Economy Gig Bag

SKU: HL.392324

UPC: 716408504483. 17.25x44.25x0.667 inches.

The Gator GBE-ELECT economy electric guitar gig bag is made to fit your instrument, lifestyle, and budget. The worst thing you can do is leave your guitar exposed to dangerous elements such as humidity and dust or leaving it available to curious hands. With a rugged exterior and padding, this gig bag protects your instrument from the hazards of backseat transport and environmental damage when you aren't playing – using the GBE-ELECT means you'll be getting to the gig with your guitar in one piece. So whether you're storing your guitar at home or heading out to your weekly gig, you need the affordability, convenience, and uncompromising protection of the Gator GBE-ELECT electric guitar economy gig bag!

SKU: HL.777153

UPC: 611534004312. 7.0x13.75x7.0 inches.

Features include: • Ultra-Heavy duty, economy bass drum pedal with a single spring pendulum • This bass drum pedal uses a single spring to transfer the stroke power right to the drum head • The beater angle is also adjustable • Chain drive • Adjustable stroke and tension • Dimensions: 6.2 x 13.2 x 5.2 inches • Item weight: 2 pounds.

SKU: HL.777149

UPC: 611534004237. 4.0x24.25x4.0 inches.

Features include: • Economy cymbal stand • Three-section adjustable • Single-braced • Reliable steel construction Dimensions: 21.3 x 3.6 x 4.1 inches • Item weight: 3.2 pounds.

SKU: FJ.B1747S

English.

Economi es throughout the world experience the cycle of tremendous growth followed by decline as markets correct themselves over time. Beginning with engaging, hopeful fanfares, the music showcases a booming economy before becoming more reflective with moments of despair. Dissonance paints a picture of uncertainty, fear and anger before the economy begins to roar once again and optimism is renewed. A triumphant work with significant cross-curricular potential.

About FJH Young Band

Appro priate for middle school and smaller high school groups. Second clarinets usually stay below the break. Parts are written with more independence, and instrumentation increases slightly. There is still adequate doubling in the lower voices. Grades 2 - 2.5

SKU: CF.SC89L

William Grant Still’s catalog of works comprises over 200 pieces, including five symphonies, nine operas, four ballets and numerous works for chamber ensembles. He initially found employment as an oboist in pit orchestras in New York City, later as an arranger of popular music for various ensembles, including those by William C. Handy, James P. Johnson and Paul Whiteman. His career as a composer was launched with a performance in 1931 of his Symphony No. 1 “Afro-American† by the Rochester Philharmonic, conducted by Howard Hanson, who would remain a life-long champion of Still’s orchestral works. By the 1950s the symphony had been performed in New York, Chicago, Los Angeles and various European capitals.This notoriety earned Still a Guggenheim Fellowship in 1934, after which he moved to Los Angeles. He is credited as the first African-American to conduct a major orchestra (the Los Angeles Philharmonic Orchestra), the first to have an opera performed by a major company (Troubled Island by the New York City Opera in 1949), and one of the first composers to write for radio, films and television. So numerous were his awards and accolades, including three Guggenheim Fellowships and a variety of honorary doctorates, that he was designated as the “Dean of Afro-American Composers.”The “Black belt” refers to a region in the southern United States that was distinguished by the color of its fertile soil. It was an area whose rich economy was based on cotton and tobacco plantations that were controlled by rich white people and worked by poor black laborers. Still’s piece From the Black Belt from 1926 is presumably a musical representation of these laborers. He described its seven parts in the following ways: William Grant Still’s catalog of works comprises over 200 pieces, including five symphonies, nine operas, four ballets and numerous works for chamber ensembles. He initially found employment as an oboist in pit orchestras in New York City, later as an arranger of popular music for various ensembles, including those by William C. Handy, James P. Johnson and Paul Whiteman. His career as a composer was launched with a performance in 1931 of his Symphony No. 1 “Afro-American† by the Rochester Philharmonic, conducted by Howard Hanson, who would remain a life-long champion of Still’s orchestral works. By the 1950s the symphony had been performed in New York, Chicago, Los Angeles and various European capitals.This notoriety earned Still a Guggenheim Fellowship in 1934, after which he moved to Los Angeles. He is credited as the first African-American to conduct a major orchestra (the Los Angeles Philharmonic Orchestra), the first to have an opera performed by a major company (Troubled Island by the New York City Opera in 1949), and one of the first composers to write for radio, films and television. So numerous were his awards and accolades, including three Guggenheim Fellowships and a variety of honorary doctorates, that he was designated as the “Dean of Afro-American Composers.”The “Black belt” refers to a region in the southern United States that was distinguished by the color of its fertile soil. It was an area whose rich economy was based on cotton and tobacco plantations that were controlled by rich white people and worked by poor black laborers. Still’s piece From the Black Belt from 1926 is presumably a musical representation of these laborers. He described its seven parts in the following ways: Li’l Scamp If one were to base his judgment on the volume of sound, he would think this little fellow, who delights in playing childish pranks, a big scamp. But the aptness of the title is determined by the brevity of the piece rather than by the volume of sound. Honeysuckle A musical suggestion of the saccharine odor of the honeysuckle. Dance This title is self-explanatory. Brown GirlA tone picture of a lovely girl. Mah Bones Is Creakin’An old man, afflicted with rheumatism, complains loudly. BlueThe lament of a weary soul. Clap Yo’ Han’sThe participants in a game for children form a circle and clap their hands at intervals.

SKU: FJ.B1747

UPC: 241444390832. English.

Economies throughout the world experience the cycle of tremendous growth followed by decline as markets correct themselves over time. Beginning with engaging, hopeful fanfares, the music showcases a booming economy before becoming more reflective with moments of despair. Dissonance paints a picture of uncertainty, fear and anger before the economy begins to roar once again and optimism is renewed. A triumphant work with significant cross-curricular potential.

About FJH Young Band

Appro priate for middle school and smaller high school groups. Second clarinets usually stay below the break. Parts are written with more independence, and instrumentation increases slightly. There is still adequate doubling in the lower voices. Grades 2 - 2.5

SKU: CF.SC89

ISBN 9781491158852. UPC: 680160917570.

Scori ng: Bass Clarinet in Bb, Bassoon, Clarinet 1 in Bb, Clarinet 2 in Bb, Contrabass, Flute 1, Flute 2, Harp, Horn 1 in F, Horn 2 in F, Horn 3 in F, Oboe, Percussion, Timpani, Trumpet 1 in Bb, Trumpet 2 in Bb, Trumpet 3 in Bb, Viola, Violin 1, Violin 2 and more.

William Grant Stillas catalog of works comprises over 200 pieces, including five symphonies, nine operas, four ballets and numerous works for chamber ensembles. He initially found employment as an oboist in pit orchestras in New York City, later as an arranger of popular music for various ensembles, including those by William C. Handy, James P. Johnson and Paul Whiteman. His career as a composer was launched with a performance in 1931 of his Symphony No. 1 aAfro-Americana by the Rochester Philharmonic, conducted by Howard Hanson, who would remain a life-long champion of Stillas orchestral works. By the 1950s the symphony had been performed in New York, Chicago, Los Angeles and various European capitals. This notoriety earned Still a Guggenheim Fellowship in 1934, after which he moved to Los Angeles. He is credited as the first African-American to conduct a major orchestra (the Los Angeles Philharmonic Orchestra), the first to have an opera performed by a major company (Troubled Island by the New York City Opera in 1949), and one of the first composers to write for radio, films and television. So numerous were his awards and accolades, including three Guggenheim Fellowships and a variety of honorary doctorates, that he was designated as the aDean of Afro-American Composers.a The aBlack belta refers to a region in the southern United States that was distinguished by the color of its fertile soil. It was an area whose rich economy was based on cotton and tobacco plantations that were controlled by rich white people and worked by poor black laborers. Stillas piece From the Black Belt from 1926 is presumably a musical representation of these laborers. He described its seven parts in the following ways:   William Grant Stillas catalog of works comprises over 200 pieces, including five symphonies, nine operas, four ballets and numerous works for chamber ensembles. He initially found employment as an oboist in pit orchestras in New York City, later as an arranger of popular music for various ensembles, including those by William C. Handy, James P. Johnson and Paul Whiteman. His career as a composer was launched with a performance in 1931 of his Symphony No. 1 aAfro-Americana by the Rochester Philharmonic, conducted by Howard Hanson, who would remain a life-long champion of Stillas orchestral works. By the 1950s the symphony had been performed in New York, Chicago, Los Angeles and various European capitals. This notoriety earned Still a Guggenheim Fellowship in 1934, after which he moved to Los Angeles. He is credited as the first African-American to conduct a major orchestra (the Los Angeles Philharmonic Orchestra), the first to have an opera performed by a major company (Troubled Island by the New York City Opera in 1949), and one of the first composers to write for radio, films and television. So numerous were his awards and