Elfin Thunderbolt

Concert Band (2 flutes, piccolo, 2 oboes, 3 clarinets*, 2 bass clarinets, 2 bassoons; 2 alto saxophones, tenor saxophone, baritone saxophone; 4 horns, 6 trumpets, 3 trombones, 2 euphoniums, 2 tubas; timpani, 6 percussion, string bass (*at least 2 per part))

SKU: SU.90810031

For Concert Band. Composed by Nancy Galbraith. Woodwinds, Woodwind Ensemble. Score & Parts. Composed 1998. Duration 9'. Subito Music Corporation #90810031. Published by Subito Music Corporation (SU.90810031).

Instrumentation : 2fl, picc, 2ob, 3cl*, 2bs-cl, 2bn; 2a-sax, t-sax, b-sax; 4hn, 6tpt, 3tbn, 2euph, 2tba; timp, 6perc, string-bass (*at least 2 per part) Duration: 9' Study Score: available for sale (#90810030) Composed: 1998 Published by: Subito Music Publishing ... a high-energy score .... The music drives hard from its opening to a lullaby-like woodwind passage about two-thirds of the way through. The dreaminess is dispatched by the arrival of a snare drum that slowly ratchets the excitement level back to that of the work's opening. --Fanfare Magazine.

Concert Band (2 flutes, piccolo, 2 oboes, 3 clarinets*, 2 bass clarinets, 2 bassoons; 2 alto saxophones, tenor saxophone, baritone saxophone; 4 horns, 6 trumpets, 3 trombones, 2 euphoniums, 2 tubas; timpani, 6 percussion, string bass (*at least 2 per part))

SKU: SU.90810030

For Concert Band. Composed by Nancy Galbraith. Woodwinds, Woodwind Ensemble. Study Score. Composed 1998. Duration 9'. Subito Music Corporation #90810030. Published by Subito Music Corporation (SU.90810030).

Instrumentation : 2fl, picc, 2ob, 3cl*, 2bs-cl, 2bn; 2a-sax, t-sax, b-sax; 4hn, 6tpt, 3tbn, 2euph, 2tba; timp, 6perc, string-bass (*at least 2 per part) Duration: 9' Full Score & Parts: available for sale (#90810031) Composed: 1998 Published by: Subito Music Publishing ... a high-energy score .... The music drives hard from its opening to a lullaby-like woodwind passage about two-thirds of the way through. The dreaminess is dispatched by the arrival of a snare drum that slowly ratchets the excitement level back to that of the work's opening. --Fanfare Magazine.