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Germaine Tailleferre: Trois Études for two pianos
Germaine Tailleferre: Trois Études for two pianos
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2 Pianos, 4 hands
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ADVANCED
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achieving the physical decline
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Germaine Tailleferre
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Germaine Tailleferre: Trois É
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Musik Fabrik Music Publishing
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.534483 Composed by Germaine Tailleferre. 20th Century,Concert,Standards. S...
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Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.534483 Composed by Germaine Tailleferre. 20th Century,Concert,Standards. Score and parts. 65 pages. Musik Fabrik Music Publishing #3534799. Published by Musik Fabrik Music Publishing (A0.534483). This work was written in the first months of 1942 while Tailleferre was living in Grasse, in the socolled« Free Zone » of occupied France during the Second World War and was completed just asTailleferre was forced to flee France with her daughter. As the wife of Jean Lageat, who had been thesecretary of the French socialist Léon Blum during the « Front Populaire » period just before the Warand who was at that time in the US working against the Vichy Government, and as someone who wasnot unvocal about her political views, this could not have been a comfortable situation. Tailleferre left arecord of what she experienced during this period in an article written for the American music journal «Modern Music » which she wrote shortly after arriving in America in the Spring of 1942 :« Notwithstanding their staunch spirit of resistence, the people under German rule today areincreasingly bowed down under their burdens. By achieving the physical decline of the French, theNazis hope that spiritual collapse will ensue. However, after two years of quasi-famine, France remainspround and great, although the necessity of liberation grows daily more urgent.....For an artist to workunder these conditions is almost impossible. The mere effort of subsisting wastes time and absorbsenergy ; The means to work are also lacking.....Musical composition is made practically impossiblethrough lack of music paper. For more than a year, I sought in vain to find paper in Lyon, Marseillesand Nice on which to copy an orchestral score...Two years of experience under German rule havetaught me that all expressions of pride, dignity, spirit , aspiration of the human will can be made onlyclaudestinely. It is a historical truth that the human mind makes its greatest progress under freedom ».Under such circumstances, it is a miracle that this work exists at all. The three movement work wasdedicated to the famous Marguerite Long, for whom Tailleferre had already written several short worksfor piano solo, and François Lang, a pianist who was closely linked with the Group des Six and whohad performed in the première of the 1934 Concerto Grosso for Two Pianos, 8 Solo Voices, SaxophoneQuartet and Orchestra and for whom Tailleferre wrote two cadenzas for concerti by Mozart and Haydn.The work opens with sunny, optimistism in a mood similar to the opening movement of the ConcertoGrosso, but quickly the mood changes to more dramatic themes. The second movement seems tosubjectively express a rupture with the past and a tragic melancholy. The final third movement isextremely dramatic and almost frightening with it’s force.When Tailleferre left France in the Spring of 1942, having been warned by a neighbor that she wasgoing to be arrested if she didn’t leave immediately, she left the score in a two-piano version, probablydue to the fact that there was no music paper to be had to copy the score. When she returned to Francein 1946, she learned that François Lang had been deported to Auschwitz where he died. Musical life inFrance had been completely changed by the War years. Tailleferre put the work aside and forgot aboutit, perhaps wanting to forget the hardships that she had lived through and the loss of many of her friendsassociated with these years.Tailleferre's version for two pianos is published by Musik Fabrik and the work may be performed inthat version. It is clear however, that the work was intended to be orchestrated and the editors hope thatthe present orchestration will allow the work to finally be presented as Tailleferre conceived duringsome of the darkest years of the Twentieth century.
$32.95 ≈
30.37€
Nocturne for Left Hand Alone (Opus 9 Number 2)
Nocturne for Left Hand Alone (Opus 9 Number 2)
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Classical
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Stephen R Dalrymple
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edited by Stephen R Dalrymple
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Nocturne for Left Hand Alone
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Stephen R Dalrymple
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SheetMusicPlus
Instrumental Solo - Level 5 - Digital Download SKU: A0.1121045 By Stephen R Dalrymple. By Alexander Scriabin. Arranged by edited by Stephen R Dalrymple (...
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Instrumental Solo - Level 5 - Digital Download SKU: A0.1121045 By Stephen R Dalrymple. By Alexander Scriabin. Arranged by edited by Stephen R Dalrymple (Dalrymple Designs). Classical. Individual part. 14 pages. Stephen R Dalrymple #722236. Published by Stephen R Dalrymple (A0.1121045). Nocturne for Left Hand Alone (Classical Music for Tablet Series) by Alexander Scrià bin (Opus 9 Number 2) Classical Music for Tablet Series ♫ Alexander Nikolayevich Scriabin [1871 – 1915] was a Russian composer and virtuoso pianist. Before 1903, Scriabin was greatly influenced by the music of Frédéric Chopin and composed in a relatively tonal, late Romantic idiom. Later, and independently of his influential contemporary, Arnold Schoenberg, Scriabin developed a much more dissonant musical language that had transcended usual tonality but was not atonal. He composed almost exclusively for solo piano and for orchestra. [condensed from Wikipedia October 2022] ♫ I was introduced to this piece by my piano teacher, Jenny Wong, after injuring my right arm and needing to rest it. ♫ Nocturne for Left Hand Alone belongs to the earlier period of his work. ♫ Edited for 10 inch tablet by Stephen R Dalrymple ♫ Performed by the Editor. Compositions for left hand alone are valuable in developing and testing phrasing in the left hand. The most beautiful tone quality will be elusive if the left hand is weak in technique or phrasing. ♫ The Classical Music for Tablet Series offers piano masterworks by classical composers formatted to be read on 10 inch tablets. I use an Amazon Kindle with Mobile Sheets Pro and an Air Turn blue tooth foot pedal to practice and perform piano music. Similar products available to provide other tablets the same functionality. ♫ The pieces in this series have not been arranged, but most have been edited slightly, and have been formatted to fit screen size. For example, in the tablet versions, first and second endings are often removed and the repeated measures and endings written into the music so the performer can avoid having to go back to previous pages. These kinds of section repeats were invented to spare the composer’s time and the cost of extra paper and ink. But with a tablet the cost of paper and ink is irrelevant. ♫ Although there are a lot more page turns with a 10 inch screen compared with letter size pages, the readability of the music (due to the backlighting on the tablet) and the portability of the music (travelling with a small tablet instead of oversized books or portfolios of sheet music) easily makes up for the extra page turns. ♫ Your purchase provides one .pdf file that contains both the tablet edition and the letter size page (printable) version. There are several programs available online that will allow you to separate this .pdf file into 2 .pdf files to make it more useful.
