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rumba de l
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You've selected:
rumba de l
Sheetmusic to print
17 sheet music found
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1
rumba de l'amour
rumba de l'amour
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2 Guitars (duet)
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EASY
#
Latin/World Music
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Sergio Vettore
#
Sergio Vettore
#
rumba de l'amour
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Sergio Vettore
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SheetMusicPlus
Guitar,Instrumental Duet - Level 2 - Digital Download SKU: A0.1217685 By Sergio Vettore. By Sergio Vettore. Arranged by Sergio Vettore. Latin. 3 pages. S...
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Guitar,Instrumental Duet - Level 2 - Digital Download SKU: A0.1217685 By Sergio Vettore. By Sergio Vettore. Arranged by Sergio Vettore. Latin. 3 pages. Sergio Vettore #814228. Published by Sergio Vettore (A0.1217685). An easy rumba played in guitar duo. here the link to hear the 2nd guitar in background rumba de l'amour - 2nd guitar background
$5.99 ≈
5.43€
Y'a d'la rumba dans l'air (Voice Alain Souchon, Piano comp. and Orchestra)
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Piano solo
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INTERMEDIATE
#
French Songs
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Rock
#
Alain Souchon
#
Y'a d'la rumba dans l'air
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Tomplay
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Pla...
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print.
5.99€
Y'a d'la rumba dans l'air
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Voice solo
#
EASY
#
French Songs
#
Rock
#
Alain Souchon
#
Y'a d'la rumba dans l'air
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Tomplay
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Pla...
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print.
5.99€
Four Modern Dance Tunes - No. 4 Rebecca (A Rumba)
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Violin
#
EASY
#
Classical
#
Neil Mackay
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Four Modern Dance Tunes
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Tomplay
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Pla...
(+)
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print.
4.99€
Four Modern Dance Tunes - No. 4 Rebecca (A Rumba)
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Piano solo
#
EASY
#
Classical
#
Neil Mackay
#
Four Modern Dance Tunes
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Tomplay
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Pla...
(+)
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print.
4.99€
Cubanita Flor - Rumba por: Raúl de Castro y Carlos Courau.
Cubanita Flor - Rumba por: Raúl de Castro y Carlos Courau.
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Piano solo
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Latin/World Music
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Raúl de Castro y Carl
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Juan Carlos Cortés A
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Cubanita Flor - Rumba por: Ra
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Juan Carlos Cortés Aguirre
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SheetMusicPlus
Composed by Raúl de Castro y Carlos Courau. Arranged by Juan Carlos Cortés A. Concert, Latin, Standards, Traditional. Score. 2 pages. Juan...
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Composed by Raúl de Castro y Carlos Courau. Arranged by Juan Carlos Cortés A. Concert, Latin, Standards, Traditional. Score. 2 pages. Juan Carlos Cortés Aguirre #6116451. Published by Juan Carlos Cortés Aguirre
$7.99 ≈
7.24€
Rebecca (A Rumba) (No. 4 from Four Modern Dance Tunes) (ABRSM Violin Exams from 2024, Grade 3, C:2)
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Violin
#
EASY
#
Neil Mackay
#
Rebecca
#
Tomplay
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Pla...
(+)
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print.
1.99€
Arthur H: La beauté de l'amour
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Piano, Vocal and Guitar
#
French Songs
#
Arthur H
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La beauté de l'amour
#
Quickpartitions
4.99€
Élégie
Élégie
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Guitar
#
INTERMEDIATE
#
Contemporary
#
Francis Bebey
#
Ingrid Riollot
#
Élégie
#
Les Editions Doberman-Yppan
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SheetMusicPlus
Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Ypp...
