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You've selected:
euphonium Secular
Sheetmusic to print
28 sheet music found
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1
26
Love Lifted Me, Gospel Hymn for Euphonium and Piano
Love Lifted Me, Gospel Hymn for Euphonium and Piano
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Euphonium, Piano (duet)
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EASY
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Sacred music
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Gospel/Spiritual
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James Rowe
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David McKeown
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Love Lifted Me, Gospel Hymn fo
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David McKeown
#
SheetMusicPlus
Euphonium,Piano - Level 2 - Digital Download SKU: A0.592990 Composed by James Rowe. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,S...
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.592990 Composed by James Rowe. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 4 pages. David McKeown #6415167. Published by David McKeown (A0.592990). Love Lifted Me is a beautiful hymn arranged here for Solo Euphonium and Piano.Love Lifted Me was written late in life in 1912 by an English émigré to the US, James Rowe. A secularized version later became popular amongst Country and Western artists.
$2.49 ≈
2.24€
Kumbaya My Lord, Gospel Song for Euphonium and Piano
Kumbaya My Lord, Gospel Song for Euphonium and Piano
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Euphonium, Piano (duet)
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EASY
#
Sacred music
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Gospel/Spiritual
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Traditional
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David McKeown
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Kumbaya My Lord, Gospel Song f
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David McKeown
#
SheetMusicPlus
Euphonium,Piano - Level 2 - Digital Download SKU: A0.592965 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,...
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.592965 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 3 pages. David McKeown #6413745. Published by David McKeown (A0.592965). Kumbaya My Lord is a beautiful spiritual arranged here for Solo Euphonium and Piano.Kumbaya My Lord is thought to have originated in Georgia in the Gullah dialect, a creole language mixing English and various West African languages. First collected in 1926, it later became popular in the ‘sixties folk revival and other secular contexts.
$2.49 ≈
2.24€
Jingle Bells for Euphonium & Piano
Jingle Bells for Euphonium & Piano
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Euphonium, Piano (duet)
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BEGINNER
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Christmas
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James Pierpont
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James M
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piano
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Jingle Bells for Euphonium & P
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jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 1 - Digital Download SKU: A0.548660 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 8...
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Euphonium,Piano - Level 1 - Digital Download SKU: A0.548660 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 8 pages. Jmsgu3 #3408515. Published by jmsgu3 (A0.548660). Jingle Bells arranged for euphonium & piano. Jingle Bells is perhaps the most famous songs in American music history. James L. Pierpont published the song as One Horse Open Sleigh in the late 1850’s. Since its introduction, people began to insist that Pierpont wrote it for a Sunday school choir. However, it seems unlikely that such a secular song would be considered appropriate during that historical period for Sunday school.Christmas Repertoire Pierpont wrote the song for the Thanksgiving holidays, but over time people began to think of it more as a Christmas song. Some choirs adopted it as part of their Christmas repertoire in the 1860s and 1870s. Jingle Bells was first recorded in 1889 on a wax cylinder. Origins No one knows where Pierpont composed the song. One theory suggests he wrote it in Medford Massachusetts in 1850. Sleigh races were certainly popular in 19th Century Massachusetts. To this day, a commemorative placard appears in Medford square claiming that it is the birthplace of Jingle Bells. Others suggest that he wrote it in Savannah, Georgia where he was an organist and music director at the Unitarian Church. This theory gains support from the copyright date of 1857. We know he was living in Savannah by then. Traffic Signals Horse-drawn sleighs are relatively quiet in the snow. Consequently, horses were usually equipped with bell-laden straps so as to avoid accidents at blind intersections. Sleigh drivers in 19th Century New England were constantly vigilant, listening for the sounds of approaching horse-drawn sleighs. The tune imitates the rhythm that the trotting horse bells produce. Social Context Jingle Bells was sung as a drinking song at local revelries: during the song folks would rhythmically jangle the ice in their glasses. A sleigh ride gave couples an opportunity to be alone together. The term Jingle bells is a poetic descriptive adjective referring specifically to the more accurate term sleigh bells. In many arrangements, sleigh bells are used to accentuate the rhythm during the song chorus. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95 ≈
22.44€
Saw Ye My Savior? — trombone (or euphonium, cello) and piano
Saw Ye My Savior? — trombone (or euphonium, cello) and piano
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Trombone and Piano
#
INTERMEDIATE
#
American folk hymn tune
#
Todd Marchand
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Saw Ye My Savior? — trombone
#
Con Spirito Music
#
SheetMusicPlus
Piano,Tenor Trombone - Level 3 - Digital Download SKU: A0.1204336 Composed by American folk hymn tune. Arranged by Todd Marchand. Christian,Easter,Folk,L...