$3.99 ≈
3.68€
Prélude for Left Hand Alone
Prélude for Left Hand Alone
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Piano solo
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INTERMEDIATE/ADVANCED
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Classical
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Stephen R Dalrymple
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Edited by Stephen R Dalrymple
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Prélude for Left Hand Alone
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Stephen R Dalrymple
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SheetMusicPlus
Instrumental Solo - Level 4 - Digital Download SKU: A0.818321 By Stephen R Dalrymple. By Alexander Scriabin. Arranged by Edited by Stephen R Dalrymple. R...
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Instrumental Solo - Level 4 - Digital Download SKU: A0.818321 By Stephen R Dalrymple. By Alexander Scriabin. Arranged by Edited by Stephen R Dalrymple. Romantic Period. Individual part. 5 pages. Stephen R Dalrymple #5997057. Published by Stephen R Dalrymple (A0.818321). Prélude for Left Hand Alone (Classical Music for Tablet Series) by Alexander Scrià bin (piano solo) Opus 9 Number 1 - (Classical Music for Tablet Series) ♫ Alexander Nikolayevich Scriabin [1871 – 1915] was a Russian composer and virtuoso pianist. Before 1903, Scriabin was greatly influenced by the music of Frédéric Chopin and composed in a relatively tonal, late Romantic idiom. Later, and independently of his influential contemporary, Arnold Schoenberg, Scriabin developed a much more dissonant musical language that had transcended usual tonality but was not atonal. He composed almost exclusively for solo piano and for orchestra. [condensed from Wikipedia October 2022] ♫ Prélude for Left Hand Alone belongs to the earlier period of his work. ♫ Edited for 10 inch tablet by Stephen R Dalrymple ♫ Performed by the Editor. ♫ I was introduced to this piece by my piano teacher, Jenny Wong, after injuring my right arm and needing to rest it. Compositions for left hand alone are valuable in developing and testing phrasing in the left hand. The most beautiful tone quality will be elusive if the left hand is weak in technique or phrasing. ♫ The Classical Music for Tablet Series offers piano masterworks by classical composers formatted to be read on 10 inch tablets. I use an Amazon Kindle with Mobile Sheets Pro and an Air Turn blue tooth foot pedal to practice and perform piano music. Similar products available to provide other tablets the same functionality. ♫ The pieces in this series have not been arranged, but most have been edited slightly, and have been formatted to fit screen size. For example, in the tablet versions, first and second endings are often removed and the repeated measures and endings written into the music so the performer can avoid having to go back to previous pages. These kinds of section repeats were invented to spare the composer’s time and the cost of extra paper and ink. But with a tablet the cost of paper and ink is irrelevant. ♫ Although there are a lot more page turns with a 10 inch screen compared with letter size pages, the readability of the music (due to the backlighting on the tablet) and the portability of the music (travelling with a small tablet instead of oversized books or portfolios of sheet music) easily makes up for the extra page turns. ♫ Your purchase provides one .pdf file that contains both the tablet edition and the letter size page (printable) version. There are several programs available online that will allow you to separate this .pdf file into 2 .pdf files to make it more useful.
$3.99 ≈
3.68€
Day by Day (Ahnfelt) - My Faith Looks Up to Thee - piano arrangement for Left Hand Alone by Stephen
Day by Day (Ahnfelt) - My Faith Looks Up to Thee - piano arrangement for Left Hand Alone by Stephen
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Piano solo
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Sacred music
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Stephen R
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Day by Day
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Stephen R Dalrymple
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SheetMusicPlus
Piano Solo - Digital Download SKU: A0.818231 Arranged by Stephen R. Dalrymple (Dalrymple Designs). Sacred. Score. 13 pages. Stephen R Dalrymple #3087667....
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Piano Solo - Digital Download SKU: A0.818231 Arranged by Stephen R. Dalrymple (Dalrymple Designs). Sacred. Score. 13 pages. Stephen R Dalrymple #3087667. Published by Stephen R Dalrymple (A0.818231). Day by Day / My Faith Looks Up to Thee piano solo for Left Hand alone by Stephen R Dalrymple Day by Day - Lyrics by Karolina W Sandell-Berg, translated by Andrew L Skoog, Music: BLOTT EN DAG, byOskar Anhelt 1872 My Faith Looks Up to Thee - Lyrics by Ray Palmer 1830, Music: OLIVET by Lowell Mason 1830 Why write (or play) pieces for left hand alone? 1. My college piano teacher assigned my first LH Alone piece (Prélude For Left Hand Alone by Alexander Scrià bin after I injured my right hand because needed to keep my practice going. 2. It’s concentrated practice for advancing all of the left hand skills. 3. For those of us who are right handed, we don’t always listen to the phrasing we are creating with our left hands. Playing a melody line with the left hand alone forces one to critique and correct the musicality of the left hand. 4. It forces the left hand to move from register to register on the piano. 5. There is wonderful literature for left hand alone that is worth playing.Suitable for Preludes, Offertories, Concerts. Includes 2 versions 1) Piano Score 2) small page format for performing from 8.9 inch tablet.
$4.45 ≈
4.10€
C Jam Blues for Brass Quintet
C Jam Blues for Brass Quintet
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE
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Keith Terrett
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Keith Terrett
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Bb Trombone/Euphonium in TC
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C Jam Blues for Brass Quintet
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Keith Terrett
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SheetMusicPlus
Brass Quintet Baritone Horn TC,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1273084 By Keith Terrett. By Duke Ellington/Barney Bigard. Arra...
