An Empty Sea

SKU: WD.080689562174

UPC: 080689562174.

â €œIt’s Easter and Jesus has risen! All that the cross was supposed to accomplish has been completed, and we can rejoice as children of the resurrection; as believers who have been given purpose and power in knowing the living, risen Christ!”
Joel Lindsey’s new song, “Let All the World Sing”, opens the curtain on this triumphant new musical for Easter, THE TOMB IS EMPTY NOW. Crafted by the unparalleled creative team of multiple Dove-Award winning songwriter Joel Lindsey and celebrated arranger Cliff Duren, THE TOMB IS EMPTY NOW portrays the Passion of the Christ through a stunning array of celebratory and thought-provoking songs, songs of deeply-felt pain and sorrow, and songs of great rejoicing.

The love Jesus displayed on the cross and the death He died there isn’t the end of the story! Somewhere in the night the LAMB of the cross became the LORD of an EMPTY TOMB! And now, centuries later, we live because He lives! Every prodigal child has a home, every disease-ridden saint has the hope of healing, every lonely outcast can find redemption… because Jesus died and was laid in a tomb, and that tomb… is EMPTY NOW!

SKU: HL.14042752

ISBN 9780711965454. 9.0x12.0x0.403 inches.

A series of popular music for working string quartets. Light enjoyable repertoire pieces and entertaining encores. Each folio contains five pieces. Contents: 'Empty Chairs at Empty Tables', 'I Don't Know To Love Him', 'If I Were ARich Man', 'Somewhere', 'Tonight'.

SKU: HL.275444

UPC: 888680744038. 5.0x5.0x0.15 inches.

From the musical Les Miserables, this powerful ballad is full of grief but also the hope that leads us to speak truth to power. This arrangement captures the raw emotion of one who has lost friends and carries the pain and guilt of the one who lives on. Here is a song for your concert or show choir that requires their full vocal ranges along with the full emotional ranges expressed by heartfelt lyrics.

SKU: DY.DO-1521

ISBN 9782897963019.

Dedi cated to the luminary Steve Cowan, …empty mind, open heart… is a four-movement suite that centers around the intervals of a fifth and a tritone. Each movement is inspired by a quote from the Tao Te Ching by Lao Tzu. The opening movement is a meditation. The aleatoric rhythms and pacing of the notes are guided by the breathing of the performer, according to specific instructions in the score. Out of that atmosphere emerges a fluid, serene series of arpeggios in irregular rhythms in the second movement. Each new chord changes only one or two notes at a time in a gradual evolution over time. The third movement is a study in rhythm, sometimes dizzying. And the piece ends with a heartfelt, mostly quiet soliloquy.

Dédié e à la sommité Steve Cowan, … esprit vide, cœur ouvert… est une suite en quatre mouvements centrée sur les intervalles d'une quinte et d'un triton. Chaque mouvement est inspiré d'une citation du Tao Te Ching de Lao Tseu. Le mouvement d’ouverture est une méditation. Les rythmes aléatoires et le rythme des notes sont guidés par la respiration de l'interprète, selon des instructions spécifiques de la partition. De cette atmosphère émerge une série d’arpèges fluides et sereins aux rythmes irréguliers dans le deuxième mouvement. Chaque nouvel accord ne change qu'une ou deux notes à la fois selon une évolution progressive dans le temps. Le troisième mouvement est une étude du rythme, parfois vertigineuse. Et la pièce se termine par un monologue sincère, plutôt calme.

SKU: WD.080689724237

UPC: 080689724237.

In an irresistible blues style, Empty Grave features strong choral backgrounds that support a soulful tenor solo. Consider this anthem as an exciting and engaging opener to your Easter service.

SKU: HL.843214

ISBN 9781423499893. UPC: 884088533373. 9.0x12.0x0.317 inches.

For use with all C, Bb, Eb, and Bass Clef instruments, the Hal Leonard Blues Play-Along series is the ultimate jamming tool for all blues musicians. With easy-to-read lead sheets and other split-track choices on the included tracks, these first-of-a-kind packages will bring your local blues jam right into your house! 8 songs: Ain't Gone 'n' Give up on Love * Couldn't Stand the Weather * Crossfire * Empty Arms * Honey Bee * Love Struck Baby * Rude Mood * Scuttle Buttin'. The price of this book includes a unique code that provides access to audio tracks online, for download or streaming. The tracks include PLAYBACK+, a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right - available exclusively from Hal Leonard.

SKU: GI.G-10421

ISBN 9781622775835. Text by Chris Shelton.

GIA is proud to introduce Chris Shelton, an exciting new voice in the field of congregational song. Chris writes with a clear pastoral sense of how songs function within worship. Many of these fifty selections have the potential to become well-loved and frequently used across a wide variety of congregations. Sing No Empty Alleluias will be an important resource for church musicians and hymnal committees.

SKU: PR.114422230

ISBN 9781491133910. UPC: 680160683383. 9 x 12 inches.

HALL OF GHOSTS was composed in 2020 during the Covid-19 lockdown period; it was inspired by piccoloist Gudrun Hinze’s video for Harberg’s Prayer Project filmed in the hauntingly empty Gewandhaus Chamber Music Hall. Evocative of imagined spirits in the empty hall, the music pitsdramatic silences, amid searching and plaintive phrases of the piccolo, against a lively middle section – a dialogue between the ticking of time and an instrument striving to make itself heard.
HALL OF GHOSTS was composed in April 2020 as a “thank you” giftdedicated to the wonderful community of flutists who participated inmy Prayer Project – a virtual flute orchestra project that I producedduring the Covid-19 lockdown period.HALL OF GHOSTS was inspired by piccoloist Gudrun Hinze, whorecorded her part for the Prayer Project in the empty GewandhausChamber Music Hall. This hall would normally be full of musiciansrehearsing and performing, but now, due to Covid-19, the hall layempty and filled only with echoes and memories. The image of Gudrun’ssolitary piccolo inspired in me a musical invocation, imploring thespirits to let the music return.In the first section, the silence of rests and pauses creates an expressivebackground for the searching and plaintive phrases of the solo piccolo.The lively middle section is a contrapuntal dialogue between theticking of time and an instrument striving to make itself heard. Thesematerials trade off throughout the piece. You can decide through yourinterpretation on who wins. The music? Or the ghosts?— Amanda Harberg.

SKU: PR.114422950

ISBN 9781491134870. UPC: 680160685370.

HALL OF GHOSTS was composed in 2020 during the Covidlockdown period. Evocative of imagined spirits in an empty concert hall, the music pits dramatic silences, amid searching and plaintive phrases of the clarinet, against a lively middle section — a dialogue between the ticking of time and an instrument striving to make itself heard. The work was inspired by piccoloist Gudrun Hinze’s video for Harberg’s Prayer Project, filmed in the hauntingly empty Gewandhaus Chamber Music Hall.
Hall of Ghosts was composed in April 2020 as a “thank you” gift dedicated to the wonderful community of flutists who participated in my Prayer Project – a virtual flute orchestra project that I produced during the Covid-19 lockdown period. In July 2021, I arranged Hall of Ghosts for clarinetist Christopher Pell, who premiered the new version at the Interlochen Center for the Arts.Hall of Ghosts was inspired by piccoloist Gudrun Hinze, who recorded her part for the Prayer Project in the empty Gewandhaus Chamber Music Hall. This hall would normally be full of musicians rehearsing and performing, but now, due to Covid-19, the hall lay empty and filled only with echoes and memories. The image of Gudrun’s solitary piccolo inspired in me a musical invocation, imploring the spirits to let the music return.In the first section, the silence of rests and pauses creates an expressive background for the searching and plaintive phrases of the solo piccolo. The lively middle section is a contrapuntal dialogue between the ticking of time and an instrument striving to make itself heard. These materials trade off throughout the piece. You can decide through your interpretation on who wins. The music? Or the ghosts?

SKU: SU.29000230

A colorful book from the mind and hand of the great master jazz pianist. It's a kick to make something out of nothing. It seems most people like to do this. The lady of the house takes a look at an empty kitchen table and envisions a table setting including flowers and napkins with a particular design. Or an architect sees an empty lot and envisions a new apartment building in that space complete with interior and exterior colors and materials. Or anybody, including myself, takes a look at a blank piece of paper and starts drawing shapes on it......There's another very human tendency - and that's to want to attach meaning and significance to things in life - to a song, to an event, to something viewed - literally to anything. It's usually an automatic thing. Everything needs to mean something. This tendency to attach meaning is also a kind of creativity, I suppose. But I find that, unless there is also a sufficient amount of creation without meaning or purpose then the motions and emotions of living can become bogged down with too much weighty significance. - Chick Corea (Excerpted from the foreward to Creativity & Doodling) Book size: 6x6 36 pages Published by: Chick Corea Productions.