, this piece features plenty of teaching opportunities for nuanced expression and thoughtful phrasing.
$2.40 ≈
2.16€
Prelude on St. Agnes ('Jesus, the Very Thought of Thee')
Prelude on St. Agnes ('Jesus, the Very Thought of Thee')
#
Organ
#
EASY
#
John Burkett
#
John Burkett
#
Prelude on St. Agnes
#
John Burkett
#
SheetMusicPlus
Organ - Level 2 - Digital Download SKU: A0.1347300 Composed by John Burkett. Arranged by John Burkett. Classical,Sacred. Score. 5 pages. John Burkett #93...
(+)
Organ - Level 2 - Digital Download SKU: A0.1347300 Composed by John Burkett. Arranged by John Burkett. Classical,Sacred. Score. 5 pages. John Burkett #932107. Published by John Burkett (A0.1347300). This arrangement of the hymn tune St. Agnes (Jesus, the Very Thought of Thee) is a relatively simple setting that requires only a two-manual organ and modest playing ability. A 12-bar introduction sets the mood. Each phrase of the tune then appears, each separated from the next by a brief interlude. Just as the piece seems to reach its conclusion, the final cadence is evaded and a second rendition of the melody is heard in another key. I have provided a full-length recording to aid the prospective buyer in the decision-making process. I encourage you to search the Sheet Music Plus or the Sheet Music Direct website for other hymn arrangements of mine, some for organ and others for piano.
$8.00 ≈
7.22€
Canzon Quarti Toni a 15 - No. 185
Canzon Quarti Toni a 15 - No. 185
#
Brass ensemble
#
INTERMEDIATE/ADVANCED
#
Classical
#
Giovanni Gabrieli
#
Randy A
#
Canzon Quarti Toni a 15 - No.
#
Randy A. Steinberg
#
SheetMusicPlus
Brass Ensemble - Level 4 - Digital Download SKU: A0.870421 Composed by Giovanni Gabrieli. Arranged by Randy A. Steinberg. Baroque. Score and parts. 62 pa...
(+)
Brass Ensemble - Level 4 - Digital Download SKU: A0.870421 Composed by Giovanni Gabrieli. Arranged by Randy A. Steinberg. Baroque. Score and parts. 62 pages. Randy A. Steinberg #2069105. Published by Randy A. Steinberg (A0.870421). Giovanni Gabrieli was no mere composer. He was an event. The figure at the nexus of many things all coming together in one grand tide. The greatest church in the greatest city of Europe. Freedom of intellectual thought. A Venetian School of composers at the forefront of musical innovation. The printing press and musical publishing. A Doge (Chief Magistrate or Duke) willing to spend, and spend big, on musical pomp and ceremony. A dearth of wealth and money to fund the grandest celebrations. He was the leading Italian composer and organist in Venice at its greatest heights at the chasm between the end of the Renaissance and the beginning of the Baroque period in music. Presented here is a large Canzona published around 1597 for 15 brass in 3 choirs. A variety of substitute parts are also included to handle trombone parts with Bb trumpets and F Horns. One of Gabrieli’s more beautiful and triumphant works, this piece starts out with a somber harmonic display that soon turns major alternating between the choirs. A brief chanson-like dance interlude then leads to the triumphant finale. A great work that displays the full harmonic range of the brass with many of Gabrieli’s typical antiphonal effects.
$20.00 ≈
18.04€
Building a Hypercube (for Brass Quintet)
Building a Hypercube (for Brass Quintet)
#
Brass Quintet: 2 trumpets, horn, trombone, tuba
#
ADVANCED
#
Dr
#
Building a Hypercube
#
https://gildedmusicpress.com/
#
SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1158195 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Film/TV,Instruc...