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Piano,Tenor Trombone - Level 3 - Digital Download SKU: A0.1204336 Composed by American folk hymn tune. Arranged by Todd Marchand. Christian,Easter,Folk,Lent,Traditional. Score and part. 8 pages. Con Spirito Music #802815. Published by Con Spirito Music (A0.1204336). Here's a lovely, lyrical tune that's ideal for use during Holy Week or as a meditative prelude, offertory, or communion selection for trombone (or euphonium, cello) and piano.Saw Ye My Savior? is an early 19th-century American folk hymn with a tune that predates it by perhaps 100 years or more. Both the text and the tune seem to have been freely adapted to the subject of the song (whether secular or sacred) and the singer, which is typical of folk songs and folk hymns handed down from one generation to the next. For example, the text of the hymn, which begins Saw ye my Savior, saw ye my Savior, saw ye my savior and my God? is similar to that of an English folk song, Saw you my father, saw you my mother, saw you my true love John?In the 1858 edition of William Walker's shape-note hymnal, The Southern Harmony, and Musical Companion, the source cited for the text and tune is Baptist Harmony (1834), p. 477. However, William Hauser and Benjamin Turner's collection, The Olive Leaf (1878), refers to the tune as a Scotch air; and certainly, the Scotch snap rhythm in measures 3 and 4 of the tune lend credence to that. The website, hymnary.org, cites Saw Ye My Savior? as having been published in 167 hymnals (all prior to 1979 but one). Two similar tunes, CRUCIFIXION (Southern Harmony) and ATONEMENT are associated with the text. Because the subject of the text is Christ's crucifixion (see representative text here), Saw Ye My Savior? has often been used as a choral anthem in Palm Sunday, Good Friday, and Holy Saturday worship services. This arrangement of the lovely, flowing tune for trombone (or euphonium, cello) and piano is ideal at any time as a meditative prelude to worship, or as an offertory or communion selection. ©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved.
$6.00 ≈
5.40€
Solage: Calextone qui fut dame for Euphonium Trio
Solage: Calextone qui fut dame for Euphonium Trio
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Solage
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James M
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Solage: Calextone qui fut dame
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jmsgu3
#
SheetMusicPlus
Euphonium - Level 2 - Digital Download SKU: A0.1270355 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Me...
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Euphonium - Level 2 - Digital Download SKU: A0.1270355 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 10 pages. Jmsgu3 #862762. Published by jmsgu3 (A0.1270355). Sources suggest that the song is a love ballad that praises the beauty and virtues of a woman named Calextone, who was a lady from the town of Arouse. The lyrics describe her as having great value and worth, and her beauty and grace are compared to smoke and mist. The composer of the song, Solage, also refers to himself in the refrain with a double meaning, using the spelling soulage. The song is considered a representative example of French secular music from the late fourteenth century. It is not known whether Calextone was a real person or a fictional character created by the composer. Some sources suggest that the song may have been composed for a wedding, possibly that of Jeanne de Boulogne, and that Solage may have been in the service of Gaston Fébus, compte de Foix, who had a financial interest in the marriage. The composer of the song, Solage, was a prominent figure in the Ars subtilior movement, which was characterized by complex rhythms, intricate melodies, and highly stylized notation. The song is considered a representative example of this musical style, which flourished in France during the late medieval period. The song's use of acrostics and double meanings in the lyrics, as well as its intricate musical structure, demonstrate the sophistication and complexity of the Ars subtilior style. Overall, Calextone qui fut dame d'Arouse is an important example of medieval French music and its evolution over time.
