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1
Spanish National Anthem for Symphony Orchestra (Kt Olympic Anthem Series)
Spanish National Anthem for Symphony Orchestra (Kt Olympic Anthem Series)
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Orchestra
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INTERMEDIATE
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Patriotic
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Manuel de Espinosa de los Mo
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Keith Terrett
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Spanish National Anthem for Sy
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Music for all Occasions
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SheetMusicPlus
Full Orchestra - Intermediate - Digital Download Composed by Manuel de Espinosa de los Monteros (1730-1810). Arranged by Keith Terrett. Classical Per...
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Full Orchestra - Intermediate - Digital Download Composed by Manuel de Espinosa de los Monteros (1730-1810). Arranged by Keith Terrett. Classical Period, European, Patriotic. 30 pages. Published by Music for all Occasions
The Spanish National Anthem arranged for full Symphony Orchestra, there is a short version in my store in case you need it! Just need a sporting event now such as an Olympics!
The Marcha Real (Spanish pronunciation: [ˈmartʃa reˈal], "Royal March") is the national anthem of Spain. It is one of only three national anthems (along with that of Bosnia and Herzegovina and the Republic of Kosovo) in the world to have no official lyrics.
One of the oldest in the world, the anthem was first printed in a document dated 1761 and entitled Libro de la Ordenanza de los Toques de Pífanos y Tambores que se tocan nuevamente en la Ynfant° Española (Book of the Ordenance of Newly Played Military Drum and Fife Calls by The Spanish Infantry ), by Manuel de Espinosa. Here it is entitled La Marcha Granadera ("March of the Grenadiers"). There is written its score on this book. According to this document, Manuel de Espinosa de los Monteros is the composer.
There is a false belief that Marcha Real’s author was Frederick II of Prussia, a great lover of music. This belief started in 1861 when it appears for the first time publied in La España militar (The Militar Spain). In 1864, the colonel Antonio Vallecillo publishes the history in the diary El Espíritu Público (The Public Spirit), making the supposed Prussian origin of Marcha Real popular. According to Vallecillo, the anthem was a gift from Frederick II to the soldier Juan Martín Álvarez de Sotomayor, who was serving in the Prussian Court to learn the military tactics developed by Frederick II’s army, under orders of King Charles III. In 1868 the history is published in Los Sucesos, changing the destinatary of the gift with Pedro Pablo Abarca de Bolea, Count of Aranda. The myth was picked up like this in different publications of 1884 and 1903, until being included in 1908 in the Enciclopedia Espasa.
According to the tradition in 1770, Charles III declared the Marcha de Granaderos as the official Honor March, and with that formalized the habit of playing it in public and solemn acts. It became the official anthem during Isabel II’s reign.
After the 1868 Revolution, General Prim convoked a national contest to create an official anthem, but it was declared deserted, advising the jury that Marcha de Granaderos was considered as such. By Alfonso XIII’s time, it was established by a Royal Circular Order (27 August 1908) that interpreted the harmonization of the march done by Bartolomé Pérez Casas, Major Music of the Royal Corps of Halberdier Guards. During the Second Republic, Himno de Riego was adopted as official anthem, although after the Spanish Civil War, Marcha Real returned to be used as anthem, sometimes sung with the verses written by the poet José María Pemán in 1928.
The actual symphonic version of the Marcha Real that replaces the Pérez Casas one, belongs to maestro Francisco Grau and is the official one after the Royal Decree of 10 October 1997, when the Kingdom of Spain bought the author rights of the Marcha Real, then belonging to Pérez Casas’ Heirs. According to the Royal Decree 1560/1997, the anthem should have a tone of B major and a tempo of 76 bpm (♩=76), with a form of AABB and a duration of 52 seconds.
Under the Trienio Liberal (1820-1823), the First Spanish Republic (1873–74) (when it enjoyed of a co-officiality) and the Second Spanish Republic (1931–1939), El Himno de Riego replaced La Marcha Real as the national anthem of Spain. At the conclusion of the Civil War, however, Francisco Franco restored La Marcha Real as the country’s national anthem, under its old title of La Marcha Granadera.
Interpretation and etiquette:
Military bands of the Spanish Armed Forces and the National Police Corps of Spain and civilian Marching bands and Concert bands play the B flat-major version of the anthem adapted for wind bands (as arranged by Francisco Grau), and playing the A Major version is optional.