(+)
Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1158195 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Film/TV,Instructional. 41 pages. Https://gildedmusicpress.com/ #758471. Published by https://gildedmusicpress.com/ (A0.1158195). A hypercube is a theoretical cuboid-like fourth-dimensional object. In an attempt to explain spatial dimentions, I created an 18-minute video presentation titled “Dimensions Unfurled†exposing some initial fallacies of common thought, which can be seen on YouTube. All of the music for the above-mentioned video is original. There are two trumpet duets in the section that depicts a hypercube net folding into a hypercube model, starting at 13’20†and 14’51, respectively. Both duets are published in a collection titled “Fifteen-Course Dinner for Two†(available through Gilded Music Press). The two duets share thematic material, and are combined and greatly expanded for this present major six-minute work for brass quintet, “Building a Hypercubeâ€. The first short duet, “Drawing a Hypercube Netâ€, is presented as the quintet’s introduction, quite faithfully to the original, shared through five parts with harmonic expansion. The material from the second duet is essentially unadulterated starting at measure 27, spanning through measure 70 (up to letter D). From there, the development of thematic material is extensive and interesting, morphing into Escher-types of additional themes and melodies, many of which overlap and intertwine in a fascinatingly complex manner. This unsettling compositional style is indicative of years of profound pondering to fathom the mysterious matter of the fourth spatial dimension. Musically the piece is motivically and thematically unified. All the parts share in the rhythmic complexity fitting for the ponderous topic. The form is roughly sonata form with an introduction and coda, though the recapitulation (Del Segno) occurs in its original key. The majority of the piece (about three minutes, almost exactly half) is the symbolically explorative development section, from D to O. A point of interest: in spite of the piece’s high harmonic rhythm, the introduction is diatonically modal (G Mixolydian). The exposition, after a brief building transition, shifts to the relative D Dorian mode. The lengthy development section shifts tonal centers throughout, visiting various major and minor keys. Beginning at letter O, modality returns for a smooth transition into the recapitulation. The piece ends with an exhilarating coda.
$29.95 ≈
27.01€
Once Upon a Time
Once Upon a Time
#
Piano solo
#
INTERMEDIATE
#
Damien Gauci
#
Once Upon a Time
#
Damien Gauci
#
SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1495478 By Damien Gauci. By Damien Gauci. Classical,Contemporary. Score. 4 pages. Damien Gauci #1071995. ...
(+)
Piano Solo - Level 3 - Digital Download SKU: A0.1495478 By Damien Gauci. By Damien Gauci. Classical,Contemporary. Score. 4 pages. Damien Gauci #1071995. Published by Damien Gauci (A0.1495478). This track sets the scene for the whole album, a short but exciting story about the adventure of the curious squirrel named Whiskers. The title of this piece is a cliché for fairy tales but I thought it would fit for this album as the idea of the album is a bit of a fairy tale, or somewhat of a magical story.The piece encapsulates the entire story from beginning to end, a kind of foreshadowing of what is to come. It begins with a slow but curious melody reflecting the curious nature of Whiskers and then the melody becomes more active as things begin to escalate. It then takes a turn into a very active melody with lots of movement as the story reaches its climax. Finally, the melody returns to the original motif that we heard at the start which leaves the door open for the rest of the story. We had a brief look into what is to come, but we are yet to actually start the story.
$6.00 ≈
5.41€
Be Thou My Vision
Be Thou My Vision
#
Choral 2-part
#
EASY
#
Nicole Doran
#
a thoughtful, brief
#
Be Thou My Vision
#
Nicole E Doran
#
SheetMusicPlus
Choral Choir (SA) - Level 2 - Digital Download SKU: A0.968674 Arranged by Nicole Doran. 20th Century,Christian,Graduation,Holiday,Instructional. Octavo. ...
(+)
Choral Choir (SA) - Level 2 - Digital Download SKU: A0.968674 Arranged by Nicole Doran. 20th Century,Christian,Graduation,Holiday,Instructional. Octavo. 2 pages. Nicole E Doran #6444339. Published by Nicole E Doran (A0.968674). This arrangement for 2 voices and violin allows musicians to embrace the classic theme of worshiping Christ. It has a thoughtful, brief solo violin introduction, clarity of expression on 2 verses and features a round on the final verse and a ending solo from the violin that settles the beauty of the prayer deep in your soul and the name of the tune commemorates the hill where St Patrick lit an Easter fire. .
$2.16 ≈
1.95€
Concerto for Trombone and Piano accompaniment (piano reduction)
Concerto for Trombone and Piano accompaniment (piano reduction)
#
Trombone and Piano
#
ADVANCED
#
Cherry Classics Music
#
John, W
#
Concerto for Trombone and Pian
#
Gordon Cherry
#
SheetMusicPlus
Piano,Trombone - Level 5 - Digital Download SKU: A0.810983 Composed by Cherry Classics Music. Arranged by John, W., and Ware. 20th Century,Contemporary. ...
