SKU: CL.011-3221-75
SKU: AP.22265
UPC: 038081230450. English.
This dreamy interlude is a great way to introduce young bands to the Dorian mode. Wonderful melodic lines, along with intriguing harmonic content and texture, really enhance this musical dreamscape in a modal setting. An excellent piece to add contrast and expression to a concert or contest program.
SKU: CA.965600
ISBN 9790007165062. Text language: English.
In A Dream Within a Dream Edgar Allan Poe writes of a traumatic grief that shakes him to the core, affecting his perception of reality itself. Through this setting, his exploration continues into the musical realm. The piano textures here represent something that is not quite real, and fading mercilessly in and out between whimsical fantasy and crushing reality. This aids the tone of Poe's words and provides a backdrop for the voices to speak his emotions in a more solid context, albeit not always quite rationally. There is such a two-sided nature to the emotions at play that it is almost laughable to compare them musically, except when placing oneself into the mindset of a desperate mind. Poe needs no help in expressing his feelings - the power of his words carries an inherent statement without calling for musical aid. However, in Dreamscape we will attempt to explore them in the context of the modern psyche and hopefully one may see Poe's struggle arise within oneself in sensory ways not often accessible through poetry alone. (Daniel Elder).
SKU: HL.14023350
Alternative name: 'Dreamscape'.
SKU: BP.HB610
Written for 3-5 octave handbell choir. Level 2+. This haunting original tune is full of intense emotion and is perfect for any ensemble looking to work on their musicality. Flowing eighth note accompaniments underscore the simple melody, and unexpected harmonies abound, yielding moments of hope, surprise, and lament. A perfect choice for any ensemble throughout the year, but particularly nice for something different during the Lenten season.
SKU: PR.144407050
UPC: 680160655519. 9 x 12 inches.
Celebrating 30 years, the Philadelphia Chamber Music Society commissioned a work of 20-25 minutes for violin and piano from James Primosch, University of Pennsylvania professor of music. Primosch had originally thought to create a new sonata, but what developed is more appropriately a set of five character pieces, two of which were directly inspired by poems. Five Poems was premiered in May, 2016, and Primosch's thoughts are recorded at his website: https://jamesprimosch.com /2016/05/10/five-poems-pr emiere/.Upon receiving a commission from the Philadelphia Chamber MusicSociety for a violin and piano piece in honor of its 30th anniversary, myplan was to write a sonata, a term suggesting a relatively abstractdiscourse. But as the piece developed, the movements struck me ascharacter pieces rather than music employing a more “symphonicâ€ap proach. When specific poems started to attach themselves in my mindwith two of the movements, the overall title Five Poems became clear.The title of the second movement is a line from Susan Stewart’s“De scentâ€, which deals with Aeneas’s visit to the underworld. The musicis alternately fiercely driving and quite still, though tense. RobertFrost’s Nothing Gold Can Stay summons fleet scale passages framinglyrical counterpoint. The remaining movements do not refer to specificpoems, but have titles reflecting their expressive tone. Dreamscape ismusing with an improvisatory violin line over shifting pairs of pianochords. Nightsong is a bluesy lullaby that turns highly dramatic.Vision begins with a closely argued struggle but breaks through tosomething spacious and clear.
SKU: CL.011-3221-01
Reflective and sensitive, this delightful Ed Huckeby composition is a real jewel. An outstanding piece to teach your mid-level students the art of expressive performance and it’s also going to be a big audience favorite. Features a short but very effective trumpet solo. Quality repetitore for middle school and jr. high bands. INCREDIBLY NICE!!
About C.L. Barnhouse Command Series
The Barnhouse Command Series includes works at grade levels 2, 2.5, and 3. This series is designed for middle school and junior high school bands, as well as high school bands of smaller instrumentation or limited experience. Command Series publications have a slightly larger instrumentation than the Rising Band Series, and are typically of larger scope, duration, and musical content.
SKU: CL.WFR1002
WFR1002 Young Band 10-Pak includes over 150 amazing concert band performances of music for young musicians by the Washington Winds! Includes these ten CDs: WFR330 Renegade Dances; WFR333 Bravura; WFR336 Whispers of the Wind; WFR342 Beyond The Stars; WFR183 Kings Mountain Adventure; WFR195 Tribute and Triumph; WFR323 Dreamscape; WFR359 Ghost In The Attic; WFR363 Mirages; WFR321 Joyous Spirit (track listings of each CD available on their individual product page.).
SKU: SU.50004410
Published by: Seesaw Music.
SKU: HL.50603530
UPC: 840126931136.
A work for orchestra commissioned by Gothenburg Symphony Orchestra. The composer writes I have borrowed the title 'Voyages extraordinaires' from the writer Jules Verne and his famous novel series depicting fantastic or in reality impossible journeys. The title seemed fitting as my work is intended as fantastical musical voyages on which the listener encounters new worlds of sound through recurring orchestral transformations. I see the work somewhat as a tribute to how art has the abilities to transcend the limits of life. Some years ago I composed a horn trio, 'Diagonal Musik' (2017), inspired by the Swedish artist Olle Baertling. Baertling's paintings consist of large, bright triangular shapes, and although the lines gradually approach one another, the intersecting point is often placed outside the frame. Consequently, the spectator will try to complete the angle in their own head. In my horn trio, I wanted to transfer this to music: the lines that gradually approach each other but rarely meet, except perhaps in the listener's head. In 'Voyage Extraordinaires' I have tried to develop these techniques even further, this time for orchestral forces, and combine them with the magical transformations, an important structural element of the piece. The fantastic journeys also refer to travels in our own imagination: what we believe and picture in our mind. The sudden musical transformations that occur are also reminiscent of dream logic and the dreamscape itself. Here it is possible to wander in and out through worlds in a way that feels consistent within the framework of the dream..
SKU: HL.14042350
ISBN 9788759826164.
S øren Nils Eichberg's Morpheus - Concerto for Orchestra (2013). Commissioned by The Danish National Symphony Orchestra / DR.
Parts are available on hire: hire@ewh.dk
Programme note
Morpheus in the Greek mythology is the most powerful of the Oneroi, the gods of dreams. He is the one who sends us our dreams and he may appear to us within the dreams in disguise.
Analogous to the logic of dreams, in Morpheus everything is interwoven, as chains of associations appear to logically lead us from one line of thought to another. Everything seems strangelyfamiliar. But the logic is treacherous and we already feel, it may only be valid within the dream. Nothing that appears similar is actually ever really the same.
Half awakening, we struggle to hold on to a vanishing world we felt we were on the verge of understanding, but which we already know will eventually escape us when we fully awake.
Everything remains a mystery until the end.
The seven movements/dreamscapes are:
