SKU: HL.1117983
UPC: 847986000842. 8.0x10.0x7.25 inches.
Please note: although we don't keep stock on hand, this item will drop ship direct from the manufacturer at the time of your order. For powerful bass drum sounds The DTP 340 REX accurately captures the sound of your bass drum and other bass-heavy sources. Switch between two sounds for more flexibility in the studio and onstage. Switchable sound characteristics A switchable EQ delivers massive sound by emphasizing frequencies from 70 to 150 Hz and from 3 to 5 kHz, optimizing the mic for use on the bass drum. You'll get an amazing sound right away, perfectly tailored to your application. Cuts a fine figure on your bass With the DTP 340 REX, you'll get massive yet clear kick drum and bass recordings, in your studio and onstage. The capsule is specifically designed to replicate low frequencies with precision and punch. Cardioid polar pattern The cardioid polar pattern provides high gain before feedback and maximum isolation of the desired source - side and rear sounds are effectively rejected.
SKU: HL.1117985
UPC: 847986000859. 8.25x10.0x7.25 inches.
Please note: although we don't keep stock on hand, this item will drop ship direct from the manufacturer at the time of your order. Exceptional sound for bass drums and other bass-heavy instruments The DTP 640 REX is a dual-capsule microphone specifically designed to capture the sound of your drums and percussion instruments. It features two phase-aligned capsules, a condenser and a dynamic one. Both capsules can be adjusted to emphasize your sound for studio and live applications. Dual-capsule bass drum microphone The DTP 640 REX features two phase-aligned microphones in a single housing. The dynamic side ensures accurate attack reproduction of the bass drum, while the condenser element captures more of the body resonance and decay. Each element has a dedicated output. This enables you to shape the bass drum sound in unique ways. Three switchable sound characteristics =//= Both elements with neutral frequency response. +//= Dynamic element boosts frequencies between 3 and 5 kHz; condenser stays neutral. +//+ Dynamic boosts the range of 3-5 kHz, condenser boosts frequencies 70-150 Hz to deliver full-bodied sound. Great on all kinds of bass-heavy instruments With the DTP 640 REX you get massive yet clear bass drum and bass recordings, in the studio and on stage. Both capsules, dynamic and condenser, are specifically designed to replicate low frequencies with precision and punch.
SKU: HL.3712044
UPC: 196288220695. 5.0x8.75x2.75 inches.
Dynamic large diaphragm microphone (hypercardioid) black with 3-pin XLR connector and metal housing optimized for kick drum.
SKU: HL.3712057
UPC: 196288220596. 6.25x9.25x3.5 inches.
Dynamic microphone (hypercardioid) for vocals and instruments (kick drum).
SKU: CL.032-4578-01
Packed with style and verve to spare, Finishing Brushes shows off your drummer’s deft brushwork while engaging in a splendid dialog with the ensemble. The cool swing never ceases as the piece grooves along, offering plenty of room for your drummer to fill and kick, leading up to a dynamic and electrifying shout chorus that really revs into full gear! Ranges are modest, and all of the suggested solo drum fills are notated to ensure success. Great melodic lines, attractive changes, and masterful scoring make this the perfect selection for both contest and concert! A brilliant showcase for your drummer!
SKU: CF.YAS132
ISBN 9780825894688. UPC: 798408094683. 9 x 12 inches. Key: G minor.
What would happen if Bach had lived in the time of rock and roll? This piece might have been the result! There is plenty of musical depth to this piece and yet it is in both a baroque and rock style at the same time. There is even an opportunity for some improvisation.This hard driving rock piece embraces sounds from the Baroque era offering a fusion that might be defined as Bach Rock. The piece begins with a mini-cadenza lament for solo violin. The soloist may embellish the written part with mordents, trills, or other ornaments. In m. 9, the drums kick in with a hard-rock groove. Exaggerate the dynamic markings throughout to ensure that moving parts will be heard.
About Carl Fischer Young String Orchestra Series
Thi s series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by:--Occasionally extending to third position--Keys carefully considered for appropriate difficulty--Addition of separate 2nd violin and viola parts--Viola T.C. part included--Increase in independence of parts over beginning levels