(+)
Piano,Trombone - Level 5 - Digital Download SKU: A0.810983 Composed by Cherry Classics Music. Arranged by John, W., and Ware. 20th Century,Contemporary. Score and part. 63 pages. Gordon Cherry #4601711. Published by Gordon Cherry (A0.810983). This fine work has sat dormant for many years and has now come to light thanks to the efforts of Charlie Vernon, Bass Trombonist of the Chicago Symphony, who performed this virtuoso work as a young performer. The concerto is in the standard three movement form: Fast, slow, fast. This publication is a reduction from the original orchestral version (to be released at some point in the future). Here is a description of the Concerto by the composer, John W. Ware. I started on the trombone concerto in my junior year studying composition at Indiana University. While working on it, I learned of an opportunity to make it sort of a thesis piece (though students didn't write a thesis in composition while an undergrad). The original version was for trombone with string orchestra, and it was performed by the IU String Orchestra, conducted by Dr. Arthur Corra, with Robert Priez, trombone, as part of my senior composition recital. I thought the performance was quite good (Priez played extraordinarily well), and the piece received a newspaper review in the Indiana Daily Student, in which the reviewer wrote that the work was almost too exciting. I thought at the time that he had given me and my music a fine compliment. I made a piano version of the accompaniment, shortening and tightening the first movement, for performances in 1966; I made a second revision in 1967 for a performance by E. J. Eaton, trombonist at the University of Tennessee at Martin, arriving at the form in which the work exists now. The first movement is in fairly normal sonata-allegro form, in the key of A minor. It alternates between assertive and more thoughtful moods. There is no introduction; the soloist enters immediately and dominates much of the movement. The main theme is--by some manipulation--a source for most of the other themes, and all of the themes are used in close proximity to each other, including contrapuntal combinations, especially near the end. Originally the movement included a lengthy fugato, now much shortened and including a stretto that builds and subsides before a cadenza leading to a coda based on both the principal and secondary themes. Key relations in this movement, as in the other two, are quite free and often chromatic, with frequent third-relations; but returns to the tonic at the end are emphatic. The writing is challenging for both soloist and accompanist; the piece is substantial, requiring technique and stamina. The second movement is in F minor and is also built on both contrast and close relationships between the main and secondary themes. The main theme is heard in the piano part before the soloist enters. The mood is more lyric than in the first movement, but with dramatic episodes also. In this movement are some definite derivations from themes in the first movement. The ending is a sort of lengthened shadow of the opening. The finale returns to A minor, with themes slightly related to polonaise rhythms, but with strong echoes of first-movement themes. Here, too, dramatic and lyric episodes alternate, with dotted rhythms frequently propelling the music forward. The introduction is a brief and simple preparation for the solo entry. Later in the movement, a very brief, slightly slower section is soon overtaken by the original tempo. Toward the end, there is a second cadenza, again leading to a swift and energetic coda. The work is about 20 minutes in length and is appropriate for advanced performers.
$35.00 ≈
31.57€
Chevalier De Sangreal
Chevalier De Sangreal
#
Orchestra
#
ADVANCED
#
Hans Zimmer
#
John Langley / Studio Orchestr
#
Chevalier De Sangreal
#
www.studio-orchestrations.com
#
SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1430275 Composed by Hans Zimmer. Arranged by John Langley / Studio Orchestrations. Classical,Contempo...
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.1430275 Composed by Hans Zimmer. Arranged by John Langley / Studio Orchestrations. Classical,Contemporary,Film/TV,Religious,Thriller. 102 pages. Www.studio-orchestrations.com #1010904. Published by www.studio-orchestrations.com (A0.1430275). From the 2006 Ron Howard film adaptation of Dan Brown's The Da Vinci Code, this track is taken from the soundtrack which underscores the final late night walk by Robert Langdon (played by Tom Hanks) through the streets of Paris to (possibly and hopefully) conclude his long and testing quest to seek the Holy Grail. No spoilers however. If you've not seen it, then add it to your playlist!The film's soundtrack evokes great emotion throughout and whatever criticisms there may have been over the years about the book, the story, the film etc.. this is definitely one of Hans Zimmer's finest emotional and thought provoking soundtrack scores, drawing from a huge range of musical influences, from the big symphonic oceanic sounscapes to the intimate vocal solo and choral plainchant that are peppered throughout the score. It is an example of how a soundtrack can really make a massive difference to what some might describe glibly as a popcorn movie.Very much like Time in Inception Zimmer takes a relatively simple harmonic and melodic trope and adds layers of melodic counter melody and rhythmic building to create an awe inspiring and (let's face it BIG!) climax, supporting the narrative of the film and story but also creating music that can be taken away from the cinematic experience and enjoyed for its own sake.This orchestration emulkates as closely as possible the soundtrack. Some licence has been taken with the addition of 2 Trumpets which build the climax with the upper strings. SATB choir is also scored as per the original soundtrack but optional as it is mostly covered by orchestral instruments and is also a very brief appearance but - at least for the sopranos - extremely challenging for anyone apart from a professional specialist choral ensemble. The synth section of the keyboard part in the opening pages can also be optional, adding some background sounds that Zimmer is so renowned for (this may be beyond the budget of some performing groups we appeciate). However the piano cues later in the piece are highly desirable as they add a percussive support to the strings.We commend this score to anyone buidling a program of film music for their orchestral event, particularly if you are wishing to include some more modern concert ideas, and in particular a Hans Zimmer classic.INSTRUMENTATON:2 Flutes2 Oboes2 Clarinets2 Bassoons1 Contra-Bassoon (Optional)4 Horns2 Trumpets3 Trombones1 TubaTimpani2 Percussion[Cymbals/Suspp.Cymbal/Bass Drum/Tubular Bells]KeyboardSATB Choir [Optional]Strings.