$24.95 ≈
22.44€
Pachelbel: Canon for Baritone Horn & Piano
Pachelbel: Canon for Baritone Horn & Piano
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Euphonium, Piano (duet)
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EASY
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Classical
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Johann Pachelbel
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James M
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Pachelbel: Canon for Baritone
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 2 - Digital Download SKU: A0.549899 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Baroque,Standards,Wedding....
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.549899 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Baroque,Standards,Wedding. Score and part. 7 pages. Jmsgu3 #3627117. Published by jmsgu3 (A0.549899). BARITONE HORN (T.C.) and PIANO. The famous Pachelbel Canon arranged for Baritone Horn & Piano. Great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval.  Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for the south German composers. Nowadays, Pachelbel is most famous particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. LegacyAll in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
$28.95 ≈
26.03€
Chesapeake Gambol for solo euphonium
Chesapeake Gambol for solo euphonium
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Euphonium
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INTERMEDIATE/ADVANCED
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Contemporary
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Greg Bartholomew
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Bagley #BB212C
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Chesapeake Gambol for solo eup
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Burke & Bagley
#
SheetMusicPlus
Composed by Greg Bartholomew. For Euphonium. 21st Century, Repertoire, Secular. Advanced Intermediate. Burke & Bagley #BB212C. Published by Burke & Bagl...
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Composed by Greg Bartholomew. For Euphonium. 21st Century, Repertoire, Secular. Advanced Intermediate. Burke & Bagley #BB212C. Published by Burke & Bagley
$3.99 ≈
3.59€
For He's a Jolly Good Fellow for Brass Quartet
For He's a Jolly Good Fellow for Brass Quartet
Trumpet, Trombone, Tuba, Horn in F, Euphonium, Brass Quartet
Easy level
#
Anonymous
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Martin Todd
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For He's a Jolly Good Fellow f
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Madecroft Publishing
#
SheetMusicPlus
Composed by Anonymous. Arranged by Martin Todd. For Trumpet, Trombone, Tuba, Horn in F, Euphonium, Brass Quartet. Repertoire, Wedding, Birthday, Comedy, Secular...
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Composed by Anonymous. Arranged by Martin Todd. For Trumpet, Trombone, Tuba, Horn in F, Euphonium, Brass Quartet. Repertoire, Wedding, Birthday, Comedy, Secular. Early Intermediate. Score, Set of Parts. Published by Madecroft Publishing
$3.99 ≈
3.59€
Three Madrigals (for brass octet)
Three Madrigals (for brass octet)
Trumpet,Trombone,Tuba,Horn in F,Euphonium,Brass Ensemble
Intermediate/advanced level
#
Renaissance
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G
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Tsuyoshi Yoroiguma
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Three Madrigals
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Tsuyoshi Yoroiguma
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SheetMusicPlus
Composed by G.Gastoldi / P.Passereau / T.Morley. Arranged by Tsuyoshi Yoroiguma. For Trumpet,Trombone,Tuba,Horn in F,Euphonium,Brass Ensemble. Renaissance,Repe...
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Composed by G.Gastoldi / P.Passereau / T.Morley. Arranged by Tsuyoshi Yoroiguma. For Trumpet,Trombone,Tuba,Horn in F,Euphonium,Brass Ensemble. Renaissance,Repertoire,Secular. Advanced Intermediate. Score,Set of Parts. Published by Tsuyoshi Yoroiguma
$26.00 ≈
23.38€
Day is Dying in the West - arranged for violin solo with piano by Stephen R Dalrymple
Day is Dying in the West - - violin solo with piano by Stephen R Dalrymple
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Violin and Piano
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INTERMEDIATE
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Stephen R Dalrymple
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Stephen R Dalrymple (Dalrymple
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Day is Dying in the West - - v
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Stephen R Dalrymple
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SheetMusicPlus
Piano,Violin - Level 3 - Digital Download SKU: A0.1411936 By Stephen R Dalrymple. By Mary A. LathÂbuÂry & WillÂiam F. SherÂwin,. Arranged by ...
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Piano,Violin - Level 3 - Digital Download SKU: A0.1411936 By Stephen R Dalrymple. By Mary A. LathÂbuÂry & WillÂiam F. SherÂwin,. Arranged by Stephen R Dalrymple (Dalrymple Designs). Christian,Sacred. 56 pages. Stephen R Dalrymple #994279. Published by Stephen R Dalrymple (A0.1411936). Day is Dying in the West♫ by Mary A. LathÂbuÂry (lyrics 1877- 1879) and WillÂiam F. SherÂwin (melody CHAUTAUQUA 1877)♫ violin solo arrangement with piano accompaniment by Stephen R Dalrymple♫ transcribed for solo flute, clarinet, trumpet euphonium/trombone, & cello♫ sequenced by the arranger ♫ arrangement © 1999 Stephen R Dalrymple♫ recording â„—  2010 Jim Jansen & Stephen Dalrymple♫ presentation © 2024 Presentation Stephen R Dalrymple♫ arranged for flute and piano by Stephen R Dalrymple♫ transcribed for clarinet, trumpet, euphonium, violin, and cello♫ The Chautauqua movement (popular from 1874-1920) was started at Lake Chautauqua, New York. It was modeled on a summer camp format and featured adult education and social reform. Christian instruction, preaching, and worship were a big part of the Chautauqua experience, although some of them were more secularized and resembled summer school.♫ Growing up in a hymn singing church, there were 2 wonderful hymns that spoke of the holiness of God: Holy, Holy, Holy and Day is Dying in the West. The first celebrates the morning, the second the evening and night. The hymn tune for Day is Dying in the West is named CHAUTAUQUA and Mary Lathbury wrote the lyrics on the shore of Lake Chatauqua.♫ This .pdf file includes 14 score choices (56 pages) • Full Score for Violin and piano letter size • Letter size parts for Flute, Clarinet, Trumpet, Euphonium (or trombone), & Cello, • Full Score small page format for performing from a 10 inch tablet for violin & piano and • the same solo parts for 10 inch tablet. tablet  (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.)♫ YouTube Channel: @DalrympleDesigns.
$4.50 ≈
4.05€
La Récréation (arr. for Brass Trios)
La Récréation (arr. for Brass Trios)
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Emile Pessard
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Andrew Lamb
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La Récréation
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Andrew Lamb
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SheetMusicPlus
E-Flat Cornet,Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1310921 By Emile Pessard. By Emile Pessard. Arranged by Andrew La...
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E-Flat Cornet,Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1310921 By Emile Pessard. By Emile Pessard. Arranged by Andrew Lamb. Chamber,Romantic Period. 79 pages. Andrew Lamb #899891. Published by Andrew Lamb (A0.1310921). 🎺🎺🎺 Elevate your brass trio's repertoire with La Récréation by the renowned French composer Émile Pessard. This arrangement offers a delightful twist on the 1880 Secular Chorus, expertly adapted for brass ensembles. 🎶🎼 Version 1: Trumpet Triumvirate 🎺🎺🎺 This arrangement for 3 Trumpets (or Cornets) in Bb opens up a world of musical possibilities. We've also included transpositions for Trumpet in C, an Eb Soprano part (a perfect substitute for Trumpet 1), French Horn (ideal for Trumpet 3), and Tenor Horn (a fantastic alternate for Trumpet 3). 🎵🌟 Level of Difficulty: Medium 🌟🎯 Potential Uses: This arrangement is well-suited for concerts, recitals, and educational settings. It's a versatile addition to your brass trio's repertoire, perfect for showcasing your ensemble's skill and musicality.🎼 Version 2: Horn Harmonies 📯📯📯 For those seeking a mellower timbre, Version 2 offers an arrangement for 3 French Horns, with convenient transpositions for Tenor Horns. Trumpet (a substitute for Horn 1), Trombone in bass clef (perfect for Horn 3), and Euphonium in treble clef (a seamless replacement for Horn 3) make this arrangement accessible and enjoyable. 🎵🌟 Level of Difficulty: Medium 🌟🎯 Potential Uses: Ideal for recitals and educational purposes, this arrangement adds a touch of French elegance to your repertoire, showcasing the versatility of your brass trio.🎼 Version 3: Low Brass Brilliance 🎵🎶🎵 Get ready for a resonant performance with Version 3, arranged for low brass instruments. You'll find three Trombone parts with treble clef transpositions included for three euphoniums. French Horn (substituting for trombone 1), Tuba (a stand-in for Trombone 3), and Eb Bass in treble clef (a great substitute for Trombone 3) complete this rich arrangement. 🎷🎺🎷🌟 Level of Difficulty: Medium 🌟🎯 Potential Uses: This arrangement is perfect for concerts and educational settings. It showcases the depth and power of your low brass ensemble while paying homage to Émile Pessard's musical brilliance.🎵 Add a touch of French finesse to your brass trio's repertoire with this arrangement of La Récréation 🇫🇷. Experience the versatility of three unique versions designed to suit your ensemble's instrumentation. Whether you're performing at a concert, recital, or in an educational setting, this arrangement brings Pessard's timeless work to life. 🎶Trumpet Trio: https://youtu.be/bEa8xYiBirUHorn Trio: https://youtu.be/WkhbqWz8vEoTrombone Trio: https://youtu.be/4oFKrxlO8c0.
