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choir Tango advanced
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choir Tango advanced
Sheetmusic to print
7 sheet music found
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1
El Tango De Roxanne
El Tango De Roxanne
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Orchestra
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INTERMEDIATE/ADVANCED
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Tango
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Baz Luhrmann, Craig Pearce, Go
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John Langley
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El Tango De Roxanne
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www.studio-orchestrations.com
#
SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1250907 Composed by Baz Luhrmann, Craig Pearce, Gordon Sumner, and Mariano Mores. Arranged by John La...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1250907 Composed by Baz Luhrmann, Craig Pearce, Gordon Sumner, and Mariano Mores. Arranged by John Langley. 21st Century,Broadway,Film/TV,Latin,Musical/Show,Pop. Score and Parts. 169 pages. Www.studio-orchestrations.com #845188. Published by www.studio-orchestrations.com (A0.1250907). This arrangement is a full symphonic 'filmic' transcription of this iconic modern classic song sung by Ewan MacGregor and the cast of the movie soundtrack uncut. There are some optional instruments (2nd guitar, 2nd keyboard, even SATB choir) but there is a feature guitar and violin solo part. In it’s fullest form this orchestration is very colourful and dramatic, but conductors and concert organisers would be able to omit some additional instruments to taste to fit their specific orchestral line-up needs without degrading the high impact of the song and this orchestrated version.With clear, concise typeset parts [with page turns all properly formatted for practical use by the individual players] this chart would make a stunning dramatic feature item in any concert with orchestra and soloist(s).  Suitable for professional or advanced inetrmediate orchestrasThe instrumentation comprises:2 FlutesPiccoloOboe Cor Anglais2 ClarinetsBass Clarinet2 Bassoons4 French Horns3 Trumpets3 TrombonesTubaTimpani2 Percussion [Cymbals/Bass Drum]HarpPiano (keyboard 1)Keyboard 2 [Optional]2 Acoustic guitars [2nd Optional]Bass GuitarDrum Kit2 SoloistsSATB Chorus  [Optional]StringsYou might also be interested in my orchestration of Come What May:https://www.sheetmusicplus.com/title/come-what-may-digital-sheet-music/22530128.
$120.00 ≈
¥864.70
Madrigal Pavane / Timburibá
Madrigal Pavane / Timburibá
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Francisco Braga
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Luciano Lima
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Madrigal Pavane / Timburibá
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digit...
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Published by Les Productions d'OZ - Digital (ZZ.DZ-4287). ISBN 9782898522048.Antônio Francisco Braga (1868-1945) belongs to the generation of Brazilian composers of the first republican period, aesthetically tied to romanticism, alongside Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914), and Barrozo Neto (1881-1941). Born in Rio de Janeiro, on April 15th, 1868, he began his musical studies at the Asilo dos Meninos Desvalidos, in 1876. In 1883, he enrolled at the Imperial Conservatório de Música where he studied harmony and counterpoint with Carlos de Mesquita – a former student of César Franck, Durand, and Massenet – and clarinet with Antônio Luís de Moura. Braga's first compositions date from this period: Sonho de Dante (1885), Dolce far niente (1886), the first Valse Romantique for piano (1886), among others.In 1887, he premiered his first symphonic work, Fantasia-Abertura. In 1890, being one of the finalists in a competition to choose the new Brazilian national anthem, Braga was awarded a scholarship to study in Europe, where he took classes with Jules Massenet at the Paris Conservatory. During this period, he wrote some of his most important symphonic works, Paysage, Cauchemar, Episódio Sinfônico, and Marabá (which was performed by Richard Strauss and the Vienna Philharmonic in 1920, in Brazil). His opera Jupyra is considered one of the greatest Brazilian compositions of that genre.Back in Brazil, he was appointed professor of counterpoint, fugue, and composition