$150.00 ≈
135.29€
Valsarín [piano solo]
Valsarín [piano solo]
#
Piano solo
#
INTERMEDIATE
#
Juan MarÃa Solare
#
Valsarín [piano solo]
#
Juan Maria Solare
#
SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.596565 Composed by Juan MarÃa Solare. 20th Century,Holiday,Instructional,Love,Wedding. Score. 7 pages....
(+)
Piano Solo - Level 3 - Digital Download SKU: A0.596565 Composed by Juan MarÃa Solare. 20th Century,Holiday,Instructional,Love,Wedding. Score. 7 pages. Juan Maria Solare #4628435. Published by Juan Maria Solare (A0.596565). ValsarÃn * a piano waltz by Juan MarÃa Solare Description: A haunting waltz for solo piano with classical influences. Gentle and sweet, without agressive sounds. Featured in the CD Tango Monologues by Juan Maria Solare (http://www.juanmariasolare.com/CD_tango_monologues.html). On Spotify: https://play.spotify.com/track/5eTqWEWqDq3YU9uwehTsoW Also on Youtube: https://youtu.be/9bvzV7Nx7jQ Sounds like / for fans of: Frederic Chopin, Erik Satie, Franz Liszt, Maurice Ravel, George Gershwin, Pyotr Ilyich Tchaikovsky. Main genre: classical. Secondary genres: 20th Century (1920-present), Acoustic Underscores, Adult Contemporary, Easy Listening, Elevator, Impressionistic (1900-1920), Latin Pop, Lounge, Neo-Classical, Romantic (1820-1900), South American, Tango, Underscore, Waltz, World Music Moods Blissful, Calm, Content, Elegant, Emotional, Ethereal, Happy, Haunting, Heartwarming, Hopeful, Innocent, Inspired, Light, Lonely, Melancholy, Mellow, Mysterious, Optimistic, Passive, Peaceful, Playful, Positive, Reflective, Relaxed, Romantic, Sad, Sedate, Seductive, Serene, Sexy, Spiritual, Thoughtful, Uplifting, Worried Brief analysis - Theme A in C, upbeat - Theme B in A, on the beat - Theme C in E, after the beat Thus, the keys of the themes are in tird relationship (to both sides of the central key, C major). And the rhythms of each theme present complementarity.
$2.50 ≈
2.25€
Six Easy Duos, No. 1, Op. 50, Mvt. 2
Six Easy Duos, No. 1, Op. 50, Mvt. 2
#
Classical
#
Jacques Offenbach
#
Wendy Hellmann
#
Six Easy Duos, No. 1, Op. 50,
#
Gwendolyn Hellmann
#
SheetMusicPlus
Double Bass,Instrumental Duet,Viola - Level 3 - Digital Download SKU: A0.1465716 Composed by Jacques Offenbach. Arranged by Wendy Hellmann. Classical. 4 ...
(+)
Double Bass,Instrumental Duet,Viola - Level 3 - Digital Download SKU: A0.1465716 Composed by Jacques Offenbach. Arranged by Wendy Hellmann. Classical. 4 pages. Gwendolyn Hellmann #1044325. Published by Gwendolyn Hellmann (A0.1465716). This is the second movement of six easy duets by Jacques Offenbach. Originally written for two cellos, it has been arranged for viola and double bass. The bass part requires shifting to 3rd position, while the viola part can be played entirely in 1st position. There is one brief key change from E minor to E Major. Thoughtful bowings and phrasings have been included. This is a wonderful duet for students looking for something fun to do together, and will certainly help with rhythm, intonation, and ensemble! The PDF download contains both a full score and a set of individual parts - Viola and Bass. All individual parts have been formatted on a single page to avoid any page turns.
$2.99 ≈
2.70€
Six Easy Duos, No. 1, Op. 50, Mvt 3
Six Easy Duos, No. 1, Op. 50, Mvt 3
#
Classical
#
Jacques Offenbach
#
Wendy Hellmann
#
Six Easy Duos, No. 1, Op. 50,
#
Gwendolyn Hellmann
#
SheetMusicPlus
Double Bass,Instrumental Duet,Viola - Level 3 - Digital Download SKU: A0.1466084 Composed by Jacques Offenbach. Arranged by Wendy Hellmann. Classical. 8 ...
