Dvd Bluegrass Crosspicking Guitar

Crosspicking est une technique de flatpicking passionnant qui est une partie essentielle de l'arsenal du guitariste de chaque bluegrass. Utilisant des patrons répétées sur les groupes de trois cordes, crosspicking capte le rebond de double remaniement d'un violoneux et le lecteur de trois doigts banjo Scruggs-style rouleaux. Apprenez l'art de cette technique de choix passionnants avec Eric Thompson dans ce didacticiel de DVD qui met en vedette split-screen plans rapprochés afin que vous ne manquerez jamais une note ! / Guitare

In this one-hour instructional DVD James Alan Shelton and George Shuffler demonstrate and teach the guitar techniques that helped change the role of the guitar in bluegrass music. The music of the Stanley Brothers and Ralph Stanley and the Clinch Mountain Boys has featured lead guitar work since Bill Napier and George Shuffler brought the guitar to the forefront of the Stanley's music in the late 1950s. This video begins with James Alan Shelton, the current lead guitar player for Ralph Stanley and the Clinch Mountain Boys, picking a tune with the legendary George Shuffler. James then interviews George regarding the development of his 'crosspicking? guitar technique. George demonstrates the technique and provides a guitar solo to one of the tunes he helped to make a bluegrass standard, 'Will You Miss Me.? George and James then pick 'Katy Dear? together and demonstrate their crosspicking talents. The instructional portion of the video begins with James Alan Shelton demonstrating the crosspicking roll and providing several exercises which will serve to train your right hand to gain skill with the crosspicking technique. James then teaches a 'turnaround? to 'Rank Stranger? which utilizes the crosspicking technique to 'fill in the gaps? between vocal lines. He then shows how to take the simple melody line of a song, 'Uncloudy Day,? and incorporate the crosspicking technique between the melody notes. Next, James teaches a crosspicking break to 'Bury Me Beneath the Weeping Willow? and follows that tune by demonstrating how to transform a Carter style guitar solo into a crosspicking solo using the song 'Wildwood Flower? as an example. The next section of the video features James teaching two of his original flatpicking tunes 'Road to Coeburn? and 'Tom's Creek.? This is followed by a fingerstyle performance of Ralph Stanley's favorite guitar number, 'Cannonball Blues.? James concludes the instructional portion of the video by talking about his selection of guitar strings, picks, and capos and provides 'tricks of the trade? to help you keep your flatpick in good shape. George and James both talk about their signature model Huss and Dalton guitars and the video concludes with George and James picking 'Banks of the Ohio? together. All of the songs that are taught in the video are transcribed in the accompanying transcription book. / Guitare (Flatpick) Et Plectre

Welcome to Bluegrass Breaks: Guitar! This book is a collection of 23 Guitar solos or 'breaks' plus 16 introductions or 'kickoffs' in a range of styles and levels of difficulty. The solos are aimed at advancedbeginner to intermediate guitarists looking to expand their repertoire of lead Guitar solos. All the solos are recorded in split-track format at two speeds and are available online.This book includes:Easy Carter-stylesolos with the melody played on the bass strings punctuated by chord strums.More advanced Carter-style solos with hammer-ons pull-offs slides and more.Hot flatpicking solos with lots of eighth notes played with up anddown picking.Essential fiddle tunes for every modern bluegrass lead Guitar player.Crosspicking solos played with two different crosspicking patterns.Solos using the 'real dropped D' and the 'faux dropped D'tunings.A variety of kickoffs generic and for specific songs.Extensive notes on the breaks and the techniques used to play them.The breaks in this book are based on are some of the most performed bluegrass old-time and gospel songs - songs that you're sure to hear played at jam sessions picking parties and on stage. Includes access to online audio.

Par MC CABE LARRY. Dans la musique, le terme 'bluegrass' a décrit le style de la chaîne-bande chaude initiée par Kentuckian Bill Monroe, qui mêle musique old-time de pays avec des rythmes de blues et de l'improvisation jazz-influencé. Ce livre contient 101 licks de guitare bluegrass authentique dans les clés de bluegrass préférée de C, G, D et un mineur. The licks sont décomposés en phrases de barres de deux, quatre ou huit. En outre, plusieurs terminaisons et crosspicking licks sont inclus. Chaque lick est joué à une progression d'accords qui est la norme dans le bluegrass, pays et musique folklorique. Tous les exemples de 101 sont enregistrées sur le CD compagnon avec accompagnement de guitare à un rythme modéré. Si vous êtes un fan d'Old-Time de musique country, traditionnelle bluegrass ou newgrass, vous êtes assuré de trouver beaucoup de bonnes idées dans cette nouvelle collection de bluegrass licks. Donc, s'emparer de votre instrument, mis sur le CD, tirer une chaise et commençons à pickine. / Niveau : Débutant / Bluegrass - Licks and Phrases / Recueil / Guitare Flatpick et Plectre

A Crash Course Into Bluegrass And Flatpicking Guitar Styles. Par CARR JOE. Dans cet ajout à la baie de Mel populaire 'Getting conclude…'series, chroniqueur Flatpicking Guitar Magazine Joe Carr présente un aperçu du style flatpicking passionnant en tablature et en notation musicale. Commençant par les accords de base et les modèles de strum, cette combinaison de livre/CD couvre le style de Carter, violon tunes crosspicking, flottant, improvisation et bien plus encore ! Sections spéciales adresse direction pick, échelles pentatonique, a chuté de réglage d et comment lire la musique standard à la guitare. Sont inclus les 'Top Ten' flatpicking favoris et une section sur l'ornementation irlandaise. / Niveau : Débutant à Intermédiaire / Bluegrass - Methods / Tablatures / Guitare Tablatures Flatpick et Plectre