at the Instituto Nacional de Música, in 1902. There, some of the finest Brazilian composers studied with him, like Glauco Velásquez and Lorenzo Fernândez.Braga wrote operas, symphonic works, songs, sacred music, two Masses, music for piano, different chamber formations, band, and choir. He is the author of many patriotic hymns, the most popular of which is Hino à Bandeira (with lyrics by Olavo Bilac). He explored Brazilian nationalist elements in some of his works, as in Variações sobre um Tema Brasileiro and in the Trio for violin, cello and piano, whose third movement is based on a lundu (a musical genre and dance of Afro-Brazilian origin).In addition to being a composer, Braga was one of the most active conductors of his time, having been ahead of three orchestras in Rio de Janeiro: Instituto Nacional de Música, Sociedade de Concertos Sinfônicos, and Theatro Municipal. Braga conducted the Brazilian premiere of major symphonic works such as La Mer (Debussy), Pacific 231 (Honegger) besides other numerous Brazilian compositions.In 1938, he retired from Instituto Nacional de Música. He passed away on March 14th, 1945, in Rio de Janeiro.Unfortunately, Francisco Braga never wrote for the guitar. However, over a century ago his music had already been incorporated to its repertoire. According to information found in newspapers of the time, Spanish guitarist Josefina Robledo included transcriptions of pieces by Braga in her programs when she performed in Brazil: Gavota e Minuete (from the melodrama Contratador de Diamantes), in 1919, in São Paulo, and the waltz-caprice Corrupio, in 1921, in Rio de Janeiro.The piano score of Madrigal Pavane was dedicated to Alexina Leitão and published by Casa Vieira Machado, in 1901. According to the composer’s catalogue, there are two other versions of this piece: strings orchestra (1901) and quartet (which is still in manuscript). Dedicated to Braga’s childhood friend José de Souza Rocha, Timburibá (the name of a Brazilian tree) is a tango for piano from 1886, published by Narciso & Arthur Napoleão.Antônio Francisco Braga (1868-1945) appartient à la génération des compositeurs brésiliens de la première période républicaine, esthétiquement liés au romantisme, aux côtés de Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914) , et Barrozo Neto (1881-1941). Né à Rio de Janeiro, le 15 avril 1868, il commence ses études musicales à l'Asilo dos Meninos Desvalidos, en 1876. En 1883, il s'inscrit au Imperial Conservatório de Música où il étudie l'harmonie et le contrepoint avec Carlos de Mesquita – ancien élève de César Franck, Durand et Massenet – et clarinette avec Antônio Luís de Moura. De cette période datent les premières compositions de Braga : « Sonho de Dante » (1885), « Dolce far niente » (1886), la première « Valse Romantique » pour piano (1886), entre autres.En 1887, il crée sa première œuvre symphonique, « Fantasia-Abertura ». En 1890, étant l'un des finalistes d'un concours pour choisir le nouvel hymne national brésilien, Braga obtient une bourse pour étudier en Europe, où il suit les cours de Jules Massenet au Conservatoire de Paris. Durant cette période, il écrit certaines de ses œuvres symphoniques les plus importantes, « Paysage », « Cauchemar », « Episódio Sinfônico » et « Marabá » (interprétée par Richard Strauss et la Philharmonie de Vienne en 1920, au Brésil). Son opéra « Jupyra » est considéré comme l'une des plus grandes compositions brésiliennes de ce genre.De retour au Brésil, il fut nommé professeur de contrepoint, de fugue et de composition à l'Instituto Nacional de Música, en 1902. Là, certains des meilleurs compositeurs brésiliens étudièrent avec lui, comme Glauco Velásquez et Lorenzo Fernândez.Braga a écrit des opéras, des œuvres symphoniques, des chansons, de la musique sacrée, deux messes, de la musique pour piano, différentes formations de chambre, un orchestre et une chorale. Il est l'auteur de nombreux hymnes patriotiques, dont le plus populaire est « Hino à Bandeira » (avec des paroles d'Olavo Bilac). Il a exploré des éléments nationalistes brésiliens dans certaines de ses œuvres, comme dans « Variações sobre um Tema Brasileiro » et dans le Trio pour violon, violoncelle et piano, dont le troisième mouvement est basé sur un « lundu » (un genre musical et une danse afro-américaine). Origine brésilienne).En plus d'être compositeur, Braga a été l'un des chefs d'orchestre les plus actifs de son époque, ayant dirigé trois orchestres à Rio de Janeiro : « Instituto Nacional de Música », « Sociedade de Concertos Sinfônicos » et « Theatro Municipal ». Braga a dirigé la première brésilienne d'œuvres symphoniques majeures telles que « La Mer » (Debussy), « Pacific 231 » (Honegger) ainsi que de nombreuses autres compositions brésiliennes.En 1938, il prend sa retraite de l'Instituto Nacional de Música. Il est décédé le 14 mars 1945 à Rio de Janeiro.Malheureusement, Francisco Braga n’a jamais écrit pour la guitare. Cependant, il y a plus d'un siècle, sa musique était déjà incorporée à son répertoire. Selon des informations trouvées dans les journaux de l'époque, la guitariste espagnole Josefina Robledo incluait des transcriptions de pièces de Braga dans ses programmes lorsqu'elle se produisait au Brésil : « Gavota e Minuete » (du mélodrame « Contratador de Diamantes »), en 1919, à São Paulo, et la valse-caprice « Corrupio », en 1921, à Rio de Janeiro.La partition pour piano de « Madrigal Pavane » a été dédiée à Alexina Leitão et publiée par « Casa Vieira Machado », en 1901. Selon le catalogue du compositeur, il existe deux autres versions de cette pièce : orchestre à cordes (1901) et quatuor (qui est encore manuscrit). Dédié à José de Souza Rocha, ami d'enfance de Braga, « Timburibá » (nom d'un arbre brésilien) est un tango pour piano de 1886, publié par « Narciso & Arthur Napoleão ».Envoyer des commentairesPanneaux latérauxHistoriqueEnregistrées.
$7.95 ≈
¥57.29
La loba (The Wolf) for SATB and flute
La loba (The Wolf) for SATB and flute
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Choral SATB
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INTERMEDIATE/ADVANCED
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Adrienne Inglis
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La loba
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Adrienne Inglis
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1178090 Composed by Adrienne Inglis (ASCAP). 21st Century,Classical,Halloween,Latin,Multi...
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Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1178090 Composed by Adrienne Inglis (ASCAP). 21st Century,Classical,Halloween,Latin,Multicultural,World. 14 pages. Adrienne Inglis (ASCAP) #778051. Published by Adrienne Inglis (ASCAP) (A0.1178090). Fabulous feminist empowerment piece by a woman poet and woman composer!For SATB mixed chorus and electronically distorted flute.La loba (2022) by Adrienne Inglis (ASCAP)SATB mixed chorus and distorted fluteText: an excerpt from La loba (1916) by Argentine poet Alfonsina Storni (1892-1938)Commissioned by Jonathan Riemer for Inversion Ensemble’s The Electric Choir concert October 22, 2022Duration 4:08 minutesDifficulty 3 (Advanced high school, collegiate or community chorus)Language — SpanishThe perusal score video will be included on this YouTube playlist.https://youtube.com/playlist?list=PLY9Jh0jT7VQvcM78yozLNYpIXeWzJjMPsPerformances:22 Oct 2022 at 2 PM Inversion Ensemble and flutist Adrienne Inglis (world premiere) at KMFA Classical 89.5. Commissioned by Jonathan Riemer for Inversion Ensemble’s “Electric Choir†concert in October 2022, La loba (The Wolf) displays Alfonsina Storni’s powerful poetic voice as a feminist amidst the patriarchy of early twentieth century Buenos Aires. She breaks away from her expected role as a sheep in an obedient flock and becomes a wolf sharpening her teeth and honing her skills. Moreover, she calls for others to follow her to stand up and face the enemy. More than a century later, Storni’s voice still echoes with a powerful call to action in a world where women’s rights are as fragile as ever. Bored of its usual role as a bird, the flute breaks away from the flock to inhabitat the wolf through transformative electronic distortions. The main theme mimics actual wolf calls, surprisingly comfortable in the flute’s low register. The tango-infused choral harmonies evoke the dissonance and angst in women’s struggle for equality through the ages.
$1.99 ≈
¥14.34
Magnificat
Magnificat
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Choral SATB
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Martin Palmeri
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Magnificat
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Schott Music - Digital
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SheetMusicPlus
Soloists (SMez), mixed choir (SATB) and Tango Orchestra - intermediate to advanced - Digital Download SKU: S9.Q25966 Composed by Martin Palmeri. This edi...
