Diáspora

SKU: HL.49007757

ISBN 9783795702625. 7.0x9.75x0.9 inches. German.

Dieses Buch ist Ergebnis eines Projektes, das der Autor in einem Zeitraum von 15 Jahren an der Staatlichen Jugendmusikschule Hamburg mit Kindern im Vor- und Einschulalter entwickelt und durchgefuhrt hat. Es gelingt ihm, durch anschauliche Fallstudien und den Nachweis der Anwendbarkeit seines Konzeptes aufzuzeigen, dass entgegen der vielfach geausserten Ansicht, Kinder dieser Altersstufe seien zu jung fur instrumentales Lernen, gerade dieser Lebensabschnitt die entwicklungspsychologisch gunstigsten Voraussetzungen schafft - solche musizierenden Kinder erweisen sich als besonders kreativ. Das Buch geht intensiv auf diese Thematik ein. Ein unverzichtbares Handbuch fur den Klavierpadagogen.

SKU: BA.BA08792

ISBN 9790006533091. 31 x 24.3 cm inches. Text Language: Italian.

L’i ncoronazione di Poppea, Claudio Monteverdi’s final opera, had a formative impact on the evolution of this genre. Yet its convoluted source situation makes it one of music history’s great enigmas. There are practically no references to the original version that Monteverdi performed in Venice in 1643, as the score has not survived.

To celebrate the 450th anniversary of Monteverdi’s birth, this operatic masterpiece is appearing in an edition close to the presumed original. The new edition is based on the score prepared in Venice and found among the possessions of Francesco Cavalli.

This scholarly edition came about due to a remarkable project at the University of North Texas; it was compiled and edited by Hendrik Schulze and his students on the basis of the latest research findings concerning source evaluation, performance practice and the historical context.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

SKU: SU.29020270

Cello & Piano Duration: 12' Composed: 2019 Published by: Distributed Composer.

SKU: HH.HH382-FSP

ISBN 9790708041184.

Fort unato Chelleri (c.1690–1757) was a prominent member of the large diaspora of Italian musicians who played a leading role in northern European musical life in the eighteenth century. This delightful trio sonata, a useful addition to the literature of trio sonatas for two oboes and continuo, offers a good introduction to Chelleri’s captivating style, which mixes Italian and German element.

SKU: BA.BA07155

ISBN 9790006485741. 34 x 27 cm inches. Language: German. Text: Brentano, Clemens.

World Premiere 17/11/1984, Hannover.

SKU: BA.BA07067

ISBN 9790006484942. 29 x 21 cm inches. Georg Trakl.

Various instrumentation possibilities. It is possible to have movements 1, 3, 6 und 7 performed solely by String Quartet; World Premiere 1980, Paris.

SKU: BA.BA08293-22

ISBN 9790006520794. 36.5 x 25 cm inches.

SKU: BA.BA08293

ISBN 9790006520787. 36.3 x 24.5 cm inches.

SKU: OT.26114

ISBN 9789655051049. 8.27 x 11.69 inches.

Ariel Lazarus
Guitarra Liturgia
Two pieces based on music from the Spanish and Portuguese tradition.
Contents:
Jerusalem de Sefarad - Suite for Guitar
Contrapunto Sefardi
The composer writes:
For many years I wanted to compose a piece for guitar which would inspire interested students to expand their repertoire in the direction of Jewish music. The most natural thing for me was to write a suite based on themes from the synagogue in which I grew up – the Spanish and Portuguese synagogue of Gibraltar. My beloved grandfather served all his life as hazzan (cantor) of this synagogue, and I always felt as a composer and educator that I had a special obligation to continue his tradition and pass it on to a new generation. In this composition, I let the guitar echo the piyyutim (semi-liturgical poems) that were part of my childhood: Adon Olam, Sh'charchoret, Achot K'tana, Yigdal, Borei ad Ana, all of which are sung in the Spanish and Portuguese tradition from Gibraltar to London, and from New York to Jerusalem. I let myself dream the piyyutim, take them apart and reconstruct them as a short suite for guitar, the results of which you are invited to hear here. As a conceptual idea for the suite, I choose to suggest about the cultural continuation between the Diaspora and the land of Israel by way of referencing the well-known melody of Naomi Shemer, which is also popular among the hazzanim.
Dr. Ariel Lazarus is a unique voice among Israeli composer-performers today. Brought up in a family with Jewish musical roots both in Gibraltar and Westphalia, he began composing and playing the guitar in his teens, and has been committed to developing his own compositional language ever since, always maintaining an open dialogue with his traditions.
Lazarus received his BMus and MMus degrees from Oklahoma City University in classical guitar performance and composition where he studied with American composer Dr. Edward Knight. He earned his PhD from Bar Ilan University, studying composition with Prof. Betty Olivero and Prof. Gideon Lewensohn and conducting research under the supervision of Prof. Edwin Seroussi from the Hebrew University. His symphonic works have been premiered by the Raanana Symphonette Orchestra, and his chamber works have been performed by various ensembles in the United States, Central Europe, Portugal, Gibraltar, Scandinavia and Israel. Lazarus performs regularly as Art Ambassador on behalf of the Israeli Ministry of Diaspora affairs Amiel BaKehila program.
His solo album A Hebrew Capriccio was released by the German boutique label SmoothFactor and was awarded critical acclaim, among others, in Haaretz, and Neue Westfalishe.
Dr. Lazarus is the musical director and co-founder of the Israeli Ladino Orchestra. His work with the orchestra has been recognized by the official Carta de España. He teaches at the Academic College for Education Givat Washington, and the Rimon School of Music. Lazarus’s work has been awarded by the Israeli Pais Art council and ACUM.