$9.00 ≈
8.09€
Boston (Early American Christmas Carol) for Brass Quintet
Boston (Early American Christmas Carol) for Brass Quintet
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE
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Christmas
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William Billings
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Nathaniel Hontz
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Boston
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TigerSong LLC
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SheetMusicPlus
Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1112251 Composed by William Billings (1746-1800). Arranged by Nathaniel Hontz. ...
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Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1112251 Composed by William Billings (1746-1800). Arranged by Nathaniel Hontz. Christmas,Early Music,Historic,Holiday,Sacred. 11 pages. TigerSong LLC #714412. Published by TigerSong LLC (A0.1112251). William Billings's Christmas anthem, Boston, Methinks I See a Heavenly Host, and Shepherds Rejoice arranged for brass quintet. A great early American addition to any Christmas repertoire. Great for sacred and secular settings. For two trumpets, F horn, trombone, and tuba. Includes a euphonium part.
$12.99 ≈
11.68€
Centone IV Three Vocal Works for Brass Quintet
Centone IV Three Vocal Works for Brass Quintet
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE
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Hans Leo Hassler
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Richard Decker
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Centone IV Three Vocal Works f
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Charles Decker Music Press
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SheetMusicPlus
Brass Quintet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.840947 Composed by Hans Leo Hassler. Arranged by Richard Decker. ...
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Brass Quintet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.840947 Composed by Hans Leo Hassler. Arranged by Richard Decker. Chamber,Early Music,Multicultural,Renaissance,World. 62 pages. Charles Decker Music Press #447653. Published by Charles Decker Music Press (A0.840947). Hans Leo Hassler (1562-1612) was truly a Renaissance man. Not only was he a noted composer of sacred (Roman Catholic and Protestant) and secular music both instrumental and vocal, but he was also a talented organist, Kappelmeister in various churches and cities, music businessman and additionally involved in the construction and manufacture of mechanical musical instruments. Though spending most of his professional life in German (Augsburg, Nuremburg and Dresden), Hassler studied with Andrea Gabrieli in Venice alongside fellow student Giovanni Gabrieli. These three vocal works highlight his integration of the leading compositional styles of the time including his foray into significant chromaticism in his Ad Dominum, cum tribularer. Brass quintets will find these three vocal transcriptions a welcome addition to the literature and concert repertoire. The arrangement is scored for two B-flat trumpets with optional C trumpet parts, horn in F, trombone and tuba. The recording is of the entire edition.See more than 70 mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. See also 50+ homogeneous brass group editions with Charles Decker Music Press at Sheet Music Plus for horn, trumpet and trombone ensembles. Check out the Music of Black Composers Series with Charles Decker Music Press at Sheet Music Press with 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others. All ensemble publications include recordings of the entire edition.Use this link to Cherry Classics Music to see Richard Decker arrangements of Cherubini’s Sonata in F for Solo Horn and Wind Ensemble and Coleridge-Taylor’s Sea Drift for Trombone Octet.