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Brass Quintet Baritone Horn TC,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1273084 By Keith Terrett. By Duke Ellington/Barney Bigard. Arranged by Keith Terrett. 20th Century,Jazz,Standards. 11 pages. Keith Terrett #865274. Published by Keith Terrett (A0.1273084). An arrangement of C Jam Blues for Brass Quintet. The extra parts are not necessary, but are provided if you have extra players such as a Bb Piccolo Trumpet & Bb Trombone/Euphonium in TC.New Orleans-born clarinetist Barney Bigard is likely the originator of this tune, a simple blues riff in the key of C. Since Bigard was a veteran member of Duke Ellington’s Orchestra in 1941, Duke had a slice of the pie, too, and undoubtedly arranged the piece for the orchestra. Yet Duke referred to the number somewhat disparagingly as “one of our more or less trite things.â€The number was introduced in a Soundie short film. These three-minute features, produced to be shown on a jukebox-type player, illustrated the band miming to a pre-recorded performance. Entitled “Jam Session†the Soundie was filmed late in 1941 along with four other Ellington numbers. Duke introduces various band members, who then solo: Ray Nance (violin), Ben Webster (tenor sax), Rex Stewart (cornet), Joe “Tricky Sam†Nanton (trombone), and Sonny Greer (drums). The complete ensemble carries the tune to its finish with composer Bigard (clarinet) providing some improvised upper register piping.“C Jam Blues†was formally recorded under that title in January, 1942, for RCA Victor Records. It continued be a staple of the Ellington repertoire, generally featuring a handful of the soloists in the band.Co-composer Barney Bigard left Duke’s band in June 1942, and after a period of freelancing joined Louis Armstrong’s All-Stars in August, 1947. “C Jam Blues†was one of his nightly features with Satch’s ensemble along with “Tea for Two.†Despite playing the tune hundreds, or perhaps even thousands of times during his tenure with Ellington and Armstrong, he continued to perform it during his freelance years in the 1950s until shortly before his death in 1980.In the late-1950s very simple words were added (“Baby, let’s go down to ‘Duke’s Place’,†etc.) which strangely took a three-member team of writers to assemble: songwriters William Katz and Ruth Roberts and record producer Bob Thiele. Clarinetist Barney Bigard was not included in the composer credits of the song version, although he was a member of Louis Armstrong’s All-Stars when they recorded “Duke’s Place,†featuring Louis on the vocal, with Ellington in 1961.The piece typically features several improvised solos. The final solo continues in the upper register as the entire ensemble comes in and the music grows to a climax. The melody likely originated from the clarinetist Barney Bigard in 1941, but its origin is not perfectly clear.It was also known as Duke’s Place, with lyrics added by Bill Katts, Bob Thiele and Ruth Roberts Western Swing band leader Bob Wills and His Texas Playboys recorded the song sometime between mid-1945 through 1947 as part of the Tiffany Transcriptions.The 10-note occasional riff formed the basis of the Bonzo Dog Doo-Dah Band’s novelty song Intro Outro.Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com.
$12.99 ≈
11.97€
Toccata for Double Bass and Piano (2012, rev. 2020) Newly revised version for double bass tuned in
Toccata for Double Bass and Piano (2012, rev. 2020) Newly revised version for double bass tuned in
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Double Bass
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ADVANCED
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Thomas Oboe Lee
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I told him That is great
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Toccata for Double Bass and Pi
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Thomas Oboe Lee
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SheetMusicPlus
Double Bass,String Bass Solo - Level 5 - Digital Download SKU: A0.869156 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romanti...
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Double Bass,String Bass Solo - Level 5 - Digital Download SKU: A0.869156 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Individual part. 44 pages. Thomas Oboe Lee #31067. Published by Thomas Oboe Lee (A0.869156). I received an email from Joel Quarrington in 2011 with a request to buy a score and a set of parts to Hylidae … The Tree Frogs (1991) for violin, double bass and piano. He said he would like to perform the work at the next International Society of Bassists convention in Rochester, New York. I told him That is great. But it’s such an old work. Why don’t I write something new for you? He said, How much would a commission cost? I said, Let me write the piece first and if you like it, we can talk about a fee then. I began work on Toccata for Double Bass and Piano in late August and completed it on October 15. I sent Joel the music as a PDF and MIDI file via email. He wrote back, The piece looks really terrific and I have enjoyed listening to it as well, thanks for the midi file. I couldn’t be happier! Toccata is in three movements, fast-slow-fast, with internal ABA ternary forms in the first and last movements - also fast-slow-fast. Moderato … Trio … A tempo. Adagio. Allegro … Trio … Reprise! The first movement begins with a driving dotted-note motif in the double bass accompanied by an insistent sixteenth-note bass-line in the piano left hand and a soaring quarter-note melody in the piano right hand. A Trio follows which features a lyric melody in the double bass … molto cantabile! The double bass returns this time stealing the sixteenth-note bass-line motif from the piano left hand. The double bass pushes the music forward relentlessly and ferociously … holding no prisoners! To add counterpoint to this madness, the piano comes back with the quarter-note melody but in octaves this time. The left hand joins the melee occasionally to push the music forward until it reaches its climax at the conclusion. The second movement, Adagio, is a slow waltz. The mournful tune is delivered by the double bass at first, then it’s passed on to the piano, and it goes back and forth between the two. The third movement is a 6/8 romp, very syncopated and jazzy. The music goes back and forth between the double bass and piano, not unlike when the musicians in a jazz combo trade four’s among each other. An adagio Trio follows. The tune is in the double bass: long descending lines over a languid piano accompaniment. To complete the ABA format, the music from the beginning of this movement returns as a reprise. ENJOY!!! Commissioned by Joel Quarrington for a premiere performance at the 2013 International Society of Bassists Convention at Eastman School of Music in Rochester, New York.