accolades, including three Guggenheim Fellowships and a variety of honorary doctorates, that he was designated as the aDean of Afro-American Composers.a The aBlack belta refers to a region in the southern United States that was distinguished by the color of its fertile soil. It was an area whose rich economy was based on cotton and tobacco plantations that were controlled by rich white people and worked by poor black laborers. Stillas piece From the Black Belt from 1926 is presumably a musical representation of these laborers. He described its seven parts in the following ways: Lial Scamp If one were to base his judgment on the volume of sound, he would think this little fellow, who delights in playing childish pranks, a big scamp. But the aptness of the title is determined by the brevity of the piece rather than by the volume of sound. Honeysuckle A musical suggestion of the saccharine odor of the honeysuckle. Dance This title is self-explanatory. Brown Girl A tone picture of a lovely girl. Mah Bones Is Creakina An old man, afflicted with rheumatism, complains loudly. Blue The lament of a weary soul. Clap Yoa Hanas The participants in a game for children form a circle and clap their hands at intervals.

SKU: HL.48012131

UPC: 073999983241. 7.4x10.25x1.05 inches.

Economy Pack (10 copies).

SKU: CA.966200

ISBN 9790007167677. Language: Latin.

Matsushita's setting of a hymn for Pentecost is a dialog between women's choir and piano: while the choir develops its melodies from the Gregorian hymn, the piano provides a counterpoint with the minimalistic sounds of fourth and fifths, together with short independent motives related to the text of the hymn. Corresponding to the chorale, the meter changes continually, as if floating. The choir is treated homophonically throughout and, in preparation for the climax of the piece it is briefly divided into six parts at the words pacemque dones protinus (true peace bring unto us). One again Matsushita proves himself a master of economy in his use of compositional means; thus his works of new church music are appealing, effective, and they express humility.

SKU: BT.DHP-1064079-020

9x12 inches. English-German-French-Dut ch.

The Golden Age is a programmatic composition in four movements. I Overture For the Netherlands, the seventeenth century was a period of great flourishing in the fields of economy, culture and politics; thus it is called the Golden Age. Overseas trade boomed, and the Dutch East India Company (known as the VOC by the Dutch) was founded and expanded to become a powerful -and, at the time - modern enterprise. II ¡Adiós españoles!(Farewel l, Spaniards!) In 1567, the Spanish army invaded, led by the Duke of Alva. There was a fierce resistance against the Spanish tyranny; toward the end of the sixteenth century, the Dutch proclaimed theRepublic. However, the Spanish continued the war. Only with the Treaty of Münster in 1648 did the Dutch get their much sought-after independence. This was also the end of the Eighty Years’ War. III Rembrandt’s Night WatchThe field of culture, particularly literature, painting, sculpture, architecture, the art of printing, and cartography developed fast. It was in the Golden Age that the celebrated painter Rembrandt van Rijn created his famous Night Watch. IV The Admiral Overseas trade entailed the colonization of large areas in Asia, from where precious products that yielded lots of money were brought in. Surrounding countries were also involved in such practices. Colonizers poached on each other’s territories in the literal and figurative sense - in this context the Anglo-Dutch Sea Wars are legendary. The fourth movement starts with the English patriotic song Rule Britannia, after which the Dutch Admiral Michiel de Ruyter makes the English change their tune; one can even hear the roaring of cannons. When the smoke of battle has cleared, a small fragment of a Dutch song about Michiel de Ruyter appears, followed by a fitting closing.