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Soloists (SMez), mixed choir (SATB) and Tango Orchestra - intermediate to advanced - Digital Download SKU: S9.Q25966 Composed by Martin Palmeri. This edition: vocal/piano score. Downloadable, Piano reduction. Duration 43' 0. Schott Music - Digital #Q25966. Published by Schott Music - Digital (S9.Q25966). Latin.Der argentinische Komponist MartÃn Palmeri legte mit diesem Werk eine ausführliche Magnificat-Vertonung der besonderen Art vor: Mit Bandoneón und Klavier, dazu ein Streichorchester zum gemischten Chor beeindruckt es durch südamerikanischen Sound neben klassischen und traditionellen Elementen.
$23.99 ≈
¥172.87
Magnificat
Magnificat
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Choral SATB
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Martin Palmeri
#
Magnificat
#
Schott Music - Digital
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SheetMusicPlus
Soloists (SMez), mixed choir (SATB) and Tango Orchestra - intermediate to advanced - Digital Download SKU: S9.Q25978 Composed by Martin Palmeri. This edi...
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Soloists (SMez), mixed choir (SATB) and Tango Orchestra - intermediate to advanced - Digital Download SKU: S9.Q25978 Composed by Martin Palmeri. This edition: full score. Downloadable, Full score. Duration 43' 0. Schott Music - Digital #Q25978. Published by Schott Music - Digital (S9.Q25978). Latin.Der argentinische Komponist MartÃn Palmeri legte mit diesem Werk eine ausführliche Magnificat-Vertonung der besonderen Art vor: Mit Bandoneón und Klavier, dazu ein Streichorchester zum gemischten Chor beeindruckt es durch südamerikanischen Sound neben klassischen und traditionellen Elementen.
$67.99 ≈
¥489.92
Magnificat
Magnificat
#
Choral SATB
#
Martin Palmeri
#
Magnificat
#
Schott Music - Digital
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SheetMusicPlus
Soloists (SMez), mixed choir (SATB) and Tango Orchestra - intermediate to advanced - Digital Download SKU: S9.Q54082 Composed by Martin Palmeri. This edi...
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Soloists (SMez), mixed choir (SATB) and Tango Orchestra - intermediate to advanced - Digital Download SKU: S9.Q54082 Composed by Martin Palmeri. This edition: set of parts. Downloadable, Set of parts. Duration 43' 0. Schott Music - Digital #Q54082. Published by Schott Music - Digital (S9.Q54082). Latin.Der argentinische Komponist MartÃn Palmeri legte mit diesem Werk eine ausführliche Magnificat-Vertonung der besonderen Art vor: Mit Bandoneón und Klavier, dazu ein Streichorchester zum gemischten Chor beeindruckt es durch südamerikanischen Sound neben klassischen und traditionellen Elementen.
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¥1174.48
Two Cuban Dances for Brass Quintet
Two Cuban Dances for Brass Quintet
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE
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Ignacio Cervantes
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Charles Decker
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Two Cuban Dances for Brass Qui
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Charles Decker Music Press
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SheetMusicPlus
Brass Quintet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.817102 Composed by Ignacio Cervantes. Arranged by Charles Decker....
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Brass Quintet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.817102 Composed by Ignacio Cervantes. Arranged by Charles Decker. 19th Century,Latin,Multicultural,Pop,Romantic Period,World. 26 pages. Charles Decker Music Press #3530867. Published by Charles Decker Music Press (A0.817102). Two Latin American early tangos that are musical gems from the charming 41 Danzas  Cubana by 19th century Cuban virtuoso pianist and composer Ignacio Cervantes, arranged for brass quintet with two B-flat trumpets with alternate C trumpet parts, horn in F, trombone and tuba. The audio file is an actual brass quintet performance of the entire arrangement and not a computer playback of the score. See more than 70 mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. See also 50+ homogeneous brass group editions with Charles Decker Music Press at Sheet Music Plus for horn, trumpet and trombone ensembles. Check out the Music of Black Composers Series with Charles Decker Music Press at Sheet Music Plus with 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.  All ensemble publications include recordings of the entire edition.  For more brass quintet editions by Charles Decker use these links to Kendor Music and  Cherry Classics Music for listings of my arrangements of music by J.S. Bach, H.L. Clarke, Debussy, Dukas, Elgar, Falla, Holst, Ives, Nestico, Rachmaninoff, Satie, and Tchaikovsky.
$12.95 ≈
¥93.32
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choir Tango advanced