$9.99 ≈
9.21€
Simplified Gloria Patri and Doxology for Worship Service
Simplified Gloria Patri and Doxology for Worship Service
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Easy Piano
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EASY
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Sacred music
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Charles Meineke, Henry Greator
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c
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Simplified Gloria Patri and Do
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C.E. Walz
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SheetMusicPlus
Easy Piano - Level 2 - Digital Download SKU: A0.775902 Composed by Charles Meineke, Henry Greatorex, and Louis Bourgeois. Arranged by c.e. walz. Christia...
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Easy Piano - Level 2 - Digital Download SKU: A0.775902 Composed by Charles Meineke, Henry Greatorex, and Louis Bourgeois. Arranged by c.e. walz. Christian,Sacred. Score. 4 pages. C.E. Walz #4783443. Published by C.E. Walz (A0.775902). When Grandma was a girl, she loved to play the piano in church, but she always had difficulty with the Gloria Patri and the Doxology. I promised I would create simplified versions one day and here they are! The GLORIA PATRI comes in two versions: Greatorex version in Eb and Meineke version in G. The DOXOLOGY comes in two versions both attributed to Louis Bourgeois so I call them Version One and Version Two, both in the key of G.These LATE ELEMENTARY pieces are written with the simple melody in the right hand and chords for left hand accompaniment. Each is a page long, and the audio lets you hear each piece in the order mentioned here. Before you play, find out which versions your church sings, and I'll tell Grandma you said THANK YOU! Gloria Patri by Henry Greatorex; Gloria Patri by Charles Meineke; Doxology Version One and Two by Louis Bourgeois.
$2.99 ≈
2.76€
Waltz Op 69 No 2 (Arranged for Guitar)
Waltz Op 69 No 2 (Arranged for Guitar)
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Guitar notes and tablatures
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INTERMEDIATE
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Classical
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Frederic Chopin
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Brian Streckfus
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Waltz Op 69 No 2
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Brian Streckfus
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SheetMusicPlus
Guitar - Level 3 - Digital Download SKU: A0.1177383 By Frederic Chopin. By FreÌdeÌric Chopin. Arranged by Brian Streckfus. 19th Century,Classical,C...
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Guitar - Level 3 - Digital Download SKU: A0.1177383 By Frederic Chopin. By FreÌdeÌric Chopin. Arranged by Brian Streckfus. 19th Century,Classical,Contemporary,Instructional,Romantic Period. Guitar Tab. 6 pages. Brian Streckfus #776814. Published by Brian Streckfus (A0.1177383). Key: Changed from B minor to A minorCapo: 2 (If you want original key, but I wasn't a fan of capo 2; it felt like there was no bass notes.)1. Arranged for guitar. 2. Piano pedal markings removed 3. Phrase markings removed and opted for commas. 4. Re-harmonized 5. Key changed from B minor to A minor. 6. Slurs 7. Left hand fingers 8. Tablature9. Harmonics added when advantageous, but playing the regular note would work as well.10. Piano pedal markings removed and replaced with commas. It's a flaw of sheet music that slurs, ties, and phrase markings are all the same symbol, and having all three happening can clutter a score.Compromises This may sound obvious, but of course I had to make some alterations to make this flow properly on guitar. Many of the original chord inversions on the piano were not kept. However, many harmonies were kept intact as far as following the chord nomenclature name. Measure 50 was originally an A minor chord, the irony is that the F major suprise is an homage to Chopin anyways, suprised he didn't opt for it. To be honest, I don't like how there is a perfect authentic cadence in measure 50. I think modern audiences would want to clap too badly, so I believe that ending needs to be slightly messed up to propel the music forward, and give a sense that there is still a problem. The other chord that was changed was an E7b9 to a Ddim7 in measure 78. If you know your theory well, you'll realize these chords have the same exact function and nearly the same notes, it's just that Ddim7 flowed a bit better on guitar. I'd rather have guitarists play the rhythms correctly and with musicality, than have guitarist clunkily go though overly large chords in order to mantain historical accuracy. Measure 15 was hard to keep the original chord intact. A Bb/D with a G in the melody as a suspension sounds more like a g minor chord. That is cliche Chopinesque neopolitan moment so the Bb is crucial to mantain. Having some rough sort of Bbmaj7 or G minor chord while mantaining the melody seemed to sound the best even though the name of the chord might have gotten a little off. I tried chord charts, but they seemed messier than what it was worth. I also could have the denser tablature in the sheet music, but that does make it look 10x more intimidating. So this version is unique in that the tablature is my denser arrangement, whereas the sheet music would allow someone to quickly make a new arrangement. I like this ethos because most guitarists are likely to be much better at playing chord quickly when they don't have to have an exact voicing. This makes this arrangement easier to further perfect since I am naming the harmonies, which often isn't done in classical music.BackstoryThis is one of my favorite pieces, and also my favorite composer. I feel classical guitar repertoire is lacking easily playable music in the romantic style. Often, if it is romantic guitar music, it is extemely difficult and therefore only a select few can enjoy performing it. Also, I sometimes get my hopes up to find a romantic guitar composer, but then after listening, there's nothing quite like Chopin. Obviously, you will have to have some chops to play this since it's one of the most ambitious undertakings a guitarist could take, but it's also not so hard that you have to be train for a decade because I changed the key.
$1.99 ≈
1.83€
Sinfonietta for Percussion Trio
Sinfonietta for Percussion Trio
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Contemporary
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measure 41, the transition has
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Dan Heslink
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Sinfonietta for Percussion Tri
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Pharaoh Publications
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SheetMusicPlus
Large Ensemble Bass Drum,Drums,Marimba,Multi-Percussion,Snare Drum,Vibraphone,Xylophone - Level 5 - Digital Download SKU: A0.935386 Composed by Dan Hesli...