$18.95 ≈
17.04€
Bach: Sheep May Safely Graze for Baritone Horn & Piano
Bach: Sheep May Safely Graze for Baritone Horn & Piano
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Classical
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Johann Sebastian Bach
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James M
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Bach: Sheep May Safely Graze f
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jmsgu3
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SheetMusicPlus
Baritone Horn TC,Euphonium,Piano - Level 2 - Digital Download SKU: A0.552839 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baro...
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Baritone Horn TC,Euphonium,Piano - Level 2 - Digital Download SKU: A0.552839 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 11 pages. Jmsgu3 #3444573. Published by jmsgu3 (A0.552839). Was mir behagt, ist nur die muntre Jagd (The lively hunt is all my heart's desire), BWV 208 is the earliest secular cantata by Bach composed in 1713 for the birthday of the Duke of Weissenfels. It is also called the Hunting Cantata, and/or the Birthday Cantata. The most famous piece from this collection is the soprano aria Sheep may safely graze. Duration: 5:50, Score - 6 pg. Solo part - 2 pg. Piano part - 3 pg. 41 ms. Melodic range: M10 Level: Early intermediate and up. A popular choice for weddings, Christmas, Easter, birthdays, and recitals.
$32.95 ≈
29.63€
Schubert: Moment Musicaux for Baritone Horn & Piano
Schubert: Moment Musicaux for Baritone Horn & Piano
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Classical
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Franz Schubert
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James M
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Schubert: Moment Musicaux for
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jmsgu3
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SheetMusicPlus
Baritone Horn TC,Euphonium,Piano - Level 2 - Digital Download SKU: A0.552841 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Holiday,Rom...
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Baritone Horn TC,Euphonium,Piano - Level 2 - Digital Download SKU: A0.552841 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Period,Sacred,Standards. Score and part. 10 pages. Jmsgu3 #3447443. Published by jmsgu3 (A0.552841). Baritone Horn version of Moment Musicaux, Op. 94 (D. 780) No. 3 by Franz Schubert, published in 1828. Duration: 1:53 Score 6 pg. 54 ms. Alto Sax 1 pg. Piano part 3 pg. One of Schubert's most well-known pieces. This is an effective recital encore due to its brevity and range of expression. Could work well for a variety of occasions: wedding receptions, church services (Easter), and anniversaries. It seems like a pleasant dance, unlike some previous dance music. Schubert improvised these dances at parties for his friends.  Although conceived on-the-fly, these dances are the work of a genius. Composers have similarly elevated dance music to artistic status. As a result, they freed it from the original purpose of dancing. Certainly, the older masters used the dance forms as vehicles for complex treatments. Here, however, Schubert retains the dance-like quality while finally expressing his innermost thoughts and emotions. The dance is certainly filled with a doleful expression, yet the texture remains even more light and refined. Therefore, to perform these with sensitivity we probably need to use a light but accurate touch. The accompaniment pattern needs to be crisp and delicate – probably even in the more forceful parts. The piano pedal should also be used very carefully so as a result not to blur the outline. Instead, it should contribute to the dynamic quality of the piece. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms, and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.
$32.95 ≈
29.63€
Luther: Out of the Depths for Baritone Horn & Piano
Luther: Out of the Depths for Baritone Horn & Piano
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Martin Luther
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James M
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piano
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
Baritone Horn TC,Euphonium,Piano - Level 1 - Digital Download SKU: A0.552829 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instr...
