Ecrit en 1823, cette magique 'double' concerto a été composé en trois mouvements formulaire (Allegro-Adagio-Allegro molto) et représente un appariement concerto inhabituelle. Il est pur Mendelssohn à son meilleur! Le mouvement central Adagio est un merveilleux 'Chanson sans paroles.' Caractéristiques nombreux passages solo pour chaque soliste, du plus bel effet. À ne pas manquer!Comprend une édition performances autorité de la partition pour violon, édité par Mario Hossen et nouvellement gravés et imprimés sur papier ivoire de haute qualité. / Violon
SKU: HL.48180634
UPC: 888680829070. 0.031 inches.
Parisian violinist, Georges Catherine (1872-1958) compiles an exciting collection for the violin repertoire. The first solo from Viotti's Concerto No. 22 is clearly printed with a helpful key of unusual techniques. Viotti (1755-1824) was an Italian violin virtuoso. He composed a significant 29 concertos for the violin which remain popular in the advanced violinist's repertoire. The violin solo line of Concerto No. 22 makes use of extended techniques, including harmonics, bow techniques, articulations, fast semiquavers, and double stops. Catherine's series, First Solos Extracted from the Classic Concertos provides essential access to significant repertoire of the violin, preparing advanced violinists for the major concertos.
SKU: HL.48180637
UPC: 888680829049. 9x12 inches.
Parisian violinist, Georges Catherine (1872-1958) compiles an exciting collection for the violin repertoire. The first solo from Viotti's Concerto No. 29 is clearly printed with a helpful key of unusual techniques. Viotti (1755-1824) was an Italian violin virtuoso. He composed a significant 29 concertos for the violin which remain popular in the advanced violinist's repertoire. The violin solo line of Concerto No. 29 makes use of extended techniques, including harmonics, bow techniques, aritculations, fast semiquavers, and double stops. Catherine's series, First Solos Extracted from the Classic Concertos provides essential access to significant repertoire of the violin, preparing advanced violinists for the major concertos.
SKU: HL.48180644
UPC: 888680828950. 9x12 inches.
Parisian violinist, Georges Catherine (1872-1958) compiles an exciting collection for the violin repertoire. The first solo from Kreutzer's Concerto No. 1 is clearly printed with a helpful key of unusual techniques. Kreutzer (1766-1831) was a French violinist, teacher, conductor and composer. He composed a significant forty operas and nineteen violin concertos. The violin solo line of Concerto No. 1 makes use of extended techniques, including harmonics, bow techniques, aritculations and double stops. Catherine's series, First Solos Extracted from the Classic Concertos provides essential access to significant repertoire of the violin, preparing advanced violinists for the major concertos.
SKU: HL.49019605
ISBN 9790001191272. UPC: 841886019607. 9.0x12.0x0.155 inches.
The genre of the violoncello concerto was born in 17th-century Italy. Thanks to the Venetian composer Antonio Vivaldi (1678-1741), there exists today not only a wealth of magnificent violin concertos but also quite a number of cello concertos to whose development he contributed considerably. More than two dozen of his concertos are dedicated to the violoncello, including probably the most famous double concerto: the Concerto for two violoncellos, string orchestra and basso continuo in G minor (RV 531) written after 1770. The sonorous work with its playful outer movements and expressive largo is published in this critical new edition on the basis of the sources. Arrangement: Suzanne Richter, Basso Continuo: Marcus Stein.