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Large Ensemble Bass Drum,Drums,Marimba,Multi-Percussion,Snare Drum,Vibraphone,Xylophone - Level 5 - Digital Download SKU: A0.935386 Composed by Dan Heslink. Contemporary. Score and parts. 46 pages. Pharaoh Publications #6058011. Published by Pharaoh Publications (A0.935386). Sinfonietta composed by Dan Heslink Sinfonietta is a trio for vibraphone, marimba and percussion (xylophone, snare drum, and bass drum). Its expression is intended to be non-representational, presenting only an interesting technical construction in a suave formal organization. With the title the composer designates a single movement, with length and seriousness of expression approaching a symphonic movement. Its form approximates an expanded version of the classical sonata-allegro, dividing materials into three large sections. Beginning are the two main phrases of the principal theme, which establish patterns that are idiomatic throughout the movement. The first measure’s quartal harmonies divide into rhythms alternating the two hands, the right-hand posing a melody and the left-hand complementing it with harmony and rhythmic repetition. The phrase at measure 7 is a long-breathed melody for vibes accompanied by undulating chords in the marimba. A transition comprising highly qualitative rhythms (stated first by the marimba in m. 20.) has much identity. By measure 41, the transition has grown into a full secondary theme, one that is developed and repeated often throughout the movement. The exposition closes with a theme beginning in measure 51. It is announced by the vibes as another long-breathed melody unfolding over the active rhythm of the second theme. After a gradual dissipation, the development section starts at measure 92 with a new but related theme, heard first in the vibes. It offers a different key and an expressive melody slowly unfolding over rhythmically active harmonies. The remainder of this middle section explores nuances of the secondary and closing themes, and ultimately leads to the movement’s first climax. It eventually dissipates through a gradual reduction of density and tempo. The Reprise begins vigorously at m. 118 with statements of both the principal theme’s phrases. Then the second theme is transformed by the addition of bass drum strokes, which sets up a codetta. This section comprises a long crescendo on the new theme over a rhythmic tattoo derived from the second theme, and builds to a bold conclusion. Pedaling on the vibes is indicated with a solid bracket below the connected notes, and half pedaling with a dashed bracket. It is imperative that the percussion part be heard but not dominate. The performer is encouraged to experiment with a piccolo snare drum and 28 bass drum. Sinfonietta would serve equally well in a professional, college or advanced high school percussion recital. The composer assigns a difficulty level of medium difficult. Duration is 8:10. The composer, Dan Heslink, can be contacted at dan@dheslink.com.
$9.99 ≈
9.21€
The Lone Star Blues Shuffle
The Lone Star Blues Shuffle
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Ukulele
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BEGINNER
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Andrew D
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Andrew D
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The Lone Star Blues Shuffle
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A.D.G. Productions
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SheetMusicPlus
Ukulele - Level 1 - Digital Download SKU: A0.1238898 By Andrew D. Gordon. By Andrew D. Gordon. Arranged by Andrew D. Gordon. Blues,Folk,Jazz,Multicultura...
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Ukulele - Level 1 - Digital Download SKU: A0.1238898 By Andrew D. Gordon. By Andrew D. Gordon. Arranged by Andrew D. Gordon. Blues,Folk,Jazz,Multicultural,Rock,World. Score. 1 pages. A.D.G. Productions #834303. Published by A.D.G. Productions (A0.1238898). The Lone Star Blues Shuffle is one of a collection of beginner blues songs Andrew D. Gordon has created for Ukulele.The Play-A-Long track can be downloaded for free at the following link.tinyurl.com/nwrbvtwh Scroll down to the very bottom of the category list on the left hand side of the page to where it says Play-A-Long Tracks.About the ComposerAndrew D. Gordon is a well-known author of over 130 music instructional books, particularly in the field of contemporary music and improvisation. His books are highly regarded and are considered to be of excellent quality by musicians and music educators.One notable aspect of Andrew D. Gordon's instructional books is their practicality. He has a knack for presenting complex musical concepts in a clear and accessible manner, making it easier for musicians of different skill levels to understand and apply them. Whether you are a beginner or an advanced player, his books provide valuable insights and techniques that can enhance your musical proficiency.Gordon's instructional books often focus on specific genres such as jazz, blues, funk, and rock, offering targeted guidance to musicians interested in these styles. He explores various aspects of improvisation, including scales, chord progressions, phrasing, and rhythmic patterns, allowing readers to develop their improvisational skills and musical vocabulary.One of the strengths of Andrew D. Gordon's books is the inclusion of practical examples and exercises. He provides musical examples that are relevant to the concepts being discussed, enabling readers to hear and internalize the ideas being presented. Additionally, his books feature exercises that encourage active participation and practice, ensuring that readers can apply what they have learned and reinforce their understanding.Gordon's writing style is concise and engaging, making it easy to follow along and stay engaged throughout the book. He presents the material in a logical and organized manner, building upon foundational concepts and gradually introducing more advanced techniques. This approach helps readers progress in a structured way, ensuring a comprehensive understanding of the topics covered.Moreover, Andrew D. Gordon's instructional books are often accompanied by audio recordings or backing tracks, providing an immersive learning experience. These resources allow readers to hear how the concepts and techniques should sound in a musical context and provide opportunities for practice and improvisation.Overall, Andrew D. Gordon's music instructional books are highly regarded for their practicality, clarity, and comprehensive coverage of contemporary music and improvisation. Whether you are an aspiring musician, a seasoned player, or an educator, his books can serve as valuable resources for enhancing your musical skills and understanding.Andrew D. Gordon's music instructional books are widely available for purchase through various online platforms and music retailers. Here are some common places where you can find his books:Author's Website: http://www.adgproductions.com.  Andrew D. Gordon has a dedicated website where you can directly purchase his books. Online Retailers: Websites like Amazon, Barnes & Noble, and Sheet Music Plus carry Andrew D. Gordon's instructional books. Simply search for his name or the specific book title to find the available options.Music Stores: Check with local music stores or instrument shops in your area. They may stock Andrew D. Gordon's instructional books or be able to order them for you.E-Book Platforms: Look for digital versions of Andrew D. Gordon's books on platforms like Kindle, Apple Books, or Google Play Books. These platforms often offer e-books that can be purchased and downloaded directly to your device.
$2.99 ≈
2.76€
His Eye is On the Sparrow - piano solo arrangement for left hand alone by Stephen R Dalrymple
His Eye is On the Sparrow - piano solo arrangement for left hand alone by Stephen R Dalrymple
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Piano solo
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INTERMEDIATE/ADVANCED
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Sacred music
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Stephen R
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Phonogram Copyright
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His Eye is On the Sparrow - pi
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Stephen R Dalrymple
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.818320 Arranged by Stephen R. Dalrymple (Dalrymple Designs). Christian,Sacred. Score. 10 pages. Stephen R...