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Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
$3.95 ≈
3.58€
Arthur H: L'autre côté de la lune
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Piano, Vocal and Guitar
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French Songs
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Arthur H
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L'autre côté de la lune
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Quickpartitions
4.99€
The Peanut Vendor (el Manisero)
The Peanut Vendor (el Manisero)
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE/ADVANCED
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Stan Kenton & His Orchestra
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F
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The Peanut Vendor
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Sweetwater Brass Press
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1221432 By Stan Kenton & His Orchestra. By L. Wolfe Gilbert, Marion Sunshin...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1221432 By Stan Kenton & His Orchestra. By L. Wolfe Gilbert, Marion Sunshine, and Moises Simons. Arranged by F. Leslie Smith. Jazz,Latin,Multicultural,Pop,World. 39 pages. Sweetwater Brass Press #817754. Published by Sweetwater Brass Press (A0.1221432). Can a brass quintet sound like Stan Kenton’s 19-piece big band? No, not really:  no saxophones, no rhythm section, no Milt Bernhart, no Maynard Ferguson, no Bill Russo, no Conte Candoli, no . . .  Well, you get the picture.  But five brass instruments can play in the Kenton style.  And that’s what this is:  “The Peanut Vendor†in the style of the Stan Kenton Orchestra.   Moisés Simons’ “El Manisero†(“The Peanut Vendorâ€) was first recorded in the late 1920s.  The melody was relatively simple yet exotic sounding; the lyrics, a Cuban street vendor’s pitch for selling his bags of peanuts.  Consumers bought more than a million copies of the sheet music, and the song supposedly led to a “rumba craze†in the U.S. and Europe (although the song is not really a rumba!).     Don Azpiazú and his Havana Casino Orchestra recorded the song for RCA Victor in 1930 with Antonio MachÃn on the vocal; its sales may well have been more than the million-plus sheet music copies sold.     English lyrics were added by L. Wolfe Gilbert and Marion Sunshine and the song became “The Peanut Vendor.† One estimate is that nearly 200 recordings have been made.  That’s a lot of peanuts.    Stan Kenton revived “The Peanut Vendor†in 1947 when he first recorded it for Capitol Records.  His version was completely instrumental.  Rhythm and saxophones opened the number and established the background; later the trombone section added emphasis.  A trombone solo first stated the melody but eventually the five-person trumpet section took over with what one writer referred to as “shrieking dissonances.† “The Peanut Vendor†subsequently became one of Kenton’s most requested numbers and he recorded it at least three more times.   This brass quintet arrangement, of course, has access to only two trumpets.  So the good news is that all five players get a chance with the melody.  Kenton’s extended opening trombone solo is shared by Trombone and Tuba.  The “shrieking dissonances†are performed not only by Trumpets but also by Horn in F and Trombone.  The bad news is that all five players have to take a turn with the continuing rhythmic background melody.  Written in 4/4 time, the suggested tempo is 184 BPM in a Latin style.  Kenton’s version is in B-flat major; this arrangement lowers it to A-flat major so that most notes are within the normal playing range of the instruments.  (Don’t worry; the “shrieking dissonances†are still there!)     Completed in 2023, performance time runs about 3 minutes, 37 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge.  He would like to receive your suggestions, comments, corrections and criticisms.  For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.  (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.).
$12.99 ≈
11.77€
Mama Inez
Mama Inez
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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EASY
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Eliseo Grenet and L
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Peet du Toit
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Mama Inez
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Peet du Toit
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1405320 Composed by Eliseo Grenet and L. Wolfe Gilbert. Arranged by Peet du...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1405320 Composed by Eliseo Grenet and L. Wolfe Gilbert. Arranged by Peet du Toit. Folk. 15 pages. Peet du Toit #988382. Published by Peet du Toit (A0.1405320). Eliseo Grenet Sánchez (12 June 1893 in Havana – 4 December 1950) was a Cuban pianist and a leading composer/arranger of the day. He composed music for stage shows and films, and some famous Cuban dance music. Eliseo was one of three musical brothers, all composers.This Rumba is a relaxing and catchy piece of music for your enjoyment. A big thank you to Sam Harrill for the Latin percussion kit and feel. Though the brass quintet can perform this piece on its own, Sam's work really enhances the context greatly.