The Golden Age is een programmatische compositie in vier delen. Overtureverklankt de Gouden Eeuw, voor Nederland een periode van grote bloei. Dan volgt ¡Adiós españoles! over het einde van de Tachtigjarige Oorlog.Rembrandt� ��s Night Watch beschrijft de ontwikkeling op cultureel gebied: in de Gouden Eeuw schilderde Rembrandt van Rijn zijn beroemde Nachtwacht. Deel vier, The Admiral, begint met Rule Britannia,waarna de Nederlandse admiraal Michiel de Ruyter de Engelsen een toontje lager laat zingen, er is zelfs kanongebulder te horen. Dan klinkt een fragment van het Nederlandse liedje dat aan Michiel de Ruyter is gewijd, waarna een passendslot volgt.

The Golden Age ist eine programmatische Komposition in vier Sätzen über das so genannte “Goldene Zeitalter“ in der Geschichte der Niederlande. In dieser Periode erlebte das Land eine Blütezeit des (Übersee-)Handels, der Kultur und Politik, es befreite sich von der spanischen Herrschaft, brachte Kunstwerke wie Rembrandt’s Nachtwache hervor und entwickelte sich zu einer Kolonialmacht. Die Aufmerksamkeit der Zuhörer ist bei Kees Schoonenbeeks spannender musikalischer Geschichtsstunde garantiert!

Apr� �s une guerre qui dura 80 ans, l'Espagne reconnut finalement l'indépendance des Provinces-Unies néerlandaises, qui devinrent alors l’une des plus importantes puissances maritimes et économiques du XVIIe siècle. Cette période est connue sous le nom de Siècle d’or (The Golden Age) et correspond une phase de développement exceptionnel des Pays-Bas tant sur le plan colonial et militaire que sur le plan culturel, intellectuel et artistique.

Dopo una guerra che durò 80 anni, la Spagna riconobbe l’indipendenza delle Province-Unite olandesi che divennero potenze marittime ed economiche del XVII secolo. Questo periodo è conosciuto con il nome di Secolo d’Oro (The Golden Age) e corrisponde ad una fase di sviluppo eccezionale dei Paesi Bassi sia sul piano coloniale e militare, sia sul piano culturale, intellettuale e artistico.

SKU: FP.FWS06

ISBN 9790570503186.

Stan ley Wilson tells the story of Androcles and the Lion with these imaginative pieces for the early grade player.

The composer gained an open scholarship to study composition at the Royal College of Music and spent most of his career as Director of Music at Dulwich College. His piano albums show his gift for writing perfect miniature programmes, each album representing a story is told with unfailing truth and extraordinary economy of line.

SKU: HL.776605

UPC: 611534004299. 4.0x22.0x3.5 inches.

Features include: • Economy cymbal stand • Three-section adjustable • Double-braced legs • Dimensions: 10.2 x 55.2 x 8.9 cm • 454 grams.

SKU: HL.366182

UPC: 885936832129. 7.0x22.0x3.0 inches.