(+)
Double Bass,Instrumental Duet,Viola - Level 3 - Digital Download SKU: A0.1466084 Composed by Jacques Offenbach. Arranged by Wendy Hellmann. Classical. 8 pages. Gwendolyn Hellmann #1044684. Published by Gwendolyn Hellmann (A0.1466084). This is the third movement of six easy duets by Jacques Offenbach. Originally written for two cellos, it has been arranged for viola and double bass. The bass part requires shifting to 3rd position, while the viola part can be played entirely in 1st position. There is one brief key change from G Major to G minor. Thoughtful bowings and phrasings have been included. This is a lively and fun duet for students, and will certainly help with rhythm, intonation, and ensemble!The PDF download contains both a full score and a set of individual parts - Viola and Bass. Each individual part has been formatted on 2 pages.
$2.99 ≈
2.70€
Ambrosia 27 for String Quartet & Vibraphone
Ambrosia 27 for String Quartet & Vibraphone
#
Celebrity Chamber Players
#
Ambrosia 27 for String Quartet
#
Father Ambrose Press
#
SheetMusicPlus
Small Ensemble Cello,Vibraphone,Viola,Violin - Level 5 - Interactive Download SKU: A0.1083200 By Celebrity Chamber Players. By Marshall Thomas. This edit...
(+)
Small Ensemble Cello,Vibraphone,Viola,Violin - Level 5 - Interactive Download SKU: A0.1083200 By Celebrity Chamber Players. By Marshall Thomas. This edition: Interactive Download. Classical,Film/TV. Score and parts. 12 pages. Duration 71. Father Ambrose Press #2jkD2Jb8JTIIXTEGOvWf01. Published by Father Ambrose Press (A0.1083200). Key: G major.A brief, classic Thomas confection that, when paired with other string quartet works, can transport audiences out of the semblance of casual listening to a transforming experience that can transfix hearts and minds into attentive lovers or tolerators of the many thoughtful musical arcs expressed in canon form...
$17.00 ≈
15.33€
Holy God Medley (for 4 and 5 octave handbell choirs)
Holy God Medley (for 4 and 5 octave handbell choirs)
#
Handbells
#
EASY
#
Sacred music
#
William B
#
G
#
Holy God Medley
#
Gary Ray Adkison
#
SheetMusicPlus
Handbell - Level 2 - Digital Download SKU: A0.953727 Composed by William B. Bradbury and John B. Dykes. Arranged by G. R. Adkison. Christian,Sacred. Scor...
(+)
Handbell - Level 2 - Digital Download SKU: A0.953727 Composed by William B. Bradbury and John B. Dykes. Arranged by G. R. Adkison. Christian,Sacred. Score. 5 pages. Gary Ray Adkison #14257. Published by Gary Ray Adkison (A0.953727). Holy God Medley is a medley of the Christian hymns: He Leadeth Me, O Blessed Thought and Holy, Holy, Holy arranged for 4-5 octave handbell choirs. It starts with a two measure introduction, followed by He Leadeth Me, O Blessed Thought. This is fairly up-tempo, with a surprise modulation going into the chorus. In the chorus, there are bass runs, a brief descant line, and doubling of the melody into the high bells. There are then two verses of Holy, Holy, Holy. The first verse is slow and is in ¾ time, instead of the normal common meter. It is also soft and *very* plain, as a setup for the last verse, which is faster, and grows in volume to the end, with much fuller chords, and uses the normal common meter that the original hymn uses. There is another surprise modulation halfway through this verse. Very full chords are used, with a brief bass clef downward arpeggio in the next to last measure, to emphasize the ending. The first verse of Holy, Holy, Holy can be performed with handchimes, if desired, although the arrangement is not scored as such. The audio demonstration clip provided is in a piano voice (patch) but suffices to demonstrate how this arrangement is generally meant to sound. I believe that this is probably a 2+ (2 plus) arrangement in degree of difficulty.
$2.50 ≈
2.25€
20,000
20,000
#
Alto Saxophone
#
ADVANCED
#
Contemporary
#
Sy Brandon
#
20,000
#
Sy Brandon
#
SheetMusicPlus
Alto Saxophone Solo - Level 5 - Digital Download SKU: A0.755094 Composed by Sy Brandon. 20th Century,Concert,Contemporary. Individual part. 10 pages. Sy ...