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Baritone Horn TC,Euphonium,Piano - Level 1 - Digital Download SKU: A0.552829 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411723. Published by jmsgu3 (A0.552829). Out of the Depths I Cry to You by Martin Luther arranged for baritone horn & piano. First verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. Piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics which are essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed compositions, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95 ≈
22.44€
Schubert: Ave Maria for Baritone Horn & Piano
Schubert: Ave Maria for Baritone Horn & Piano
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Classical
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Franz Schubert
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James M
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Schubert: Ave Maria for Barito
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jmsgu3
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SheetMusicPlus
Baritone Horn TC,Euphonium,Piano - Level 1 - Digital Download SKU: A0.552828 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,E...
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Baritone Horn TC,Euphonium,Piano - Level 1 - Digital Download SKU: A0.552828 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 4 pages. Jmsgu3 #3411131. Published by jmsgu3 (A0.552828). A Baritone Horn Christmas/Easter classic! Duration: 4:55 Score: 3 pg. Baritone Horn part: 1 pg. Piano reads from the score. Schubert seems to have composed this piece as a song-setting. This is because he wanted to portray a poignant emotional event from a poem. The poem was Walter Scott's The Lady of the Lake. Consequently, this song became an integral part of Schubert's Song cycle. Therefore the cycle is called: the Lady of the Lake. In the poem, Ellen Douglas is the Lady of the Lake. The lake is probably Loch Katrine in the Scottish Highlands. First of all, Ellen goes with her father to stay in the Goblin's cave. They go because he earlier refused to join in a rebellion against King James. Roderick Dhu, the chief of the rebellious Alpine Clan, marches up the mountain with his army. But before the battle, he, first of all, hears Ellen singing. She is singing a prayer calling for help from the Virgin Mary. Schubert's piece was first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria.  Schubert dedicated the arrangement to her, and as a result, she became famous as the lady of the lake.The incipit of Ellen's song is Ave Maria which is Latin for Hail Mary. It seems like this similarity led Schubert to adapt the melody to accommodate the Roman Catholic prayer Ave Maria. Consequently, the Latin version of Ave Maria finally became more famous than the original so that consequently many believe he wrote the Latin version first. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.
$29.95 ≈
26.93€
L'Assaut (for Brass Quartet)
L'Assaut (for Brass Quartet)
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Brass Quartet
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INTERMEDIATE/ADVANCED
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Laurent de Rillé
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Andrew Lamb
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L'Assaut
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Andrew Lamb
#
SheetMusicPlus
Brass Quartet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1287615 Composed by Laurent de Rillé. Arranged by Andrew Lamb. 19th Cent...
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Brass Quartet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1287615 Composed by Laurent de Rillé. Arranged by Andrew Lamb. 19th Century,Chamber. 31 pages. Andrew Lamb #878640. Published by Andrew Lamb (A0.1287615). Introducing The Attack (L'assaut) - an exhilarating arrangement for Brass Quartet by the talented French composer Laurent de Rillé. Originally composed in 1869 as a secular chorus, this captivating arrangement transforms the piece into a dynamic showcase for 2 Trumpets, French Horn, and Trombone, with the added versatility of an alternative Tenor Horn part and Euphonium in Treble Clef.With a moderate level of difficulty, this arrangement is perfect for intermediate-level musicians seeking an exciting challenge that pushes their skills to new heights. The Attack offers a wonderful opportunity for quartets to explore the rich and expressive world of Laurent de Rillé's music.This arrangement is incredibly versatile and can be used in a variety of settings. Whether you're planning a concert, recital, or educational performance, The Attack will undoubtedly leave a lasting impression on your audience. Its dramatic and intense character is sure to captivate listeners and transport them to the heart of the musical narrative.Elevate your brass quartet's repertoire with this thrilling arrangement that pays homage to the creative genius of Laurent de Rillé. Unlock the potential for an unforgettable musical experience, as you bring the excitement and energy of The Attack to life. Don't miss the chance to add this arrangement to your ensemble's repertoire today.
$4.00 ≈
3.60€
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