Double Bass Method - Volume 3b

Par VANCE GEORGE / COSTANZI ANNETTE. It is rare in music pedagogy that something truly revolutionary comes along. Progressive Repertoire is the first English language method for beginning Double Bass to incorporate the innovative division of the Bass fingerboard into six positions, developed by renowned French bassist Fran?ºois Rabbath in his three volume Nouvelle Technique de la Contrebasse. Mr. Vance has created a method that introduces these revolutionary ideas in a progressive manner using familiar folk and classical material to produce studies and pieces that will appeal to novice Basses of all ages. In addition, a Compact Disc is included with each of the primary books containing all the music performed by Fran?ºois Rabbath, with Elizabeth Azcona-Hartmark, piano.Progressive Repertoire for Double Bass will introduce American teachers and students to the most important techniques developed for the instrument./ Méthode / Contrebasse

It is rare in music pedagogy that something truly revolutionary comes along. Progressive Repertoire is the first English language method for beginning Double Bass to incorporate the innovative division of the Bass fingerboard into six positions developed by renowned French bassist Fran'ºois Rabbath in his three volume Nouvelle Technique de la Contrebasse. Mr. Vance has created a method that introduces these revolutionary ideas in a progressive manner using familiar folk and classical material to produce studies and pieces that will appeal to novice Basses of all ages. In addition a Compact Disc is included with each of the primary books containing all the music performed byFran'ºois Rabbath with Elizabeth Azcona-Hartmark piano.Progressive Repertoire for Double Bass will introduce American teachers and students to the most important techniques developed for the instrument.

Par SUZUKI SHINICHI. This Bass Part book is ideally complimented by the Suzuki Bass School Volume 3 Piano accompaniment book, catalogue number 0874873770. The Suzuki Method of Talent Education is based on Dr. Shinichi Suzuki's view that every child is born with ability, and that man is the son of his environment. According to Dr. Suzuki, a world-renowned violinist and teacher, the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Students are taught using the 'mother-tongue' approach. / Niveau : Intermédiaire / Répertoire d'Examen / Méthode / Contrebasse

Par NANNY. Complete method for the Double Bass & Part 2 is the first of a series of two, created by Edouard Nanny, a French Double-Bass player, teacher and composer. Conceived to acquire correct technique and a good sonority, the Complete method for the four and five stringed Double Bass & Part 2 is perfect for intermediate players. Including scales, exercises and small studies, this second volume follows on Part 1, also available at Alphonse Leduc. Edouard Nanny (1872-1942) had internal recognition as a composer during his lifetime and composed two concerti and additional methods such as 'Twentyvirtuoso studies', among others. / Niveau : Débutant à Intermédiaire / Méthode / Méthode / Contrebasse

Par WICKLUND BRIAN. Conçu comme un suivi Volume 1, Volume 2 aborde ces compétences importantes comme: 1) élargir un répertoire de base des airs de niveau intermédiaire communs, 2) apprendre à utiliser la première basse position, 3) maîtrise de s'incliner beat et correctives empâtement, empâtement 4) artistique, la théorie de la musique de base des 5) compréhension et 6) apprentissage double-stop combinaisons de sauvegarde. Certains élèves qui ont étudié la musique de violon ou violon avant peuvent être capables de sauter Volume 1 et démarrer avec le Volume 2, en supposant qu'ils sont compétents à compétences telles que le placement approprié de violon et bow et peuvent jouer un petit répertoire des airs de violon avec ton bon et l'intonation. Le supplément de DVD à son acclamé par la critique américaine Fiddle méthode Volume 2 se poursuit et développe les compétences introduits dans le Volume 1 et partage son pointeurs et les raccourcis pour vous aider à apprendre à jouer de l'étoffe plus vite et mieux. Contenu include : 27 intermédiaire et avancé tunes, rythmiques du coulé combinaisons - astuces pour jouer sur tune - secrets de ton grand-... / Niveau : Intermédiaire / Bluegrass and Country - Methods / Méthode / Violon