(+)
Alto Saxophone Solo - Level 5 - Digital Download SKU: A0.755094 Composed by Sy Brandon. 20th Century,Concert,Contemporary. Individual part. 10 pages. Sy Brandon #3381815. Published by Sy Brandon (A0.755094). Based on Jules Verne’s 20,000 Leagues Under the Sea I. A Shifting Reef – This movement depicts the Nautilus as an unknown phenomenon that is a threat to navigation. Some mariners thought it was a sea monster and others thought it was a shifting reef. No one could conceive that it was a boat capable of traveling under water. The music is ever changing throughout this movement. It constantly shifts tonality, melodic ideas, and rhythmic placement of motives. Although some ideas repeat, they are transformed by combining them in different patterns with other previously stated ideas. II. A Walk at the Bottom of the Sea Through a Submarine Forest – Circular breathing is used at the beginning and the end of this movement to represent an undersea walk. The musical material appears in reverse at the end representing a return to the Nautilus. The lighter middle section represents walking over a more rocky terrain. The multiphonics symbolize the wonders of the submarine forest. III. The Giant Squids – The giant squids have surrounded the Nautilus and have caused the propeller to jam. In order to free themselves, Captain Nemo, his crew, Professor Aronnax, Conseil, and Ned Land do battle with the squids. This energetic scherzo reflects on the dangers of the battle. Several screams are heard as the squids entangle Ned Land and other crewmembers. The short multiphonics and syncopations represent the men chopping away and the arms of the squid. At the end, the Nautilus finally frees itself after the loss of one life. IV. Trapped Near the South Pole – After discovering the South Pole, the Nautilus is returning to open waters when it is caught between the polar icecap and iceberg that flips over. The tremolos reflect the doom of the Nautilus as only two days of air supply remain. The only means of escape is to chop through the ice below the Nautilus. The staccato notes represent the crew members hacking away at the ice. When that fails, Captain Nemo tries to melt the ice by expelling hot water from the Nautilus. This is represented by the saxophonist blowing air through the saxophone and wiggling the keys. A sense of doom returns that is followed by a final attempt of the Nautilus to crash through the remaining ice. A triumphant ending reflects the success of this attempt. V. The Maelstrom – As Professor Aronnax, Conseil, and Ned Land attempt their escape from the Nautilus, the ship enters the feared maelstrom, a vortex off the coast of Norway where no ship has escaped. The swirling waters are represented by the triplet passages and the escape by the duplet passages. An epilogue using the doom music of the previous movement suggests the end of the Nautilus but a brief return to a slower version of the Shifting Reef motive perhaps suggests otherwise
$4.99 ≈
4.50€
Peace, Perfect Peace - TTBB
Peace, Perfect Peace - TTBB
#
Choral TTBB
#
EASY
#
Phil Beaman
#
Peace, Perfect Peace - TTBB
#
Phil Beaman
#
SheetMusicPlus
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.844467 Composed by Phil Beaman. 20th Century,Multicultural,New Age,World. Octavo. 1 pages. Phil ...
(+)
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.844467 Composed by Phil Beaman. 20th Century,Multicultural,New Age,World. Octavo. 1 pages. Phil Beaman #3387107. Published by Phil Beaman (A0.844467). Many years ago I was on a judging panel to select winning song entries to mark the United Nations World Peace Celebration. I remember being quite disappointed in the majority of entries because the lyrics proceeded to list all the current world conflicts and their proposed solutions. It made for overly long, and ultimately boring, songs. I was haunted by those entries when I went home that night. I lied in bed and thought all I wanted to hear was.... Finally, at a sleepless 2 a.m., I got up and went to the piano and wrote this piece as a response to that. (That line from my tortured dream; all I ever wanted even made it into the song.). I set it for TTBB voices to provide a closer, tighter harmony to indicate the brotherhood I was dreaming of. Its simplicity and extreme brevity are no doubt knee jerk reactions to the long, boring pieces I heard all day. This piece has been in my drawer for two decades because I thought it was too brief to be of any practical value for anyone, but all attempts I made to lengthen it seemed to spoil it. But it remains one of my favorite and most passionate pieces that I have written, so I have decided to post it 'as is' and let you creative types decide how to use it. Enjoy!. (recording is a simple piano reduction of the voice parts to show harmonies and progressions)
$1.99 ≈
1.79€
Etude in C, Le Couppey-Nolte
Etude in C, Le Couppey-Nolte
#
Piano solo
#
ADVANCED
#
Eric Paul Nolte and Felix Le C
#
Eric Paul Nolte
#
Etude in C, Le Couppey-Nolte
#
Eric Paul Nolte
#
SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.987083 Composed by Eric Paul Nolte and Felix Le Couppey. Arranged by Eric Paul Nolte. Contemporary,Instru...
