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challenging 10 8 meter
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You've selected:
challenging 10 8 meter
Sheetmusic to print
9 sheet music found
<
1
Jingle Bells | Mixed Meter
Jingle Bells | Mixed Meter
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Piano solo
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ADVANCED
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Christmas
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James Pierpont
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Noah Stremmel
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Jingle Bells | Mixed Meter
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Noah Stremmel
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1349747 Composed by James Pierpont. Arranged by Noah Stremmel. Christmas,Holiday,Jazz. Score. 3 pages. No...
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Piano Solo - Level 5 - Digital Download SKU: A0.1349747 Composed by James Pierpont. Arranged by Noah Stremmel. Christmas,Holiday,Jazz. Score. 3 pages. Noah Stremmel #934519. Published by Noah Stremmel (A0.1349747). Between the crazy jazz reharmonizations and the constant meter changes between 3/4, 4/4, 7/8, 10/8, and many more, this arrangement of the festive classic Jingle Bells makes for a quick yet challenging piano solo great to pound out during the holiday season!
$4.99 ≈
4.56€
Rhythm Only - Book 2 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
Rhythm Only - Book 2 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
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Choral SATB
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INTERMEDIATE
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Nathan Petitpas - Dots and Bea
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Rhythm Only - Book 2 - Eighths
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Dots and Beams
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.931836 Composed by Nathan Petitpas - Dots and Beams. Instructional. Octavo. 137 pages. Do...
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Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.931836 Composed by Nathan Petitpas - Dots and Beams. Instructional. Octavo. 137 pages. Dots and Beams #4776187. Published by Dots and Beams (A0.931836). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series you’ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They don’t follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If you’re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
$10.00 ≈
9.15€
Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
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Instructional
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Nathan Petitpas - Dots and Bea
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Rhythm Only - Book 1 - Eighths
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Dots and Beams
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SheetMusicPlus
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drum Set,Drums,English Hor...
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drum Set,Drums,English Horn,Euphonium,Flute,Hand Percussion,Handbell,Harmonica,Harpsichord,Marimba,Multi-Percussion,Oboe,Orff Instrument,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Timpani,Trombone,Trumpet,Tuba,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 1 - Digital Download SKU: A0.931835 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 137 pages. Dots and Beams #4776185. Published by Dots and Beams (A0.931835). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series you’ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They don’t follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If you’re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
$10.00 ≈
9.15€
Walking a Wire
Walking a Wire
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Guitar
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EASY
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Steve Adams
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challenging 10/8 meter
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Walking a Wire
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Steve Adams
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SheetMusicPlus
Solo Guitar - Level 2 - Digital Download SKU: A0.966737 Composed by Steve Adams. Contemporary,Instructional,Standards. Individual part. 2 pages. Steve Ad...
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Solo Guitar - Level 2 - Digital Download SKU: A0.966737 Composed by Steve Adams. Contemporary,Instructional,Standards. Individual part. 2 pages. Steve Adams #3037521. Published by Steve Adams (A0.966737). A technique piece focusing on PMI; challenging 10/8 meter .
$3.99 ≈
3.65€
Moon River
Moon River
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Choral SATB
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INTERMEDIATE/ADVANCED
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Jazz
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Henry Mancini
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Jamie Dyer
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Moon River
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Jamie Dyer
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.888368 By Henry Mancini. By Henry Mancini. Arranged by Jamie Dyer. Jazz. Octavo. 19 pages. Jamie...
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.888368 By Henry Mancini. By Henry Mancini. Arranged by Jamie Dyer. Jazz. Octavo. 19 pages. Jamie Dyer #4821379. Published by Jamie Dyer (A0.888368). This very unique take on the Andy Williams favorite is sure to add a welcome change to your standard vocal jazz set. With challenging rhythms and a 10/8 meter, this tune is a great choice for any advanced intermediate group looking to add variety to their set. Rhythm section lead sheet is included with purchase. .
$75.00 ≈
68.59€
Going on an Adventure: 3 light intermediate duets for Horn
Going on an Adventure: 3 light intermediate duets for Horn
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2 French horns (duet)
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INTERMEDIATE
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Ben Mulholland
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Going on an Adventure: 3 light
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Benjamin D Mulholland
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SheetMusicPlus
Instrumental Duet Horn,Instrumental Duet - Level 3 - Digital Download SKU: A0.934852 Composed by Ben Mulholland. 20th Century,Contemporary,Instructional....
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Instrumental Duet Horn,Instrumental Duet - Level 3 - Digital Download SKU: A0.934852 Composed by Ben Mulholland. 20th Century,Contemporary,Instructional. Score and parts. 6 pages. Benjamin D Mulholland #6140433. Published by Benjamin D Mulholland (A0.934852). Going on an Adventure: 3 light intermediate Horn duets.composed in May of 2014 for a concert featuring Horn music at the German Society of Pennsylvania. Each movement has a different character and meter. The first duet is challenging and includes the use of retrograde. The 2nd duet is in 10/8 and uses different beat emphasis throughout giving it at times a 10/8 feel, a 5/4 feel, big 2 + 3, and a lilting 3+3+2 motif. This as an optional attacca into a drunkish 6/8 dance featuring a phasing slur effect and heavy articulation variation (or vacillation). Duration without pause is 4'30.