Offre une superbe sélection de leçons approfondies pour les joueurs de tous niveaux enseigné et enregistré (lentement et jusqu'à tempo) par maître Flatpicking Oliver Waitze. Apprendre et d'améliorer les principes fondamentaux de la guitare de bluegrass flatpicking ! Exercices efficaces de droite et de gauche, des différents styles de sauvegarde, de conduite et syncopés basse s'exécute, crosspicking, rythme, mélodie et rythmique, les terminaisons de bluegrass gourmet et licks, variations de votre jeu et des exemples pour l'improvisation. Contient de nombreux exercices conçus pour vous aider à trouver votre chemin dans et hors de toute torsion possible et tourner de la gauche et la main droite. Ecrit en notation standard et libre de l'onglet audio téléchargements sont disponibles pour une utilisation avec ce titre. / Guitare (Flatpick) Et Plectre / 94 pages / niveau : Intermédiaire / Partition - Format: 11 X 8,5

Par FLINT TOMMY. Fingerstyle guitar is extremely popular today. This is because it lends itself to very personal and lyrical solo and accompaniment styles. This method is one of the very best at teaching the basics of fingerpicking. Written by Nashville's fine guitarist, Tommy Flint, you will learn chording, Travis picking, soloing, scales and accompaniment patterns, playing over the entire fingerboard, barre-chords, two-string harmony, combining hammer and slide, three-against four roll, contrary motion, crosspicking, harmonics, right and left hand agility studies, and much more. A bonus is the inclusion of over 50 great, original Tommy Flint fingerpicking guitar solos which reflect a rich diversity of styles. This volume includes material previously published in two volumes as Mel Bay's Deluxe Fingerstyle Guitar Method. Written in notation and tablature. This package includes a split-track CD which provides play-along demonstrations of many of the exercises and solos in the book, starting with page 41. The solo guitar is on the right with accompaniment guitar on the left, so you can eliminate the solo part or accompaniment by adjusting the balance control of your player. / Niveau : Tous Niveaux / Bluegrass and Country - Methods / Méthode / Guitare

Fiddle Tunes Crosspicking and Blues-Although originally regarded as a rhythm instrument the Guitar has developed a solo voice all of its own in the world of Bluegrass - a voice that is revealed by Scott Nygaard in this DVD tutorial. Tunes and solos traditionallyperformed on the fiddle have been adapted by a generation of guitarists as the basis for their own solos within the Bluegrass sound. The style is an organic mix of fiddle tunes banjo techniques such as crosspicking and theBlues.In this DVD renowned guitarist Scott Nygaard guides you through the old-time fiddle tune Little Billy Wilson a cross-picking arrangement of Home Sweet Home a melodic solo on the blues song Troublein Mind and shows you how to combine these influences when creating a solo on a bluegrass tune like East Virginia Blues. Crosspick fiddle and blues techniques are rigorously examined and explained giving you the bestpossible basis for developing your own Bluegrass solo sound.

Media Type : Book Level : Beginning-Intermediate Musical Genre : Bluegrass Number of pages : 160 Crosspicking technique on guitar is similar to bluegrass banjo, filling in all of the spaces between melody notes with a steady stream of harmony notes. With applied crosspicking technique, the guitar becomes a forceful solo instrument capable of filling a room with colorfully supported melodies. Not only does the guitar support itself, but crosspicking technique also works effectively for supporting other lead instruments and vocals in many styles of music including classical, rock, country, bluegrass, jazz, and new age. The methodology section of this book offers the intermediate to advanced guitarist many new ideas which can be added to their arsenal. The book also includes a full songbook section with an even wider repertoire to pursue. All of the lessons and songs are written in tablature only, so you don't have to read music, just count!

In this one-hour instructional DVD James Alan Shelton and George Shuffler demonstrate and teach the guitar techniques that helped change the role of the guitar in bluegrass music. The music of the Stanley Brothers and RalphStanley and the Clinch Mountain Boys has featured lead guitar work since Bill Napier and George Shuffler brought the guitar to the forefront of the Stanley?s music in the late 1950s. This video begins with James Alan Shelton thecurrent lead guitar player for Ralph Stanley and the Clinch Mountain Boys picking a tune with the legendary George Shuffler. James then interviews George regarding the development of his ?crosspicking? guitar technique. Georgedemonstrates the technique and provides a guitar solo to one of the tunes he helped to make a bluegrass standard ?Will You Miss Me.? George and James then pick ?Katy Dear? together and demonstrate their crosspicking talents. The instructional portion of the video begins with James Alan Shelton demonstrating the crosspicking roll and providing several exercises which will serve to train your right hand to gain skill with the crosspicking technique.James then teaches a ?turnaround? to ?Rank Stranger? which utilizes the crosspicking technique to ?fill in the gaps? between vocal lines. He then shows how to take the simple melody line of a song ?Uncloudy Day ? and incorporatethe crosspicking technique between the melody notes. Next James teaches a crosspicking break to ?Bury Me Beneath the Weeping Willow? and follows that tune by demonstrating how to transform a Carter style guitar solo into acrosspicking solo using the song ?Wildwood Flower? as an example. The next section of the video features James teaching two of his original flatpicking tunes ?Road to Coeburn? and ?Tom?s Creek.? This is followed by afingerstyle performance of Ralph Stanley?s favorite guitar number ?Cannonball Blues.? James concludes the instructional portion of the video by talking about his selection of guitar strings picks and capos and provides ?tricks