The bugle call "To the Colors" in Spain is the version played by Bugle bands in Spanish churches in religious occasions and processions organized by civil groups and the parishes. Various versions adapted for the drum and the bugle are used, even though brass instruments play the anthem as well. But in some bugle bands, the A flat version of the anthem (the old official one, adapted for the bugle) is played. Only a bugle call is sounded when the B flat version is played.
Being the National Anthem, and in honor of the King and Queen of Spain, it’s a common practice for all to stand once it is played. Even though it is also played in church events, respect for the King and Queen (and the Royal Family as well) is required by everyone in attendance. As it happens civilians stand at attention while those in uniform salute when not in formation.
The current official version, as described in Royal Decree 1560/1997, is a sixteen-bar long phrase, divided in two sections, each one is made up of four repeated bars (AABB form). Tempo is set to ♩= 76 and key to B flat.
The long, complete version is the honors music for the King, while a shorter version without the repetitions is performed for the President of the Government of Spain, the Prince of Asturias, or during sporting events.
There are also three official arrangements: one for orchestra, another for military band, and a third for organ, written by Francisco Grau Vegara and requested by the Government of Spain. All in all, there are six different official adaptations, for each arrangement and length. They all were recorded by the Spanish National Orchestra and the Spanish Royal Guard Band as an official recording and released on compact disc for a limited period of time.
As the harmonization of the Marcha Real was written by Bartolomé Pérez Casas in the early 1900s, the copyright has not yet expired. The government bought it from Pérez Casas’ estate in 1997 for 130,000,000 pesetas (~ € 781,316) to avoid future legal problems. Until it expires, the copyright belongs to the Ministry of Culture and collecting societies charge copyright fees, which has led to criticism.
As a result, many different harmonisations have been devised by performers to avoid paying. Nonetheless, the rights to the 1997 Francisco Grau revision were transferred to the government at no charge, although they were not placed in the public domain.
Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com
$39.00 ≈
¥281.64
Down by the Salley Gardens
Down by the Salley Gardens
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Choral 3-part
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Celtic/Irish
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Alwin Michael Schronen
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Down by the Salley Gardens
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Schott Music - Digital
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SheetMusicPlus
Mixed choir (SAB) and piano - easy - Digital Download Volksweise aus Irland. Composed by Alwin Michael Schronen. This edition: choral score. Liebe. Sch...
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Mixed choir (SAB) and piano - easy - Digital Download Volksweise aus Irland. Composed by Alwin Michael Schronen. This edition: choral score. Liebe. Schott Choral Music. Downloadable. Duration 3 minutes 30 seconds. Schott Music - Digital #Q47189. Published by Schott Music - Digital
Composing soulful and expressive choral music has been the trademark of Alwin Michael Schronen for many years. .A hauntingly beautiful testimony to that is his arrangement of Sally Gardens for three-part choir (SAB) and piano. This traditional Irish folk song is based on one of the first love poems by William Butler Yeats. Its melody is characterized by simplicity and catchiness which are maintained by Schronen in a clean and natural manner in an easy-to-play choral setting for one male and two female voices singing in unison over long passages and are only seldom .devided into .three voices. The warm sounds of the easily playable piano accompaniment emphasize the melancholy and touching air of this wonderful Irish folk tune. A catchy tune - guaranteed!
$3.99 ≈
¥28.81
Seah's Waltz: C - A (Musique SABA no. 4)
Seah's Waltz: C - A (Musique SABA no. 4)
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Piano solo
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EASY
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D
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Seah's Waltz: C - A
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D. Eugene Mathers
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SheetMusicPlus
Piano Solo - Level 2 - Digital Download SKU: A0.917502 Composed by D. E. Mathers. 20th Century,Contemporary. Score. 3 pages. D. Eugene Mathers #4887061. ...
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Piano Solo - Level 2 - Digital Download SKU: A0.917502 Composed by D. E. Mathers. 20th Century,Contemporary. Score. 3 pages. D. Eugene Mathers #4887061. Published by D. Eugene Mathers (A0.917502). This movement is the fourth of five dance portraits (collectively titled Musique SABA) commemorating the Southern Academy of Ballet Arts (S.A.B.A.) and its performing company, Pas de Vie, of Tallahassee, Florida. The piece originates from 2003 when composed for the dancer Seah Hagan's first piano lesson, devoted to just two notes, at age four. Fittingly enough, the left-hand part embeds musical ciphers suggested by the syllables of her name, as Se-ah using forms of the pitches C and A, including in a simple way playable by the novice. Meanwhile, the right-hand part, as if for the teacher, quotes Tchaikovsky's Waltz of the Flowers--a borrowing itself punning since drawn from Casse-noisette (1892). The new, playful waltz lasts about forty seconds.
