Easy Classic Guitar Solos

Classical Guitar Solos - Favorite Sonatinas. In this book, guitarist and music historian David Grimes presents 20 ?small sonatas? or sonatinas, complete with detailed performance notes and bio sketches of each of the contributing composers: Leonhard von Call, Matteo Carcassi, Ferdinando Carulli, Mauro Giuliani, Francesco Molino, and Antonio Nava. While flexible, the early 19th-century sonatina form usually consists of 2 - 4 contrasting movements, here in guitar-friendly keys, making these pieces ideal for performance by intermediate-level students. In all but the most challenging passages, Grimes has intentionally kept fingering to a minimum to allow students to form their own concept of this critical skill. Then, as many bass notes in these pieces are played on open strings, the player must develop a sense of when to selectively damp dissonant tones or observe a rest? exposing and overcoming yet another shortcoming in the education of many guitarists. Most classic guitar teachers are familiar with the easy didactic studies by Carcassi, Carulli and Giuliani; Favorite Sonatinas offers more highly developed, but not yet virtuoso pieces by the same Italian triumvirate? plus three more composers in a similar vein? promoting confident, enjoyable sight-reading by guitarists of all levels.

Exellents solos pour guitare classique du XIVème siècle à Bartok. Inclues des oeuvres de Bach, Carcassi, Giuliani, Mozart, Chostakovitch, DORS et Stravinsky. Pour les guitaristes de tout niveau. Edité par Leonid Bolotine. / Guitare / 96 pages / Partition

De superbes solos pour guitare classique allant du XIVème siècle à Bartok. Inclues des oeuvres de Bach, Carcassi, Giuliani, Mozart, Shostakovitch, Sor et Stravinsky. Pour des guitaristes de tous niveaux. Edité par Leonid Bolotine. / Flûte A Bec / 126 pages / Partition

Dans le début des années 1700, des chorals de Bach enchanté les auditeurs avec leurs harmonies inventives, le chromatisme, le mouvement contrapuntique, et les changements de centre tonal. Depuis ce temps, les étudiants en musique du monde entier ont étudié les chorals comme un parangon de 'pratique courante' l'harmonie et la voix principale. Et en vertu de leur beauté sublime, les musiciens continuent à effectuer les chorals à ce jour. La texture en quatre parties des chorals peut rendre leur performance à la guitare - avec ses limites de doigté - quelque peu problématique. Mais parfois, par l'amincissement de la texture à trois ou deux parties et, parfois, inverser les parties inférieures (permettant à l'alto ou ténor pour servir temporairement de la basse), nous avons créé des solos de guitare facile à jouer classiques qui capturent tout l'intérêt et beauté de compostitions originale de Bach. / Guitare

For Acoustic Guitar-During the course of my teaching piano and guitar I have not come across another book that took these classic masterpieces and arranged them for the beginner guitar student. There is an amazing amount of literature like this forthe piano but not for the guitar. My goal with this book is to fill this void in the guitar literature. I chose compositions that the young guitar student would most likely have heard before and thus used familiar melodies. Ithen made easy arrangements of them mostly using the top four strings simple chords and fingerings. The right hand fingering is not indicated because I used the general rule of thumb: a = 1st string m = 2nd string i = 3rdstring p = 4th 5th and 6th strings.” All 12 solos are scored in notation and tablature.

Media Type : Book/CD Set Level : Intermediate Musical Genre : Classic Number of pages : 48 Eleven original compositions for the classical guitar composed in the eclectic style for which Frederic Hand has become well known. Written in standard notation only, some of these pieces allow for optional improvisatory sections (About Time and Missing Her). The composer performs all of the compositions on an accompanying recording. Some pieces require retuning the sixth string to low D. The level of difficulty ranges from easy to difficult, with the majority of the material falling at the intermediate level. Program notes are included for each piece. The enclosed CD presents performances of all the pieces by the composer.

Joseph Castle: Favorite Hymns For Classical Guitar contains 20 easy solos on hymn favourites. Easy to read and play these selections are excellent for the beginning guitarist.