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Piano Solo - Level 4 - Digital Download SKU: A0.818320 Arranged by Stephen R. Dalrymple (Dalrymple Designs). Christian,Sacred. Score. 10 pages. Stephen R Dalrymple #5996935. Published by Stephen R Dalrymple (A0.818320). His Eye is On the Sparrowpiano solo for left hand alone by Stephen R Dalrymple performed by the composer © 2020, Phonogram Copyright 2020 Stephen R Dalrymple My sophomore year in at Biola University I sprained my right wrist. I was making a lot of progress with my piano teacher Miss Jennie Kuk-Ying Wong and was concerned about losing momentum. Not to worry, Miss Wong assigned me Alexander Scrià bin’s Prélude in C# minor by for solo piano, left hand alone. Working with my left hand alone for a couple of weeks was extremely instructive. Training my left hand to play a melodic legato with the same quality as my dominant hand was challenging, but rewarding. Ever since, I have used compositions for left hand alone occasionally for practice and training. This has led me to write several piano solos for left hand alone. The pace of His Eye is on the Sparrow is unhurried, so the pianist gets the full benefit of the exercise. Suitable for preludes, offertories, concerts, personal meditation. Includes 2 versions 1) piano score letter size 2) piano score - small page format for performing from 10.1 inch tablet (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.)
$4.45 ≈
4.10€
Three Chromicons for piano solo
Three Chromicons for piano solo
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Piano solo
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INTERMEDIATE/ADVANCED
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Contemporary
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Joseph Dillon Ford
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Three Chromicons for piano sol
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David Warin Solomons
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SheetMusicPlus
Piano Solo - Advanced Intermediate - Digital Download Composed by Joseph Dillon Ford. 21st Century, Contemporary Classical, Impressionistic. Score. 2...
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Piano Solo - Advanced Intermediate - Digital Download Composed by Joseph Dillon Ford. 21st Century, Contemporary Classical, Impressionistic. Score. 22 pages. Published by David Warin Solomons
The pdf file contains the original score (in letter format) followed by the somewhat larger copy with dedication by the composer and fingerings by Valentin Bogolubov who premiered the 3 Chromicons.
The sound sample is the live performance.
The Three Chromicons were premiered by pianist Valentin Bogolubov at the Société de concerts de St-Bruno, Saint-Bruno, Quebec, Canada, on 27 January 2007. Bogolubov's adventurous, technically demanding program, which also featured the works of Alexander Scriabin and Jean Chatillon, was accompanied by video animation of numerous works of art, four of which were created by the composer (among them, the Chromicon No. 3).
Ford explains the significance of these unique scores:
"In both my earliest chromicons, which I had begun to create by the 1980s, and in those I continue to make today, color is the element that links what is seen to what is heard. Unlike composer Alexander Scriabin, who may have been a true synaesthete as the result of a rare neurological condition enabling him actually to hear colors, my approach to color music has been by way of analogy. Although the tones in a musical scale and the colors of a prism both result from specific vibratory frequencies, scales can be replicated in various octaves while there is no comparable transposition observable in the case of the spectrum. However, the analogy between pitch and hue is implicit in the term "chromatic scale" (the Greek chrôma signifies "color"), and on that basis it is possible to equate the twelve tones of Western music with the hues on a twelvefold color wheel: red, red-orange, orange, yellow-orange, yellow, yellow-green, green, blue-green, blue, blue-violet, violet, and red-violet."
"By placing the pitch names of the chromatic scale in a separate band around the periphery of a such color wheel, much like the numbers on the face of a clock, and by rotating the central color wheel, it is possible for any given pitch to be aligned and associated with any hue. Such an easily constructed device, which I have dubbed the "chromonomicon," is the key necessary to decipher the musical meaning of my chromicons. The chromicon can be thought of as a calligraphic text in which each discrete area of color is a separate letter."
"Although there are literally millions of possible colors, all of them can be categorized as one of the twelve hues shown on the chromonomicon. Instead of being written from left to right or from right to left, the color-letters in a chromicon are arranged concentrically. The shapes of the individual letters, usually painted in watercolor and "illuminated" with metallic paints, colored pencils, and other media, are the result of each artist's creative meditation. The personal meaning of the chromiconic text as a whole emerges during and after this meditation, and may be expressed by a conventional title or accompanying commentary."
"Now, anyone wishing to realize a chromicon is at liberty to follow any path—straight or curvilinear—from the centermost letter to the periphery, constructing a cantus (melody) by notating the musical pitches associated with each contiguous color-letter encountered along the way. The cantus thereafter serves as the structural basis of a new, freely composed work. The individual pitches in the cantus may be moved to any octave, and may be repeated any number of times before proceeding to the next pitch in the sequence. Customarily, once the final tone of the cantus is reached, the entire melody is heard in reverse (retrograde), resulting in a palindrome. That palindrome is itself subject to varied repetition, so that in formal terms, each realization of a chromicon amounts to a 'mirror' theme with variations."
"Chromicon No. 3 travels even further back in collective human memory to the eighteenth century. For all its contemporary melodic and harmonic inflections, the style is pervasively contrapuntal, summoning to mind the polyphonic keyboard textures of Bach and Handel. It eschews the worldly strife and diversions mirrored in the first two chromicons, maintaining a dignified, highly stylized manner throughout, but with its unexpected final cadence on D, there seems to be a fleeting intimation of transcendence."
Video of Chromicon III
https://www.youtube.com/watch?v=VHMw-vzZlGE
$12.00 ≈
11.06€
Deck The Hall With Swing (1 piano 4 hands) intermediate
Deck The Hall With Swing (1 piano 4 hands) intermediate
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1 Piano, 4 hands
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EASY
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Traditional
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Nick Raspa
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Deck The Hall With Swing
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NJR Music
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SheetMusicPlus
1 Piano,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.754374 Composed by Traditional. Arranged by Nick Raspa. Christmas,Holiday,Jazz. Score. 16...