$4.99 ≈
¥36.04
The Wexford Carol for SAB and piano
The Wexford Carol for SAB and piano
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Choral 3-part
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EASY
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Christmas
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Folkloric/Traditional
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Irish Traditional
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Ivana Tuskan
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The Wexford Carol for SAB and
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Ivana Tuskan
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SheetMusicPlus
Choral Choir (SAB) - Level 2 - Digital Download SKU: A0.793997 Composed by Irish Traditional. Arranged by Ivana Tuskan. Celtic,Christian,Christmas,Sacred...
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Choral Choir (SAB) - Level 2 - Digital Download SKU: A0.793997 Composed by Irish Traditional. Arranged by Ivana Tuskan. Celtic,Christian,Christmas,Sacred,Standards. Octavo. 11 pages. Ivana Tuskan #6566775. Published by Ivana Tuskan (A0.793997). This is an arrangement of beautiful modal Irish Carol from County Wexford, for vocal trio (SAB) or 3-part choir, and piano accompaniment. It contains 4 verses. First is meant to besung by alto. In second verse alto keeps lead melody, and soprano and baritone is singing new melodies. In 3rd verse I've changed a key by a whole tone up, and melody is now in soprano, while alto and baritone harmonize. Small intermezzo leads to 4th verse, and new key (whole tone upper). And it ends with a little Coda.The sound sample is an electronic preview.The pdf filecontains score, 11 pagesPerformance Time approx. 4:10NOTE: You are allowed 4 print copies with one purchase of this title. Further distribution or forwardingof this sheet music is prohibited. Thank you! - Ivana Tuskan
$6.00 ≈
¥43.33
Two Cradle Meditations (Downloadable)
Two Cradle Meditations (Downloadable)
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Christmas
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K
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second title all SAB.
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Two Cradle Meditations
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
SAB a cappella, optional keyboard - Moderately Easy to Medium - Digital Download SKU: MQ.50-1108-E Composed by K. Lee Scott. Christmas. 8 pages. MorningS...
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SAB a cappella, optional keyboard - Moderately Easy to Medium - Digital Download SKU: MQ.50-1108-E Composed by K. Lee Scott. Christmas. 8 pages. MorningStar Music Publishers - Digital Sheet Music #50-1108-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.50-1108-E). Cherished Christmas carol and chorale lullabies Away in a Manger (KIRKPATRICK/CRADLE SONG) and O Jesu So Sweet (O JESULEIN SUSS). First title: Stanzas 1, 2 Unison, 3 SAB; second title all SAB.
$1.25 ≈
¥9.03
Bring a Torch, Jeanette, Isabella
Bring a Torch, Jeanette, Isabella
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Piano solo
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ADVANCED
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Michael Swedberg
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Terrence Niska
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Bring a Torch, Jeanette, Isabe
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Niska Music Publishing
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1125783 By Michael Swedberg. By Traditional French Melody. Arranged by Terrence Niska. Christmas,Contempo...
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Piano Solo - Level 5 - Digital Download SKU: A0.1125783 By Michael Swedberg. By Traditional French Melody. Arranged by Terrence Niska. Christmas,Contemporary,Holiday. Score. 8 pages. Niska Music Publishing #726523. Published by Niska Music Publishing (A0.1125783). As much as “O Come All Ye Faithful†is a lullaby, this arrangement is brimming with a sense of hushed excitement right from the opening measures as the two young girls from the title race to tell the town of the glorious events taking place. The first statement of the melody enters in the right hand with rather simple harmony, but the left hand keeps the excitement alive via a flowing stream of sixteenth notes. There is an abbreviated return of the opening material which leads to the second verse, but this time the left hand rises up to ring out with a bell-like tolling to awaken the townspeople. Meanwhile the right hand plays the melody in octaves, ringing out above to announce the news to one and all. By the third verse, the left hand is playing chords like a brass choir underpinning the melody, which now finds itself amid a flurry of triplets as the joyous tidings news spread far and wide. There is a return to the opening section, concluding with a final cascade from the top of the keyboard to the bottom and ending with a final “Amen!â€.