Exercises, Etudes, Solos, Duets. Par VINITSKY ALEXANDER. Cette musique originale pour guitare solo et le duo présente de belles mélodies et doigté commode et c'est très facile à effectuer. Commentaires de l'auteur expliquent comment déplacer de style classique au jazz. Les morceaux, divisés en deux chapitres, Etudes et pièces, sont écrits dans différents styles de jazz : Swing, Bossa Nova et du Blues. Les mélodies sont parfaits et leurs harmonies raffinées. Sept duos sont inclus qui peut être joué par deux guitares ou par un instrument de la mélodie et de guitare. Ils ont de belles mélodies et sont faciles à effectuer. La première partie peut être jouée par les débutants. Ces duos peuvent être utilisés dans les situations avec les professeurs et étudiants jouant ensemble d'enseignement. Ecrit en notation seulement. / Niveau : Débutant / Jazz - Solos / Recueil / Guitare Classique

Par VINITSKY ALEXANDER. These 21 original pieces for classical guitar feature bright melodies, convenient fingering, and exquisite harmonies. They are composed so that their performance gives an impression of two or three instruments sounding simultaneously. The collection contains 12 12-bar blues, all in different keys, at an intermediate level - a difficult etude in blues form - and six jazz preludes which are easy to intermediate. Written in notation only. / Niveau : Débutant à Intermédiaire / Jazz and Blues - Solos / Recueil / Guitare Classique

Ton Van Bergeyk launched his career as a musician during the late 1960s playing blues Harp and Ukulele in a duo setting, but he then switched to the acoustic Guitar and quickly learned and mastered the instrument using fingerstyle techniques. He started to transcribe and arrange classic ragtime compositions for fingerpicking Guitar and was discovered by Stefan Grossman during a tour in Holland. Stefan produced Ton's first solo album, Famous Ragtime Guitar Solos, in 1973. This contained 14 of Ton's arrangements of classic ragtime pieces and became a best seller. In 1975, Ton's second solo album, Guitar Instrumentals To Tickle Your Fingers, was released containing transcriptions and arrangements of novelty rags, early jazz and popular tunes of the 1930s and 1940s. In 1980, Ton's third solo album was released and continued his exploration of arrangements for solo fingerpicking Guitar, this time with a repertoire covering jazz, blues, contemporary pop and country and even Mexican folklore. This album was titled Lulu's Back In Town, Hot Guitar Solos. Ton also participated in several anthology projects, i.e. Novelty Guitar Instrumentals, I Got Rhythm, Masters of Ragtime Guitar, The Entertainer and How To Play Ragtime Guitar. All of Ton's albums are available as CDs as well as direct downloads from Stefan Grossman's Guitar Workshop, (www.guitarvideos.com) and include tab PDF booklets on the CDs. Ton recorded the audio lesson series Fingerstyle Jazz Guitar to teach phrase by phrase and measure by measure some of his most requested arrangements. This second volume presents Ton Van Bergeyk's renditions of Duke Ellington's Jubilee Stomp and Take It Easy, Thelonious Monk's classic Blue Monk and the George Gershwin standard I Got Rhythm. / Niveau : Facile / Tablatures / Guitare Tablatures

Ton Van Bergeyk launched his career as a musician during the late 1960s playing blues Harp and Ukulele in a duo setting but he then switched to the acoustic Guitar and quickly learned and mastered the instrument using fingerstyle techniques. He started to transcribe and arrange classic ragtime compositions for fingerpicking Guitar and was discovered by Stefan Grossman during a tour in Holland.Stefan produced Ton's first solo album Famous Ragtime Guitar Solos in 1973. This contained 14 of Ton's arrangements of classic ragtime pieces and became a best seller. In 1975 Ton's second solo album Guitar Instrumentals To Tickle Your Fingers was releasedcontaining transcriptions and arrangements of novelty rags early jazz and popular tunes of the 1930s and 1940s.In 1980 Ton's third solo album was released and continued his exploration of arrangements for solo fingerpicking Guitar this time with a repertoire covering jazz blues contemporary pop and country and even Mexican folklore. This album was titled Lulu's Back In Town Hot Guitar Solos. Ton also participated in several anthology projects i.e. Novelty Guitar Instrumentals I Got Rhythm Masters of Ragtime Guitar The Entertainer and How To Play Ragtime Guitar. All of Ton's albums are available as CDs as well as direct downloads from Stefan Grossman's Guitar Workshop (www.guitarvideos.com) and include tab PDF booklets on the CDs. Ton recorded the audio lesson series Fingerstyle Jazz Guitar to teach phrase by phrase and measure by measure some of his most requested arrangements. This second volume presents Ton Van Bergeyk's renditions of Duke Ellington's Jubilee Stomp and Take It Easy Thelonious Monk's classic Blue Monk and the George Gershwin standard I Got Rhythm.