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1 Piano,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.754374 Composed by Traditional. Arranged by Nick Raspa. Christmas,Holiday,Jazz. Score. 16 pages. NJR Music #3624139. Published by NJR Music (A0.754374). This swinging version of Deck The Halls begins with a cool bass riff in the left hand. Â The melody is carried in the primo part which remains remains in middle c position for most of the song (deviating slightly for a scale wise pattern at one point and an octave shift for one measure). Â The left hand of the primo part and both hands of the secundo remain in one 5 finger position throughout. Â There is syncopation and some chromaticism bending the notes in a familiar jazz style. Â Fingerings are given at appropriate points. Â The arrangement ends on a quiet tonic 9th chord. Listen to the entire arrangement on YouTube. Â ASCAP.
$4.99 ≈
4.60€
One note for one hand Op.138　Long version and short version
One note for one hand Op.138　Long version and short version
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Piano solo
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INTERMEDIATE/ADVANCED
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Kohei KONDO
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One note for one hand Op.138ã
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Kohei KONDO
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.886059 Composed by Kohei KONDO. 20th Century,Concert,Contemporary,Standards. Score. 57 pages. Kohei KONDO...
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Piano Solo - Level 4 - Digital Download SKU: A0.886059 Composed by Kohei KONDO. 20th Century,Concert,Contemporary,Standards. Score. 57 pages. Kohei KONDO #5306217. Published by Kohei KONDO (A0.886059). One note for one hand Op.138 for piano solo with left hand only.Including two version , original long version and arranged short version by the composer.Composed in 2013Premiered by Tetsuo Hagyu
$8.00 ≈
7.37€
Someone You Loved Piano Solo Easy
Someone You Loved Piano Solo Easy
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Easy Piano
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EASY
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Pop music
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Lewis Capaldi
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Madeline Stratford
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Someone You Loved Piano Solo E
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Madeline Stratford
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SheetMusicPlus
Piano Solo, Easy Piano - Early Intermediate - Digital Download By Lewis Capaldi. Arranged by Madeline Stratford. Individual Part, Lead Sheet, Piano R...
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Piano Solo, Easy Piano - Early Intermediate - Digital Download By Lewis Capaldi. Arranged by Madeline Stratford. Individual Part, Lead Sheet, Piano Reduction, Sheet Music Single. 3 pages. Published by Madeline Stratford
This version of Someone You Loved is easy for a confident beginner and is in C Major.
It is easy and clear to read, with pedal markings included too.
I've had a lot of success with my students learning this piece and it sounds really nice.
The Piano right hand follows the vocal melody and the left hand has a simple rhythm following the chord progression.
$4.99 ≈
4.60€
Celtiberian Fantasy For Harp and Strings
Celtiberian Fantasy For Harp and Strings
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Luis Anjos Teixeira
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Celtiberian Fantasy For Harp a
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Luis Anjos Teixeira
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SheetMusicPlus
Small Ensemble Cello,Double Bass,Harp,Viola,Violin - Level 3 - Digital Download SKU: A0.889414 Composed by Luis Anjos Teixeira. Concert,Contemporary,Stan...
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Small Ensemble Cello,Double Bass,Harp,Viola,Violin - Level 3 - Digital Download SKU: A0.889414 Composed by Luis Anjos Teixeira. Concert,Contemporary,Standards. Score and parts. 40 pages. Luis Anjos Teixeira #3478441. Published by Luis Anjos Teixeira (A0.889414). Celtiberian Fantasy For Harp And Strings written for the - 2018 Chamber Music Contest Entry. Dear music Lovers and Friends. Celtiberian Fantasy was designed to be performed by a group of five artists, or even seven, nine, one thousand or more! Any kind of diatonic Harp can be used to perform this piece. The harp part can also be performed as a solo piece. When performing the piece solo and according to the size of the harp or the needs of the artist of course, it is possible to transpose the left hand part an octave lower and to open many of its chords or adding a bass without damaging the caracter of the music. When playing the harp with the rest of the ensemble it might be better to perform it mostly as it is written. The double bass is a soloist but it can be reenforced with a cello. Otherwise the cello joins the ensemble only in the „Tutti. However in the absence of a Double bass, than should the cello take its part. A Cello should always be present in the case that a little stringed orquestra performs the piece. It is a perfect piece for a mixed group of early beginners and „early soloists, it is very easy to perform by experienced artists. It can be played by a group of five artists, as well as a complete string orquestra with harp. Some interpretation symbols where used in the score as a performance suggestion. Most of the score is left virgin to the interpretation of the artists involved, particularly the use of bowing and fingering. It is a very flexible piece that can be used in all kinds of events. The score For the 2018 Chamber Music Contest Entrywas written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was produced with samplers from Garritan, conceived as an audio support for the presentation of the score. It is a Harp Quintet with a Double Bass instead of a Cello. Another audio version with the full orquestra will be found in sound cloud at „Anjos Teixeira Music. Thank you very much for taking your time to read this text and to listen to the file. This is the first time that it has been published in Sheet Music Plus. I hope you have a lot of fun and enjoy the music. Sheers! Luis Anjos Teixeira Thanks to Claudia Eppelt for the cover design, all the Love and inspiration. Thanks to Stray Queen Mimi for my Family, all the Love and Compassion. Special thanks to my feline Family for all the Patience, Love and Compassion. Luis Anjos Teixeira
$28.99 ≈
26.72€
Blind Mary For Harp
Blind Mary For Harp
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Harp
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BEGINNER
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Turlough O'carolan
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Luis Anjos Teixeira
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Blind Mary For Harp
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Luis Anjos Teixeira
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SheetMusicPlus
Harp - Level 1 - Digital Download SKU: A0.889431 Composed by Turlough O'carolan. Arranged by Luis Anjos Teixeira. Baroque,Christmas,Concert,Standards. Sc...