$3.99 ≈
¥28.81
The Legend Of Zelda
The Legend Of Zelda
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String Trio: violin, viola, cello
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INTERMEDIATE
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Contemporary
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Saban Haim and Shuki Levy
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Sherry Lewis Publishing
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The Legend Of Zelda
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Sherry Lewis Publishing
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.521794 Composed by Saban Haim and Shuki Levy. Arranged by Sherry Lewis Publishing. Co...
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.521794 Composed by Saban Haim and Shuki Levy. Arranged by Sherry Lewis Publishing. Contemporary. 14 pages. Sherry Lewis Publishing #6475043. Published by Sherry Lewis Publishing (A0.521794). THE LEGEND OF ZELDA (Opening Theme) Main Theme String Trio, Intermediate Level for 2 violins and cello or violin, viola and cello Score: YES Parts: 7 pages Time: 1'50 MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles. Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer. If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing. VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument. PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music. LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work. EXCELLENT for corporate events, weddings, social gatherings and recitals. APPROPRIATE for students and schools. CHURCH REPERTOIRE I’m always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$12.99 ≈
¥93.81
The Legend Of Zelda
The Legend Of Zelda
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Violin, Cello (duet)
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INTERMEDIATE
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Contemporary
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Saban Haim and Shuki Levy
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Sherry Lewis
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The Legend Of Zelda
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Sherry Lewis Publishing
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SheetMusicPlus
Cello,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.521795 Composed by Saban Haim and Shuki Levy. Arranged by Sherry Lewis. Contemporary....
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Cello,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.521795 Composed by Saban Haim and Shuki Levy. Arranged by Sherry Lewis. Contemporary. 8 pages. Sherry Lewis Publishing #6475955. Published by Sherry Lewis Publishing (A0.521795). THE LEGEND OF ZELDA (Opening Theme) Main Theme String Duo, Intermediate Level for violin and cello Score: YES Parts: 3 pages Time: 1'50 MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles. Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer. If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing. VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument. PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music. LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work. EXCELLENT for corporate events, weddings, social gatherings and recitals. APPROPRIATE for students and schools. CHURCH REPERTOIRE I’m always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$4.99 ≈
¥36.04
The Legend Of Zelda
The Legend Of Zelda
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Violin
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INTERMEDIATE
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Contemporary
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Saban Haim and Shuki Levy
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Sherry Lewis
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The Legend Of Zelda
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Sherry Lewis Publishing
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SheetMusicPlus
Violin Solo - Level 3 - Digital Download SKU: A0.521796 Composed by Saban Haim and Shuki Levy. Arranged by Sherry Lewis. Contemporary. 4 pages. Sherry Le...
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Violin Solo - Level 3 - Digital Download SKU: A0.521796 Composed by Saban Haim and Shuki Levy. Arranged by Sherry Lewis. Contemporary. 4 pages. Sherry Lewis Publishing #6475979. Published by Sherry Lewis Publishing (A0.521796). THE LEGEND OF ZELDA (Opening Theme) Violin Solo, Intermediate Level Score: YES Parts: 1 pages Time: 1'50 MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles. Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer. If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing. VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument. PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music. LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work. EXCELLENT for corporate events, weddings, social gatherings and recitals. APPROPRIATE for students and schools. CHURCH REPERTOIRE I’m always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$4.99 ≈
¥36.04
Christmas Carols (A Collection of 10 Color-Coded Arrangements for One Octave Handbell Choir with Piano Accompaniment)
Christmas Carols (A Collection of 10 Color-Coded Arrangements for One Octave Handbell Choir with Piano Accompaniment)
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Handbells
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EASY
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Christmas
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Various
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Christmas Carols
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Sharon Wilson
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SheetMusicPlus
Composed by Various. Arranged by Sharon Wilson. Christian, Sacred, Folk, Christmas, Children\'s Music. Score, Set of Parts, Solo Part. 87 pages. Published ...
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Composed by Various. Arranged by Sharon Wilson. Christian, Sacred, Folk, Christmas, Children\'s Music. Score, Set of Parts, Solo Part. 87 pages. Published by Sharon Wilson
This collection contains 10 familiar Christmas carols arranged for a one octave, 13-note chromatic scale Handbell choir with Piano accompaniment. For each song, the Piano provides an introduction then the Handbells play the melody and occasional 2-part harmony. Each song also includes an optional repeat and second ending in case a longer song is desired.