To answer the many requests for an economy microphone boom, we present the Heil HB-1. The HB-1 is an articulated arm which is of very substantial steel channel structure and balanced by four external springs. Capable of supporting microphones up to 2.5 lbs, the HB-1 has a reach of 40″. The HB-1 is shipped with a brass lined “C” clamp mount that accept up to a 1-1/2″ thick table. The HB-1 Boom accepts all of the standard 5/8″ -27 threaded microphone hardware. The threaded chrome stem can be secured into its needed position by tightening the thumb screw. The HB-1 will fit all of the brass-lined Heil mounting accessories: • DT-1 Flush Mount • FL-2 Flange Mount • WM-1 Wall Mount • RS-1 Riser Mount.

SKU: HL.392379

SKU: SU.12800034

BachScholar Edition Vol. 34 – The Holy Trinity of Piano Technique, 2nd Edition (17 pages) consists of three essential exercises for the development of flexibility, strength, economy of motion, and understanding of musical harmony: 1) Scales in Chords by Franz Liszt; 2) Study 91 by Carl Tausig; 3) Better than Hanon by Cory Hall. Also includes fingering for the three exercises and a 3-page introduction with background information about the exercises with practice recommendations. Indispensable for all pianists and teachers from the intermediate through concert level. Published by: BachScholar.

SKU: PR.44641342L

UPC: 680160667451. 11 x 14 inches.

Anger Management is a study in aggression and heartbreak. Its inspiration comes from a particularly nasty breakup and Tennysons maxim, Tis better to have loved and lost than never to have loved at all. The piece considers and ultimately rejects this notion. My goal was to combine the narrative of romantic loss - with its elements of anger, nostalgia, despair and ultimately defiance - with a strict compositional technique and economy of material. The piece is based on two motives: the gruff, ascending three notes of the first bar and a descending half-step sigh, which is eventually transformed and intensified into a glissando ascending major-7th. Anger Management was premiered and recorded on April 1st, 2013 by Derek Cooper and the Manhattan School of Music String Ensemble.

SKU: HL.14035485

ISBN 9788759877807. Danish.

Walden for wind quintet was written in 1978 and commissioned by the Funen Wind Quintet. The title is taken from the American philosopher and poet Henry David Thoreau's novel from 1854 about living in the woods, which Thoreau did for two years. His stay there was an experiment, an attempt to strip away all the artificial needs imposed by society and rediscover man's lost unity with nature. In that particular sense his novel is a documentation of social inadequacy and a work of poetry (Utopia) as well. All thought Thoreau himself never completed any actual social analysis he was way ahead of his own time in his perception of the economy and cyclic character of Nature, today knownas ecology. His ideas are particularly relevant now that pollution caused by society has reached alarming proportions. Walden was written in a style of re-cycling and new simplicity. A lot of superfluous material has been peeled away in order to give space to different qualities such as identity and clarity. Various layers are encountered in the quintet such as the organic (growth, flowering, Decay), concretism (mechanical patterns) and finally the descriptive (distant horn calls and other ghost-like music of the past enter our consciousness like a dream). Walden consist of four movements. In 1995 another version for reed quintet was written to the Calefax Reed Quintet. Hans Abrahamsen.

SKU: CF.SPS40

ISBN 9780825870767. UPC: 798408070762. Key: Db major.

Using the contemporary styling of composer Warren Benson, Gregory Rudgers offers the band world a companion piece to Benson's popular Night Song. Similar in style but distinctive in many ways, Night Fantasy is a study in compositional economy and depth. A serious choice of literature for your next concert or contest/festival performance.

SKU: MN.80-312

UPC: 688670803123. English, Latin. Psalm 85:13; Baruch 5:5; 4:36; Isaiah 35:4; Isaiah 7:14; Psalm 87:3; Luke 1:49; Isaiah 40:5; John 1:14; Zechariah 9:9; Psalm 98:3; Baruch 3:38; Hebrews 13:8; Matthew 2:2; John 1:32, 34.

These communion antiphons for the Sundays and Feasts of Advent and Christmastide are written with an economy that belies their depth of expression. Set for unaccompanied SATB voices but also effective with a cantor and accompaniment.