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Harp - Level 1 - Digital Download SKU: A0.889431 Composed by Turlough O'carolan. Arranged by Luis Anjos Teixeira. Baroque,Christmas,Concert,Standards. Score. 8 pages. Luis Anjos Teixeira #4731959. Published by Luis Anjos Teixeira (A0.889431). Blind Mary was composed by O`Carolan, it is an irresistible enchanting little piece. In this file there are 3 versions for 3 different sizes of harps. One in F for a big harp, one in Eb for medium size and the one in F for a little 3 oct. lap harp a very similar one to the one that usually O`Carolan used to perform. The melodic bass played with the left hand demands a little bit of coordination but the arrangement is focused in the main melody and is very easy to perform in all this 3 versions. The piece is so beautiful that I recommend it to be played always twice in a row. Some interpretation symbols are used as a performance suggestion. Most of the score is left to the interpretation of the artists involved, particularly the use of fingering. Feel Free to apply in this piece the Art and technic that expresses entirely your individual skills and taste. Have fun! The score was written on Finale. The sound file is the version in Eb for a medium size diatonic harp, it was produced with samplers from Garritan and conceived merely as an audio support for the presentation of the score. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Slanja! Luis Anjos Teixeira O` Carolan lived in the 17 century. Known as „The Last Irish Bard, he is an Honored and Beloved Irish composer. He became an itinerante harpist after losing his eyesight to smallpox. Extremely talented, he composed a vast repertoire of music and left also a well known number of real good stories to tell due to his rich temperament, social caracter and spicy sense of humor. Thanks to Claudia Eppelt for the all the Love, the wonderful painting and cover design. Special Thanks to O`Carolan, this arrangement is dedicated to him. And to Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever.
$4.99 ≈
4.60€
Sakura for solo harp
Sakura for solo harp
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Harp
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EASY
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Traditional Japanese
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Marilyn Rummel
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Sakura for solo harp
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Demand Music
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SheetMusicPlus
Harp - Level 2 - Digital Download SKU: A0.849953 Composed by Traditional Japanese. Arranged by Marilyn Rummel. Classical,Standards,World. Score. 6 pages....
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Harp - Level 2 - Digital Download SKU: A0.849953 Composed by Traditional Japanese. Arranged by Marilyn Rummel. Classical,Standards,World. Score. 6 pages. Demand Music #4298759. Published by Demand Music (A0.849953). Sakura is a famous koto tune from 17th century Japan. It is written in the tuning developed at that time by Yatsuhashi Kengyoo who was a famous performer and teacher of the koto. Hirajoshi, or hira-choshi tuning(choshi = tuning and hira = even, level, tranquil, standard or regular) is an adaptation of traditional Shamisen music.Although often heard with modern western harmonies I have chosen to use only the notes available in this pentatonic tuning. With a harp tuned to Bb major you can play this on the white strings of the harp, making it easy to improvise new left hands or interludes of melody by leaving out your C’s and F’s,This arrangement also includes a version transposed for harps tuned in C or F, to facilitate learning by folks who have not a full set of levers.The first verse is notated with alternating stems to indicate alternating hands. Use the 2nd (or 3, 4, or 5th) finger of each hand and play very close to the soundboard to imitate the koto. by alternating hands you can get close to the soundboard and still connect and phrase the notes by placing one finger before the previous one plays, Use your fingernails if possible - I just grow out the baby finger nails and use those fingers for a change!
$4.99 ≈
4.60€
Th Holy City Easy Piano Version
Th Holy City Easy Piano Version
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Easy Piano
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BEGINNER
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ADAMS
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Gene Roberson
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Th Holy City Easy Piano Versio
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Gene Roberson
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SheetMusicPlus
Easy Piano - Level 1 - Digital Download SKU: A0.848637 Composed by ADAMS. Arranged by Gene Roberson. Concert,Easter,Sacred. Score. 4 pages. Gene Roberson...
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Easy Piano - Level 1 - Digital Download SKU: A0.848637 Composed by ADAMS. Arranged by Gene Roberson. Concert,Easter,Sacred. Score. 4 pages. Gene Roberson #4321577. Published by Gene Roberson (A0.848637). Easy Piano Arrangement of The Holy City. Single Note melody with one or two left hand accompaniment notes.Perfect for recital, church service solo. Key of F with a short section in A Major, however quite easy to learn.Advanced piano arrangement also available at SMPlus.
$3.99 ≈
3.68€
Prelude in G minor "Military" of Rachmaninoff for piano solo
Prelude in G minor "Military" of Rachmaninoff for piano solo
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Piano solo
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INTERMEDIATE/ADVANCED
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Sergei Rachmaninoff
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Michael Bomier
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Prelude in G minor "Military"
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Michael Butkus-Bomier
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.862662 Composed by Sergei Rachmaninoff. Arranged by Michael Bomier. 20th Century,Concert,Romantic Period,...
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Piano Solo - Level 4 - Digital Download SKU: A0.862662 Composed by Sergei Rachmaninoff. Arranged by Michael Bomier. 20th Century,Concert,Romantic Period,Standards. Score. 6 pages. Michael Butkus-Bomier #3619809. Published by Michael Butkus-Bomier (A0.862662). the Prelude in G minor, the Military did indeed inspire the Russian troops against the Nazi invasion. there is classic film footage of a young Emil Gilels playing the piece on a flatbed truck on an active airfield, with planes buzzing 'round. WOW! Well, our aim is not to shoot'em down, but to make music, so here is our revision of this classic two-handed unison work. In the original, the right and left are both jumping constantly, making the same music, but having to leave and leap on each 1/8-note. Our setting keeps all the melody, and all the chords intact, whilst re-distributing the same pitches to one or the other hand, not both. Some inversions have been changed to triads, or to the same inversion in both hands. Also, the LH arpeggiated accompaniment in the middle section has precisely 1/2 the notes of the original, while preserving the harmony being expressed. So, hear it on the MP3 and see how good an impression this resetting makes. The inner 2nd melody of the middle section is still outlined with parentheses, so as not to be missed. MBB.
$2.99 ≈
2.76€
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one version for left hand