For each song, there is a combined score with both instruments (Handbells and Piano) on a grand staff plus two separate scores for the Handbells (one in standard format with black and white notes and the second with color-coded notes). A color-coded note chart is also provided for each song which shows the Handbell notes used as well as the number of times each note is played. The note distribution is helpful when assigning notes to ringers. You may want to assign fewer notes to beginners or evenly distribute the bells between all ringers.
The color-coded scores are enlarged so the colors are easier to distinguish and all sharps and flats are displayed (shown in the key of C) as reminders for beginning ringers. Also, only filled noteheads (quarter and eighth notes) are used so the notes are full color and easier to see (this does not indicate the bells need to be silenced immediately before the next beat).
As noted above, one of the Handbell scores for each song is color-coded for easier note reading for beginning ringers. These separate color-coded scores use the ?Chroma-Notes? Colored Music System.? If you have a set of Handbells with a different color scheme, ?Chroma-Notes Stick Ons? can be purchased and applied so the Handbells match this color scheme.
The number of ringers needed will vary depending on the skill level of the participants. For more advanced players, each person could be assigned two or three notes. For beginners, it is best to assign one or two notes to each person. Note assignment suggestions are included for each song and range from 4 to 8 ringers.
These familiar Christmas carols are perfect for small groups and especially beginning ringers. Most songs can be performed with as few as 5 people (4 ringers and 1 piano player). The Piano accompaniment is written for an intermediate player.
Permission is granted to make up to 10 copies of each score. For more than 10 copies, please purchase additional sets.
Each song is also available separately with accompanying preview pages and audio samples. For each song, a piano accompaniment and/or rehearsal track (MP3 format) is available as a separate purchase.
Song titles included in this collection:
Angels We Have Heard on High
Bring a Torch, Jeannette, Isabella
Ding Dong! Merrily on High
Joy to the World
O Come, All Ye Faithful
O Come, O Come, Emmanuel
O Thou Joyful Day
Simple Gifts
The First Noel
We Three Kings
$19.99 ≈
¥144.36
Ten Christmas Carols for 13-note Bells and Boomwhackers® (with Black and White Notes)
Ten Christmas Carols for 13-note Bells and Boomwhackers® (with Black and White Notes)
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Christmas
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Sharon Wilson
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Sharon Wilson Music
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Ten Christmas Carols for 13-no
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Sharon Wilson
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SheetMusicPlus
Large Ensemble Boomwhackers,Handbell,Handchime,Multi-Percussion,Orff Instrument,Recorder,Voice,Xylophone - Level 1 - Digital Download SKU: A0.569918 By S...
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Large Ensemble Boomwhackers,Handbell,Handchime,Multi-Percussion,Orff Instrument,Recorder,Voice,Xylophone - Level 1 - Digital Download SKU: A0.569918 By Sharon Wilson. By Various. Arranged by Sharon Wilson Music. Children,Christmas,Folk,Holiday,Sacred. Score and parts. 78 pages. Sharon Wilson #6137843. Published by Sharon Wilson (A0.569918). This collection of 10 Christmas songs is notated for 13-note (one octave, C to C chromatic scale) instruments with Handbells on one staff and Boomwhackers® on a second staff creating a 2-part instrumental ensemble (requires one set of each instrument). For each song there is a combined score with both parts on a grand staff plus a separate 1-staff score for each individual part. A note chart is also provided for each song as well as a chord chart when appropriate. This set of scores uses black and white noteheads and is best suited for musicians already familiar with reading standard music notation. For beginning musicians, this same set of scores is available (sold separately) with color coded noteheads. Only filled noteheads (quarter and eighth notes) are used so the notes are easier to see (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter rests are used to help visualize the number of beats per measure. Lyrics are provided as well to aid in the learning and teaching of these songs. The number of ringers and whackers needed will vary depending on the skill level of the participants. For more advanced players, each person could be assigned two or three notes. For beginners, it is best to assign one note to each person. Note assignment suggestions are provided for each song. Though this sheet music is notated for Handbells and Boomwhackers®, these arrangements are playable by any 13-note (one octave, C to C chromatic scale) instrument such as a xylophone, glockenspiel, or recorder. For those songs with chords provided, a ukulele could be included in the ensemble. Other suggestions and uses: * have both parts played by bells or both parts played using only Boomwhackers® * form a choir using multiple sets of bells and/or Boomwhackers® (this would amplify the sound and allow more people to participate) * use as part of the music education for children at school, home, or church* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groups, just to name a fewEach of the 10 Christmas Carol arrangements is also available separately with accompanying preview pages and audio samples. Titles included in this collection: Away in a MangerBring a Torch, Jeannette, IsabellaGood King WenceslasI Saw Three ShipsIn Little Bethlehem (Wind Through the Olive Trees) O Come, All Ye FaithfulThe Friendly BeastsPat-a-PanWe Three KingsWho Is He in Yonder Stall?Boomwhackers® is a registered trademark of Rhythm Band Instruments, LLC, Fort Worth, TX. Used by permission.Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$19.99 ≈
¥144.36
The Arban Manual (Pre 2013)
The Arban Manual (Pre 2013)
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Trumpet
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INTERMEDIATE/ADVANCED
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Instructional
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Eric Bolvin
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The Arban Manual
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SheetMusicPlus
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Reper...