(+)
Piano Solo - Level 5 - Digital Download SKU: A0.987083 Composed by Eric Paul Nolte and Felix Le Couppey. Arranged by Eric Paul Nolte. Contemporary,Instructional. Score. 5 pages. Eric Paul Nolte #1954995. Published by Eric Paul Nolte (A0.987083). This piece is a free adaptation and a complete reworking of a study by Felix Le Couppey (1811-1887), from his L'Agilité, Opus 20, 25 Progressive Studies for Mechanism and Light Touch. In its original form, this study was a charming little piece of musical fluff. But getting it up to speed reduced me to tears! It also gave me an epiphany of immense power that transformed my technique. Suddenly I could play faster than I had ever thought possible, and I could do so with a thrilling ease! This epiphany emerged from the spluttering frustration I felt over my inability to play these sixteenth notes at Le Couppey's metronome marking of 144. It dawned on me that I couldn’t play fast enough because I was tripping over my own fingers when I used the overly articulated technique of moving the fingers by the lift, throw, relax method. This superfluous motion creates an impenetrable barrier, a speed wall, as does playing legato scales by passing the thumb under the palm, when shifting hand position up and down the keyboard. So I found another way-which I’ve since learned was known to every pianist who ever achieved prodigious speed. Here’s how to bring this piece up to speed with ease: Be sure to practice this piece with each hand alone. For each group of sixteenth notes, gently place the four fingers down simultaneously, to get the feel. Think of your arm, from elbow to fingertips, as something like a kitchen utensil, such as a spatula. Moving your right arm as a unit, place your finger tips down into the key bed, depressing all four notes at once, as a block chord. Make sure that all the fingers remain stiff (not rigid with tension, but just stiff enough to resist collapsing upwards.) Slowly lift and then play each group by placing all the fingers down with a rotation of your forearm, calm and relaxed, with the fingers rolling through the notes at the speed of a brief snare drum roll: Rrrrip! To rip through this group of notes like this takes no more effort than to place those four fingers down, calmly, all at once! Then, with a quick shift up or down the keyboard to get into position for the next group, that’s the whole trick for playing such passages with astonishing speed and ease! It takes time and effort to get the knack here, but the result can be transformative and thrilling! As for my adaptation of this study, I believe it offers intermediate advanced players the chance to enjoy a great leap in technique like the one I experienced, and also offers a piece of music that one might not blush to play outside the practice room-perhaps bringing it at least into the living room for a soirée, if not into the concert hall. To make this adaptation, I wrote a grumbly bass line with lungs, and nice fat chords to flesh out most of the skinny little triads that accompany the original study’s fast passages. I added a brooding, chromatic introduction that features as a melody the accompanimental figure of a broken triad that Le Couppey wrote a few times on the second page, in various inversions. I employed this broken chord figure several more times in both hands, and also added a little coda, sprinkled with sparkle. Playing time is about 1 minute and 30 seconds.
$3.99 ≈
3.60€
Nocturne for Orchestra
Nocturne for Orchestra
#
Orchestra
#
INTERMEDIATE
#
Contemporary
#
Madelyn Byrne
#
Nocturne for Orchestra
#
Madelyn Byrne
#
SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.986832 Composed by Madelyn Byrne. Contemporary. Score and parts. 18 pages. Madelyn Byrne #2003237. Pu...
(+)
Full Orchestra - Level 3 - Digital Download SKU: A0.986832 Composed by Madelyn Byrne. Contemporary. Score and parts. 18 pages. Madelyn Byrne #2003237. Published by Madelyn Byrne (A0.986832). Nocturne for Orchestra began as a piece that would celebrate the 400th Anniversary of Galileo’s telescope while using a musical language that would be in keeping with a program of American music. I thought that The Unanswered Question by Ives, and the emotional depth and poignancy of much of Copland’s music, would be a perfect compliment to a tribute to Galileo. But then two friends passed away and the piece turned into a tribute to them, with the night sky and the Unanswered Questions that surround us creating a consoling environment for this effort. The songlike themes of Nocturne grow out of my journey from mourning the premature deaths of my friends to celebrating their rich and vibrant lives. Section A is the dreamlike introductory section, B is a transition to the song-like section, and C is where the songlike themes are stated outright. D is a development section, E is an interruption - returning to the dreamlike music, F merges the dream music with the thematic material, G is the expressive high point of the piece and is articulated by the violin and cello solos. The remaining sections are intended to convey freedom and celebration. This is followed by a brief coda.
$10.00 ≈
9.02€
The Perfect Pairing
The Perfect Pairing
#
Valerie Eve Gregg
#
The Perfect Pairing
#
Valerie Eve Gregg
#
SheetMusicPlus
Digital Download SKU: A0.1380692 By Valerie Eve Gregg. By Valerie Eve Gregg. Historic,Instructional,Multicultural,Singer/Songwriter,Traditional,World. Ed...