SKU: BA.BA07155-22

ISBN 9790006485758. 34 x 27 cm inches. Language: German. Text: Brentano, Clemens.

World Premiere 17/11/1984, Hannover.

SKU: GI.G-10180

ISBN 9781574635348.

Succ essful professional musicians—instrume ntalists and vocalists alike—are always busy. Performing, teaching, family, and professional responsibilities keep them on the go around the clock, yet they still find time to practice so that they can maintain technique, prepare for upcoming performances, and thrive as a musician. In this eye-opening essay collection, these world-renowned artists share their insights on practice, from practical tips you can use today to the intangible lessons of living a musical life: Paul Austerlitz Chris Bacas Stefan Bauer Evangeline Benedetti Serena Benedetti Bruce Bonvissuto John Bruschini Norman Carey Jennifer Choi Peter Erskine Lars Frandsen Gordon Gottlieb Hill Greene John Isley Vic Juris Aline Kiryayeva Morris “Arnie” Lang Deb Lyons Jacqueline Martelle Shoko Nagai and Satoshi Takeishi Andy Narell Isabelle O’Connell Richard O’Donnell Victor Rendón Sonny Rollins Jay Rosen Michael Rosen Terry Silverlight Andrew White, III Brian Willson Dr. Brian Willson is a professional musician, educator, author, and student of African Diaspora heritage in the Americas. As a percussionist/conductor/l ecturer he has performed in over 25 countries, working with a wide variety of artists including Big Nick Nicholas, Katy Roberts, Morris Lang, Pauline Oliveros, Ivo Perelman, Rasul Siddik, the Mystery Brothers, Salim Washington, Brooklyn Philharmonic, Freddie MacGregor, Gloria Gaynor, Roberta Flack, along with numerous tours of the Broadway shows A Chorus Line, Evita, and Chess. His work is represented on over 15 recordings, DVDs, and television specials. Morris Lang attended the Juilliard School. In 1955, shortly after graduation, he was appointed Associate Principal Timpanist and percussionist with the New York Philharmonic. He has performed with music directors from Leonard Bernstein, Pierre Boulez, Zubin Mehta to Kurt Mazur on hundreds of recordings and on television including the famous Leonard Bernstein’s “Young People’s Concerts” and “Live from Lincoln Center.”.

SKU: BA.BA10434

ISBN 9790260108523. 31 x 24.3 cm inches. Key: D major. Text Language: Latin. Preface: Utidjian, Haig.

Dvorák composed the “Mass in D major” in 1887 at the suggestion of his patron Josef Hlávka for the inauguration of the Lužany castle chapel. It is written for choir and organ with sporadic passages for soloists, uses simple expressive devices and makes light technical demands. Thus, this work is easy to perform, also by amateur church choirs; all that is needed is a small choir and the solo parts can be sung by members of the choir.

The full score includes an additional violoncello/double bass part edited for the first time. Dvorak himself had written this additional part into a copy of the organ version.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

SKU: HL.14014455

ISBN 9781844499717. 9.0x12.0x0.128 inches.

An adventurous and unusual work for Saxophone Quartet by John Harle. Composed fopr the Myrha Quartet, the piece was first performed on BBC Radio 3 in 1980. The music follows a pitch centre progression, moving gradually from low to high using chromatic clusters surrounding each pitch. Sporadic solo passages, differing in character to the rest of the piece, are used to punctuated the music with cadenza-like solos from each Saxophonist in turn, making this an exciting and challenging work for all players involved. This title is the score.

SKU: HL.49045773

UPC: 841886030688. 9.0x12.0x0.233 inches.

As implied by the title Sonatina facile, this piano piece is an homage to Mozart's famous Sonata in C major K. 545. Not only are the movement headings Allegro - Andante - Rondo identical, but Jörg Widmann also explores Mozart's stylistic qualities, while playing with the ideals of Neoclassicism. In the outer movements, the themes from K. 545 appear repeatedly alongside typical figures from the Mozart's time such as the famous Alberti bass in the accompaniment. From time to time, the piece distances itself far from the concept of simplicity: the complexity of the piano texture and wild expressive, tempo and dynamic changes sporadically lead the “facile” ad absurbum.

SKU: BA.BA01830

ISBN 9790006414543. 33.5 x 25 cm inches. Language: German. Rainer Maria Rilke.

5 Lieder fur Solostimme und Kammerorchester: Vor lauter Lauschen - Du musst das Leben - Ich will nicht langen - Gehst du aussen - Traume, die in deinen Tiefen wallen
Print on demand (POD).

SKU: HL.50602272

ISBN 9781540080974. UPC: 888680988678. 9.0x12.0x0.165 inches.

This saxophone concerto, written in one continuous movement with a wide variety of tempi, celebrates the talents of John Harle, who has been a central player in the Michael Nyman Band for over ten years. The title has a double reference: on the one hand to the circular orientation dances which a foraging bee performs to communicate the location of food source, and on the other hand to my setting of 'Where the bee sucks', composed for Peter Greenaway's film Prospero's Books and quoted sporadically during the concerto. However, most of the material is derived from a 4-chord sequence that John once overheard me playing and which he expressed a particular liking for. -Michael Nyman.

SKU: HL.14004445

ISBN 9788759881170. 9.5x14.25x0.078 inches. Danish.

Bent Sorensen THE BIRDS OF LAMENTMany years ago I heard the Irish myth about the Bird of Lament, the bird whose cries at night augur the death of a sailor at sea. My piece is full of 'lamento' whereas traces of birds only occur sporadically.'The Birds of Lament' is the third piece in my trombone trilogy which also contains 'The Bells of Vineta' for trombone solo and 'Birds and Bells' for trombone and ensemble.The piece was written for the Ensemble L'Itiniraire as a commission from the Gulbenkian Foundation.Bent Sorensen.