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Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 75 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the older Carl Fischer Arban Method.
Description
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice.
Why
Arban’s Complete Conservatory Method for Trumpet andArban’s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.
How
A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.
Range Considerations
Students who are ready to play from Arban should have a “usable range” up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today’s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.
If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don’t rush your progress.
Warming Up
One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.
Performance Etudes
I’ve designated some of the more melodic and well balanced etudes as “performance etudes”. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.
All of the characteristic studies and celebrated fantaisies are considered performance pieces.
Models
Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban’suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.
The Hard Stuff
At some point in your study of Arban you may come across something that you just can’t play, or play at tempo. This often involves triple or double tonguing. Don’t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world’s top players can’t play everything in the Arban book.
Multiple Tonguing
Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends “tu ku”, many have had success using “tuh kuh”, “duh guh”, “tee kee” and many others. Finding your best syllables may take some experimentation.
Extending Exercises
Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.
Transposition
Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.
The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.
Songs and duets
Some teachers love these and others don’t. I suggest you try them and if you’d like to supplement other pieces that you need to work on, please feel free to do so.
For bass clef instruments
Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.
The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.
$16.95 ≈
¥122.40
The Arban Manual - Hooten Edition
The Arban Manual - Hooten Edition
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Trumpet
#
INTERMEDIATE/ADVANCED
#
Instructional
#
Eric Bolvin
#
The Arban Manual - Hooten Edit
#
SheetMusicPlus
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire,...
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Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 76 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the newer, Hooten edition published by Fischer.
Why
Arban?s Complete Conservatory Method for Trumpet andArban?s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.
How
A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.
Range Considerations
Students who are ready to play from Arban should have a ?usable range? up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today?s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.
If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don?t rush your progress.
Warming Up
One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.
Performance Etudes
I?ve designated some of the more melodic and well balanced etudes as ?performance etudes?. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.
All of the characteristic studies and celebrated fantaisies are considered performance pieces.
Models
Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban?suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.
The Hard Stuff
At some point in your study of Arban you may come across something that you just can?t play, or play at tempo. This often involves triple or double tonguing. Don?t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world?s top players can?t play everything in the Arban book.
Multiple Tonguing
Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends ?tu ku?, many have had success using ?tuh kuh?, ?duh guh?, ?tee kee? and many others. Finding your best syllables may take some experimentation.
Extending Exercises
Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.
Transposition
Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.
The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.
Songs and duets
Some teachers love these and others don?t. I suggest you try them and if you?d like to supplement other pieces that you need to work on, please feel free to do so.
For bass clef instruments
Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.
The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.
About SMP Press
$16.95 ≈
¥122.40
DIRT SIMPLE UPRIGHT BASS
DIRT SIMPLE UPRIGHT BASS
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Double Bass
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EASY
#
Bluegrass
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DIRT SIMPLE UPRIGHT BASS
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Bluegrass. 771 (ebook and online audio). 49 pages. Mel Bay Publications - Digital Sheet Music #30888MEB. Published by Mel Bay Publications - Digital S...
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Bluegrass. 771 (ebook and online audio). 49 pages. Mel Bay Publications - Digital Sheet Music #30888MEB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781513459707. 8.75x11.75 inches.