$9.99 ≈
9.14€
HANUKKAH CELEBRATION - Full Orchestra (Grade 4+)
HANUKKAH CELEBRATION - Full Orchestra (Grade 4+)
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Orchestra
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ADVANCED
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Klezmer
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Traditional
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Glen Poehlmann
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HANUKKAH CELEBRATION - Full Or
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arrangements by GPoehlmann
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1269845 Composed by Traditional. Arranged by Glen Poehlmann. Hanukkah,Holiday,Jewish. Score and Parts...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1269845 Composed by Traditional. Arranged by Glen Poehlmann. Hanukkah,Holiday,Jewish. Score and Parts. 154 pages. Arrangements by GPoehlmann #862320. Published by arrangements by GPoehlmann (A0.1269845). HANUKKAH CELEBRATION for Symphonic OrchestraThe Festival of Lights will come to life in this medley of Hanukkah songs for a Full Orchestra. This exciting and challenging arrangement is just over 8 minutes in length. You can sense the dreidel spinning as your hear favorites suce as I Have a Little Dreidel. Picture the Menorah as you listen to Hanukkah Candle Light Blessings. Also included are Rock of Ages, Hankkah O Hanukkah, and more! This piece surely is a celebration of Hanukkah! See below for the complete instrumentation.208 measures. Â Performance time approx. 8:10Grade 4+ (Medium Difficult)Key: Em - D - EMeter: 4/4Instrumentation:PiccoloFlute 1/2Oboe 1/2English HornClarinet in EbBb Clarinet 1Bb Clarinet 2/3Bass ClarinetBassoon 1Bassoon 2ContrabassoonHorn in F 1/3Horn in F 2/4Trumpet in C 1Trumpet in C 2/3Trumpet in Bb 1 (transposition)Trumpet in Bb 2/3 (transposition)Trombone 1Trombone 2/3TubaTimpaniPercussion 1 (Snare Drum, Bass Drum, Cymbals)Percussion 2 (Triangle, Tambourine)Percussion 3 (Xylophone, Glockenspiel, Chimes, Mark Tree)HarpPianoPiano (version to use if no Harp)Violin 1Violin 2ViolaCelloContrabass.
$60.00 ≈
54.87€
TAKE MY LIFE AND LET IT BE - EUPHONIUM SOLO (Trombone/Baritone TC) with Piano
TAKE MY LIFE AND LET IT BE - EUPHONIUM SOLO (Trombone/Baritone TC) with Piano
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Sacred music
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Henry A
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Glen Poehlmann
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TAKE MY LIFE AND LET IT BE - E
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arrangements by GPoehlmann
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SheetMusicPlus
Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano,Trombone - Level 4 - Digital Download SKU: A0.806802 Composed by Henry A. Cesar Malan. Arranged...
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Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano,Trombone - Level 4 - Digital Download SKU: A0.806802 Composed by Henry A. Cesar Malan. Arranged by Glen Poehlmann. Christian,Sacred. Score and parts. 10 pages. Arrangements by GPoehlmann #5887285. Published by arrangements by GPoehlmann (A0.806802). TAKE MY LIFE AND LET IT BE (Consecrated) - EUPHONIUM SOLO with Piano AccompanimentA challenging (Grade 3+) arrangement for Euphonium/Trombone/Baritone Treble Clef.70 measures. Performance Time approx. 3:00. Key: F - G. Meter: 4/4 - 6/8.Instrument Ranges (C4=middle C): Euphonium/Trombone G2 - G4. Baritone TC A3 - A5 (written)
$5.00 ≈
4.57€
De La Chica: Silencios Fatuos, Op. 16
De La Chica: Silencios Fatuos, Op. 16
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Piano solo
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Julián De La Chica
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De La Chica: Silencios Fatuos,
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Vagabundo Music Publishing
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SheetMusicPlus
Piano Solo - Digital Download SKU: A0.1178488 Composed by Julián De La Chica. Classical,Contemporary,Film/TV. Score. 25 pages. Vagabundo Music Publish...
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Piano Solo - Digital Download SKU: A0.1178488 Composed by Julián De La Chica. Classical,Contemporary,Film/TV. Score. 25 pages. Vagabundo Music Publishing #778453. Published by Vagabundo Music Publishing (A0.1178488). The current pianistic postminimalism draws heavily from Ambient music, this is how it tries to build surfaces. We hear it in popular figures such as Max Richter, Hania Arani, Olafur Arnalds or Nils Frahm. In the Silencios Fatuos (2021) by Colombian composer Julián De La Chica, this search seems to find threads that weave with the phosphorescent and radioactive shadows left by the twentieth century, and to which we return when listening to the flashes of sonorities that refer us to Ryuichi Sakamoto or David Sylvian. In previous productions, such as the  Preludes Op. 8, and his Voyeuristic Images Op. 10, De La Chica's pianism shows a constant exploration and research. The composer-pianist urges within the parameters of the new simplicity, challenging himself in a kind of minimal eroticism. In Silencios fatuos the artist gradually sheds his skins, confronting the very fatuity of postminimalism. And in this way, he seems to sprout abstaining from any violent rebellion, in a kind of superfluity, allowing the passage of time, building surfaces with curved lines that twist on themselves without noise, without groans, contemplating the absurd with an unsettling serenity.— Susan Campos-Fonseca, PhDMusicologist & composer
$45.00 ≈
41.16€
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challenging 10 8 meter 