SOLO TUNING See RM722 for Orchestral Tuning The 'Dragonetti Concerto' was first published in 1925 by Alphonse Leduc in Paris as No.23 of Edouard Nanny's 'Les Classiques de la Contrebasse'. For many years no one questioned its authenticity, but as more research into Dragonetti's original works for double bass was made, concerns began to arise. Many of Dragonetti manuscripts survive in the British Library, thanks to Vincent Novello who donated them in 1849, three years after Dragonetti's death and on Novello's retirement to Italy, but there is no original manuscript for this work. As bassists began to edit and perform a wide range of Dragonetti's works it became clear that this concerto bore little resemblance to any of his other pieces. The work does, however, have many similarities to Nanny's Concerto for double bass, also to his other solo works and even studies from his Method. Eventually most people came to the conclusion that this work is not an original work by the great Venetian bassist but is by Edouard Nanny, and in the style of the late 18th-century. Having said that, this is still a charming and evocative work which has much player and audience appeal and is very easy on the ears. Many of the challenges for the soloist are technical and, almost a century after its first publication, it is still as popular as ever. Published in 1925, the first movement was performed at London's Wigmore Hall on 15 April the following year by Victor Watson (double bass) and Sidney Crooke (piano), and was described a 'Contrabass Concerto by Dragonetti-Nanny. ERRATA: Piano part: page 8 (1st movement), bar 87 - final chord of bar in right hand should be D/E/G# - a dominant 7th chord in A major Edouard Nanny was an important French double bassist and teacher, also composing and transcribing many works for double bass. He was born in Saint-Germain-en-Laye on 24 March 1872 and he studied at the Paris Conservatoire with Professor Verrimst, also teaching there from 1920-1940. He performed often as a soloist, also working as an orchestral bassist with many orchestras such as the Paris Symphony Orchestra, Concerts Lamoureux and the Orchestra de l'Opera Comique, and in 1901 he founded the Henry Casadeus Society of Old Instruments, chaired by Camille Saint-Saens, and intended to revive the works from the past centuries. Nanny's Method for double bass is still in print, over 90 years since its first publication and both volumes contain a wealth of excellent technical studies and exercises which are as relevant today as they were in the 1920s. His other volumes of studies are mostly out of print and Recital Music plan to reprint some of his orginal works for double bass, transcriptions and educational music to keep alive the name of Edouard Nanny into the 21st-century. Edouard Nanny died in Paris in 1942.

A travers cette méthode d'apprentissage Contrebasse vous aurez tous les éléments pour pouvoir maitriser votre instrument. Cet ouvrage METHODE DE MINI CONTREBASSE VOLUME 2 a été écrit par Dutriez Michel et éditée par les éditions Billaudot sous la référence GB3413. / Contrebasse / niveau : Débutant/Intermédiaire

Finger Exercises-Volume I of this multi-part treatise features precise but creative exercises for serious pianists looking to build flexibility and skill. All of these original exercises were written specifically for this book by world-famous masters ??? including Leopold Godowsky Joseph Lhevinne Ignaz Friedman Ernst von Dohn?nyi and Emil von Sauer ??? who also share their ideas about technique pedaling fingering and other methods.These creative finger exercises include some with a fixed position of the hand exercises for flexibility and dexterity of the thumbs diatonic and chromatic exercises special exercises with held notes exercises for the strengthening of individualfingers and exercises for lateral motion of the fingers. Additional exercises involve diminished sevenths combined legato and staccato touch for one hand the crossing of the hands and development of speed and lightness of fingers. Introductory material is presented in English German Italian and French. This new edition from a long out-of-print series includes a new Introduction and Foreword plus rare photos by the author's last living student.Reprint of Master School of Modern Piano Playing and Virtuosity Carl Fischer Publishing New York 1922.

It is rare in music pedagogy that something truly revolutionary comes along. Progressive Repertoire is the first English language method for beginning Double Bass to incorporate the innovative division of the Bass fingerboard into six positions developed by renowned French bassist Fran?ºois Rabbath in his three volume Nouvelle Technique de la Contrebasse. Mr. Vance has created a method that introduces these revolutionary ideas in a progressive manner using familiar folk and classical material to produce studies and pieces that will appeal to novice Basses of all ages. In addition a Compact Disc is included with each of the primary books containing all the music performed byFran?ºois Rabbath with Elizabeth Azcona-Hartmark piano.Progressive Repertoire for Double Bass will introduce American teachers and students to the most important techniques developed for the instrument.

Mastering The Guitar is an innovative comprehensive method for learning the Guitar. Level 2 Book C includes a wealth of challenging and creative Guitar solos duets and studies in the keys of A-flat F-minor G-minor D-flat and B-flat minor.Special concepts presented in this volume include: basic improvisation rhythmic variation barre chords key of A-flat/closed position passing tone studies harmonized scales westernswing fingerstyle performance chord progression studies blues chords common rock and blues licks bass string chords Latin rhythms and comping. Guitar solo material provided in rock jazz bluegrass Latin blues Baroque Renaissance and from a wide variety of historical periods and contemporary musical styles.Mastering the Guitar 2C double CD set is a recording to accompany the volume of the same title. These CDs containmost all of the solo and duet settings found in the book as performed by William Bay Mike Christiansen and John McClellan.