(+)
Digital Download SKU: A0.1380692 By Valerie Eve Gregg. By Valerie Eve Gregg. Historic,Instructional,Multicultural,Singer/Songwriter,Traditional,World. Educational Exercises. 40 pages. Valerie Eve Gregg #965473. Published by Valerie Eve Gregg (A0.1380692). The Perfect Pairing occurs when music students study an instrument and are encouraged to compose their own music regularly. They can apply the theory and technique they have been learning in their music lessons to composing. The Perfect Pairing is the perfect tool for teachers to easily integrate simple and short music composition assignments into their students’ lessons. This workbook contains listening sheets and composition exercises. The listening sheets contain a brief introduction to a musical element, an overview of a composer, and a suggested composition to listen to. The composition sheets contain a project for students where they write 4-8 measures of music from a focused story, thought, vision, or idea. They use the musical elements they have been learning to write their composition. When your student composes music, the teaching opportunities will open up as they ask questions regarding music theory, notation, and methodology. You will also gain insight into your student’s level of music comprehension when they show you their composition. Remember that anyone can be a composer! The journey does not need to start with a masterpiece, just a start!
$49.00 ≈
44.20€
Haydn's Sonata in E Minor
Haydn's Sonata in E Minor
#
Orchestra
#
INTERMEDIATE/ADVANCED
#
Classical
#
Fabio Henrique Teles Martins
#
Fabio Henrique Teles Martins
#
Haydn's Sonata in E Minor
#
Fabio Dentello
#
SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1152147 By Fabio Henrique Teles Martins. By Franz Joseph Haydn. Arranged by Fabio Henrique Teles Mart...
(+)
Full Orchestra - Level 4 - Digital Download SKU: A0.1152147 By Fabio Henrique Teles Martins. By Franz Joseph Haydn. Arranged by Fabio Henrique Teles Martins. Classical. Score and Parts. 104 pages. Fabio Dentello #752360. Published by Fabio Dentello (A0.1152147). Being one of his most elegant piano sonatas, the sonata in E minor (Hob. XVI: 34) can give us various feelings during its movements. It has a beautiful Adagio and a slight Molto Vivace as a Finale in Rondo form. This piece as said was thought of as a solo Piano Sonata, but the moment I heard it for the first time (on 12/18/2022, and yes, it was precisely on that day, because, I made the decision to start orchestrating it on the next day, the 19th) the idea of orchestrating it came to me because at least for me, it could sound like a beautiful symphony, even if it is very brief. I was extremely satisfied with the results, unfortunately with certain limitations of the VST I use (BBCSO pro) certain excerpts sound a little unrealistic, however, I have great esteem with the result. This orchestration/arrangement can be compared almost faithfully with the original, of course with several additions of voices and certain modifications to adapt it to the context of the orchestra, I tried to be as faithful as possible with Haydn's orchestral language, I am a great admirer of his vast work, and as I am also a classical/romantic composer, I learned a lot from him. I hope you enjoy this work as much as I enjoyed composing it!!
$150.00 ≈
135.29€
Sonic Rhapsody
Sonic Rhapsody
#
Daniel Baldwin
#
Sonic Rhapsody
#
Imagine Music - Digital
#
SheetMusicPlus
Solo contrabassoon, piano, and orchestral winds - Digital Download SKU: IZ.CBW208-S Composed by Daniel Baldwin. Score. 45 pages. Imagine Music - Digital ...
(+)
Solo contrabassoon, piano, and orchestral winds - Digital Download SKU: IZ.CBW208-S Composed by Daniel Baldwin. Score. 45 pages. Imagine Music - Digital #CBW208-S. Published by Imagine Music - Digital (IZ.CBW208-S). 9 x 12 in inches.Many years ago I was on a flight to another premiere and had the pleasure of sitting next to a sonic engineer. It was a fascinating conversation talking about the different aspects of his career and hearing him expound on the similarities between our chosen professions.Ever since that flight, I wanted to write a Sonic Rhapsody. I had originally thought of having it be a more esoteric piece, exploring different sonic colors and effects. Instead, for this Sonic Rhapsody, I decided to fill a hole in the contrabassoon repertoire. This wonderful and deserving instrument has so little concerto repertoire and most of the pieces that do exist are quite difficult (and none for orchestral winds accompaniment). This Sonic Rhapsody features a lyrical and approachable contrabassoon duo feature (with piano) to include a brief cadenza for each soloist. Sonic Rhapsody for Contrabassoon, Piano, and Orchestral Winds is dedicated to the wonderful artists who commissioned, recorded, and made this piece possible.
$16.00 ≈
14.43€
<
1
26
a thoughtful, brief 