$13.00 ≈
11.78€
The Peanut Vendor (El Manisero)
The Peanut Vendor (El Manisero)
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE
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Latin/World Music
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Louis Armstrong & His Orchestr
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Will Corbin
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The Peanut Vendor
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Will Corbin
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1462691 By Louis Armstrong & His Orchestra. By L. Wolfe Gilbert, Marion Sun...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1462691 By Louis Armstrong & His Orchestra. By L. Wolfe Gilbert, Marion Sunshine, and Moises Simons. Arranged by Will Corbin. Latin. 20 pages. Will Corbin #1041438. Published by Will Corbin (A0.1462691). The Peanut Vendor (El Manisero) was written by Cuban composer Moises Simons in the late 1920s. The song sold a more than a million copies of sheet music and 78rpm records, and sparked rumbamania in the U.S. The National Recording Preservation Board recognizes it as the first American recording of an authentic Latin dance style. It has been covered in recordings something like 160 times, by Stan Kenton, Django Reinhart, Louis Armstrong, Dean Martin and many others.This fairly simple arrangement is for two trumpets, horn, trombone and tuba. The tuba lays down a beat while the higher voices swap pieces of the melody. It ain't fancy, but it plays well.If you want different instrumentation, I'm happy to accommodate. Contact me at wilcor@aol.com.
$15.00 ≈
13.59€
Bómbolo - Fox por Mario Bonavita (Marf) y Vittorio Mascheroni
Bómbolo - Fox por Mario Bonavita (Marf) y Vittorio Mascheroni
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Piano solo
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INTERMEDIATE
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Mario Bonavita
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Juan Carlos Cortés A
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Bómbolo - Fox por Mario Bonav
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Juan Carlos Cortés Aguirre
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.958807 Composed by Mario Bonavita (Marf) y Vittorio Mascheroni. Arranged by Juan Carlos Cortés A. Conc...
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Piano Solo - Level 3 - Digital Download SKU: A0.958807 Composed by Mario Bonavita (Marf) y Vittorio Mascheroni. Arranged by Juan Carlos Cortés A. Concert,Standards,Traditional,World. Score. 3 pages. Juan Carlos Cortés Aguirre #6873621. Published by Juan Carlos Cortés Aguirre (A0.958807). Transcripción para piano solo por:JUAN CARLOS CORTÉS A.BAsado en la versión del bandoneonista, compositor y director argentino Enrique RodrÃguez con la vocalización del cantante Roberto El Chato Flores.BÓMBOLORumba Fox Letra y Música por: Marf (seudónimo de Mario Bonavita) y Vittorio Mascheroni Noviembre 10 de 1932Introducción tema completo:Es el admirado en los salones, por sus raras condiciones,él se cree el hombre más galante y elegante manequÃ.Siempre se pasea en un gran auto, este incauto figurÃn,y en cualquier asunto o entrevero, primero, primero él.Si se mete a una boite, o al hipódromo va, el que arrastra es Bómbolo.Si a una fiesta o reunión, va sin invitación, el que arrastra es Bómbolo.Que tiene al mirar, que tiene al hablar, ninguno lo sabe.Que tiene al decir, que tiene al reÃr, él solo lo sabe.La cuestión es señor, que en negocios de amor, el que arrastra es Bómbolo.Bombolito de aquÃ, Bombolito de allá, y el vive feliz. Interludio final.
$7.99 ≈
7.24€
Beguine the Beguine
Beguine the Beguine
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Jazz
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Cole Poter
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Cristian Gomez
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Beguine the Beguine
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Kike G
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SheetMusicPlus
Small Ensemble Alto Saxophone,Bass Clarinet,Tenor Saxophone - Level 4 - Digital Download SKU: A0.968994 Composed by Cole Poter. Arranged by Cristian Gome...
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Small Ensemble Alto Saxophone,Bass Clarinet,Tenor Saxophone - Level 4 - Digital Download SKU: A0.968994 Composed by Cole Poter. Arranged by Cristian Gomez. Jazz. Score and parts. 8 pages. Kike G #5011755. Published by Kike G (A0.968994). « Begin the Beguine » es una canción compuesta por Cole Porter que está identificado uno de los módulos de la música popular estadounidense.Fue compuesta en 1934, según el propio Porter, en un crucero exótico por las islas Fiyi . Sus orÃgenes son inciertos: de acuerdo con él, que antes habÃa declarado haber oÃdo los cuatro primeros compara a un isleño en Kalahabi que bailaba frenéticamente bajo la luna indonesia, la habÃa escuchado a una banda martiniquesa en un café cantante de ParÃs . Entonces bautizó el ritmo como una rumba calipso. Más tarde, sin embargo, asegurarÃa que no venÃa de Trinidad , sino de la misma Martinica y que se llamaba bel-air de la lune .Actualmente el ritmo es conocido como beguine . El
$5.00 ≈
4.53€
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