SKU: PE.EP73669
ISBN 9790577023298.
Dualities by Emily Howard is a contemporary work for an ensemble of 14 players. The work is an expression of the fascination with the juxtaposition of extremes and explores relationships between emotion and reason, constructivism and spontaneity, complexity and simplicity. The resultant musical structure is an accumulation of transitions between contrasting soundworlds. Dualities was commissioned by Ensemble 10/10, the Contemporary Music Group of the Royal Liverpool Philharmonic who gave the first performance on 5 October 2005 at the Eleanor Rathbone Theatre, University of Liverpool. This product is printed on demand and may take several weeks to fulfill. Please order from your favorite retailer.
Dual ities by Emily Howard is a contemporary work for an ensemble of 14 players. The work is an expression of the fascination with the juxtaposition of extremes and explores relationships between emotion and reason, constructivism and spontaneity, complexity and simplicity. The resultant musical structure is an accumulation of transitions between contrasting soundworlds. Dualities was commissioned by Ensemble 10/10, the Contemporary Music Group of the Royal Liverpool Philharmonic who gave the first performance on 5 October 2005 at the Eleanor Rathbone Theatre, University of Liverpool. This product is printed on demand and may take several weeks to fulfill. Please order from your favorite retailer.
SKU: BT.SOLDES906
SKU: HL.14033672
ISBN 9788759868713. English.
Tjampuan (1992) - 'Where the Rivers meet' - 6 Movements for Violin and Cello by Per Norgard . Programme Note: Any nature phenomenon with a character of its own - a bat cave, a very old banja tree etc, is by the balinese regarded as holy (for which reason very often a temple is placed close to it !) Thus also the place where two rivers meet (called 'tjampuan'in Indonesian, this also the name of a valley 'where the rivers meet'near Ubud, Bali). The connection to a duo for violin and cello is hardly difficult to understand: Two individualities integrate their soloistic expressions to one, the rivers meet. The 5th movement, however, is a thorough contrast movement (more 'brooklike'!), as is also the 6th movement which, with its whirling figurations, rather associate to kataracts or fountains. Per Norgard (1992).