Although designed for newcomers to the upright bass and bluegrass music in general, this unique approach to creating basslines has something for everyone! The first half focuses on bass-playing essentials, giving the reader a solid technical footing with the instrument. Then, using his own baritone voice and the classic bluegrass song, Going Down the Road Feeling Bad, author Nate Sabat reveals his creative process in crafting effective basslines from the songs melody and chord progression. The second half focuses on bass playing within the specific context of complementing bluegrass vocals. Well beyond what you might expect from an introductory method, Nate tastefully guides the reader by presenting multiple composed bassline options for each of five well-known bluegrass songs: Rabbit in the Log, Dont this Road Look Rough and Rocky?, Long Journey Home, I Am a Pilgrim, and Angel Band. Nates warm, pitch-perfect vocals can be heard on virtually every track, giving this method an undeniable musicality. A lightly accompanied vocal track with no bass is also provided, so you can be the sole upright or electric bassist in the band. Youll not only want to back Nate upbut sing harmony with him too! The impulse to sing cant help but influence your bass playing in a natural and positive way. Nate provides notated versions of the eight major scales most commonly used in bluegrass. Once you get them under your fingers, youll soon be able to play along with the books 50 companion online recordings. With its simple harmonic palette and repetitive nature, bluegrass music offers bassists the perfect opportunity to become musically literate. If youve hesitated to learn to read music, this is the time and place to eliminate that drawback. Working through these 46 pages will provide the tools and confidence needed to create your own engaging and musical basslines and hopefully, youll be inspired to continue your bluegrass bass journey for years to come. Includes access to online audio.
$9.99 ≈
¥72.14
2. Woman, Behold Thy Son
2. Woman, Behold Thy Son
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Rory M
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2. Woman, Behold Thy Son
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New Horizons Music Studio, Inc.
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.1347423 Composed by Rory M. Thompson. Christian,Lent,Sacred. 4 pages. New Horizons...
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Baritone Horn TC,Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.1347423 Composed by Rory M. Thompson. Christian,Lent,Sacred. 4 pages. New Horizons Music Studio, Inc. #932232. Published by New Horizons Music Studio, Inc. (A0.1347423). This is the second of a set of 7 choral pieces that were composed for a program using both SAB and SATB choirs, a soloist, a duet and a trio. Â They were designed to be performed as a set, or as individual selections. Â Each work has a separate title, but the overall set of pieces is called Final Words: The Seven Last Words of ChristThe set of pieces has been performed only once, and there are no recordings. Â If you purchase any or all I would love to hear any recordings you make.
$1.99 ≈
¥14.37
Christmas Trio No. 2
Christmas Trio No. 2
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Piano Trio: piano, violin, cello
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ADVANCED
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Christmas
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15th Century Traditional, 17
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Graham Yates
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Christmas Trio No. 2
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Graham Yates
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SheetMusicPlus
Piano Trio - Advanced - Digital Download Composed by 15th Century Traditional, 17th Century Traditional, 19th Century Traditional, Adolphe Adam. Arra...
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Piano Trio - Advanced - Digital Download Composed by 15th Century Traditional, 17th Century Traditional, 19th Century Traditional, Adolphe Adam. Arranged by Graham Yates. Contemporary Classical, Christian, Blues, Christmas, Pop. Score, Set of Parts. 29 pages. Published by Graham Yates
A medley of four Christmas carols of French Origin: Noël nouvelet (Sing We Now of Christmas), Un flambeau, Jeanette, Isabelle (Bring a Torch, Jeanette, Isabelle), Il est né, le divin enfant (He Is Born, the Holy Child), and Minuit, chrétiens (O Holy Night). Arranged as a "fantasy-sonata" the first movement is driving, the second is a sweet lilting waltz, the third is a lighthearted take on the melody that alternates between "jaunty" and "solemn" (briefly employing bitonal harmonization) before launching into a blues variation. The finale is a "slow R&B" reimagining of O Holy Night that can be thought of somewhat as the love ballad reprise at the end of a Disney movie.
The trio lasts 9 minutes, and is suitable as a prelude or postlude for a church service or as part of a holiday recital. The difficulty is advanced, though the writing is simple enough that it should be able to be put together with minimal rehearsal time.
For more information, please contact graham.yates@gmail.com
$14.99 ≈
¥108.25
Concertato on Thine Is the Glory
Concertato on Thine Is the Glory
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Sacred music
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Hal H
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Choral Octavo
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Concertato on Thine Is the Glo
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H. W. Gray
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SheetMusicPlus
Choir Sacred Organ Opt. Brass Quartet, Timpani and Handbells (4) (SAB choir/3-Part choir Mixed) - Grade 3 - Digital Download SKU: JX.00-GCMR03649 Compose...
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Choir Sacred Organ Opt. Brass Quartet, Timpani and Handbells (4) (SAB choir/3-Part choir Mixed) - Grade 3 - Digital Download SKU: JX.00-GCMR03649 Composed by Hal H. Hopson and Hymntune: Judas Maccabeus (George Frideric Handel). Choral (Sacred); Choral Octavo; Masterworks; Performance Music Ensemble; Single Titles; Worship Resources. Alfred Archive Edition: H. W. Gray Publications. Masterwork; Sacred. Choral Octavo. 16 pages. H. W. Gray #00-GCMR03649. Published by H. W. Gray (JX.00-GCMR03649). English. Hymntune: Judas Maccabeus (George Frideric Handel); Setting by Hal H. Hopson.Hopson's concertato will make a stunning climax to the worship service anytime this powerful hymn is used. After a brilliant instrumental fanfare, choir and congregation join in unison on the first verse. The second verse is for SAB voices and congregation. A brief reprise of the opening fanfare then leads into the final verse, where all forces join together to close this majestic work.
$2.95 ≈
¥21.30
"Arabia's magi sought him" & "Ubi est qui natus est"
"Arabia's magi sought him" & "Ubi est qui natus est"
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Choral 3-part
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EASY
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Tim Attride
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"Arabia's magi sought him" & "
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Tim Attride
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SheetMusicPlus
Choral Choir (SAB) - Level 2 - Digital Download SKU: A0.851260 Composed by Tim Attride. Christian,Christmas,Holiday,Sacred. Octavo. 6 pages. Tim Attride ...
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Choral Choir (SAB) - Level 2 - Digital Download SKU: A0.851260 Composed by Tim Attride. Christian,Christmas,Holiday,Sacred. Octavo. 6 pages. Tim Attride #1916993. Published by Tim Attride (A0.851260). Two Epiphany anthems for the price of one. Firstly, Arabia's Magi sought him is a setting of original English words by the composer which references the journey of the Magi, their gifts and the redemption of the world following a humble birth. This three-part (S,A,Bar.) homophonic piece is only one page in length but, in its 45-second duration, sets the scene for the following Latin motet. Ubi est qui natus est uses the words from Matthew 2,2 when the Magi ask after the new-born King of Judea. Comprising three short contrapuntal sections, this section lasts about 1.15. Either section (English or Latin) may be used independently or, as intended, with the English followed immediately by the Latin.Marked as Early Intermediate because there are a few intervals which may catch the unwary sight-reader. However, with practice, this is certainly not difficult. (And, yes, I know this is not actually a Christmas piece, but it may well be included in a service of Lessons & Carols - and there was no option for Epiphany.)N.B. The second & third pages are for reference; please print (& back) pages 1 & 3-5 for the complete work, or 3-5 to miss the title page.
$1.99 ≈
¥14.37
My God Is a Rock
My God Is a Rock
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Choral 3-part
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Sacred music
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Jay Althouse
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Choral Octavo
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My God Is a Rock
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Jubilate Music Group - Digital
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SheetMusicPlus
Choir Sacred (SAB choir/3-Part choir Mixed) - Grade 3 - Digital Download SKU: JX.00-18351 Composed by Jay Althouse. Choral (Sacred); Choral Octavo; Perfo...
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Choir Sacred (SAB choir/3-Part choir Mixed) - Grade 3 - Digital Download SKU: JX.00-18351 Composed by Jay Althouse. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. Alfred Archive Edition: Alfred Church Choral Series. Holy Week; Lent; Pentecost; Sacred; Spiritual; Spring. Choral Octavo. 12 pages. Jubilate Music Group - Digital #00-18351. Published by Jubilate Music Group - Digital (JX.00-18351). English. Hebrews 2:13; Matthew 16:13-19; Matthew 7:21-25; Psalm 71:1-5; Psalm 31:1-4.This lively arrangement by Jay Althouse of a historic Georgia Sea Island spiritual abounds with solid choral writing, animated call-and-response and lots of opportunities for short solos. The text recounts the chapters of the Bible, beginning with creation and culminating with the promise of Christ's second coming. Great fun for school concerts or for worship throughout the year, especially for Lent and Pentecost.
$2.25 ≈
¥16.25
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second title all SAB.
